Bibliografias temáticas / Malaysia Artist

Literatura científica selecionada sobre o tema "Malaysia Artist"

Autor: Grafiati
Publicado: 25 de julho de 2024

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Artigos de revistas sobre o assunto "Malaysia Artist"

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Iwan Shahrom Shah, Muhamad Yusri Shah, Muhamad Khairi Shamsudin, Rahman Amin e Mohd Farif Ab Jalil. "Influence of Intermedia in Development of Malaysian Art Scene". Environment-Behaviour Proceedings Journal 7, SI9 (10 de outubro de 2022): 63–68. http://dx.doi.org/10.21834/ebpj.v7isi9.3940.

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Media art has evolved over time. Artists are developing intermedia in their art. It begins in 1950s NYC. The idea of Intermedia has since extended globally. Malaysia's media development is influenced by western Intermedia. Malaysian artists are intermedia experts. This research aims to determine why Malaysian artists use Intermedia and to classify its disciplines. This research was place in studio or online, depending on current conditions. Pandemic, artist demand. This research used library, catalogue, and web sources for data. The data will be analyzed to classify the artists' Intermedia use. Intermedia has diversified into numerous disciplines, and it's still growing. Keywords: Intermedia, Malaysian Art, New media eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by E-International Publishing House, Ltd., UK. This is an open-access article under the CC BY-NC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under responsibility of AMER (Association of Malaysian Environment-Behavior Researchers), ABRA (Association of Behavioral Researchers on Asians), and cE-Bs (Centre for Environment-Behavior Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI9.3940
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Zakaria, Salehuddin, Rafeah Legino e Mohammad Kamal Abdul Aziz. "The Concept of National Identity in the Artwork of Female Artists in Malaysia". Environment-Behaviour Proceedings Journal 7, SI8 (7 de outubro de 2022): 81–85. http://dx.doi.org/10.21834/ebpj.v7isi8.3918.

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This study examines the national identity elements of the Fatimah Chik and Khatijah Sanusi artworks, which begins with the examination of relevant material, including examples of national identity-related works and visual data on the results of Malaysian female artists obtained through digital photographs and records. Identifying and recognising national identity in Malaysian female artists' works is categorised by the artwork's profile. The artwork's focus and criteria will be mapped with the inquiry of the National Cultural Congress's study (NCC). Women's attitudes in art production reflect national identity in female artists' artworks that emphasise culture, family, and accuracy. Keywords: Artworks, Female artist, National identity, Malaysia eISSN: 2398-4287 © 2019. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI8.3918
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WAHED, WAN JULIANA EMEIH Juliana. "The MOTIVATIONAL IMPACT OF VISUAL ARTS EDUCATION THROUGH THE 'ARTISTS IN SCHOOLS' (AIS) COLLABORATION PROGRAM AMONG SECONDARY SCHOOL STUDENTS IN MALAYSIA". Asia Proceedings of Social Sciences 4, n.º 1 (18 de abril de 2019): 94–97. http://dx.doi.org/10.31580/apss.v4i1.606.

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The aim of the paper is to highlight some of the findings on the study on the impact of the 'Artist in Schools' (AiS) collaboration on the motivation of students of selected secondary schools in Malaysia in visual art education. AiS is aimed at establishing a collaboration between the students of nine schools and nine Malaysian artists in order to share their experiences, skills, and knowledge consecutively. The research design of multi-case studies or multisite studies was selected and Keller’s ARCS Motivational Theory has been used for assessment purposes and as the main conceptual framework. The open-ended questionnaires were distributed to obtain the data of the students’ motivation, and the collaboration between the AiS program and the students.
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Mohd Aripin, Nur Adibah Nadiah, Ishak Ramli, Noor A’yunni Mohamad, Mohd Fawazie Arshad e Noor Enfendi Desa. "A Literature Discussion and Research Gap Identification on Role, Art Activity and Economy: A Relationship Between Artist, Gallery, and Buyer from The Islamic Perspective". Idealogy Journal 8, n.º 1 (1 de abril de 2023): 134–43. http://dx.doi.org/10.24191/idealogy.v8i1.413.

