Artigos de revistas sobre o tema "Malaysia Artist"
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Iwan Shahrom Shah, Muhamad Yusri Shah, Muhamad Khairi Shamsudin, Rahman Amin e Mohd Farif Ab Jalil. "Influence of Intermedia in Development of Malaysian Art Scene". Environment-Behaviour Proceedings Journal 7, SI9 (10 de outubro de 2022): 63–68. http://dx.doi.org/10.21834/ebpj.v7isi9.3940.
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Media art has evolved over time. Artists are developing intermedia in their art. It begins in 1950s NYC. The idea of Intermedia has since extended globally. Malaysia's media development is influenced by western Intermedia. Malaysian artists are intermedia experts. This research aims to determine why Malaysian artists use Intermedia and to classify its disciplines. This research was place in studio or online, depending on current conditions. Pandemic, artist demand. This research used library, catalogue, and web sources for data. The data will be analyzed to classify the artists' Intermedia use. Intermedia has diversified into numerous disciplines, and it's still growing. Keywords: Intermedia, Malaysian Art, New media eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by E-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under responsibility of AMER (Association of Malaysian Environment-Behavior Researchers), ABRA (Association of Behavioral Researchers on Asians), and cE-Bs (Centre for Environment-Behavior Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI9.3940
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Zakaria, Salehuddin, Rafeah Legino e Mohammad Kamal Abdul Aziz. "The Concept of National Identity in the Artwork of Female Artists in Malaysia". Environment-Behaviour Proceedings Journal 7, SI8 (7 de outubro de 2022): 81–85. http://dx.doi.org/10.21834/ebpj.v7isi8.3918.
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This study examines the national identity elements of the Fatimah Chik and Khatijah Sanusi artworks, which begins with the examination of relevant material, including examples of national identity-related works and visual data on the results of Malaysian female artists obtained through digital photographs and records. Identifying and recognising national identity in Malaysian female artists' works is categorised by the artwork's profile. The artwork's focus and criteria will be mapped with the inquiry of the National Cultural Congress's study (NCC). Women's attitudes in art production reflect national identity in female artists' artworks that emphasise culture, family, and accuracy. Keywords: Artworks, Female artist, National identity, Malaysia eISSN: 2398-4287 © 2019. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI8.3918
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WAHED, WAN JULIANA EMEIH Juliana. "The MOTIVATIONAL IMPACT OF VISUAL ARTS EDUCATION THROUGH THE 'ARTISTS IN SCHOOLS' (AIS) COLLABORATION PROGRAM AMONG SECONDARY SCHOOL STUDENTS IN MALAYSIA". Asia Proceedings of Social Sciences 4, n.º 1 (18 de abril de 2019): 94–97. http://dx.doi.org/10.31580/apss.v4i1.606.
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The aim of the paper is to highlight some of the findings on the study on the impact of the 'Artist in Schools' (AiS) collaboration on the motivation of students of selected secondary schools in Malaysia in visual art education. AiS is aimed at establishing a collaboration between the students of nine schools and nine Malaysian artists in order to share their experiences, skills, and knowledge consecutively. The research design of multi-case studies or multisite studies was selected and Keller’s ARCS Motivational Theory has been used for assessment purposes and as the main conceptual framework. The open-ended questionnaires were distributed to obtain the data of the students’ motivation, and the collaboration between the AiS program and the students.
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Mohd Aripin, Nur Adibah Nadiah, Ishak Ramli, Noor A’yunni Mohamad, Mohd Fawazie Arshad e Noor Enfendi Desa. "A Literature Discussion and Research Gap Identification on Role, Art Activity and Economy: A Relationship Between Artist, Gallery, and Buyer from The Islamic Perspective". Idealogy Journal 8, n.º 1 (1 de abril de 2023): 134–43. http://dx.doi.org/10.24191/idealogy.v8i1.413.
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Visual art is dynamically developed in Malaysia. The opening of many art galleries shows that people are more receptive to the visual arts as a part of their community. These collisions create the art sector as a career field. This phenomenon encouraged artists to exhibit their artworks in the gallery and economically increased the numbers of art collectors as buyers to support the art scene and build a new bridge of connection between artist, gallery, and buyer. There is interest growing yet little research in this area has been discovered. This research is to identify the relationship between the artist, gallery, and buyer which is related to the role, art activity involved, and economic factors based on the Islamic perspectives. These relations are common and have become the norm in the social environment of visual arts. Furthermore, the role, art activity involved, and economic factor between the relationship of the artist, gallery, and buyer are rarely been discussed. The gap identification will occur by using the qualitative method through observations on the content analysis. This research has the potential to extend the understanding of the relationship between the artist, gallery, and buyer from the Islamic perspective.
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Izwanna, Nazzatul, Rafeah Legino, Jebakumari e Noorziah Mohd Salleh. "An Element of Culture on Printmaking Artworks". Environment-Behaviour Proceedings Journal 5, SI1 (1 de junho de 2020): 107–10. http://dx.doi.org/10.21834/ebpj.v5isi1.2306.
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This paper examines the elements of culture in printmaking artworks. The objective of this study will analyse artworks that will show the stimuli of culture in artworks. Therefore, as to enhance this study, selected artworks were identified, analysed and determine their formulation of artworks. The process of categorization was based on the culture elements through the observation of the artwork. The outcome of this study showed that the artworks significantly illustrates how an artist appreciates the cultural aspects through the printmaking artworks. Most artworks raised the aesthetic appreciation for this country and shared the uniqueness of Malaysia’s culture into artwork. Keywords: Artworks, Culture, Printmaking, Malaysia. eISSN: 2398-4287 © 2020. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v5iSI1.2306
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Abu Kassim, K. A. "Seatbelt Reminder & Anti-Seatbelt Reminder Device: “Antara Dua Darjat”". Journal of the Society of Automotive Engineers Malaysia 4, n.º 1 (24 de abril de 2021): 2–4. http://dx.doi.org/10.56381/jsaem.v4i1.44.
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“Antara Dua Darjat” is a classic Malay movie written, directed, and acted by Malaysia’s legendary artist Tan Sri P. Ramlee. Loosely translated into English as “Between Two Classes”, this 1960 film chronicles the social class differences between two families; hence leading to endless misery. The author does not intend to elaborate on the two ‘social classes’ as depicted in the film, and would rather discuss ‘the two classes’ in the vehicle safety scenario in Malaysia; so that the latter can be deliberated and resolved in the best manner.
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Mat Isa, Mohd Jamil. "Tracing And Tracking Malaysian Printmaking Exhibitions: 1960-2020". Idealogy Journal 8, n.º 1 (1 de abril de 2023): 28–40. http://dx.doi.org/10.24191/idealogy.v8i1.382.
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Historical records prove that printmaking was a medium of communication in various civilizations in Egypt, Japan, and Europe before it was elevated as one of the disciplines of painting. Penang was a popular location for this creative industry sector in the early stages. This study looks chronologically as much as possible at the organization of printmaking exhibitions in Malaysia from the 1960s until 2000. The activities organized by private art galleries play a significant role in the career of artists. The objective of this study is to chronologically document the organization of printmaking exhibitions by the National Art Gallery, private art galleries, and artist groups. Data collection methods through various gallery publication materials have been carried out to complete this study.
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Abdullah, Ahmad Hakim, e Nasirin Abdillah. "The Malay Socio-Cultural Elements in Selected Malaysian Paintings of the Hashim Hassan". Environment-Behaviour Proceedings Journal 6, n.º 18 (30 de dezembro de 2021): 37–45. http://dx.doi.org/10.21834/ebpj.v6i18.3061.
