Literatura científica selecionada sobre o tema "Malian poetry"
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Artigos de revistas sobre o assunto "Malian poetry"
Gargallo Celentani, Francesca Gargallo. "Mahmud Darwish en el espejo de las lenguas que resisten". Interpretatio. Revista de hermenéutica 2, n.º 2 (11 de setembro de 2017): 19. http://dx.doi.org/10.19130/irh.2.2.2017.48.
Texto completo da fonteŠkrgić, Mersiha. "Heimatlosigkeit in den Erzählungen von Ingeborg Bachmann / Loss of Homeland in Ingeborg Bachmann’s Short Stories". Journal of the Faculty of Philosophy in Sarajevo / Radovi Filozofskog fakulteta u Sarajevu, ISSN 2303-6990 on-line, n.º 25 (23 de dezembro de 2022): 155–70. http://dx.doi.org/10.46352/23036990.2022.155.
Texto completo da fonteNatarajan, Kanchana. "Virgin Creatrix / Bountiful Womb". Asian Medicine 17, n.º 1 (14 de março de 2022): 37–59. http://dx.doi.org/10.1163/15734218-12341506.
Texto completo da fonteIBRAHIM, ROSNANI, MUAMMAR GHADDAFI HANAFIAH e SHAIFU BAHRI MD RADZI. "SYAIR DIRAJA MELAYU PERAK-JOHOR ERA KONTEMPORARI: SATU PERBANDINGAN KEPENGARANGAN (Royal Syair in the Contemporary Era of Perak-Johor: Comparison of Authorship)". MALIM: JURNAL PENGAJIAN UMUM ASIA TENGGARA (SEA JOURNAL OF GENERAL STUDIES) 22, n.º 1 (20 de novembro de 2021): 290–307. http://dx.doi.org/10.17576/malim-2021-2201-22.
Texto completo da fonteAHMAD, AZLAN, AMIRUL MUKMININ MOHAMAD e NOORHAZILA MOHD HAMID. "KAJIAN PERSEPSI PELAJAR TERHADAP PENGAJARAN DAN PEMBELAJARAN (PdP) ATAS TALIAN BAGI KURSUS PENULISAN PANTUN KREATIF (Student Perception Study on Online Teaching and Learning for Creative Poem Writing Course)". MALIM: JURNAL PENGAJIAN UMUM ASIA TENGGARA (SEA JOURNAL OF GENERAL STUDIES) 22, n.º 1 (20 de novembro de 2021): 278–89. http://dx.doi.org/10.17576/malim-2021-2201-21.
Texto completo da fonteSuyitno e Dipa Nugraha. "Asmaradana in an Indonesian Modern Poetry and a Malayan Pop Song: mimetic representations of rooted culture or production of new interpretations?" Journal of Language and Literature 5, n.º 2 (30 de maio de 2014): 17–26. http://dx.doi.org/10.7813/jll.2014/5-2/3.
Texto completo da fonteWalczak-Delanois, Dorota. "Poems by Polish Female Poets and the Burning Issue of Religion". Religions 12, n.º 8 (9 de agosto de 2021): 618. http://dx.doi.org/10.3390/rel12080618.
Texto completo da fonteMaiga, Mohamadou Aboubacar. "Social Issues in the Poems of Twentieth-Century West African Writers". TSBS Bildiriler Dergisi, n.º 2 (14 de agosto de 2022). http://dx.doi.org/10.55709/tsbsbildirilerdergisi.2.103.
Texto completo da fonteADİLOĞLU, Adilhan. "LITERARY ACTIVITIES OF KARACHAY-BALKAR TURKS IN THE PERIOD OF DEPORTATION". Selçuk Üniversitesi Türkiyat Araştırmaları Dergisi, 17 de agosto de 2022, 21–45. http://dx.doi.org/10.21563/sutad.1163207.
Texto completo da fonteTeses / dissertações sobre o assunto "Malian poetry"
Roberti, Glauco Micsik. "A batalha de Maldon: tradução e aliteração". Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-08082007-144147/.