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Visual art is dynamically developed in Malaysia. The opening of many art galleries shows that people are more receptive to the visual arts as a part of their community. These collisions create the art sector as a career field. This phenomenon encouraged artists to exhibit their artworks in the gallery and economically increased the numbers of art collectors as buyers to support the art scene and build a new bridge of connection between artist, gallery, and buyer. There is interest growing yet little research in this area has been discovered. This research is to identify the relationship between the artist, gallery, and buyer which is related to the role, art activity involved, and economic factors based on the Islamic perspectives. These relations are common and have become the norm in the social environment of visual arts. Furthermore, the role, art activity involved, and economic factor between the relationship of the artist, gallery, and buyer are rarely been discussed. The gap identification will occur by using the qualitative method through observations on the content analysis. This research has the potential to extend the understanding of the relationship between the artist, gallery, and buyer from the Islamic perspective.
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Izwanna, Nazzatul, Rafeah Legino, Jebakumari e Noorziah Mohd Salleh. "An Element of Culture on Printmaking Artworks". Environment-Behaviour Proceedings Journal 5, SI1 (1 de junho de 2020): 107–10. http://dx.doi.org/10.21834/ebpj.v5isi1.2306.

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This paper examines the elements of culture in printmaking artworks. The objective of this study will analyse artworks that will show the stimuli of culture in artworks. Therefore, as to enhance this study, selected artworks were identified, analysed and determine their formulation of artworks. The process of categorization was based on the culture elements through the observation of the artwork. The outcome of this study showed that the artworks significantly illustrates how an artist appreciates the cultural aspects through the printmaking artworks. Most artworks raised the aesthetic appreciation for this country and shared the uniqueness of Malaysia’s culture into artwork. Keywords: Artworks, Culture, Printmaking, Malaysia. eISSN: 2398-4287 © 2020. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v5iSI1.2306
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Abu Kassim, K. A. "Seatbelt Reminder & Anti-Seatbelt Reminder Device: “Antara Dua Darjat”". Journal of the Society of Automotive Engineers Malaysia 4, n.º 1 (24 de abril de 2021): 2–4. http://dx.doi.org/10.56381/jsaem.v4i1.44.

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“Antara Dua Darjat” is a classic Malay movie written, directed, and acted by Malaysia’s legendary artist Tan Sri P. Ramlee. Loosely translated into English as “Between Two Classes”, this 1960 film chronicles the social class differences between two families; hence leading to endless misery. The author does not intend to elaborate on the two ‘social classes’ as depicted in the film, and would rather discuss ‘the two classes’ in the vehicle safety scenario in Malaysia; so that the latter can be deliberated and resolved in the best manner.
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Mat Isa, Mohd Jamil. "Tracing And Tracking Malaysian Printmaking Exhibitions: 1960-2020". Idealogy Journal 8, n.º 1 (1 de abril de 2023): 28–40. http://dx.doi.org/10.24191/idealogy.v8i1.382.

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Historical records prove that printmaking was a medium of communication in various civilizations in Egypt, Japan, and Europe before it was elevated as one of the disciplines of painting. Penang was a popular location for this creative industry sector in the early stages. This study looks chronologically as much as possible at the organization of printmaking exhibitions in Malaysia from the 1960s until 2000. The activities organized by private art galleries play a significant role in the career of artists. The objective of this study is to chronologically document the organization of printmaking exhibitions by the National Art Gallery, private art galleries, and artist groups. Data collection methods through various gallery publication materials have been carried out to complete this study.
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Abdullah, Ahmad Hakim, e Nasirin Abdillah. "The Malay Socio-Cultural Elements in Selected Malaysian Paintings of the Hashim Hassan". Environment-Behaviour Proceedings Journal 6, n.º 18 (30 de dezembro de 2021): 37–45. http://dx.doi.org/10.21834/ebpj.v6i18.3061.

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This study focuses on the works of Hashim Hassan paintings. The artist is known for showcasing the essence of the Malay socio-cultural and philosophy that is in-depth within the community. This research method emphasises qualitative methods such as in-depth interviews, observations, voice recordings and data transcripts. The findings depict the philosophical and Malay socio-cultural meaning of Wau Bulan Terbang Malam (2007); the painting resonates with the classic Malay song by Tan Sri. P. Ramlee. The painting is also an inspiration for the Malay banknotes and coins, the graphic design logo of Malaysia Airlines Berhad and Wau Bulan Monuments. Keywords: Hashim Hassan; Malaysian; Malay Socio-Cultural Elements; Paintings eISSN 2398-4287 © 2021. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., U.K. This is an open-access publication under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer-review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. Doi: https://doi.org/10.21834/ebpj.v6i18.3061
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MUSTAPHA, AZWADY, e NUR IZZATY MOHD ROSLAN. "PERSPEKTIF PERSONALITI DAN PSIKOLOGI TERHADAP DENIM JEANS LELAKI DALAM MUZIK DAN FESYEN DI ERA REVOLUSI PERINDUSTRIAN KE-4". International Journal of Creative Future and Heritage (TENIAT) 9, n.º 1 (31 de março de 2021): 30–51. http://dx.doi.org/10.47252/teniat.v9i1.397.

