Bibliografias temáticas / Marillier

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Literatura científica selecionada sobre o tema "Marillier"

Autor: Grafiati
Publicado: 8 de março de 2025

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Artigos de revistas sobre o assunto "Marillier"

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Le Maléfan, Pascal. "Léon Marillier, figure de la psychologie naissante (1862-1901)". Bulletin de psychologie Numéro 476, n.º 2 (2005): 267. http://dx.doi.org/10.3917/bupsy.476.0267.

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Gladu, Kim. "De Raymond à Marillier : illustrer les contes de M me d’Aulnoy". Littératures classiques N° 109, n.º 3 (13 de junho de 2023): 71–89. http://dx.doi.org/10.3917/licla1.109.0071.

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Les illustrations des récits de Marie-Catherine Le Jumel de Barneville, baronne d’Aulnoy, ont peu attiré l’attention de la critique, qui s’est davantage intéressée aux frontispices des divers recueils de la conteuse. Or, celles-ci nous permettent de mieux comprendre l’évolution qui caractérise la réception du genre féerique au cours du xviii e siècle, de même que le rapport entre texte et image dans le contexte particulier du conte de fées, qui, par nature, donne à voir. L’étude diachronique de séries iconographiques produites pour illustrer les diverses éditions des Contes nouveaux ou les Fées à la mode d’Aulnoy apparaît alors comme une voie prometteuse pour appréhender ces deux phénomènes. Dans cet article, nous nous intéressons plus particulièrement à celles réalisées pour les contes « La biche au bois », « Belle Belle ou le chevalier Fortuné » et « Le pigeon et la colombe », d’abord sous la forme de gravures réalisées par Jean Raymond pour le recueil en quatre tomes publié chez la veuve de Théodore Girard en 1698, et ensuite dans les versions en pleine page que fournit Clément-Pierre Marillier pour le Cabinet des fées (1785-1787) que dirigera Charles-Joseph de Mayer.
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Matuszko, Kinga. "W poszukiwaniu Pięknego Ludu – palingeneza niektórych motywów folkloru celtyckiego w wybranych powieściach young adult fantasy". Dzieciństwo. Literatura i Kultura 5, n.º 2 (14 de fevereiro de 2024): 89–113. http://dx.doi.org/10.32798/dlk.1202.

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Celem artykułu jest prześledzenie inspiracji elementami folkloru i mitologii celtyckiej w prozie young adult fantasy oraz sprawdzenie, w jaki sposób są one eksplorowane w cyklu Siedmiorzecze Juliet Marillier (1999–2001), wieloksięgu The Raven Cycle (2012–2016) i powieści Wyścig śmierci (2011) Maggie Stiefvater, cyklu Królowa lata Melissy Marr (2007–2011), powieści Rzeka zaklęta Rebekki Ross (2022) oraz cyklach stworzonych przez Cassandrę Clare: Dary Anioła (2007–2014), Mroczne intrygi (2016–2018) i Sarah J. Maas: Dwór cierni i róż (2015–2021), Księżycowe Miasto (2020–2024), Szklany tron (2012–2018). Analiza dotyczy zwłaszcza postaci wróżki, istoty z celtyckiego folkloru pojawiającej się w popkulturze najczęściej, w mniejszym stopniu innych aspektów wierzeń i obyczajów wywodzących się z tego kręgu kulturowego. Autorka wskazuje, że choć nie wszystkie twórczynie w pełni wykorzystały ich potencjał, pozostają one interesującym i inspirującym zbiorem znaczeń i symboli, które stanowią urozmaicenie i alternatywę dla autorek i autorów chcących (s)tworzyć nowe fabuły, wyzyskujące mitologie i wierzenia (nie tylko) europejskich społeczności przedchrześcijańskich oraz wprowadzić do nich aktualną problematykę.
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Le Maléfan, Pascal, e Andreas Sommer. "Léon Marillier and the veridical hallucination in late-nineteenth- and early-twentieth-century French psychology and psychopathology". History of Psychiatry 26, n.º 4 (16 de novembro de 2015): 418–32. http://dx.doi.org/10.1177/0957154x14562756.