Texto completo da fonteThis work consists in a verse translation from the Anglo-saxon of The Battle of Maldon, old English poem written between the 10th and 11th centuries about the battle between Danes and Saxons. The main goal is the study of different translation theories which are related to the old Germanic poetic tradition as a mean to provide a Portuguese language annotated version where the poem\'s traits are reconstructed. This procedure leads to the final argument, on the possibility of achieving alliteration in Portuguese.
Timmerer-Maier, Verena. "Wohnen 'in Goyas letztem Raum' : Eine intermediale Poetik des Entsetzens : Die Zitierung von Goyas Pinturas Negras in Ingeborg Bachmanns Roman Malina". Thesis, University of Exeter, 2012. http://hdl.handle.net/10036/4117.
Texto completo da fonteGosselin-G, Geneviève. "La poésie cinématographique Terrence Malick et la sensation". Thèse, 2015. http://hdl.handle.net/1866/12500.
Texto completo da fonteQu’est-ce que la poésie cinématographique? Telle est la question primordiale de ce mémoire de maitrise, qui tentera d’y répondre en analysant les oeuvres du cinéaste américain Terrence Malick. Inscrivant par divers moyens cette question dans les réalités de son cinéma, nous déboucherons forcément sur la réponse suivante : il y a poésie cinématographique chaque fois que les formes de la représentation sont ouvertes par une modalité de l’expression ; il y a poésie cinématographique chaque fois que le sensible n’est plus manifestation de l’intelligible, mais la matière et le mode de sa production dans le temps ou plutôt dans le devenir. Décrire cette poésie, ce ne sera possible qu’en décrivant l’expérience que nous avons du régime de sensations des images et des figures propres au cinéma de Malick. Il s’agit de faire venir le monde en présence en rendant justice aux noyaux de sens enfouis dans le visible, justice rendue par le partage d’une description du sensible. Nous verrons alors que, chez Malick, cette poésie se manifeste par une phénoménologie de la lumière et de la gravitation. Nous verrons également l’importance du sonore dans l’apparaitre de ce monde sensible qui, à travers les voix ouvertes, la matérialisation des bruits et la musique, forme une partition musicale totale faite de métamorphoses et de devenirs. Encore, cette poésie s’approche de la sensibilité des premiers romantiques allemands qui, par leur résistance au langage et à la raison absolue, déhiérarchisent le monde pour le redéfinir. Seront ainsi définis les éléments constitutifs du cinéma de poésie de Malick, soit la manifestation de la lumière et du mouvement, l’invisible habitant le visible (comme un ailleurs qui l’excède), la réinvention du langage, le système chaotique liant l’homme et la nature, ainsi que le monde duel (de l’ombre à la lumière et de la lumière à l’ombre). Ce mémoire propose donc une approche d’inspiration phénoménologique du cinéma de Malick, qui le présente comme « toujours en train de se faire », dans une immédiateté cherchant à penser dans, à travers, mais aussi au-delà du cinéma.
What is cinematic poetry? This is the fundamental question that this master’s thesis will attempt to answer by analyzing the works of American film-director Terrence Malick. By positing this question in different ways within the realities of his films, one will inevitably reach the following conclusions: cinematic poetry occurs where the forms of representation are opened by a modality of expression; cinematic poetry occurs when the sentient is no longer a sign of the intelligible, but of the matter and of the mode of its production over time, that is, in its evolution. Describing this poetry will only be possible by describing one’s experience of the sensation-cluster of images and of figures proper to Malick’s films. This involves making the world come into existence by doing justice to the core of meanings buried in the visible, a justice rendered by the sharing of a description of the sentient. It will be argued that, in Malick, this poetry manifests itself through a phenomenology of light and gravitation. Also shown, the importance of sound in the emergence of the sentient world, which, through open voices, through materialization of noises, and through music, develops into a total musical score consisting of metamorphoses and destinies. Furthermore, this poetry resembles the sensibility of early German romantics who, through their resistance to language and to absolute reason, destroy the hierarchy of the world in order to redefine it. The constituents of Malick’s cinema of poetry, namely the expression of light and movement, the invisible inhabiting the visible (like an elsewhere that exceeds it), the reinvention of language, the chaotic system linking mankind and nature, as well as the dual world (from darkness to light and from light to darkness) will thus be defined. This master’s thesis therefore suggests an approach of Malick’s cinema inspired by phenomenology, which presents it as being “always underway”, in an immediacy seeking to think within, through, but also beyond cinema.