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This study focuses on the works of Hashim Hassan paintings. The artist is known for showcasing the essence of the Malay socio-cultural and philosophy that is in-depth within the community. This research method emphasises qualitative methods such as in-depth interviews, observations, voice recordings and data transcripts. The findings depict the philosophical and Malay socio-cultural meaning of Wau Bulan Terbang Malam (2007); the painting resonates with the classic Malay song by Tan Sri. P. Ramlee. The painting is also an inspiration for the Malay banknotes and coins, the graphic design logo of Malaysia Airlines Berhad and Wau Bulan Monuments. Keywords: Hashim Hassan; Malaysian; Malay Socio-Cultural Elements; Paintings eISSN 2398-4287 © 2021. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., U.K. This is an open-access publication under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. Doi: https://doi.org/10.21834/ebpj.v6i18.3061
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MUSTAPHA, AZWADY, e NUR IZZATY MOHD ROSLAN. "PERSPEKTIF PERSONALITI DAN PSIKOLOGI TERHADAP DENIM JEANS LELAKI DALAM MUZIK DAN FESYEN DI ERA REVOLUSI PERINDUSTRIAN KE-4". International Journal of Creative Future and Heritage (TENIAT) 9, n.º 1 (31 de março de 2021): 30–51. http://dx.doi.org/10.47252/teniat.v9i1.397.
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Abstrak Sifat psikologi menerangkan cara di mana setiap orang berbeza antara satu sama lain. Ini merupakan konsep Maslow dan keperluan psikologi. Sehubungan itu, ramai artis Malaysia menggemari seluar jeans semasa membuat tayangan pentas, penggambaran drama atau filem dan kehidupan seharian. Sebagai contoh, artis dan muzik yang dipersembahkan memainkan peranan besar ke arah fesyen. 40 responden lelaki dipilih secara rawak berumur antara 23 hingga 30 tahun berhampiran Kuala Lumpur. Objektifnya adalah bagi memahami gaya pemotongan yang sesuai dengan dapat membezakan pelbagai gaya yang sedia ada dan melambangkan keperibadian lelaki terhadap penggayaan seluar jeans. Kajian ini menekankan kepada pelbagai penggayaan seluar jeans dalam mencerminkan keperibadian lelaki. Data dianalisis menggunakan kaedah kualitatif. Kajian ini diharap dapat memberi kefahaman tentang keperibadian terhadap refleksi identiti diri lelaki di Kuala Lumpur menggunakan kaedah Pakej Statistik Sains Sosial (SPSS). Abstract Psychological trait describes ways in which people are different from each other. This follows Maslow concepts and psychological needs. In relation, many Malaysian artists favour jeans wearing during stage show, drama shooting or film and daily life. For instance, both the artist and the music they sing can play a huge role in which direction the fashion industry moves. 40 male respondents are randomly selected, aged from 23 to 30 years old near Kuala Lumpur. The objectives are to understand the cutting styles that fits the person by being able to differentiate various styles available reflecting men’s personality towards jeans styles. By undertaking a quantitative method, the study was able to provide an insight into the personality of self-identity reflection towards men in Kuala Lumpur using Statistical Package for the Social Sciences (SPSS). The study emphasizes on whether men’s personality was reflected by different styles of denim jeans
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Mokhtar, Mumtaz, Samiati Andriana WMD e Rosliza Abd Rahim. "Art throughout the Industrial Revolution and Art Framework for the Industrial Revolution 4.0". Environment-Behaviour Proceedings Journal 7, SI7 (31 de agosto de 2022): 149–54. http://dx.doi.org/10.21834/ebpj.v7isi7.3776.
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This review paper presents the scenario of the revolution in Malaysia. The industrial revolution has changed from Industrial Revolution 1.0 to Industrial Revolution 2.0, Industrial Revolution 3.0 and now its culmination of the Industrial Revolution 4.0. Several documents were reviewed to identify the dynamic framework of art within Industrial Revolution 4.0. With the art framework related is detailed with a component of the artist as co-creator, hybrid types of production and the attribute of a super bright society. Creative humans should refer to several key points to be more prepared, equipped and, realistic, coherent with society 5.0. Keywords: art framework, Industrial Revolution 4.0, society 5.0 eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI7%20(Special%20Issue).3776
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NASIR, Suraya Binti Md. "Understanding Manga as a “Style” through Essay Manga’s Multimodal Literacies：And Its Relations to the Discourse on “local art style” in Malaysian Comics". Border Crossings: The Journal of Japanese-Language Literature Studies 13, n.º 1 (30 de dezembro de 2021): 61–74. http://dx.doi.org/10.22628/bcjjl.2021.13.1.61.
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The trans-cultural consumption of Japanese Manga in Malaysia has prompted a significant amount of manga-influenced local works. As an outcome, traces of Japanese Manga can be found through its iconic art styles, storytelling and Japanese culture in these works. While fans show the positive response for these manga-influenced local works, the artists’ community shows the opposite response, in particular, related to the representation of the “typical Japanese manga-style”, resulting in the idea that these artists are turning away from the “local art style” which has been pioneered by the predecessors. The sentiment of Japanese Manga as a “single art style” contributed to this misconception on what constitutes a Japanese manga identity. In which the researcher proposes the introduction of ‘Essay Manga’ (コミックエッセイ or エッセイマンガ) as a way to divert the attention of Japanese Manga’s art style, by shifting to the other attributes of Japanese Manga which is the story. Essay Manga is a manga work that describes the events that happened around the manga artist but without any specifications towards manga visual conventions. To illustrate the importance of story versus art style in Essay Manga, the characteristics, forms, examples are sketched out trough the works of Hosokawa Tenten and Azuma Hideo. A section on Malaysia “local art style” is also discussed and ties in with the discussion of Manga. Eventually, the study argues that Japanese Manga is not limited to visual representation; instead, it is accommodated by its engaging storytelling, thus justifying Essay Manga’s potential as a multimodal literacy works.
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Hannah Kong Nyuk Fun, Hannah Kong Nyuk Fun, Imelda Ann Achin e Addley Bromeo Bianus. "THE INTERPRETATION OF SIGNS ON PROJECTION ART OF VEIL OF AN ARTIST AND A FICTIONAL DIALOGUE". Jurnal Gendang Alam (GA) 12, n.º 1 (30 de junho de 2022): 131–46. http://dx.doi.org/10.51200/ga.v12i1.3833.
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The form of communication of new media art serves as a vital link between the world of art and the society. The scenario for the advancements of new media art in our country is inadequate in respect of the intellectualism aspects of studies and the knowledge of projection art. As part of this study, projection art in Malaysia will be analysed to see how artists employ technology and visual art semiotics to convey their ideas to audiences effectively. This paper discusses the projection artworks produced by Hasnul Jamal Saidon titled Veil of an Artist and A Fictional Dialogue. The semiotics approaches which involve in constructing the content analysis semiology and in-depth interviews were utilised to analyse the projection artwork by Hasnul Jamal Saidon. Furthermore, this study aims to discover the value of message that embedded in the projection artworks of Hasnul as well as to interpret the signs and meanings included in each piece of art. According to the research, projection artwork of Hasnul demonstrates the new media and its always changing, intricate ways in which individuals express and interpret in different perspective of the value of the subject, and ideologies of nature, as well as social morality, and conventional standards. Study finding shows that artworks may effectively transmit the intended messages of the artist as well as themes and issues that they addressed regardless of the date or place in which they were produced.
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Razali, Rosmidahanim, Ruzamira Abdul Razak, Mohd Nafis Saad, Nizar Nazrin e Ishak Ramli. "Understanding the Meaning and Symbols of Animals in Visual Artwork: A Case Study of Five Selected Works in the SI + SA 2020 Exhibition". Idealogy Journal 6, n.º 2 (1 de setembro de 2021): 78–90. http://dx.doi.org/10.24191/idealogy.v6i2.301.
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Visual artwork is a platform to convey the meaning of the theme chosen in producing the work. However, it is difficult to understand the meaning through the symbols highlighted by the artist. Based on that situation the objective of this study is to collect information on visual artworks that apply animal symbols in the SI + SA 2020 exhibition. Five artists have been identified using animal symbols in the production of their artwork. This study is based on qualitative research approach using four types of data; namely the study of literature that explains the meaning and symbol of animals from the point of view of previous scientific writing. The second method is based on information obtained from the artist statement in the SI + SA 2020 Exhibition catalogue. The third method, the researcher interviewed (partially structured) five artists who have been selected using animal symbols in their artwork. The fourth method is to use the theory of Edmund Burke Feldman (1994) which has four stages in the theory, namely description, analysis, interpretation and evaluation. Triangulation (qualitative) studies are conducted to obtain more data and the validity of the findings obtained. The result shows an understanding of the meaning and symbol varies according to the needs of the individual or society. Some artists associate symbols in the context of personal experiences or observations of an event. Symbols can also carry meaning in the context of social sciences. In the production of their artworks, the use of symbols is a method to convey a message and an easier way to communicate. Conclusion clearly shows that the meaning of these animal symbols depends on different personal perceptions - different from the references studied. It can reveal to the general public that the use of animal symbols applied in the work can carry various meanings. Researchers suggest for future studies to conduct comprehensive research on the use of symbols in contemporary visual arts Malaysia.
