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Livros sobre o tema "Manuscrits byzantins"

Autor: Grafiati

Publicado: 29 de março de 2025

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1

Université de Paris IV: Paris-Sorbonne, ed. L'hymne acathiste dans les manuscrits musicaux byzantins des XIV-ème et XV-ème siècles. Lille: A.N.R.T, Université de Lille III, 1995.

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2

Stănculescu, Ileana. Manuscrise bizantine în colecții bucureștene =: Byzantine manuscripts in Bucharest's collections. București: Institutul Cultural Român, 2009.

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3

Jens, Fleischer, Hjort Øystein e Rasmussen Mikael Bøgh, eds. Byzantium: Late antique and Byzantine art in Scandinavian collections. [Copenhagen]: Ny Carlsberg Glyptotek, 1996.

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4

Adam, Bülow-Jacobsen, e Københavns universitet Klassisk institut, eds. Subliterary texts and Byzantine documents from Egypt. Bonn: R. Habelt, 1985.

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5

Mircea, Ion-Radu. Repertoire des manuscrits slaves en Roumanie: Auteurs byzantines et slaves. Sofia: Institut d'Études balkaniques, 2005.

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6

Wilson, Nigel Guy. Mediaeval Greek bookhands: Examples selected from Greek manuscripts in Oxford libraries. Cambridge, Mass: Medieval Academy of America, 1995.

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7

Herwig, Maehler, ed. Greek bookhands of the early Byzantine period, A.D. 300-800. London: University of London, Institute of Classical Studies, 1987.

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8

Sinkewicz, Robert E. Manuscript listings for the authors of the patristic and Byzantine periods. Toronto, Ont., Canada: Pontifical Institute of Mediaeval Studies, 1992.

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9

Colloque international "Signes dans les textes, recherches sur les continuités et les ruptures des pratiques scribales en Égypte pharaonique, gréco-romaine et byzantine" (2016 Liège, Belgium). Signes dans les textes: Continuités et ruptures des pratiques scribales en Égypte pharaonique, gréco-romaine et byzantine : actes du colloque international de Liège (2-4 juin 2016). Liège: Presses Universitaires de Liège, 2020.

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10

Cutler, Anthony. Imagery and ideology in Byzantine art. [Aldershot], Hampshire, Great Britain: Variorum, 1992.

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11

Cutler, Anthony. Imagery and ideology in Byzantine art. Hampshire, Great Britain: Variorum, 1992.

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12

Hellados, Ethnikē Vivliothēkē tēs. Catalogue of the illuminated Byzantine manuscripts of the National Library of Greece. Athens: Publications Bureau of the Academy of Athens, 1985.

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13

Spronk, Klaas, Gerard Rouwhorst e Stefan Royé, eds. A Catalogue of Byzantine Manuscripts in their Liturgical Context: Challenges and Perspectives. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.cbm-subsidia-eb.6.09070802050003050408090501.

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14

S, Nelson Robert. Theodore Hagiopetrites: A late Byzantine scribe and illuminator. Wien: Verlag der Österreichischen Akademie der Wissenschaften, 1991.

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15

Tessari, Silvia. Byzantine music and the Veneto region: Studies in the manuscript collections. Alessandria: Edizioni dell'Orso, 2018.

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16

Carr, Annemarie Weyl. Byzantine illumination, 1150-1250: The study of a provincial tradition. Chicago: University of Chicago Press, 1985.

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17

Carr, Annemarie Weyl. Byzantine illumination, 1150-1250: The study of a provincial tradition. Chicago: University of Chicago Press, 1987.

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18

Žeňuch, Peter. Cyrillic manuscripts from East Slovakia Slovak Greek Catholics: Defining factors and historical milieu = Cyrilské rukopisy z východného Slovenska, Slovenskí gréckokatolíci, vzťahy a súvislosti. Roma: [Pontifico Istituto Orientale], 2003.

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19

Kilica, Holta Sina. Kodikët ekfonetikë të Shqipërisë. Tiranë: Akademia e Shkencave e Shqipërisë, 2019.

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20

Ceulemans, R. J. M. Receptions of the Bible in Byzantium: Texts, manuscripts, and their readers. Uppsala, Sweden: Uppsala Universitet, 2021.

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21

Corrigan, Kathleen Anne. Visual polemics in the ninth-century Byzantine psalters. Cambridge [England]: Cambridge University Press, 1992.

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22

Gatsioufa, Paraskevi. El legado musical griego en España: Manuscritos griegos de música bizantina en bibliotecas españolas. Granada: Universidad de Granada/CDMA, 2015.

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23

Jakovljević, Andrija. Catalogue of Byzantine chant manuscripts in the monastic and episcopal libraries of Cyprus. Nicosia: Kentron Epistēmonikōn Ereunōn Kyprou, 1990.

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24

McKay, Gretchen Kreahling. Imaging the divine: A study of the representations of the Ancient of Days in Byzantine manuscripts. Ann Arbor, Mich: UMI Dissertation Services, 1997.