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Zygel-Basso, Aurélie. "Décors et merveilles: Les Cadres éloquents dans les collections illustrées (Clément-Pierre Marillier,Le Cabinet des féesetLes Voyages imaginaires, 1785–89)". Eighteenth-Century Fiction 23, n.º 4 (julho de 2011): 745–98. http://dx.doi.org/10.3138/ecf.23.4.745.

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Borshch, Elena V. "Depicting Scent: Incense Burners in the French Engravings of the 18th Century". Izvestia of the Ural federal university. Series 2. Humanities and Arts 26, n.º 1 (2024): 249–67. http://dx.doi.org/10.15826/izv2.2024.26.1.016.

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This article is devoted to the comparative study of images of the incense burner, i.e. a device for filling the interior with a pleasing scent. The author refers to materials from French design and book engravings of the eighteenth century. The article contains descriptions and results of a comparative analysis of engraved images of incense burners in the works of French decorators and illustrators of the eighteenth century. A comparative study of incense burners as a sketch of an interior item and as the entourage of a book illustration makes it possible to trace the changes in their typology, style, and semantics over the eighteenth century. The article refers to engraved sketches of incense burners in the projects of French architects and ornamentalists of the eighteenth century, such as J. Bйren, B. Turreau, J.-M. Oppenord, J.-F. Blondel, J.-Ch. Delafosse, J.-F. de Nefforge, J.-F. Boucher, R. De La Londe, and J.-F. Forty. Secondly, it draws upon book engravings depicting incense burners created by such artists as C. Gillot, L.-F. Dubourg, H.-F. Gravelot, F. Boucher, Ch. Eisen, J.-J.-F. Le Barbier, K.-P. Marillier, J.-M. Moreau le Jeune, J. de Sиve, and A. Borel. As a result of the description and analysis of images, the author determines the genres and features of the iconography of the incense burner. A comparative analysis of design and book engravings helps address the problem of the genesis of the image of the incense burner in illustrations. The author substantiates the direct influence of design engravings on the images of incense burners in book illustrations and at the same time, the absence of a “literal” influence of literary texts, pointing out the stable continuity of images of the incense burner in similar works of illustrators for different editions of the same literary text. In a comparative aspect, the article analyses the semantics of images of the incense burner in the design and book engravings, noting the predominance of the sensual-hedonistic connotation of the images of the incense burner over the eighteenth century.
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Defrance, Anne. "Aurélie Zygel-Basso (dir.), Kim Gladu et Daphne M. Hoogenboezem, avec la collaboration d’Amélia Belin, Imager la Romancie, Dessins de Clément-Pierre Marillier pour Le Cabinet des fées et Les Voyages i". Féeries, n.º 11 (19 de dezembro de 2014): 274–82. http://dx.doi.org/10.4000/feeries.932.

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Sanders, Theodore J., Christopher S. Nabel, Margreet Brouwer, Annelise L. Hermant, Lucas Chaible, Jean-Philippe Deglasse, Angelique Pabois et al. "Abstract 734: Inhibition of equilibrative nucleoside transporter 1 relieves intracellular adenosine-mediated immune suppression". Cancer Research 84, n.º 6_Supplement (22 de março de 2024): 734. http://dx.doi.org/10.1158/1538-7445.am2024-734.