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Wahed, Wan Juria Emeih, Abdul Halim bin Husain, Wan Juliana Emeih Wahed e Patricia Pawa Pitil. "The Influence of Artist in Schools (AiS) Program and the ARCS Motivational Model on Students’ Creativity and Motivation in Visual Art". International Journal of Emerging Technologies in Learning (iJET) 14, n.º 20 (18 de outubro de 2019): 149. http://dx.doi.org/10.3991/ijet.v14i20.11464.
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The word ‘education’ comes from the Greek word ‘educare’ which means carrying out the potentials stored in the children's psyche to be guided in order for them to grow. It involves the dissemination of information or knowledge to, and acceptance by, a student which results in the receiver’s behavioral changes. The “Artist in Schools” (AiS) program was initiated by the researchers and became the platform for the collaboration between schools and artists aimed at increasing the students’ motivation in arts education. It encompasses the sharing of knowledge and experiences between the two groups. This paper is aimed at analyzing the students’ creativity and motivation in visual art by using the ARCS Motivational Model. Using the multi-case studies, nine secondary schools from Peninsular Malaysia were selected as the sample of the study. In-depth interviews, observation, and analysis of related documents were applied. The data were presented narratively. The result revealed that AiS was significantly functional and instrumental in enhancing and encouraging the level of creativity and motivation of the students in visual arts. This study may give a great impact on the students’ development specifically in the learning of visual arts.
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Azman, Mohammad Firdaus. "The Role of Art Elements in the Translation of Photographic Works". Idealogy Journal 3, n.º 2 (7 de setembro de 2018): 241–44. http://dx.doi.org/10.24191/idealogy.v3i2.70.
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The presence of photography around the 1890s when Malaya (now Malaysia) which was still under British rule was not an obstacle for the field of photography to grow to this day. Photography is a medium that can be used to produce creative works that have their own artistic elements (Sabki Md. Noh, M. Shariful Hafizal, 2017). The production of the work is produced according to technical procedures that require repeated experimentation to get the best results. Emphasizing the element or line element in the production of a work is none other than to show the relevance of the art element in photography, but also to focus on the use of pattern elements. In the form of social relationships, the artist tries to convey that when filming, visuals should always be taken with care so that every art element that is blended in the production of the work is not overwhelmed or runs away from the original concept. For the artist, this visual is a conversation about what is done as well as what can be conveyed, in addition to aiming to make the audience aware of the artist’s creative process while creating, which illustrates the meaning of the artist’s work which usually describes literary language in visual form. With the role of photography that also gives awareness of the importance of understanding the adaptation of visual art elements Keywords: Photography, artistic elements, art work, consciousness
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Ismail@Kamal, Julina, e Md Salleh Yaapar. "The Hermeneutic of the Malay Comic: Unveiling the Symbolism of Love in Selendang Siti Rugayah". Wacana Seni Journal of Arts Discourse 19 (31 de dezembro de 2020): 1–12. http://dx.doi.org/10.21315/ws2020.19.1.
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A comic is a form of sequential art that incorporates the integrated textual and visual aspects to reveal the desired meaning. It involves storytelling techniques with narrative elements as found in conventional literary works. Nowadays, comic art is flourishing in Malaysia with the advent of abundant comics from various old and new local authors. The uniqueness of Rejabhad, who was widely known as the King of Malaysian Cartoon, allows the researcher to analyse his comic works in the aspects of textual and visual designs. Prior studies have only discussed the outer layer of Malay comics. In fact, Malay comics especially Rejabhad’s works need to be examined more deeply to unravel their outer and inner layers of meaning. It is essential to fully understand the overall meaning of the work as well as to appreciate the author’s identity. This study focuses on one of Rejabhad’s particular comic work entitled Selendang Siti Rugayah (1997). The study uses a spiritual hermeneutic reading or exegesis (takwil) method is applied to obtain the inner or spiritual meaning of Selendang Siti Rugayah comic work. The results of this study allow the public to understand the inner meaning of the comic work and to appreciate the identity or personality of the author in his or her comic works. This study which based on the spiritual hermeneutic reading is very significant. It is a new exploration that may change the views on the creativity and wisdom of a Malay comic artist, Rejabhad, who had been appreciated and understood only based on the outer layer of reading.
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Zamani, Mohd Fairuz. "Music of Razak Abdul Aziz: Preparing Chosen Solo and Collaborative Piano Works for Two Academic Recitals". Wacana Seni Journal of Arts Discourse 20 (27 de dezembro de 2021): 79–85. http://dx.doi.org/10.21315/ws2021.20.7.
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For the first time in history, full-scale performances on musical compositions by a Malaysian composer, Razak Abdul Aziz, were presented through two academic recitals—27 July 2019 and 6 February 2020—at Orchestra Hall, Akademi Seni Budaya dan Warisan Kebangsaan (ASWARA). These recitals consisted of solo and collaborative piano works, performed by me and a team of music collaborators that were specifically selected for this purpose. Razak Abdul Aziz, who is still actively composing, spent most of his career life as an academic, first serving for Institut Teknologi MARA (ITM), then Universiti Sains Malaysia (USM) until his retirement in November 2019. Besides fulfilling the academic requirements set by Universiti Pendidikan Sultan Idris (UPSI) for my doctoral degree, I had chosen to perform works by this composer as he is generally known to the local music community as one of the earliest contemporary composers in the country (started composing in the 1980s). Yet, a full-scale performance of his works was long overdue, though he had the opportunities to have some of his works premiered and performed on local and international platforms as part of concert programmes. This artist project talks about the preparation I made for both recitals, briefly explaining the creative process I journeyed through and the challenges I faced during this time span, discussing each work I had selected for these academic recitals. These recitals could, perhaps, be the pioneers in studying and performing works by Razak Abdul Aziz, hoping to expand this effort to national and international levels.
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Md Nor, Maiyamin, e Shangeetha R. K. "Code-Switching in Malaysian Stand-Up Comedy Performances: A Case Study of Comedian Harith Iskander". Kajian Malaysia 41, n.º 1 (28 de abril de 2023): 109–32. http://dx.doi.org/10.21315/km2023.41.1.6.
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Usage of code-switching in the scene of stand-up comedy is one of many creative strategies for comedians to deliver jokes and connect with a multilingual audience. However, not many employ this strategy, especially in Malaysia. Malaysian standup comedians rarely use code-switching in the delivery of their jokes as many use the local variety of English in achieving humour. Code-switching enables comedians to reach out to their audience and ensures their jokes are delivered more effectively and appreciated by the audience. Centring upon the use of codeswitching from English to Malay in two stand-up comedy performances by a wellknown Malaysian artist, Harith Iskander, this article delves into the frequently used forms and functions of code-switching found in the performances. Shana Poplack’s categorisation of code-switching and Hoffman’s functions of codeswitching frame the basis of this descriptive analysis. Both frameworks are used to determine the types of code-switching used and its functions. The findings show that intrasentential code-switching is the most used in one performance while tag switching is used most frequently in the other performances. The discrepancy of outcomes between the two performances is a result of language accommodation by the comedian for the target audience; the first performance is targeted to a Malay audience while the second has a more diverse audience. In terms of functions of code-switching in both performances, they differ only in frequencies; where code- switching is mostly used to talk about a particular topic and express group identity in the first performance while in the second, it mainly functions as interjection. The overall results show that the target audience influences the way code-switching is used by stand-up comedians in order to engage with them. The findings indicate that code-switching becomes less prominent when the audience is more diverse. This implies that the type of audience influences the extent and limits on code switching in stand-up comedy. This research can benefit stand-up comedians regarding the incorporation of code-switching in delivering jokes.