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25

Șirli, Adriana. Repertoriul tematic al manuscriselor muzicale bizantine și post-bizantine 9seoclele XIV-XIX) =: The thematic repertory of Byzantine and Post-Byzantine musical manuscripts (the 14th-19th centuries). Bucuresti: Editura Muzicala, 1986.

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26

Mezhdunarodnai︠a︡ konferent︠s︡ii︠a︡ "Paleografii︠a︡ i kodikologii︠a︡, 300 let posle Monfokona" (2008 Moscow, Russia). Paleografii︠a︡ i kodikologii︠a︡: 300 let posle Monfokona : materialy mezhdunarodnoĭ nauchnoĭ konferent︠s︡ii, Moskva, 14--16 mai︠a︡ 2008 g. Moskva: In-t vseobshcheĭ istorii RAN, 2008.

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27

Croff, Davide. Cantus planus: Notazione musicale bizantina in codici marciani : catalogo della mostra. Editado por Fondazione Levi, Biblioteca nazionale marciana e International Musicological Society. Study Group "Cantus Planus". Meeting. Venezia: Fondazione Levi, 2014.

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28

Atanasov, Asen. Vizantiĭski muzikalni rŭkopisi v Bŭlgarii︠a︡: Repertoar. Sofii︠a︡: Universitetsko izd-vo "Sv. Kliment Okhridski", 2003.

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29

Lowden, John. Illuminated prophet books: A study of Byzantine manuscripts of the major and minor prophets. University Park: Pennsylvania State University Press, 1988.

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30

Acquafredda, Maria Rosaria. Un documento inesplorato: Il pinax della Biblioteca di Fozio. Bari: Edizioni di Pagina, 2015.

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31

1869-1930, Heisenberg August, Wenger Leopold 1874-1953, Hagedorn Dieter e Bayerische Staatsbibliothek, eds. Byzantinische Papyri der Bayerischen Staatsbibliothek München. 2^a ed. Stuttgart: B. G. Teubner, 1986.

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32

Baldwin, Clinton S. The so-called mixed text: An examination of the non-Alexandrian and non-Byzantine text-type in the Catholic Epistles. New York: P. Lang, 2011.

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33

(Spain), Biblioteca Nacional, ed. Lecturas de Bizancio: El legado escrito de Grecia en España. Madrid: Biblioteca Nacional de España, 2008.

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34

Dorotei, Getov, ed. A catalogue of Greek liturgical manuscripts in the "Ivan Dujčev Centre for Slavo-Byzantine Studies". Roma: Pontificio Istituto Orientale, 2007.

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35

Bianconi, Daniele. Tessalonica nell'età dei paleologi: Le pratiche intellettuali nel riflesso della cultura scritta. Paris: Centre d'études byzantines néo-helléniques européenne, 2005.

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36

Bianconi, Daniele. Tessalonica nell'età dei Paleologi: Le pratiche intellettuali nel riflesso della cultura scritta. Paris: EHESS, Centre d'études byzantines, néo-helléniques et sud-est européennes, 2005.

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37

Kosta, Čavoški, ed. Justinijanov zakon: Srednjovekovna vizantijsko-srpska pravna kompilacija. Beograd: SANU, 2007.

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38

Chaldaiakēs, Achilleus G. Ta cheirographa Vyzantinēs mousikēs - nēsiōtikē Hellas: Katalogos perigraphikos tōn cheirographōn mousikōn kōdikōn tōn apokeimenōn en tais vivliothēkais tōn hierōn monōn, tōn hierōn naōn hōs kai loipōn syllogōn tēs nēsiōtikēs Hellados. Athēnai: Hiera Synodos tēs Ekklēsias tēs Hellados, 2005.

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39

Ševčenko, Nancy Patterson. Illustrated manuscripts of the Metaphrastian menologion. Chicago: University of Chicago Press, 1990.

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40

Manuscrise bizantine în colecții bucureștene =: Byzantine manuscripts in Bucharest's collections. București: Institutul Cultural Român, 2009.

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41

Morton, James. Byzantine Religious Law in Medieval Italy. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198861140.001.0001.

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This book is a historical study of these manuscripts, exploring how and why the Greek Christians of medieval southern Italy persisted in using them so long after the end of Byzantine rule. Southern Italy was conquered by the Norman Hauteville dynasty in the late eleventh century after over 500 years of continuous Byzantine rule. At a stroke, the region’s Greek Christian inhabitants were cut off from their Orthodox compatriots in Byzantium and became subject to the spiritual and legal jurisdiction of the Roman Catholic popes. Nonetheless, they continued to follow the religious laws of the Byzantine church; out of thirty-six surviving manuscripts of Byzantine canon law produced between the tenth and fourteenth centuries, the majority date to the centuries after the Norman conquest. Part I provides an overview of the source material and the history of Italo-Greek Christianity. Part II examines the development of Italo-Greek canon law manuscripts from the last century of Byzantine rule to the late twelfth century, arguing that the Normans’ opposition to papal authority created a laissez faire atmosphere in which Greek Christians could continue to follow Byzantine religious law unchallenged. Finally, Part III analyses the papacy’s successful efforts to assert its jurisdiction over southern Italy in the later Middle Ages. While this brought about the end of Byzantine canon law as an effective legal system in the region, the Italo-Greeks still drew on their legal heritage to explain and justify their distinctive religious rites to their Latin neighbours.