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Abstrak Sifat psikologi menerangkan cara di mana setiap orang berbeza antara satu sama lain. Ini merupakan konsep Maslow dan keperluan psikologi. Sehubungan itu, ramai artis Malaysia menggemari seluar jeans semasa membuat tayangan pentas, penggambaran drama atau filem dan kehidupan seharian. Sebagai contoh, artis dan muzik yang dipersembahkan memainkan peranan besar ke arah fesyen. 40 responden lelaki dipilih secara rawak berumur antara 23 hingga 30 tahun berhampiran Kuala Lumpur. Objektifnya adalah bagi memahami gaya pemotongan yang sesuai dengan dapat membezakan pelbagai gaya yang sedia ada dan melambangkan keperibadian lelaki terhadap penggayaan seluar jeans. Kajian ini menekankan kepada pelbagai penggayaan seluar jeans dalam mencerminkan keperibadian lelaki. Data dianalisis menggunakan kaedah kualitatif. Kajian ini diharap dapat memberi kefahaman tentang keperibadian terhadap refleksi identiti diri lelaki di Kuala Lumpur menggunakan kaedah Pakej Statistik Sains Sosial (SPSS). Abstract Psychological trait describes ways in which people are different from each other. This follows Maslow concepts and psychological needs. In relation, many Malaysian artists favour jeans wearing during stage show, drama shooting or film and daily life. For instance, both the artist and the music they sing can play a huge role in which direction the fashion industry moves. 40 male respondents are randomly selected, aged from 23 to 30 years old near Kuala Lumpur. The objectives are to understand the cutting styles that fits the person by being able to differentiate various styles available reflecting men’s personality towards jeans styles. By undertaking a quantitative method, the study was able to provide an insight into the personality of self-identity reflection towards men in Kuala Lumpur using Statistical Package for the Social Sciences (SPSS). The study emphasizes on whether men’s personality was reflected by different styles of denim jeans
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Mokhtar, Mumtaz, Samiati Andriana WMD e Rosliza Abd Rahim. "Art throughout the Industrial Revolution and Art Framework for the Industrial Revolution 4.0". Environment-Behaviour Proceedings Journal 7, SI7 (31 de agosto de 2022): 149–54. http://dx.doi.org/10.21834/ebpj.v7isi7.3776.

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This review paper presents the scenario of the revolution in Malaysia. The industrial revolution has changed from Industrial Revolution 1.0 to Industrial Revolution 2.0, Industrial Revolution 3.0 and now its culmination of the Industrial Revolution 4.0. Several documents were reviewed to identify the dynamic framework of art within Industrial Revolution 4.0. With the art framework related is detailed with a component of the artist as co-creator, hybrid types of production and the attribute of a super bright society. Creative humans should refer to several key points to be more prepared, equipped and, realistic, coherent with society 5.0. Keywords: art framework, Industrial Revolution 4.0, society 5.0 eISSN: 2398-4287 © 2022. The Authors. Published for AMER ABRA cE-Bs by e-International Publishing House, Ltd., UK. This is an open access article under the CC BYNC-ND license (http://creativecommons.org/licenses/by-nc-nd/4.0/). Peer–review under responsibility of AMER (Association of Malaysian Environment-Behaviour Researchers), ABRA (Association of Behavioural Researchers on Asians) and cE-Bs (Centre for Environment-Behaviour Studies), Faculty of Architecture, Planning & Surveying, Universiti Teknologi MARA, Malaysia. DOI: https://doi.org/10.21834/ebpj.v7iSI7%20(Special%20Issue).3776
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Teses / dissertações sobre o assunto "Malaysia Artist"

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Low, Yvonne Yanmei. "Women Artists: Becoming Professional in Singapore, Malaya and Indonesia". Thesis, The University of Sydney, 2015. http://hdl.handle.net/2123/13843.