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Abstract The profound benefit of immune checkpoint blockade for cancer therapy is restricted to limited subsets of patients with specific cancers. Many factors contribute to primary and acquired resistance to immune checkpoint blockade, including local accumulation of immunosuppressive metabolites such as the nucleoside adenosine and downstream adenosine receptor signaling. Pharmacological inhibition of adenosine generation and signaling are active areas of clinical investigation. Here we report a novel mechanism whereby adenosine suppresses anti-cancer immune responses by intracellular accumulation. We show that human T cells readily take up adenosine via equilibrative nucleoside transporter 1 (ENT1), suppressing proliferation and effector function by inhibition of de novo pyrimidine nucleotide synthesis in T cells. ENT1 expression increases upon T cell activation, suggesting uptake of extracellular adenosine is a mechanism to limit T cell responses in high adenosine environments. Quantitative mass spectrometry imaging reveals adenosine concentrations in human tumors up to the range of 100 µM - levels significantly greater than previously demonstrated and consistent with suppression of T cell responses. Deletion of ENT1 leads to potent control of tumor growth in syngeneic mouse models including KPC, a poorly immunogenic model of pancreatic ductal adenocarcinoma, and is associated with increased CD8+ T cell frequency, proliferation and cytokine production within tumors. Furthermore, ENT1 expression was observed by flow cytometry on human tumor-infiltrating CD8+ T cells. We have discovered and characterized EOS301984, a potent ENT1 antagonist that is currently being evaluated in patients with advanced solid tumors. EOS301984 blocks intracellular adenosine transport and restores pyrimidine levels in T cells activated in the presence of adenosine, resulting in enhanced tumor cell killing by memory T cells and increased ex vivo expansion of functional human tumor-infiltrating lymphocytes in adenosine-rich environments. Finally, in a humanized mouse model of triple negative breast cancer resistant to anti-PD-1 blockade (MDA-MB-231), combination of EOS301984 with nivolumab synergistically led to control of tumor growth. Thus, ENT1 inhibition represents a novel approach to augment anti-cancer immune responses through restoring pyrimidine nucleotide synthesis in T cells suppressed by adenosine. Citation Format: Theodore J. Sanders, Christopher S. Nabel, Margreet Brouwer, Annelise L. Hermant, Lucas Chaible, Jean-Philippe Deglasse, Angelique Pabois, Wilfried Cathou, Aurore Smets, Michael Deligny, Joao Marchante, Quentin Dubray, Marie-Claire Lettelier, Chiara Martinoli, Reece Marillier, Olivier De Henau, Yvonne McGrath, Matthew G. Vander Heiden, Erica Houthuys. Inhibition of equilibrative nucleoside transporter 1 relieves intracellular adenosine-mediated immune suppression [abstract]. In: Proceedings of the American Association for Cancer Research Annual Meeting 2024; Part 1 (Regular Abstracts); 2024 Apr 5-10; San Diego, CA. Philadelphia (PA): AACR; Cancer Res 2024;84(6_Suppl):Abstract nr 734.
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Ditlevsen, Marianne. "Paul Valentin (Hrsg.): Rechts von N. Untersuchungen zur Nominalgruppe im Deutschen. Tübingen: Narr Verlag, 1992 og Marcel Vuillaume, Jean-François Marillier, Irmtraud Behr (Hrsg.): Studien zur Syntax und Semantik der Nominalgruppe. Tübingen: Narr Verlag, 1993". HERMES - Journal of Language and Communication in Business 8, n.º 15 (8 de fevereiro de 2017): 281. http://dx.doi.org/10.7146/hjlcb.v8i15.25379.

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Grass, Silvana. "Von Marillen bis Biertrebern". agrarzeitung 79, n.º 50 (2024): 3. https://doi.org/10.51202/1869-9707-2024-50-003.

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Die NEWMEAT Akademie ist eine neue, zukunftsträchtige Initiative der dfv Mediengruppe, in der auch die agrarzeitung erscheint. Durch den Fokus auf pflanzliche Proteine können sich Einkommensperspektiven für Landwirte ergeben.
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Teses / dissertações sobre o assunto "Marillier"

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Täckenström, Felicia. "Världar av vackra kvinnor och våldsamma män : En analys av två fantasyromaner ur ett genusmedvetet perspektiv". Thesis, Högskolan Dalarna, Litteraturvetenskap, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:du-22643.

