Teses / dissertações sobre o tema "Manuscripts – collectors and collecting"
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Hodgson, John. "Class acts : the twenty-fifth and twenty-sixth earls of Crawford and their manuscript collections". Thesis, University of Manchester, 2017. https://www.research.manchester.ac.uk/portal/en/theses/class-acts-the-twentyfifth-and-twentysixth-earls-of-crawford-and-their-manuscript-collections(3ed36c16-23f9-4b9c-85d5-21070eea9984).html.
Texto completo da fonteMampieri, Martina. "From Frankfurt to Jerusalem: Jewish Manuscripts in the Nauheim Collection at the National Library of Israel". HATiKVA e.V. – Die Hoffnung Bildungs- und Begegnungsstätte für Jüdische Geschichte und Kultur Sachsen, 2020. https://slub.qucosa.de/id/qucosa%3A73369.
Texto completo da fonteMorcos, Hannah. "Dynamic compilations : reading story collections in medieval Francophone manuscripts". Thesis, King's College London (University of London), 2015. https://kclpure.kcl.ac.uk/portal/en/theses/dynamic-compilations(b5c36afd-babc-40f5-a34f-e6b661124d7b).html.
Texto completo da fonteResmini, Andrea <1966>. "Information Architecture Modeling for Historical and Juridical Manuscript Collections". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/2941/1/andrea_resmini_tesi.pdf.
Texto completo da fonteResmini, Andrea <1966>. "Information Architecture Modeling for Historical and Juridical Manuscript Collections". Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2010. http://amsdottorato.unibo.it/2941/.
Texto completo da fonteAllen, Katherine June. "Manuscript recipe collections and elite domestic medicine in eighteenth century England". Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:7c96c4db-2d18-4cff-bedc-f80558d57322.
Texto completo da fonteBracken, Susan Caroline. "Collectors and collecting in England c.1600-c.1660". Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/45343/.
Texto completo da fonteMaclean, Anne M. "The acquisition of literary papers in Canada". Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/26050.
Texto completo da fonteArts, Faculty of
Library, Archival and Information Studies (SLAIS), School of
Graduate
Coates, Alan. "English medieval books : the Reading Abbey collections from foundation to dispersal /". Oxford (GB) : Clarendon press, 1999. http://catalogue.bnf.fr/ark:/12148/cb37632749r.
Texto completo da fonteSamson, J. O. (James Oliver), e n/a. "Cultures of collecting: Maori curio collecting in Murihiku, 1865-1975". University of Otago. Department of Anthropology, 2003. http://adt.otago.ac.nz./public/adt-NZDU20070504.115610.
Texto completo da fonteKarpathakis, George. "Rock stories: The discourse of rocks and rock-collecting". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2008. https://ro.ecu.edu.au/theses/218.
Texto completo da fonteKell, Patricia Ellen. "British collecting, 1656-1800 : scientific enquiry and social practice". Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670252.
Texto completo da fonteOsborn, Sally Ann. "The role of domestic knowledge in an era of professionalisation : eighteenth-century manuscript medical recipe collections". Thesis, University of Roehampton, 2016. https://pure.roehampton.ac.uk/portal/en/studentthesis/the-role-of-domestic-knowledge-in-an-era-of-professionalisation(b18bb3c6-a961-4643-a74d-5663b316101d).html.
Texto completo da fonteAllsop, Jessica Lauren. "Curious objects and Victorian collectors : men, markets, museums". Thesis, University of Exeter, 2013. http://hdl.handle.net/10871/14976.
Texto completo da fonteDara, Christine. "Recueils lyriques collectifs entre Orléans et Bretagne : les manuscrits B.N nouv. acq. fr. 15771 et B.N. fr. 9223". Paris 4, 2003. http://www.theses.fr/2003PA040141.
Texto completo da fonteDespite the similarities and possible existence of a common source, the B. N. Nouv. Acq. Fr. 15771 and the B. N. Fr. 9223 are two collective lyrical anthologies that have not been copied out one over the other. They offer us an aspect of what Breton poetry was like in the French language in the middle of the fifteenth century. The second part of the B. N. Fr. 9223 bears upon an important account of poetic activity in Jacques de Luxembourg-Richebourg's milieu. The first stage of our study, is the influence that had been practiced by Charles d'Orléans throughout poems known as "de concours". The thematic evolves around two axes: that of purely conventional love and that of disenchanted love which seems to have been more and more inspired by reality which, in turn, find their means of expression through the systematic use of "équivoquée" rhyme, "dérivative" rhyme and through the use of accumulatory ("accumulation") and contrapuntal ("contradiction") elements. Love and despair are almost consubstantial. In these "livres d'amour" death appears to be but an accessory, like a commonplace ornament. The "Débat du jeune et du vieux" as well as the "Débat de Vie et de Mort " that encompasses short poetry have acquired a different approch. Blosseville, Vaillant, Antoine de Cuise and Jacques de Luxembourg-Richebourg are amongst the poets that are the most represented in the anthologies mentioned above
Wear, Eric Otto, e 華立強. "Patterns in the collecting and connoisseurship of Chinese art in Hong Kong and Taiwan". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B43894392.