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42

Ross, Leslie D. Text, Image, Message. Greenwood Publishing Group, Inc., 1994. http://dx.doi.org/10.5040/9798216024620.

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Ross provides a broad survey of pictures and texts concerning saints, from the Early Christian through the late Gothic period. Both Western and Byzantine material is included. Beginning with the earliest pictures of and stories about saints, the book traces the evolution of hagiographic imagery primarily in manuscript contexts. Because of its cross-disciplinary nature, it will be of interest to audiences interested in Early Christian, Byzantine, and Western medieval culture: religion, society, politics, and art. No other book to date is organized similarly in providing detailed descriptions for the identification of medieval manuscripts with hagiographic texts and illustrations.

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43

Companion to Byzantine Illustrated Manuscripts. BRILL, 2017.

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44

Touwaide, Alain. Byzantine Medicine: Manuscripts and Texts. Taylor & Francis Group, 2017.

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45

Bouras-Vallianatos, Petros. Innovation in Byzantine Medicine. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198850687.001.0001.

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Byzantine medicine is still a little-known and misrepresented field not only in the wider arena of debates on medieval medicine but also among Byzantinists. Byzantine medical literature is often viewed as ‘stagnant’ and mainly preserving ancient ideas; and our knowledge of it continues to be based to a great extent on the comments of earlier authorities, which are often repeated uncritically. This book presents the first comprehensive examination of the medical corpus of, arguably, the most important late Byzantine physician John Zacharias Aktouarios (c.1275–c.1330). The main thesis is that John’s medical works show an astonishing degree of openness to knowledge from outside Byzantium combined with a significant degree of originality, in particular, in the fields of uroscopy, pharmacology, and human physiology. The analysis of John’s edited (On Urines and On Psychic Pneuma) and unedited (Medical Epitome) works is supported for the first time by the consultation of a large number of manuscripts. The study is also informed by evidence from a wide range of medical sources, including previously unpublished ones, and texts from other genres, such as epistolography and merchants’ accounts. The contextualization of John’s works sheds new light on the development of Byzantine medical thought and practice, and enhances our understanding of the late Byzantine social and intellectual landscape. Finally, John’s medical observations are also examined in the light of examples from the medieval Latin and Islamic worlds, placing his medical theories in the wider Mediterranean milieu and highlighting the cultural exchange between Byzantium and its neighbours.

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46

Garipzanov, Ildar. The Power of the Cross and Cruciform Devices in the Carolingian World. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198815013.003.0010.

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This chapter shows the unquestionable role of the sign of the cross as the primary sign of divine authority in Carolingian material and manuscript culture, a role partly achieved at the expense of the diminishing symbolic importance of the late antique christograms. It also analyses the appearance of new cruciform devices in the ninth century as well as the adaptation of the early Byzantine tradition of cruciform invocational monograms in Carolingian manuscript culture, as exemplified in the Bible of San Paolo fuori le mura and several other religious manuscripts. The final section examines some Carolingian carmina figurata and, most importantly, Hrabanus Maurus’ In honorem sanctae crucis, as a window into Carolingian graphicacy and the paramount importance of the sign of the cross as its ultimate organizing principle.

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47

Costruzione e gestione della pagina nel manoscritto bizantino. Cassino: Edizioni dell'Università degli studi di Cassino, 2002.

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48

Initia Carminum Byzantinorum (Supplementa Byzantina). Walter de Gruyter, 2005.

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49

Studies in Byzantine manuscript illumination and iconography. London: Pindar Press, 1996.

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50

Galadza, Daniel. Liturgy in Byzantine Jerusalem. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198812036.003.0002.

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In order to better understand the liturgical tradition of Jerusalem that was lost as a result of Byzantinization, this chapter presents the situation of the liturgy in Jerusalem between the fourth and the seventh centuries, describing the main churches of Jerusalem’s stational liturgy, in particular the Church of the Anastasis or Holy Sepulchre. Liturgical witnesses such as Cyril of Jerusalem and Egeria and texts used in Jerusalem’s liturgy such as lectionaries and hymnals are examined, with a particular focus on the structure of the eucharistic liturgy. After an overview of monastic liturgy in Jerusalem and Palestine, liturgical texts from Constantinople are presented in order that we understand the differences between Jerusalem and Constantinople in late antiquity. The chapter concludes with a discussion of the criteria for selecting liturgical manuscripts that reflect Byzantinization in Jerusalem.

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