Leclerc, Philippe. "Le traitement de l’espace dans Badlands et Days of Heaven, de Terrence Malick". Thèse, 2011. http://hdl.handle.net/1866/5338.
Texto completo da fonteThis Master’s thesis studies the treatment of space in Terrence Malick’s films Badlands (1973) and Days of Heaven (1978). First I apply myself to show how the treatment of space in these films distinguishes itself from classical cinematographic conventions, developing on the multitude of strategies used by Malick to make space (both visual and sound) sensitive and reflexive in the two films. Space here is created to be literally «inhabited» by the characters as well as the spectators. I then observe and comment on the implications (esthetical, narrative, iconological, philosophical, poetical, etc.) of this peculiar treatment of film space by showing how the filmmaker creates different types of sensations and constructs his discourse with and through space of his films. The thesis pays special attention to the concept of «film landscape» and structures itself in three chapters, which respectively study space in Malick’s work in terms of «sensation» (space sensitivity, «mise en vue» of the landscape in both films studied), of «relationship» (relationships between the different spaces and relationships between characters and space), and of «memory» («iconological» density of the landscape). In the project I also touch other important questions, coming back several times on the «poetical» dimension of Malick’s cinema and on the «space reflexivity» of his films (reflexivity and «attractional» aspect of the landscape, reflexivity of the voice-over, reflexivity of the organization and space structure of the story, iconological reflexivity). Finally, throughout the thesis I try to show that through filmmaking, and therefore through space and landscape, Malick creates a true space of thoughts that goes «beyond» his films.
Pour respecter les droits d’auteur, la version électronique de ce mémoire a été dépouillée de ses documents visuels et audio‐visuels. La version intégrale du mémoire a été déposée au Service de la gestion des documents et des archives de l'Université de Montréal.
Livros sobre o assunto "Malian poetry"
Mohamed, Diarra. Terre d'espérance. Bamako, Mali: La Sahelienne, 2018.
Encontre o texto completo da fonteTraoré, Marcellin Issiaka. Raie d'espoir comme saveur de liberté: Suivi de Clair-obscur de notre conscience : recueil de poèmes. Bamako, Mali: Figuira Editions, 2020.
Encontre o texto completo da fonte'K, Aziz Siten, e Oumar Sissoko. Anthologie Malienne de slam poésie. Bamako, Mali: La Sahélienne, 2013.
Encontre o texto completo da fonteDia, Mamadou. Coup de foudre. Bamako: Jamana, 2009.
Encontre o texto completo da fonteBa, Safiatou. Voix intérieure: Recueil de poèmes. Bamako, Mali: Figuira Editions, 2020.
Encontre o texto completo da fonteTraoré, Ismaïla Samba. Anthologie de la poésie Malienne. Bamako, Mali: La Sahélienne, 2013.
Encontre o texto completo da fonteKone, Bourama. Amour et espoir: Poésie. Bamako, Mali: Prostyle Editions, 2020.
Encontre o texto completo da fonteSiten'K, Aziz. Dungaré (Miroir): Slam. Bamako (Mali): La Sahélienne, 2021.
Encontre o texto completo da fonteKone, Abdoul Aziz, Aichata Diarra, Aminata Bamby Konate e Marie Thérèse Landry Landry. Anthologie des slameuses du Mali et d'ailleurs. Bamako, Mali: La Sahelienne, 2022.
Encontre o texto completo da fonteTraore, Idrissa Eddie. Lueur des abysses: La recollection de l'autre enfant : (poésie). Bamako, Mali: Prostyle Editions, 2019.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Malian poetry"
Jorgensen, Alice. "Power, Poetry, and Violence: The Battle of Maldon". In International Medieval Research, 235–49. Turnhout: Brepols Publishers, 2007. http://dx.doi.org/10.1484/m.imr-eb.3.3426.
Texto completo da fonteNazombe, Anthony J. M. "Malawian Poetry of the Transition:". In Church, Law and Political Transition in Malawi 1992-1994, 147–65. Luviri Press, 2020. http://dx.doi.org/10.2307/j.ctv17vf5ch.15.
Texto completo da fonteBollig, Ben. "Eyes Already Open: Gustavo Fontán’s El limonero real and La deuda". In Moving Verses, 155–82. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800859784.003.0006.