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This is a woman-centred study that examines women’s art: art which had enabled women artists to become professionals in a male-dominated art world, at specific historical moments of present day Singapore, Malaysia and Indonesia. This thesis argues for the need to re-evaluate women’s contributions in nationalist and modernist art discourses, so as to include perspectives of women’s creative and intellectual developments in what were undeniably male-dominated professional spheres. Although the issues of gender disparity and women’s absence in history are not in itself new, they remain prevalent. For this dissertation, I have employed the recover and revise strategy in the examination of historical records and visual materials. I argue that any meaningful discussion on the issue of gender disparity in the professional art activity must take into consideration historical factors. In my study, I have juxtaposed the ideological positioning of women artists in nationalist narratives with the recovered histories of women artists undertaking creative work. I do this to show how precisely women artists were written into and out of history to serve nationalist agendas. I have further used the concept of public sphere as a theoretical frame to exemplify and illuminate the criticality of women’s historical roles and place in the nascent art worlds of Singapore and Malaysia (then Malaya) and Indonesia. By tracing the historical development of the widening public sphere, it is possible to observe that women were always within rather than outside of the process. Second, it is possible to observe the different terms on which women acted in the male-dominated public sphere. Under the purview of established ideologies on art professionalism, women artists asserted their creative authority in the following ways: by transforming institutionalized visual language and institutionalized processes, and by creating new public sites for women. This study shows that women, often deemed “missing”, have always been a part of this enlarging process of the socio-cultural sphere even though their art did not attain the recognition or accolades that their male colleagues had. In their pursuit for an artist-existence, women faced cultural and ideological challenges. Their absence in colonial and anti-colonial histories is in part implicated by the nature of their struggles for women’s emancipation and their politicized positions, and in part by the restrictions they faced when participating in anti-colonial, liberation movements and national politics within the public sphere. The manifestations of cultural nationalism further restricted women’s participation in the public spheres and contravened the aspirations of women artists. By re-examining the roles women played in these countries, this thesis has identified the structures that restricted the participation of women artists, and the ways in which subsequent historiography reproduced their absence in historical narratives. As a preliminary exploration of women’s art based on comparable historical circumstances in then Malaya, Singapore and Indonesia, this thesis hopes to posit a model to uncover forgotten histories of women artists and to recover their subjectivity without necessarily separating them from their male counterparts, or inserting them into a separate discourse.
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Erl, Hon Sher, e 潘雪兒. "The Phenomenon of Mandopop Lyrics Localization in Taiwan among Singaporean and Malaysian Chinese Artists (1981-2013) ---A Study of Music Lyrics Written by Artist Tanya Chua, Penny Tai and Yu Heng". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/k5c866.

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Livros sobre o assunto "Malaysia Artist"

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Society, North Kedah Art. Journey in art 28. Alor Setar, Kedah]: North Kedah Art Society, 2018.

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Jilongpo ji Xuelan'e Zhonghua da hui tang. Dang dai Malaixiya Hua yi hua jia xuan ji: A collection of the contemporary Chinese Malaysia artist. Kuala Lumpur, Malaysia: Jilongpo ji Xuelan'e Zhonghua da hui tang, 2014.

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(Pinang), Art Gallery, ed. 200 Malaysian artists. Pulau Tikus, Penang: Art Gallery, 2002.

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Bossan, Enrico. Malaysia: Colours of destiny : contemporary artists from Malaysia. [Villorba]: Fabrica, 2016.

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Lemière, Sophie, ed. Illusions of Democracy. NL Amsterdam: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789462989887.

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Illusions of Democracy: Malaysian Politics and People offers an up-to-date and broad analysis of the contemporary state of Malaysian politics and society. Transcending disciplinary boundaries, it offers a look at Malaysian politics not only through the lens of political science but also anthropology, cultural studies, international relations, political economy and legal studies touching on both overlooked topics in Malaysian political life as well as the emerging trends which will shape Malaysia’s future. Covering silat martial arts, Malaysia’s constitutional identity, emergency legislation, the South China Sea dilemma, ISIS discourse, zakat payment, the fallout from the 1MDB scandal and Malaysia’s green movement, Illusions of Democracy charts the complex and multi-faceted nature of political life in a semi-authoritarian state, breaking down the illusions which keep it functioning, to uncover the mechanisms which really underlie the paradoxical longevity of Malaysia’s political, economic and social system.
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Khuan, Tan Chee. Penang artists, 1920 to 1990. Penang: Art Gallery, 1990.