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This essay explores whether the gender constructions in Joe Abercrombie’s Best Served Cold and Juliet Marillier’s Daughter of the Forest question or contribute to existing gender categories. The analysis is performed using Raewynn Connell’s gender structure model, Brian Attebery’s theory of fantasy as a "fuzzy set" and Maria Nikolajeva’s schedule for stereotypical gender traits. Thus, both of the texts were analyzed to determine if their contents, structures and reader responses create opportunities or act limiting, how the main characters are portrayed and how the books various power-, production-, emotional- and symbolic relations look like. The result of the analysis is that both of the books portray patriarchal worlds, sexual division of labor, misogyny and gender-binding statements. The characters in Daughter of the Forest are quite stereotypical, with some traits that exceed their gender, whilst the characters in Best Served Cold are all portrayed with traditionally manly traits (even the female main character). Therefor one can say that Best Served cold’s female protagonist is the only element in the books that fully questions prevailing gender categories.
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Ponty, Florian. "La collection des voyages imaginaires, songes, visions et romans cabalistiques (1787-1789) : Enjeux éditoriaux, génériques et idéologiques dans l'Europe des Lumières". Electronic Thesis or Diss., Université Côte d'Azur, 2024. http://www.theses.fr/2024COAZ2044.

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Cette thèse se concentre principalement sur la collection des Voyages imaginaires, songes, visions et romans cabalistiques publiée par l'éditeur Charles-Georges-Thomas Garnier (1787-1789). Elle contient de nombreuses œuvres de fiction françaises de la fin du XVIIe siècle et du XVIIIe siècle, ainsi que quelques traductions, principalement de l'anglais. Des romans tels que Robinson Crusoé de Defoe, Les Voyages de Gulliver de Swift, Micromégas de Voltaire, L'Autre Monde de Cyrano de Bergerac ou L'Histoire véritable de Lucien de Samosate figurent dans cette collection. La collection établie par Garnier constitue un excellent point de référence pour mieux comprendre ce qui rassemble ces fictions et ce qui les caractérise. Bien que les critiques modernes tendent à les assigner aux genres de l'utopie, de la science-fiction ou du fantastique, cette étude cherche à comprendre la riche catégorisation générique spécifique à cette période et à la situer par rapport à ces concepts plus modernes. La thèse propose ainsi un parcours critique structuré autour d'une exploration du paratexte pour éclairer les fondements du projet éditorial de Garnier. L'analyse se concentre premièrement sur la manière dont les paratextes orientent la réception des œuvres et construisent une cohérence d'ensemble. Ce premier regard s'élargit progressivement pour étudier l'effet de recueil en mettant en lumière les réseaux de significations qui tissent une cartographie de l'imaginaire. Cette dynamique est approfondie par une réflexion sur le genre littéraire articulée autour de deux dimensions : le rapport au voyage, à travers une rhétorique de la vraisemblance qui pastiche les récits authentiques, et le rapport à l'imagination, en examinant leur ancrage dans le merveilleux, la conjoncture rationnelle et le fantastique. Finalement, trois affirmations clés émergent de l'appareil paratextuel et se confirment au fil de l'étude. Premièrement, les voyages imaginaires et les genres apparentés ont une forte propension à l'intertextualité et à l'hypertextualité selon le sens de Gérard Genette. Deuxièmement, ces fictions s'inscrivent dans la catégorie des romans connue à l'époque sous le nom d'ouvrages d'imagination, aux côtés des contes de fées et des contes orientaux. Enfin, elles sont conçues pour avoir un impact éducatif sur le lecteur, participant ainsi à un projet d'édification critique
This thesis focuses primarily on the collection of Voyages imaginaires, songes, visions et romans cabalistiques published by Charles-Georges-Thomas Garnier (1787-1789). It includes numerous French fictional works from the late 17th and 18th centuries, along with several translations, mainly from English. Novels such as Defoe's Robinson Crusoe, Swift's Gulliver's Travels, Voltaire's Micromégas, Cyrano de Bergerac's L'Autre Monde, and Lucian of Samosata's A True Story are featured in this collection. The collection established by Garnier constitutes a good point of reference to better understand what brings together these fictions and what characterizes them. Although the modern critics tend to assign them to the genres of utopia, science fiction or to the French concept of fantastique, this study aims to explore the rich and nuanced genre categorisation specific to this period, situating it within the framework of modern concepts. The thesis proposes a critical journey structured around an examination of the paratext, shedding light on the foundations of Garnier's editorial project. The analysis focuses first on how these paratexts shape the reception of the works and create a cohesive narrative. This initial perspective gradually broadens to consider the collection effect revealing the intricate networks of meaning that form a comprehensive cartography of the imagination. This exploration is further enriched by a reflection on literary genre, articulated through two dimensions: the relationship to travel, characterized by a rhetoric of verisimilitude that pastiches authentic narratives, and the relationship to imagination, examining their connections to fantasy, rational conjecture and the fantastique. Finally, three key statements emerge from the paratextual apparatus and are confirmed in the course of the study. First, the imaginary voyages have a strong propensity for intertextuality and hypertextuality in Gérard Genette's sense. Second, these fictions are part of the novelistic category known at the time as works of imagination (ouvrages d'imagination) alongside fairy tales and oriental tales. Finally, they are supposed to have an educational impact on the reader, thus contributing to a project of critical edification
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Livros sobre o assunto "Marillier"