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Subramaniam, Maithreyi, Jacqueline Sim Fei Chin, Tan Tay Guan e Tan Yar Shi. "Batik Paintings, A Beautiful Cultural Heritage". Journal of Social Science and Humanities 6, n.º 1 (28 de fevereiro de 2023): 1–9. http://dx.doi.org/10.26666/rmp.jssh.2023.1.1.
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In early 2020, Malaysia’s creative industry was weakened by the country’s constant lockdown due to pandemic Covid-19. Lim Anuar, a deaf artist, illustrator, and designer, was struggling financially and missed his family in Vietnam as many galleries and art workshops were closed during this pandemic. In this research, the authors discussed the impact of Covid-19 towards creative industries globally, issues with Malaysian creative industry and batik during Covid-19, batik paintings during modern Malaysian art in between 60s-70s, Kwan Chin’s style of Modern Malaysian batik paintings, exploration of Lim Anuar’s batik paintings in contemporary Malaysian art. Three significant batik paintings of the artist’s interest namely Gotong-Royong II, Best Friends, and Family Togetherness, produced in 2021 were discussed in terms of subject, form, and content. The researchers found that there are some influences from the Western art namely Cubism and Kwan Chin’s “crackle” effect in Lim Anuar’s batik paintings. This study also clarifies that local artists especially those with special needs who contributed to the development of contemporary Malaysian art should be given more opportunities for career expansion and voice in the creative industry during the post-pandemic era of Covid-19.
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Syed Ahmed Jalaluddin, Syed Zamzur Akasah, Mohd Suhaimi Tohid, Mohd Khairi Shamsudin e Mohd Fazli Othman. "#CeritaKita: The splendour of Malaysia through mural painting on petronas gas station". Environment-Behaviour Proceedings Journal 7, SI8 (7 de outubro de 2022): 105–9. http://dx.doi.org/10.21834/ebpj.v7isi8.3921.
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Murals are works of public art that express ideas on a building's surface. The connections between how it's made, where it is, and what it represents have been demonstrated to be powerful visual communication tools for stimulating energy, activity, surroundings, social messages and patriotism spirit. Nowadays, companies like Petronas Dagangan Berhad support local artists to express their sense of local identity. By that, artists showcase their talents in a specific place, forming different styles and delivering the most imaginative affinities to the community. This activity gives hope to Malaysian artists and creatives in transforming local identity into a visual display. Keywords: The Splendour of Malaysia; Mural Painting; Petronas Gas Station eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI8.3921
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Huang, Jiao, Sameer Kumar e Chuan Hu. "Does Culture Matter? A Comparative Study on the Motivations for Online Identity Reconstruction Between China and Malaysia". SAGE Open 10, n.º 2 (abril de 2020): 215824402092931. http://dx.doi.org/10.1177/2158244020929311.
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On social network platforms, people may reconstruct an identity due to various reasons, such as vanity, disinhibition, bridging social capital, and privacy concerns. This study aims to identify cultural differences in the motivations for online identity reconstruction between China and Malaysia. Data were collected from China and Malaysia using an online survey. A total of 815 respondents (418 Chinese and 397 Malaysians) participated in this study. Differences were found not only between Chinese and Malaysian participants but also among participants from different ethnic groups (e.g., the Malaysian-Malays and the Malaysian-Chinese). This study adds knowledge to the research concerning online identity reconstruction by taking into account national culture. It also extends the cross-cultural research concerning social network platforms and sheds light on the specific differences between Chinese and Malaysian participants. The findings of this study can help service providers to deploy specific strategies to better serve social network platform users from different countries.
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Anak Michael, Valerie, Khairul Aidil Azlin Abd Rahman, Shureen Faris Abdul Shukor e Noor Azizi Mohd Ali. "An Analysis of Artistic Diversity in Hybrid Art Practice among Malaysian Artists". Environment-Behaviour Proceedings Journal 5, SI1 (1 de junho de 2020): 99–105. http://dx.doi.org/10.21834/ebpj.v5isi1.2307.
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This research objective is to analyze the artistic diversity in hybrid art practice among selected Malaysian artists. The paper examines the process of making hybrid artworks where focusing on media diversity and experiment activity. The researchers had used cluster sampling and twenty artists involved to answer the questionnaires. The researchers used bar graph and Principal Component Analysis to analyze the artistic diversity in Hybrid Art. The finding of media diversity shows that Malaysian artists are focusing on mixed media, strength and equipment. Besides, the artists are focusing on subject matter, experiment, influence and research for the finding of experiment activity. Keywords: Collaboration, experiment activity, media diversity, hybrid approach. eISSN: 2398-4287 © 2020. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v5iSI1.2307
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Chow, Sow Yeng, e Sarena Abdullah. "The Shaping of Malaysian Abstract Expressionist Art within the Context of Malaysian Modern Art (1950s-1970s)". Melayu: Jurnal Antarabangsa Dunia Melayu 17, n.º 1 (1 de janeiro de 2024): 57–84. http://dx.doi.org/10.37052/jm.17(1)no3.
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Abstract Expressionism is an art form that began in the West and later gained influence in the East. In the years after World War II, Abstract Expressionism became the catalyst in the transition of modern art in Asia. In Malaysia, with the advocacy of Abstract Expressionism and the spirit of Expressionism, abstract art became mainstream in the art scene since the 1950s. Abstract Expressionism from two different worlds—America and/or Europe and Malaysia—is different, especially in terms of the artists’ respective approach and creativity. This article discusses how the evolution of abstraction works through the artworks produced by Syed Ahmad Jamal, Yeoh Jin Leng, Latiff Mohidin, and Chew Teng Beng. This is followed by a discussion on the diversity of abstraction forms in Malaysian Abstract Expressionist art through the study of works by the aforementioned artists
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Zainal Abidin, Mursyidah, Nik Syahida Sabri, Wan Samiati Andriana Wan Mohd Daud e Wiwik Sri Wulandari. "Waste Materials as a Sustainable Medium in Contemporary Art: An analysis of Malaysian artists' creative practices". Environment-Behaviour Proceedings Journal 9, n.º 28 (16 de março de 2024): 91–97. http://dx.doi.org/10.21834/e-bpj.v9i28.5919.
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This study analyses the integration of environmental factors into creative representation, focusing on Malaysian artists proficient in 2D and 3D artworks that utilize waste and recyclables. It emphasizes the value of waste-derived materials in artistic expression, highlighting artists competent at converting varied waste forms into fascinating artworks. Using Feldman's theory, the researchers selected artworks to understand their content and context. Acknowledging the potential for art to contribute to change, the research advises employing waste as a creative, sustainable strategy to address environmental challenges and increase awareness. It promotes waste as a significant artistic medium for encouraging sustainability consciousness in Malaysia.
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Abdul Rahim, Rosliza, Mumtaz Mokhtar e Ishak Ramli. "A Review Of Alternative Ways Malaysian Artists Approach Self-portraits Painting". Idealogy Journal 8, n.º 1 (1 de abril de 2023): 152–58. http://dx.doi.org/10.24191/idealogy.v8i1.415.
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Painting for presentation Self-portraits have been revolutionised on several occasions. To achieve different effects in their portrait painting, the artist experimented and manipulated various media. Portraits are commonly defined in art as a likeness of a person, particularly a face till shoulders, but there are other ways to define a portrait and a painting. There is a lack of comprehension and interpretation of the topic. As a result, the purpose of this research is to trace the history of the self-portrait. From the 1940s to the 2000s, reviews were written in the form of a year-by-year chronology, identifying the approach used by local painters. Conclusion: The shift in the art movement from naturalistic approaches to a variety of styles resulted in new interpretations and opportunities for artists to create exciting portrait paintings. The development of a new understanding of the term "portrait painting" resulted in new interpretations and suggestions for a new way of presenting self-portraits, contributing to an alternative and creative way of practising portrait painting for Muslim artists.