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Teng, Kenny. Artists 20: G13. Kuala Lumpur: Balai Seni Visual Negara, 2013.

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Yaakob, Khalil. Tun Khalil Yaakob, artist-potraits and images. Kuala Lumpur: Dewan Bahasa dan Pustaka, 2019.

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Yeoh, Jin Leng. Persoalan seni rupa sezaman?: Cetusan rasa seniman Malaysia = Contemporary visual arts discourse : vignettes by Malaysian artists. Ipoh, Perak Darul Ridzuan, Malaysia: Yayasan Kesenian Perak, 2003.

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Ali, Zakaria. Northern vantage: 11 Malaysian artists. Pulau Pinang, Malaysia: ArtGrup Penang, 2004.

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Capítulos de livros sobre o assunto "Malaysia Artist"

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Mokhtar, Umairah Arina, Juliana Manan e Rafeah Legino. "Women Artist in Malaysian Visual Art History and Development". In Proceedings of the 2nd International Colloquium of Art and Design Education Research (i-CADER 2015), 421–28. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-0237-3_42.

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Gonzales, Joseph. "Tertiary Dance Education in Malaysia". In Educating in the Arts, 289–300. Dordrecht: Springer Netherlands, 2008. http://dx.doi.org/10.1007/978-1-4020-6387-9_21.

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Chandrasegaram, Vanitha. "Dramatherapy with adolescents in Malaysia". In Arts Therapies in International Practice, 75–83. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003082897-8.

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Bongsu, Muhammad Aiman Che, e Rafeah Legino. "Culture and Identity: A Comparison Study of Malaysian Artists". In Proceedings of the Art and Design International Conference (AnDIC 2016), 475–78. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0487-3_52.

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Noor, Rosiah Md, e Mohd Azhar Abd Manan. "The Application of Printmaking Medium in Producing Artwork Among Malaysian Visual Artist". In Regional Conference on Science, Technology and Social Sciences (RCSTSS 2014), 101–8. Singapore: Springer Singapore, 2016. http://dx.doi.org/10.1007/978-981-10-1458-1_10.

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Noor, Rosiah Md, Mohd Azhar Abd Manan e Mohd Zahuri Khairani. "A Conceptual Framework Study on Fringe Printmaking Among Malaysian Contemporary Visual Artists". In Proceedings of the Art and Design International Conference (AnDIC 2016), 237–45. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-13-0487-3_26.

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Umar, Abu Nain, Rusmadiah Anwar, Oskar Hasdinor Hassan e Zainal Zakaria. "Revisited Artificial Reef Development in Malaysia". In Proceedings of the International Symposium on Research of Arts, Design and Humanities (ISRADH 2014), 1–8. Singapore: Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-287-530-3_1.

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Lee, Kai-Sean. "Contemporary Malaysian Pâtisserie: Tales of Asian Creativity Confined by Western Traditions". In Contemporary Asian Artistic Expressions and Tourism, 249–69. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-4335-7_12.

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Anwar, Rafidah, Fazleen Abdul Fatah, Nasuddin Othman, Abdul Halim Nawawi e Zakaria Tajuddin. "Socioeconomic Study of Arenga pinnata Smallholders in Malaysia". In Proceedings of the International Symposium on Research of Arts, Design and Humanities (ISRADH 2014), 113–25. Singapore: Springer Singapore, 2015. http://dx.doi.org/10.1007/978-981-287-530-3_11.

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Pugh-Kitingan, Jacqueline. "Transmitting Intangible Cultural Heritage Through Ethnomusicology Coursework: Cases from Sabah, Malaysia". In The Palgrave Handbook of Global Arts Education, 331–47. London: Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-55585-4_21.

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Trabalhos de conferências sobre o assunto "Malaysia Artist"

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Anak Michael, Valerie, e Khairul Aidil Azlin Abd Rahman. "The Hybrid Knowledge Between Artist and Curator in Developing the Hybrid Art Practices". In Proceedings of the 2nd International Conference on Design Industries & Creative Culture, DESIGN DECODED 2021, 24-25 August 2021, Kedah, Malaysia. EAI, 2022. http://dx.doi.org/10.4108/eai.24-8-2021.2315232.