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1979-, Hoogenboezem Daphne Manon, Zygel-Basso Aurélie e Belin Amélia, eds. Imager la romancie: Dessins de Clément-Pierre Marillier pour Le cabinet des fées et Les voyages imaginaires (1785-1789). Paris: Hermann, 2013.

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Gifford, Clive. The Script Marillion: An illustrated biography. London: Omnibus, 1987.

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3

honoree, Negro Ponzi Mariamaddalena, ed. Le archeologie di Marilli: Miscellanea di studi in ricordo di Maria Maddalena Negro Ponzi Mancini. Alessandria: Edizioni dell'Orso, 2018.

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4

Python, Francis. Mgr Etienne Marilley et son clergé à Fribourg au temps du Sonderbund, 1846-1856: Intervention politique et défense religieuse. Fribourg, Suisse: Editions universitaires, 1987.

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Marillier Untitles Do Not Use. HarperCollins Publishers Limited, 2002.

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6

Corbigny, Par M. l'abbé Marillier ... ... Creative Media Partners, LLC, 2018.

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Corbigny, Par M. l'abbé Marillier ... ... Creative Media Partners, LLC, 2018.

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8

Anonyma. Amours du Chevalier de Faublas. Nouv. éD. , Ornée de 4 Jolies Gravures d'après Marillier. Creative Media Partners, LLC, 2023.

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Amours du Chevalier de Faublas. Nouv. éD. , Ornée de 4 Jolies Gravures d'après Marillier. Creative Media Partners, LLC, 2018.

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10

Sacy, Isaac LeMaistre de. Sainte Bible, Contenant l'ancien et le Nouveau Testament Ornée de 300 Fig. d'apès Marillier... Creative Media Partners, LLC, 2022.

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Capítulos de livros sobre o assunto "Marillier"

1

Strähle, Jochen, e Lena Bulling. "Fallstudie: Marillion". In Mode & Musik, 269–91. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-19-8736-6_13.

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Strähle, Jochen, e Lena Bulling. "Case Study: Marillion". In Fashion & Music, 245–64. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-5637-6_13.

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Rüfner, Thomas. "Marillen, Marken und Moneten – Friedrich Torberg als Zeuge im Streit um die »Original-Sachertorte«". In Geschichte und Zukunft des Urheberrechts II, 155–68. Göttingen: V&R unipress, 2020. http://dx.doi.org/10.14220/9783737011761.155.

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Boeckmann, Klaus-Börge. "Schmackhafte MARILLE?" In Mehrsprachigkeit und Professionalisierung in pädagogischen Berufen, 147–54. Budrich UniPress, 2014. http://dx.doi.org/10.2307/j.ctvddzk23.11.

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