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Wahida, Adam, e Muhammad Hendra Himawan. "Batik in Malaysia and Indonesia: A collaboration for reconciling issues of cultural heritage". International Journal of Education Through Art 18, n.º 1 (1 de março de 2022): 89–103. http://dx.doi.org/10.1386/eta_00084_1.
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Conflict claims for the cultural heritage of batik between Indonesia and Malaysia have created tensions between the people of these two countries. The Indonesian and Malaysian governments have never involved academics and arts education institutions in resolving such conflict claims, yet, these communities can play a significant role in post-conflict reconciliation efforts. This article describes a conflict reconciliation method initiated by academics, artists and art educators through a collaborative art project between art higher education institutions in Malaysia and Indonesia. Ways in which collaborations within and across the art and education communities may address the understanding and reconciliation of issues related to cultural heritage conflict are explored.
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Norhana Nawai e Noreha Hashim. "GOOD GOVERNANCE AND CHALLENGES OF MANAGING MALAYSIA’S DEPENDENCY ON FOREIGN LABOR". global journal al thaqafah 11, n.º 1 (31 de julho de 2021): 123–33. http://dx.doi.org/10.7187/gjat072021-11.
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Good governance concept plays an important role in the modern government system through creating sustainable public policies. Good governance is a concept that has been used globally, including in Malaysia. Ironically, Malaysia has the highest number of foreign laborers in Southeast Asian countries reaching approximately six million. The dependency is shockingly becoming a major concern for the government in formulating policy. In formulating policy, it is important to consider various stakeholders such as employers and Malaysian people. Therefore, the government is trying hard to find an equilibrium point in managing and the best way to reduce dependency on foreign labor. This article examined various issues and challenges in managing Malaysia’s foreign labor dependency, including the good governance concept perspective. This study uses a qualitative research approach. There are 7 key stakeholders identified through purposive sampling. Semi-structured interviews were undertaken to identify and understand the issues and challenges faced in the foreign labor governance. The findings found out that Malaysia’s foreign labor governance has overlapping governance arrangement, vague job scope, poor governance management system, and lack of mutual participation. Therefore, it is important to improve the foreign labor governance and policy in Malaysia because shortcomings in governance arrangements hinder the implementation of effective policies. The improvements are crucial to reduce the dependency on foreign labor and Malaysia’s development efforts will progress efficiently.
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Basarud-din, Siti Khalilah, Ram Al Jaffri Saad e Abdulrasheed Abdullah Aminullah. "Malaysian Halal Certification: A Study of Compliance Behavior of Muslim Entrepreneurs". global journal al thaqafah 12, n.º 2 (31 de dezembro de 2022): 46–65. http://dx.doi.org/10.7187/gjat122022-4.
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The halal industry in Malaysia plays a very significant role in its economic growth. It contributed about 8.1% to Malaysia’s GDP in 2020. Notwithstanding that, the applications of and compliance with halal certification among Muslim entrepreneurs remains significantly low. Ironically, Muslim entrepreneurs stand to suffer losses of up to 60% due to the absence of the halal logo on their products resulting from their low halal compliance behavior. This study proposes to identify factors affecting the compliance behavior among Muslim entrepreneurs in relation to the Malaysian halal certification. Data were collected through personally administered questionnaires that were distributed to 400 selected Muslim entrepreneurs in Malaysia. Research samples were chosen using random sampling techniques from the list provided by Small and Medium Enterprise Corporation Malaysia (SME Corp). This study used the structural equation model (PLS-SEM) analysis to process the effects of independent and mediator variables on the compliance behavior of the Muslim entrepreneurs. Result shows that there is a positive and significant effect of attitude, social influence, and awareness on the behavioral intention to comply with the Malaysian halal certification. Mediating factors of attitude and awareness show positive and significant relationships between social influences and the intention to comply with halal certification. Finally, intention also has a significant and positive effect on the compliance behavior of Malaysian Muslim entrepreneurs on halal certification. Research outcomes highlight the importance of local authorities and policymakers enhancing their strategies to ensure more Muslim entrepreneurs comply with the Malaysian halal certification. This study hopes to contribute to existing scholarship particularly on the compliance behavior of halal certification among Muslim entrepreneurs.
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Abdul Rahim, Rosliza, Mumtaz Mokhtar, Verly Veto Vermol e Rafeah Legino. "Iconography Underpinning Malaysian Portrait Painting". Environment-Behaviour Proceedings Journal 6, SI5 (1 de setembro de 2021): 119–24. http://dx.doi.org/10.21834/ebpj.v6isi5.2936.
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Malaysian portrait paintings were introduced in the 1930s where local artists started using the subject in their art-making. In art, portraits are generally known as the likeness of a person, especially a face and shoulders, but in fact, there are more ways to define portrait and painting. There is a lack of understanding and interpretation on the subject. Consequently, this study aims to trace the chronology of the development of Malaysian portrait paintings. The stylistic and contextual issues, including its formalistic format, media, themes and styles, and artists, are also examined in this study using a mixed-mode of research method. Keywords: Portraits; Painting; Iconography eISSN: 2398-4287 © 2021. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v6iSI5.2936
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Anak Michael, Valerie, Khairul Aidil Azlin Abd Rahman, Shureen Faris Abdul Shukor e Noor Azizi Mohd Ali. "Artistic Knowledge and Practices of Hybrid Art based on the Analysis of Malaysian Artists’ Artworks". Environment-Behaviour Proceedings Journal 5, SI1 (1 de junho de 2020): 111–17. http://dx.doi.org/10.21834/ebpj.v5isi1.2305.
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The objective of this paper is to identify the artistic knowledge and practices of hybrid art among Malaysian artist’s artworks. The purpose is to analyze the artistic knowledge through Malaysian artist’s artworks. Ten selected artworks from the multidisciplinary artists had been choose. The researchers applied observation method to select the artworks that have the element of hybrid art and Kawakita Jiro method for the purpose of clustering the attributes for the artistic knowledge and practices of hybrid art. The finding shows that the advancement of technology, and freedom in exploring the material have affected the creation of hybrid artworks production. Keywords: Artists’ practices, Hybrid art practice, integration, cross disciplines. eISSN: 2398-4287 © 2020. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v5iSI1.2305
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Zanuar, Seri Nurul Syuhada, e Khairunnisa Diyana Md Noor. "Social Media's Effectiveness for Malaysia's Independent Artists". Environment-Behaviour Proceedings Journal 7, SI9 (9 de outubro de 2022): 9–14. http://dx.doi.org/10.21834/ebpj.v7isi9.3928.
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Social media has played a crucial role for artists to market and promote their artwork. They have increasingly used Instagram, Facebook, YouTube, and Twitter. This study focuses on three elements which are to investigate which platform of social media that been used the most for the artists to market their products and service, to study impacts of the social media on their marketing strategies, and to find out how the artistes manage their social media and identifying on how the artistes maintain their fan interest towards their works. Keywords: social media, technology, internet, social networks eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by E-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under responsibility of AMER (Association of Malaysian Environment-Behavior Researchers), ABRA (Association of Behavioral Researchers on Asians), and cE-Bs (Centre for Environment-Behavior Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI9.3928
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Siswantoro, Dodik, Mohammad Soleh Nurzaman, Sri Nurhayati, Agus Munandar, Abdul Ghafar Ismail e Nafsiah Mohamad. "Factors Determining Zakat Rebate Preferences in Malaysia: Zakat as Tax Deduction". Academic Journal of Interdisciplinary Studies 11, n.º 2 (5 de março de 2022): 115. http://dx.doi.org/10.36941/ajis-2022-0039.
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This research aims to analyze factors that could affect preferences for zakat rebates (i.e., zakat as a tax deduction) in Malaysia. In 1967, Malaysia’s Income Tax Act legalized zakat and made it tax-deductible. An applied quantitative method (SmartPLS) was used to construct a formative model on Muslims in Malaysia. Participants in the research were economics faculty members from universities in Malaysia. The results show that satisfaction affects preferences for zakat rebates and may prove that Muslims pay zakat because they are satisfied with their zakat institution. Other findings show that Malaysian Muslims only focus on income zakat and not on maal (wealth) zakat, which may be caused by the monthly zakat rebate system. This may be the first research paper that discusses zakat rebate preferences in Malaysia using a theory based on service quality and behavioral consequences.