Texto completo da fonteLi, Peiwen, Jeong-Pill Ki e Hong Liu. "Analysis and optimization of current collecting systems in PEM fuel cells". SpringerOpen, 2012. http://hdl.handle.net/10150/610164.
Texto completo da fonteBoyd, Louise Anne. "Art, sex, and institutions : defining, collecting, and displaying shunga". Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7546/.
Texto completo da fonteMaclennan, Heather Mary. "Antiquarianism, master prints and aesthetics in the new collecting culture of the early nineteenth century". Thesis, Birkbeck (University of London), 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.325552.
Texto completo da fonteCleveland, Larissa. "Collector : collection/possession/persona /". Online version of thesis, 2008. http://hdl.handle.net/1850/6186.
Texto completo da fonteHerrick, Jason N. R. "Louis Robert de Saint Victor (1738-1822) : a case study on collecting paintings in France from the 1770s to the 1820s with particular reference to Dutch and Flemish art". Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.365564.
Texto completo da fonteFedeli, Alba. "Early Qur'ānic manuscripts, their text, and the Alphonse Mingana papers held in the Department of Special Collections of the University of Birmingham". Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/5864/.
Texto completo da fonteBounia, Alexandra. "The nature of collecting in the Classical world : collections and collectors, c.100 BCE - 100 CE". Thesis, University of Leicester, 1998. http://hdl.handle.net/2381/31160.
Texto completo da fonteBaston, Karen Grudzien. "Library of Charles Areskine (1680-1763) : Scottish lawyers and book collecting, 1700-1760". Thesis, University of Edinburgh, 2012. http://hdl.handle.net/1842/6417.
Texto completo da fonteMcLeod, Ann Elizabeth. "The Western ceramics in the collections of the Dukes of Hamilton, 1720-1920". Thesis, University of Glasgow, 2014. http://theses.gla.ac.uk/5801/.
Texto completo da fontede, la Rocha Mille Raymond. "Museums without walls : the museology of Georges Henri Riviere". Thesis, City University London, 2011. http://openaccess.city.ac.uk/2154/.
Texto completo da fonteHewitt, Peter. "The material culture of Shakespeare's England : a study of the early modern objects in the museum collection of the Shakespeare Birthplace Trust". Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/5870/.
Texto completo da fonteWalker, Alexandra. "Beyond the Looking Glass : object handling and access to museum collections". Thesis, University of Southampton, 2013. https://eprints.soton.ac.uk/374734/.
Texto completo da fonteSummerfield, Angela. "Interventions : twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth-century British art in Britain". Thesis, City, University of London, 2007. http://openaccess.city.ac.uk/17420/.
Texto completo da fonteWills, David. "Cultural Mulch : an investigation into collectors who create collections of mass produced objects and of the potential significance of those objects in relation to consumer culture". Phd thesis, Canberra, ACT : The Australian National University, 2009. http://hdl.handle.net/1885/8036.
Texto completo da fonteCole, Edward. "Handle with care : historical geographies and difficult cultural legacies of egg-collecting". Thesis, University of Glasgow, 2016. http://theses.gla.ac.uk/7800/.
Texto completo da fonteSilver, Sean R. "The curatorial imagination in England, 1660-1752". Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1720866751&sid=20&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texto completo da fonteKnittler, Konstanze Amelie. "Motivations and patterns of collecting : George Salting, William G. Gulland and William Lever as collectors of Chinese porcelain". Thesis, University of Glasgow, 2011. http://theses.gla.ac.uk/2811/.
Texto completo da fonteMcNutt, Genevieve Theodora. "Joseph Ritson and the publication of early English literature". Thesis, University of Edinburgh, 2018. http://hdl.handle.net/1842/31497.