Texto completo da fonteBraginsky, Vladimir. "Poetry of the Classical Period". In The Heritage of Traditional Malay Literature, 491–598. BRILL, 2005. http://dx.doi.org/10.1163/9789004489875_013.
Texto completo da fonteSacks, Susanna. "7 Networked Poetics: WhatsApp Poetry Groups and Malawian Aesthetic Networks". In Rethinking Language Use in Digital Africa, 137–54. Multilingual Matters, 2021. http://dx.doi.org/10.21832/9781800412316-009.
Texto completo da fonteViroli, Maurizio. "A Religion to Live Free". In As If God Existed, traduzido por Alberto Nones. Princeton University Press, 2012. http://dx.doi.org/10.23943/princeton/9780691142357.003.0008.
Texto completo da fonteWickham-Crowley, Kelley M. "Fens and Frontiers". In Water and the Environment in the Anglo-Saxon World. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940285.003.0004.
Texto completo da fonte"10. Poetic Forms: Pantun and Syair". In A History of Classical Malay Literature, 442–90. ISEAS Publishing, 2013. http://dx.doi.org/10.1355/9789814459891-012.
Texto completo da fonteFludernik, Monika. "The Cancer of Punitivity". In Metaphors of Confinement, 344–98. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840909.003.0006.
Texto completo da fonteCruz, Gabriela. "Opera and Beauty". In Grand Illusion, 14–42. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190915056.003.0002.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Malian poetry"
MEHMETALI, Bekir. "The Woman in Diwan (The Brunette Said to Me) by Nizar Qabbani". In I.International Congress ofWoman's Studies. Rimar Academy, 2023. http://dx.doi.org/10.47832/lady.con1-1.
Texto completo da fonteAhmed SHAKIR, Mahmood. "THE ROLE OF DR. SAMY MAKY AL_A'ANY IN TERMS OF THE ISLAMIC POETRY". In I V . I N T E R N A T I O N A L C O N G R E S S O F L A N G U A G E A N D L I T E R A T U R E. Rimar Academy, 2022. http://dx.doi.org/10.47832/lan.con4-15.
Texto completo da fonteUlya, C., e N. Wardani. "The Islamic Symbols in Indonesian Anti-Corruption Poetry". In First International Conference on Advances in Education, Humanities, and Language, ICEL 2019, Malang, Indonesia, 23-24 March 2019. EAI, 2019. http://dx.doi.org/10.4108/eai.23-3-2019.2284911.
Texto completo da fonteYanda, D., D. Ramadhanti, P. Afrinda, I. Bahardur e M. Ihsan. "The Potential of Circ’s Model in Poetry Learning at Higher Education". In First International Conference on Advances in Education, Humanities, and Language, ICEL 2019, Malang, Indonesia, 23-24 March 2019. EAI, 2019. http://dx.doi.org/10.4108/eai.23-3-2019.2284977.
Texto completo da fonteRamadini, Febyasti, e Exti Budihastuti. "Teaching Materials Reinforcement of BIPA Advanced Level Through Chairil Anwar's Poetry". In Proceedings of the 2nd International Conference on Language, Literature, Education, and Culture, ICOLLEC 2022, 11–12 November 2022, Malang, Indonesia. EAI, 2023. http://dx.doi.org/10.4108/eai.11-11-2022.2329799.
Texto completo da fonteFirdaus, Elvin, Alfanul Ulum Syahit e Sony Sukmawan. "Poetry Writing Method Innovation Using “Atafora” Technique in Indonesian Language Learning". In Proceedings of the 2nd International Conference on Advances in Humanities, Education and Language, ICEL 2022, 07–08 November 2022, Malang, Indonesia. EAI, 2023. http://dx.doi.org/10.4108/eai.7-11-2022.2329268.
Texto completo da fonteFuad, Khairul, e Irmayani Irmayani. "Malay Poetry as Media of Zodiac Explaination and Its Relation in Manuscript ’Abi@ Ma‘syari al-Falakiyyi al-Kabi@r". In 9th Asbam International Conference (Archeology, History, & Culture In The Nature of Malay) (ASBAM 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220408.071.
Texto completo da fonte