Received: 6 December 2021 / Accepted: 29 January 2022 / Published: 5 March 2022
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Changsong, Wang, e Lucyann Kerry. "Filmic Depiction of Malay Subjectivity in the Late Yasmin Ahmad’s Films". SAGE Open 12, n.º 2 (abril de 2022): 215824402210964. http://dx.doi.org/10.1177/21582440221096444.
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Besides P. Ramlee, Yasmin Ahmad’s name is synonymous with Malaysian cinema. The award-winning Malaysian filmmaker’s death impacted not only the Malaysian film industry but also those who admired her work. The late legendary filmmaker was a liberal Islamic Malaysian who explored Islam and humanity through interracial love stories. These filmic stories resonated with the ordinary Malaysians as they were compelling and courageous, often challenging the norms and conventions of other Malaysian films by daringly dramatizing and visualizing societal taboos and hypocrisies on the cinematic screen. The employment and integration of cosmopolitan themes of love, humanism, and humor in her films sets her apart from other local filmmakers. Yasmin’s films had attracted international attention and garnered awards at film festivals in Europe, North America, and Asia. This paper attempts to analyze her cinematic approaches of the construction of Malay subjectivity in all of her six films. For example, interracial relationships in Muallaf and Talentime is the dominant leitmotif of each, which connects the films with parallel events occurring in real-life Malaysia. The author interviewed production crew members who worked closely with Yasmin for her six films and tried to have a better understanding of the narrative motifs and themes in her films. These interviewees provided a comprehensive picture which drives her films, even now, to move beyond being focused on multiculturalism and to more socially, culturally and politically issues related to Malaysians.
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Drakeley, Steven. "Drowning or Waving? Citizenship, Multiculturalism and Islam in Malaysia". Al-Jami'ah: Journal of Islamic Studies 46, n.º 2 (26 de dezembro de 2008): 325–51. http://dx.doi.org/10.14421/ajis.2008.462.325-351.
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This article examines some intriguing shifts in Islamic thinking on questions around citizenship and multiculturalism that have emerged in the Malaysian context in recent years. It does so in the light of the March 2008 election results and other recent political developments, notably the rise of Anwar Ibrahim’s PKR, and considers the implications for Malaysia. Of particular focus is the novel Islam Hadhari concept articulated by UMNO leader Prime Minister Badawi and the relatively doctrinaire Islamic state ideas of Islamist PAS. The article argues that these shifts in Islamic thinking are largely propelled by politics. Partly they are propelled by the logic, in a narrow political sense, imposed by the particular political circumstances that confront these Muslim-based political parties in Malaysia’s multi-ethnic, multi-religious setting. Partly the impetus is derived from growing general concerns in Malaysia that a new and more stable and enduring settlement of the issues associated with the country’s notorious horizontal divisions must be found if Malaysia is to avoid a disastrous plunge into communal conflict or tyranny.
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Omran Zailuddin, Firdaus Naif, Muhammad Abdullah, Hawari Berahim e Azharudin Mappon. "Interpretation of 9 Selected Visual Works of Contemporary Young Talent from the Context of the National Cultural Policy Core". Idealogy Journal 3, n.º 2 (7 de setembro de 2018): 43–60. http://dx.doi.org/10.24191/idealogy.v3i2.64.
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Contemporary Young Talent (CYT) is a visual arts competition organized by the National Visual Arts Gallery (NVAG) which is the most prestigious in Malaysia. Its 40 years of organization have successfully produced many renowned artists who are now pioneers in the Malaysian and regional visual arts arena. In line with the strength of CYT as a reflection of the future of Malaysian visual arts and the role of art as a cultural vehicle, the objective of the study is to analyze and further dismantle the latest visual art works of Malaysian artists from the perspective of national culture through the CYT platform from 2000 to 2013. This study aims to clearly understand the visual elements and features that are the cultural identity in the latest Malaysian visual arts. This objective was achieved through observation and reading of CYT catalog books published by NVAG, scholarly books, journals, and relevant previous studies as well as interviews on three artists and academics who won the CYT competition. This study uses a qualitative approach, guided by the 4 components of the theory of art criticism Feldman E.B. (1994) namely description, analysis, interpretation and evaluation. 9 works will be analyzed from the aspects of ‘form’ and ‘meaning’. The results of the work analysis will be compared with national cultural elements (data triangulation) and then justify and classify CYT visual art works based on the 3 cores of the National Cultural Policy, namely, the culture of the region's indigenous peoples, other appropriate cultures and Islamic culture through descriptive text.). This study is important to create awareness, deeper appreciation and provide knowledge to art admirers in understanding the meaning and approach and content in the latest visual artwork. The results of the study through descriptive texts explain the existence of national cultural elements and their relationship in selected contemporary works of CYT (2000-2013).
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Dahari, Rafidah, Nor Azizan Idris e Zarina Othman. "Influencing External Factors for Small Arms Light Weapon Smuggling at Malaysia-Thailand Border". Asian Social Science 15, n.º 3 (28 de fevereiro de 2019): 14. http://dx.doi.org/10.5539/ass.v15n3p14.
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End of the Cold War had contributed to the plentitude of firearms within the Southeast Asia region which led to the increase of small arms and light weapon (SALW) smuggling activity. For decades till today, most countries in this region continue to face internal armed conflicts. Malaysia strategic location, situated at the world’s busiest sea lane trades had resulted in rampant cross border crime of SALW smuggling activities. Malaysia’s strict firearms law disallows the possession of SALW without a license. In spite of such strict SALW legislations, these smugglings continues. What are the factors that contribute to the increase of SALW smuggling into Malaysia? The main objective of this article is to scrutinise the external factors that promote the increase of SALW smuggling into Malaysia. This study employs a qualitative method with primary data obtained through preliminary and formal interviews with Malaysian and Thailand security agencies, crime desk journalist, non-governmental organizations, smugglers, former separatist member, former Thai residents, informers and prisoners of SALW related. Whilst secondary data was acquired via credible research. The study found that the national factors and non-national factors have influenced the increase of SALW smuggling into Malaysia.
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Jafri, Aufa Nabila, e Wan Samiati Andriana Wan MD. "THE DEPICTION OF ISLAMIC ELEMENTS IN THE ARTWORKS OF YOUNG CONTEMPORARY AWARD". International Journal of Education, Psychology and Counseling 8, n.º 52 (24 de dezembro de 2023): 461–68. http://dx.doi.org/10.35631/ijepc.852036.
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The National Art Gallery (NAG) introduced the Young Contemporary Award (YCA), also known as Bakat Muda Sezaman (BMS), in the early 1970s with the goal of improving the creative thinking of the art scene. The platform has resulted in a significant percentage of notorious local artists producing remarkable artworks. Nevertheless, with the fast advancement of the modern era in Malaysia, the intention of presenting national culture and traditions especially the Islamic values through visual art among the Muslim artists appears to dissipate. The new generation of Muslim artists' preference for western and universal styles led to the abandonment of Islamic symbols. They appeared to ignore their own cultural motifs and ideals without concerning the impact of their decisions on the next generation of Muslim artists. Thus, this paper will discuss the examples of Islamic elements depicted in the Young Contemporary Award artworks based on the principles from the National Culture Congress 1971 using the qualitative method. It is important for these visual arts to be studied for their contribution in Islamic art. These findings can be used as source of reference to improve the content of Malaysian art making.
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Yasa, Gede Pasek Putra Adnyana, I. Nyoman Darma Putra, I. B. Gde Pujaastawa e I. Nyoman Larry Julianto. "UPIN IPIN ANIMATION: THE MEDIA OF MALAYSIA'S IDENTITY POLITICS". E-Journal of Cultural Studies 16, n.º 3 (31 de agosto de 2023): 37. http://dx.doi.org/10.24843/cs.2023.v16.i03.p04.