Texto completo da fonteGaughan, Evan M. "NATURALISTS, CONNOISSUERS AND CLASSICISTS: COLLECTING AND PATRONAGE AS FEMALE PRACTICE IN BRITAIN, 1715-1825". Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2228.
Texto completo da fonteTitle from screen (viewed on July 28, 2010). Department of History, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Jason M. Kelly, Melissa Bingmann, Eric L. Lindseth. Includes vitae. Includes bibliographical references (leaves 79-91).
Terjesen, Lori Ann Martin. "Collecting the Brücke: Their Prints in Three American Museums, A Case Study". Case Western Reserve University School of Graduate Studies / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=case1291164225.
Texto completo da fonteOnol, Isil. "Haptic interaction with visual information : tactile exhibition as inclusive interface between museum visitors and the Bronze Bust of Sophocles". Thesis, University of Huddersfield, 2011. http://eprints.hud.ac.uk/id/eprint/16817/.
Texto completo da fonteGrey, Anne C. "The collector as arbiter of art a phenomenological investigation of collectors' critical judgment development and their understanding of art toward a theoretical model for appreciation and criticism in art education". Doctoral diss., University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4770.
Texto completo da fonteID: 030646186; System requirements: World Wide Web browser and PDF reader. Additional requirements include Windows Media Player or QuickTime Player.; Mode of access: World Wide Web.; Thesis (Ph.D.)--University of Central Florida, 2011.; Includes bibliographical references (p. 256-268).; Text (PDF), images and video.
Ph.D.
Doctorate
Educational Research, Technology, and Leadership
Education
Education
Perez-Alvaro, Elena. "Challenging the taken-for-granted in the management of underwater cultural heritage : ethical and legal perspectives". Thesis, University of Birmingham, 2015. http://etheses.bham.ac.uk//id/eprint/6178/.
Texto completo da fonteSogbesan, Oluwatoyin Zainab. "The potential of digital representation : the changing meaning of the Ife 'bronzes' from pre-colonial Ife to the post-colonial digital British Museum". Thesis, City, University of London, 2015. http://openaccess.city.ac.uk/17212/.
Texto completo da fonteLuxford, Naomi. "Reducing the risk of open display : optimising the preventive conservation of historic silks". Thesis, University of Southampton, 2009. https://eprints.soton.ac.uk/162153/.
Texto completo da fonteRutland, Francoise. "The lost gallery : John Garstang and Turkey : a postcolonial reading". Thesis, University of Liverpool, 2014. http://livrepository.liverpool.ac.uk/18859/.
Texto completo da fonteBarnett, Teresa. "The nineteenth-century relic a pre-history of the historical artifact /". Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1562129951&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texto completo da fonteHarvie, Ron. "The spectre of Buckingham : art patronage and collecting in early Stuart England". Thesis, McGill University, 1998. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=35895.
Texto completo da fonteAfter a review of the general historiographical material on Buckingham as well as his evaluation by art historians over the years, Chapter I presents an analysis of the concept and role of Favourite in social and cultural terms. It goes on to detail Buckingham's personal position within early Stuart court culture, and argues that while this culture formed and defined him, he simultaneously re-formed and redefined it through his choices and actions.
Chapter II examines the dynamics of art patronage and Buckingham's activity as a patron, beginning with his early dealings with the native English painter, William Larkin. The relationship of Buckingham and the young Anthony Van Dyck is discussed, with parlicular attention to the artist's brief visit to England in 1620--21, and it is suggested that Buckingham was instrumental in bringing about this event. The Duke's dealings with the controversial polymath, Balthazar Gerbier, are explored, as are his many-layered connections with the premier painter of the day, Peter Paul Rubens.
In Chapter III the traditions of art collecting, especially in England are discussed, as is Buckingham's reputation as a collector compared to some of his rivals in the field. The extant documentation of his collection is examined, along with the chronology and methodology of its formation. Particular attention is given to gifts of art to Buckingham by King Charles, the Earl of Arundel and others; the art-buying by Buckingham's agents like Balthazar Gerbier; and the incorporation by the Duke into his own inventory of parts of other collections such as that of the Duke of Hamilton and, more importantly, that of Rubens.
Both in the realm of court culture and in the world of art patronage and art collecting, it was Buckingham more than anyone else who supplied the energy and set the fashion. And he continued to do so even after his premature death: the Duke's image remained bright in the memory of King Charles, whose subsequent expanded relationships with Rubens and Van Dyck owe much of their intensity to both artists' previous connections with Buckingham.