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Bakar, Syed Alwi Syed Abu, Mohd Fawazie Arshad, Azian Tahir, Aznan Omar e Ameruddin Ahmad. "Art Making Process: Job Satisfaction, Commitment and Visual Artists’ Productivity in Malaysia". In International Conference of Innovation in Media and Visual Design (IMDES 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201202.074.

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Muhammad, Syafril Amir, Mumtaz Mokhtar, Mohd Jamil Mat Isa e Nurul Huda Mohd Din. "Artistic Style Collection and Distribution of Urban Artworks in Malaysia". In Proceedings of the 2nd International Conference on Design Industries & Creative Culture, DESIGN DECODED 2021, 24-25 August 2021, Kedah, Malaysia. EAI, 2022. http://dx.doi.org/10.4108/eai.24-8-2021.2315172.

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Saw, Chaw Yeh, e Hsiao Mei Goh. "The Rock Art in Kinta Valley, West Malaysia: A synthesis Lukisan Gua di Lembah Kinta, Semenanjung Malaysia: Satu sintesis". In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-10.

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This paper presents a synthesis of the new rock art mapping project in the Kinta Valley of West Malaysia. Through our collaboration with Kinta Valley Watch, we have successfully located more than 30 new rock art sites between 2019 and June 2021. The rock art is represented by both red and black paintings, with a wide variety of motifs including anthropomorph, zoomorph, botanic, watercraft, weapon, animal rider, handprint, geometric shape, line art, and other abstract design. This discovery is instrumental to the contemporary rock art research in Malaysia and demonstrated a collective effort in rock art research through long-term collaboration with the local stakeholders. Kertas kerja ini merupakan satu sintesis hasil daripada projek pemetaan lukisan gua di Lembah Kinta, Semenanjung Malaysia. Melalui kolaborasi dengan organisasi tempatan iaitu Kinta Valley Watch, kami telah mengenalpasti lebih daripada 30 lokasi lukisan gua antara tahun 2019 dan 2021. Antara bentuk lukisan gua yang dijumpai termasuklah antropomor ik ( igura manusia), zoomor ik ( igura haiwan), tumbuh-tumbuhan, perahu, senjata, penunggang haiwan, gambar tangan, geometrik, seni garisan dan simbol abstrak. Jumpaan ini amat berharga untuk kajian lukisan gua di Malaysia dan memaparkan satu usaha bersama demi kajian lukisan gua melalui kolaborasi jangka panjang dengan komuniti tempatan.
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De Guzman, Sheri Miles R., Ritzen V. Nuñez, David Angelo N. Fajarda e Joanna Juvyjoy A. Rojo. "Sining Malaya: Designing a Platform to Support Local Artists in the Philippines". In 2023 8th International Conference on Business and Industrial Research (ICBIR). IEEE, 2023. http://dx.doi.org/10.1109/icbir57571.2023.10147527.

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Tang, Xin, Houjie Yu e Qiao Feng. "Capturing Style: Going Beyond Traditional Artistic Conventions Through Neural Style Transfer — Evidence From Malaysia Batik". In CHCHI 2023: Chinese CHI 2023. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3629606.3629660.

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Hamidi, Mashitah. "Uplifting Refugee’s Capacity Through Refugees-Based NGO in Malaysia". In International Joint Conference on Arts and Humanities (IJCAH 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201201.177.

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Zahari, Rustam. "UNIVERSITY-INDUSTRY COLLABORATION IN MALAYSIA�S URBAN PLANNING EDUCATION". In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/6.1/s17.075.

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Husin, Zuraiza, e Jaffary Awang. "CHRISTIAN DENOMINATIONS AMONG CHINESE POPULATION IN PENINSULAR MALAYSIA AND THEIR UNDERSTANDING ON TRINITY DOCTRINE". In Arts & Humanities Conference, Venice. International Institute of Social and Economic Sciences, 2016. http://dx.doi.org/10.20472/ahc.2016.001.008.

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Berahim, Hawari, Arif Datoem e Nasirin Abdillah. "The Collective Artistic Identity Of Sebiji Padi Art Group Through Its Artworks". In Proceedings of the 2nd International Conference on Design Industries & Creative Culture, DESIGN DECODED 2021, 24-25 August 2021, Kedah, Malaysia. EAI, 2022. http://dx.doi.org/10.4108/eai.24-8-2021.2315176.

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