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"Upin Ipin" animation is a popular children's film series in Indonesia, including Denpasar from 2010-2023. The Upin Ipin animation shows the background of a Malaysian village with its own culture, and the characters who play a role in it can represent the Malay-Malaysian identity and the various tribes that exist in Malaysia. The research used qualitative methods, and data were analyzed using discourse analysis theory and ideology theory. The results show that the issue of Malay-Malaysian identity plays a role in the production of Upin Ipin animation. The identity is visualized through the characters in the story, along with the environment that considers the socio-cultural background of the local Malaysian community. The construction of the environment, socio-cultural life, religion and culture, and language represent the Malaysian identity. This article contributes to the understanding that Upin Ipin animation is not just entertainment but a medium to introduce the Malay-Malaysian cultural identity.
Keywords: animation, Upin Ipin, identity politics, Malaysia
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Suaedy, Ahmad. "Islam and Minorities: Managing Identity in Malaysia". Al-Jami'ah: Journal of Islamic Studies 48, n.º 1 (18 de junho de 2010): 1–44. http://dx.doi.org/10.14421/ajis.2010.481.1-44.
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The Malaysian general election in March 2008 raised an interesting and new phenomenon. For the first time since independence in 1957, the ruling alliance known as the National Front (Barisan Nasional, BN) failed to secure two thirds of seats in parliament and lost control of five of Malaysia’s 13 states. This was due to the challenge presented by the new opposition alliance known as the Alternative Front (Barisan Alternatif, BA) or the People’s Alliance (Pakatan Rakyat, PK) which won more than 36% of seats in parliament and gained control of the five states. In the 2004 election, BN secured the largest ever percentage of seats in parliament with 91%. What is interesting is that it seems that this significant increase in support for the opposition is due to their offer to change the way minorities and ethnicity is managed. They propose a move from “Bumiputera Supremacy”, or affirmative action for the approximately 65% of “Bumiputera” Malaysians (the rest being largely of Chinese or Indian ethnicity), to “The People’s Supremacy”, which involves eradicating affirmative action based on ethnicity, basing it instead on need, for instance need due to poverty. This would potentially increase the likelihood of justice and equality for all ethnic or racial groups. This paper connects the phenomenon of change, as seen in the about turn in the results between the 2004 and 2008 elections, to the more global trend in which minorities are standing up to demand their rights in this era of globalization, and to the challenge multiculturalism presents to parts of the Muslim world such as Malaysia. Malaysia, a Muslim majority nation that has formally declared Islam the official state religion with Yang di-Pertuan Agong (the King) as Head of the State and symbol of Islam, is one example, though not necessarily representative, of how Islam and Muslims manage minorities and identity or multiculturalism within the process of globalization.
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Mei, Ooi Jen, Kwek Choon Ling e Tan Hoi Piew. "The Antecedents of Green Purchase Intention among Malaysian Consumers". Asian Social Science 8, n.º 13 (26 de outubro de 2012): 248. http://dx.doi.org/10.5539/ass.v8n13p248.
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The objectives of this research are to identify the factors influence the green purchase intention and to determine the relationships between the factors (determinants) and green purchase intention among Malaysian consumers. A descriptive research was conducted to address the research objectives. The survey research was undertaken among the Malaysians who are members of one of the Activist Groups in which is a Non-government Organization (NGO) in Malaysia. The adopted sampling method was simple random sampling. There were 230 usable questionnaires which were analyzed with the Statistical Package for Social Science Software version 19. Five hypotheses were developed for this research and all hypotheses were tested using Pearson Correlation Analysis and Multiple Regression Analysis. The results of the study indicated that government initiative has the most significant influence on green purchase intention among Malaysian consumers. In contrast, eco-label failed to show significant relationship to green purchase intention. The finding of insignificant impact of eco-label on the green purchase intention from this study is in contrast with the finding from Nik Abdul Rashid (2009) because both studies were carried out among Malaysian consumers.
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Abdullah, Sarena, e Carmen Nge Siew Mun. "Spaces of Experimentation and Collaboration in Early 1990s Malaysian Art". Southeast of Now: Directions in Contemporary and Modern Art in Asia 6, n.º 2 (outubro de 2022): 47–75. http://dx.doi.org/10.56159/sen.2022.a871491.
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Abstract: At the zenith of the Mahathir era, amidst the economic boom and rapid development of the early 1990s, Malaysian art exhibitions were charting a novel path in the arena of installation and performance art. This paper will closely examine three seminal installation art exhibitions, namely Sook Ching (1990), 2 Installations (1991), and Warbox Lalang Killing Tools (1994), where some of the artists involved chose to perform and/or collaborate with dancers and theatre makers, culminating in some of the earliest experiments with performance art in Malaysia. What sets them apart from other installation exhibitions of that period is their use of performance as a tool to confront, unsettle, and challenge audiences in institutional spaces, thereby opening up new possibilities for experimentation and risk-taking.
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Benedict, Jessieca Joseph, Mohd Fazli Othman, Syed Zamzur Akasah Syed Ahmed Jalaluddin e Rafeah Legino. "The Spirituality of Papar Landscape". Environment-Behaviour Proceedings Journal 7, SI9 (10 de outubro de 2022): 75–79. http://dx.doi.org/10.21834/ebpj.v7isi9.3941.
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Art's function has allowed artists to express themselves for centuries. Art was once created solely for religious reasons, especially with the rise of the Catholic Church. The Industrial Revolution and the church's declining influence in the 19th century opened people's eyes to emotion and imagination, which Romanticists later portrayed artistically. This led to nature mysticism and landscape paintings. Similarly, St. Ignatius' Ignatian Spirituality corresponds to the divine yearning in nature. Spirituality and art can go hand in hand, say Jesuit priest-artists. Mystical landscapes reveal humanity's spiritual connection to nature. Artists explore emotion and spirituality through monochromatic art because it can provoke deeply personal experiences My art explores landscape's spirituality. I like how it evokes spirituality, longing, and comfort. Keywords: Spirituality; Papar Landscape eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by E-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under responsibility of AMER (Association of Malaysian Environment-Behavior Researchers), ABRA (Association of Behavioral Researchers on Asians), and cE-Bs (Centre for Environment-Behavior Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI9.3941
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Ahmed Alarussi, Ali Saleh. "Effectiveness, Efficiency and Executive Directors’ Compensation Among Listed Companies in Malaysia". SAGE Open 11, n.º 4 (outubro de 2021): 215824402110541. http://dx.doi.org/10.1177/21582440211054129.
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This paper examines whether or not there is any relationship between executive directors’ compensation and the effectiveness and efficiency ratios of non-financial companies in Malaysia. Two variables are used in this study as independent variables (IVs), that is, company effectiveness ratio (return on equity) and company efficiency ratio (asset turnover); and six control variables, that is, firm visibility, liquidity, profitability, working capital, firm net-worth, and leverage. The executive directors’ compensation is the dependent variable (DV). Data are collected from 360 observations (120 companies’ annual reports for 3 years). STATA software analysis is used to examine the collected data. The results show that company effectiveness is one of the determinants of executive directors’ compensation but not company efficiency. Firm visibility, firm net-worth, and profitability also have strong relationships with executive directors’ compensation. However, liquidity and leverage do not show any significant relationship with executive directors’ compensation in Malaysian listed companies. This study focuses on Malaysia during the period of 2012 to 2014 because Malaysia is one of the developing countries in Asia, and in 2010, the Malaysian economy exhibited strong signs of recovery from the global financial crisis. However, the period between 2012 and 2014 was a critical period for the Malaysian economy; the Ringgit experienced depreciation and was devalued by more than 40%, which negatively affected the Malaysian economy as a whole. In addition, this study examines new variables in the Malaysian context, that is, firm efficiency, firm visibility, and firm net-worth.
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Supartono, Alexander, e Alexandra Moschovi. "Contesting colonial (hi)stories: (Post)colonial imaginings of Southeast Asia". Journal of Southeast Asian Studies 51, n.º 3 (setembro de 2020): 343–71. http://dx.doi.org/10.1017/s0022463420000508.