Venetskov, Maxim. "L’Échelle de Jean du Sinaï dans la tradition byzantine : le corpus manuscrit, les scholies, le Commentaire d’Élie de Crète". Thesis, Sorbonne université, 2018. http://www.theses.fr/2018SORUL200.
Texto completo da fonteThe study relates the textual history of the Ladder, which has never been made attempted before, through a manuscript corpus containing nearly 350 codices exhaustively from the 9th to the 13th and partially up to the 17th century.The work composed in the 7th century is made up of the ascetic discourses of John Sinaites and of a few textual pieces enclosed with them. It is considered in the manuscript tradition as the book of the Ladder (Κλίμαξ) made of thirty steps, spiritual guide leading to Heaven, and its author receives the name of Climacus (ὁ τῆς Κλίμακος). The ways this book was read, its place in the collections and its quotations indicate the important role played by the Ladder, with its aphorisms et metaphors, in the ascetic literature in Byzantium. An abundant corpus of exegetic scholia written in the 10th century and developed in the form of quotations of ascetic authors in the 11th century attests to the original reception of the treatise of John Climacus. The Commentary of Elias of Crete, composed at the beginning of the 12th century and preserved in 19 manuscripts, proposes an exhaustive exegesis of the Ladder, relying on scholia but also on many patristic and philosophical references.The present dissertation establishes a classification of the codices of the Ladder, of its scholia and proposes a stemma codicum of the Elias’ Commentary ; all the examinated manuscripts are described in a repertoire. The study provides Princeps and critical editions of numerous scholia and of a part of the Commentary
Marquez, Jessica. "A natural history /". Online version of thesis, 2008. http://hdl.handle.net/1850/6249.
Texto completo da fonteHammond, Georgina. "Using supercritical carbon dioxide as a tool for preserving culturally significant items". Thesis, University of Birmingham, 2017. http://etheses.bham.ac.uk//id/eprint/7464/.
Texto completo da fonteSantos, Admeire da Silva [UNESP]. "A influência do colecionismo na representação da memória social: análise da coleção Amidicis Tocantins". Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/128131.
Texto completo da fonteCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
A Biblioteca Central da universidade federal de Mato Grosso conta com um acervo de coleção de obras raras e especiais que recebe o nome do colecionador: Coleção Amidicis Tocantins - CAT. O colecionador, um homem comum, mas que gostava de colecionar livros de relevância social, faleceu e deixou a coleção aos cuidados da família, que decidiu doar a coleção. O processo de doação foi intermediado pelos membros da família e a reitoria da Universidade Federal do Mato Grosso, que no período demonstrou interesse em receber a coleção. A Biblioteca Central, como muitas outras bibliotecas públicas brasileiras, passa por problemas financeiros para o tratamento adequado da coleção, seja estrutural ou de capacitação pessoal. Dessa forma, as obras pertencentes à coleção não possuem tratamento algum, o que vem gerando muitos questionamentos. E a questão aqui trabalhada é: pode uma coleção anteriormente particular representar a memória coletiva? Na busca para a resolução dessa questão, elencou-se como objetivo principal identificar e discutir a relevância de uma coleção institucionalizada na configuração da memória social, no âmbito da Ciência da Informação, por meio do estudo do caso da Coleção Amidicis Tocantins. Nesse seguimento, busca-se analisar, no âmbito da Ciência da Informação, os termos coleção, objeto, memória e lugar de memória, estabelecendo assim um diálogo entre esses conceitos; analisar in loco a Coleção Amidicis Tocantins a fim de coletar informações e interpretar por meio da literatura as questões pertinentes ao significado e finalidade da coleção; apresentar de que forma a Coleções Amidicis Tocantins pode representar a memória social e refletir nos motivos pelo qual foi escolhida pela instituição. A metodologia do trabalho é o estudo de caso, na qual se utilizou da proposição teórica para se analisar os dados, dispostos em forma analítica e texto. A Coleção Amidicis...
The Mato Grosso Federal University Central Library counts with a collection of rare and special works that receives the collector's name: Coleção Amidicis Tocantins - CAT. The collector, a common man, who liked to collect social relevant books, died and left the collection under the care of his family which decided to donate the collection. The donation process was intermediated by the family members and the Mato Grosso Federal University rector who in the period showed interest in receiving the collection. The Central Library, as many others Brazilian public universities, struggles with financial problems to give proper treatment to the collection, be it structural or of personal capacitation.This way the works that belong to the collection don't have any treatment, which has been causing many questioning s. And the question here worked is: Can a previously particular collection represent a collective memory? In the search for the resolution of this question it was ranked as the main objective to identify and discuss the relevance of an institutionalized collection in the configuration of social memory, in the Information Science scope, through the studying of the Amidicis Tocantins Collection case. In this sequence it is aimed to analyze, in the Information Science scope, the terms collection, object, memory and place of memory, establishing, there for, a dialogue between these concepts; to analyze in loco the Amidicis Tocantins Collection in order to collect information and to interpret, through the literature, the questions pertinent to the collection's meaning and finality; to present how the Amidicis Tocantins Collection can represent a social memory and reflect the motives for which it was chosen by the institution. The works methodology is a case study in which has been utilized the theoretical proposition to analyze the data displaced in an analytical form and text.The Amidicis Tocantins Collection was analyzed in the ...
Santos, Admeire da Silva. "A influência do colecionismo na representação da memória social : análise da coleção Amidicis Tocantins /". Marília, 2015. http://hdl.handle.net/11449/128131.
Texto completo da fonteBanca: Ana Cristina Albuquerque
Banca: João Batista Ernesto de Moraes
Resumo: A Biblioteca Central da universidade federal de Mato Grosso conta com um acervo de coleção de obras raras e especiais que recebe o nome do colecionador: Coleção Amidicis Tocantins - CAT. O colecionador, um homem comum, mas que gostava de colecionar livros de relevância social, faleceu e deixou a coleção aos cuidados da família, que decidiu doar a coleção. O processo de doação foi intermediado pelos membros da família e a reitoria da Universidade Federal do Mato Grosso, que no período demonstrou interesse em receber a coleção. A Biblioteca Central, como muitas outras bibliotecas públicas brasileiras, passa por problemas financeiros para o tratamento adequado da coleção, seja estrutural ou de capacitação pessoal. Dessa forma, as obras pertencentes à coleção não possuem tratamento algum, o que vem gerando muitos questionamentos. E a questão aqui trabalhada é: pode uma coleção anteriormente particular representar a memória coletiva? Na busca para a resolução dessa questão, elencou-se como objetivo principal identificar e discutir a relevância de uma coleção institucionalizada na configuração da memória social, no âmbito da Ciência da Informação, por meio do estudo do caso da Coleção Amidicis Tocantins. Nesse seguimento, busca-se analisar, no âmbito da Ciência da Informação, os termos coleção, objeto, memória e lugar de memória, estabelecendo assim um diálogo entre esses conceitos; analisar in loco a Coleção Amidicis Tocantins a fim de coletar informações e interpretar por meio da literatura as questões pertinentes ao significado e finalidade da coleção; apresentar de que forma a Coleções Amidicis Tocantins pode representar a memória social e refletir nos motivos pelo qual foi escolhida pela instituição. A metodologia do trabalho é o estudo de caso, na qual se utilizou da ... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: The Mato Grosso Federal University Central Library counts with a collection of rare and special works that receives the collector's name: Coleção Amidicis Tocantins - CAT. The collector, a common man, who liked to collect social relevant books, died and left the collection under the care of his family which decided to donate the collection. The donation process was intermediated by the family members and the Mato Grosso Federal University rector who in the period showed interest in receiving the collection. The Central Library, as many others Brazilian public universities, struggles with financial problems to give proper treatment to the collection, be it structural or of personal capacitation.This way the works that belong to the collection don't have any treatment, which has been causing many questioning s. And the question here worked is: Can a previously particular collection represent a collective memory? In the search for the resolution of this question it was ranked as the main objective to identify and discuss the relevance of an institutionalized collection in the configuration of social memory, in the Information Science scope, through the studying of the Amidicis Tocantins Collection case. In this sequence it is aimed to analyze, in the Information Science scope, the terms collection, object, memory and place of memory, establishing, there for, a dialogue between these concepts; to analyze in loco the Amidicis Tocantins Collection in order to collect information and to interpret, through the literature, the questions pertinent to the collection's meaning and finality; to present how the Amidicis Tocantins Collection can represent a social memory and reflect the motives for which it was chosen by the institution. The works methodology is a case study in which has been utilized the theoretical proposition to analyze the data ... (Complete abstract click electronic access below)
Mestre
Cummings, Catherine. "Collecting en route : an exploration of the ethnographic collection of Gertrude Emily Benham". Thesis, University of Plymouth, 2013. http://hdl.handle.net/10026.1/3138.
Texto completo da fonte