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This article seeks to explore the impact of digital technologies upon the material, conceptual and ideological premises of the colonial archive in the digital era. This analysis is pursued though a discussion of creative work produced during an international, multidisciplinary artist workshop in Yogyakarta, Indonesia, that used digital material from colonial photographic archives in the Netherlands to critically investigate the ways national, transnational and personal (hi)stories in the former colonies in Southeast Asia have been informed and shaped by their colonial past. The analysis focuses on how the artists’ use of digital media contests and reconfigures the use, truth value and power of the colonial archive as an entity and institution. Case studies include: Thai photographer Dow Wasiksiri, who questions the archive's mnemonic function by substituting early twentieth-century handcrafted association techniques with digital manipulation; Malaysian artist Yee I-Lann, who compresses onto the same picture plane different historical moments and colonial narratives; and Indonesian photographer Agan Harahap, who recomposes archival photographs into unlikely juxtapositions disseminated through social media. By repurposing colonial archival material and circulating their work online such a re-imag(in)ing of Southeast Asia not only challenges the notions of originality, authenticity, ownership and control associated with such archives, but also reclaims colonial-era (hi)stories, making them part of a democratic, expanding, postcolonial archive.
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Nor Aina Mardhiah Nazim e Syarifah Md Yusof. "Halal Legislation Enforcement of Food Premises in Malaysia". global journal al thaqafah SI, n.º 1 (23 de julho de 2023): 151–64. http://dx.doi.org/10.7187/gjatsi072023-12.
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Halal Certification provides an opportunity for food premise operators to prove that the food provided complies with the laws set in Malaysia. Although there are laws and regulations related to halal implementation, the misuse of halal logos such as halal logos forgery, misuse of Islamic images, and using expired certificates still arises within the industry. This study's goal is to shed light on Malaysia's legal guidelines for halal food premises and halal enforcement. This study applies a qualitative approach while the data is collected through content analysis. The content analysis has been carried out involving a few provisions of law and official documents related to halal enforcement of food premises. Those documents are the Malaysian Halal Certification Procedure Manual 2020, Trade Descriptions Act 2011, Food Act 1983, and Local Government Act 1976. The finding of this study shows that Halal enforcement in Malaysia is based on multiple provisions, regulation, and act as there is no halal-specific act governing halal certification matters. This has led to ineffective enforcement as JAKIM and JAIN have limited power to perform halal enforcement, especially towards the misused of the halal logo, deceiving or misleading Muslim consumers with Quranic verses and halal self-claim. As a result, halal issues have not been properly handled and solved. To have a deeper understanding of halal enforcement, it is advised that the future study examine other relevant aspects of Malaysian law and regulation governing halal topics. Additionally, the researcher may investigate the operators of food premises’ knowledge of halal enforcement, including their knowledge of raw materials, and their understanding of the penalties for breaking the law.
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Lemiere, Sophie. "Genesis and Development of A “Nonpartisan” Political Actor: The Formation of the Jama’ah Islah Malaysia (JIM) and its Roots in Western Europe". Al-Jami'ah: Journal of Islamic Studies 47, n.º 1 (26 de junho de 2009): 49–90. http://dx.doi.org/10.14421/ajis.2009.471.49-90.
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This paper looks at the genesis and development of the Jama’ah Islah Malaysia (JIM), a modernist-reformist Islamist organisation that today has played a vital and visible role in the political landscape of Malaysian politics. Little is known about the early genesis of JIM, and how it began in the 1970s and 1980s as a student-based cadre organisation, created by Malaysian Muslim students studying abroad in Europe and North America. JIM’s roots therefore lie in the Islamic Representative Council (IRC) that was a semi-underground student-cadre movement that was created outside Malaysia, and which aimed to bring about the Islamisation of Malaysian society through the process of social and political mobilisation. Working through the archives of JIM today and interviewing the foundermembers of JIM and the IRC, this paper is the first historical account of the formation and development of IRC and JIM to be published.
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Rosli, Siti Nabilah, Nur Izzati Jamalludin, Afiqah Aisyah Saiful Bahar e Sharifah Faizah Syed Mohammad. "Twirling Textiles in Transit: The performance of Keretapi Sarong". Environment-Behaviour Proceedings Journal 7, SI9 (30 de outubro de 2022): 593–97. http://dx.doi.org/10.21834/ebpj.v7isi9.4310.
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Public performances revolving around public transportation continue to be a common sight in transit areas such as London's Tube and the New York subway. Malaysia is even taking a step further by allowing various performing art events to take place at stations and in transit. This exploration is carried out to investigate the possibilities of utilising public transportation services to benefit performing artists in Kuala Lumpur. This research argues that this symbiotic co-existence between transit areas and serving arts practitioners, with the case study of the Kertapi Sarong activity, would foster vibrant arts lifestyle community whereby these efforts will continue to enrich public transport commute experiences.
Keywords: Cultural Performances, Public Transportation, Social Media, Flash Mob
eISSN: 2398-4287© 2022. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians/Africans/Arabians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia.
DOI
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Supriyono, Trihanawati, e Mohd Puad Bebit. "Process Creative: From four style of paintings in Sabah". Environment-Behaviour Proceedings Journal 5, SI3 (28 de dezembro de 2020): 117–22. http://dx.doi.org/10.21834/ebpj.v5isi3.2541.
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The creative process usually refers to the creation of something new and unique. This paper discussed the process creation of the four genres in painting that is applied by visual artists in Sabah. Researchers used the theoretical framework approach from the updated model of process creation in the visual art-making domain to explain the operation of producing intellectual property in visual art mainstream. This research involved interview process for 20 artists from Northern Borneo, Sabah. The outcome of this research explained the differentiation between four approaches of painting genre in the form of the creative process involved. Keywords: Process creative, the genre of painting, Sabah's painting eISSN: 2398-4287© 2020. The Authors. Published for AMER ABRA cE-Bsby e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v5iSI3.2541
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Albaity, Mohamed, e Diana Syafiza Said. "Impact of Open-Market Share Repurchases on Long-Term Stock Returns". SAGE Open 6, n.º 4 (outubro de 2016): 215824401667019. http://dx.doi.org/10.1177/2158244016670199.
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After the Asian financial crisis in 1997, firms listed on Bursa Malaysia were allowed to repurchase their shares on the open market. The number of companies engaged in share buyback is increasing and has become a tool to stabilize price by signaling undervaluation of the share. However, studies on share buyback in Malaysia are limited to the price performance surrounding the buyback events. This study aims to fill this gap by examining long-run price performance after the actual share buyback event over a sampling period of 2 years from 2009 to 2010 for Malaysian firms listed on FTSE Bursa Malaysia. There is no evidence to conclude that there exist long-term abnormal returns using the calendar-time portfolio approach that support the inefficient market hypothesis. On the contrary, buy-and-hold method was found to be significant supporting that the Malaysian stock market is semi-strong efficient.
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Joanne Chian, Haniruzila Hanifah e Ali Vafaei-Zadeh. "Development of Entrepreneurial Competencies and Business Performance in SMEs: Between Government Support and Empowerment of Malaysian Women Entrepreneurs". global journal al thaqafah SI (28 de fevereiro de 2022): 23–34. http://dx.doi.org/10.7187/gjatsi022022-3.
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The important aspect of business performance among women-owned SMEs in Malaysia is scarce and still underperformed. Hence, Malaysian SMEs needs to empower the entrepreneurial competencies among women-owned entrepreneurs and the support of Malaysian government. In this study, the questionnaire survey has been selected as the data collection method for this research. A total of 116 responses from the women-owned entrepreneur in Malaysia were obtained and analysis was carried out using Smart PLS software to generate findings. The results reveal that strategic competencies, opportunity competencies and conceptual competencies have significantly impacted the business performance of women-owned entrepreneurs among SMEs in Malaysia. The moderating effect of government support on the relationship between strategic competencies, opportunity competencies and business performance proved to be significant. Surprisingly, the interaction of government support between conceptual competencies and business performance is not supported in the findings. Hence, the current paper will further provide a women-owned SME with substantial information to focus on fostering entrepreneurial competencies within their respective companies to ensure peak business performance. Findings from this study anticipated being extremely useful to the Malaysian government, in specific Policy Makers. With these results, authorities will be better informed when implementing new strategies and programmes to enhance the skills of entrepreneurs, which will result in better business performance.