Teses / dissertações sobre o tema "Madame de... (Motion picture)"
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Veja os 50 melhores trabalhos (teses / dissertações) para estudos sobre o assunto "Madame de... (Motion picture)".
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Li, Chun-hoi Benjamin, e 李俊海. "Madame butterfly and orientalism". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952732.
Texto completo da fonteLi, Chun-hoi Benjamin. "Madame butterfly and orientalism". Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B22535305.
Texto completo da fonteKokaram, Anil Christopher. "Motion picture restoration". Thesis, University of Cambridge, 1993. https://www.repository.cam.ac.uk/handle/1810/256798.
Texto completo da fonteGurski, Remi J. "Real-time motion picture restoration". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ38631.pdf.
Texto completo da fonteBokšteflová, Barbora. "Motion-picture spatial-differentiation model". Master's thesis, Vysoká škola ekonomická v Praze, 2009. http://www.nusl.cz/ntk/nusl-124646.
Texto completo da fonteHar-Noy, Shay Shmuel. "Improved LCD motion picture quality". Diss., [La Jolla] : University of California, San Diego, 2009. http://wwwlib.umi.com/cr/ucsd/fullcit?p3356431.
Texto completo da fonteTitle from first page of PDF file (viewed June 16, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 107-114).
Jansen, Christian. "The German motion picture industry". Doctoral thesis, Humboldt-Universität zu Berlin, Wirtschaftswissenschaftliche Fakultät, 2002. http://dx.doi.org/10.18452/14767.
Texto completo da fonteThis work deals with the economic impact of regulations on the German film industry, focusing in particular on the effects of three pieces of legislation central to Germany's public debate on film politics. The legislation considered is the Film Act (Filmförderungsgesetz - FFG), the amendments to the Copyright Law (Urheberrechtsgesetz - UrhG), and the Inter-State Agreement on Broadcasting (Rundfunkstaatsvertrag - RStV). The inquiry examines how these statutes affect economic efficiency. In addition, major market and institutional characteristics of the German motion picture industry are studied. The analysis is partly embedded in a broadly disposed regression analysis of the determinants of performance of German movies in the theatrical market. The work indicates that the regulations considered generally detract from economic efficiency.
Ng, Siu-hong Ryan. "Film Complex : Resuscitation of film in commercial society /". Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25946821.
Texto completo da fonteHuggett, Nancy. "A cultural history of cinema-going in the Illawarra (1900-1950)". Communication and Cultural Studies - Faculty of Creative Arts, 2002. http://ro.uow.edu.au/theses/246.
Texto completo da fonteGallina, Dino. "RED TIDE: A FEATURE LENGTH MOTION PICTURE". Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2198.
Texto completo da fonteM.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
Owen, Richard. "Motion picture production : A micro-budget model". Thesis, Federation University Australia, 2016. http://researchonline.federation.edu.au/vital/access/HandleResolver/1959.17/159080.
Texto completo da fonteDoctor of Philosophy
Carman, Emily Susan. "Independent stardom female stars and freelance labor in 1930s Hollywood /". Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1666151841&sid=33&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texto completo da fonteJohnson, Mary P. A. "Online, onscreen, motion picture promotion via the Internet". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2001. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/MQ60991.pdf.
Texto completo da fonteDaneau, Daniel. "THE ATTIC DOOR: A FEATURE LENGTH MOTION PICTURE". Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2224.
Texto completo da fonteM.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
Stoker, Mark. "Capstan drive transport system for motion picture film". Thesis, Middlesex University, 1992. http://eprints.mdx.ac.uk/13502/.
Texto completo da fonteHillman, Peter. "Segmentation of motion picture images and image sequences". Thesis, University of Edinburgh, 2002. http://hdl.handle.net/1842/15026.
Texto completo da fonteEngelbrecht, Nadine. "University of Pretoria : school of motion picture production". Pretoria : [s.n.], 2009. http://upetd.up.ac.za/thesis/available/etd-11212008-103253.
Texto completo da fonteChoi, Wing-yee Kimburley. "Reading audiences : spectatorship and stars in Hong Kong cinema : the case of Chow Yun-fat /". Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19853397.
Texto completo da fonteSnead, Nicholas DeVan. "Fabulistic: Examination and application of narratology and screenplay craft". CSUSB ScholarWorks, 2011. https://scholarworks.lib.csusb.edu/etd-project/3320.
Texto completo da fontePope, Naomi Elizabeth. "Beyond Hollywood the social and spatial division of labor in the motion picture industry /". Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1579190531&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Texto completo da fonteHuggett, Nancy. "A cultural history of cinema-going in the Illawarra (1900-50)". Connect to this title online, 2002. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20050317.111523/.
Texto completo da fonteTitle from PDF title page (viewed on Aug. 14, 2005). Ill. in print version lacking in electronic version. Includes bibliographical references (p. 285-301).
Su, Xinxin. "Genesis : a feature screenplay /". Online version of thesis, 2009. http://hdl.handle.net/1850/8692.
Texto completo da fonteCarter, Sandra Gayle. "Moroccan cinema : what Moroccan cinema? /". Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.
Texto completo da fonteVermaak, Janelle Leigh, e Subeshini Moodley. "Fans of film franchises - the online alien universe: a study of online participation as a catalyst for fan-created objects that expand the film universe". Thesis, Nelson Mandela University, 2017. http://hdl.handle.net/10948/13938.
Texto completo da fonteDrake, Philip Justin. "Stardom after the star system economies of performance in contemporary Hollywood cinema /". Connect to e-thesis, 2002. http://theses.gla.ac.uk/942/.
Texto completo da fontePh.D. thesis submitted to the Department of Theatre, Film and Television Studies, University of Glasgow, 2002. Includes bibliographical references. Print version also available.
Armanno, Venero. "Three screenplay adaptations and the ownership effect". Thesis, Queensland University of Technology, 2003.
Encontre o texto completo da fonteWilliamson, Diana Michelle. "The degradation of cellulose acetate base motion picture film". Thesis, Manchester Metropolitan University, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.359295.
Texto completo da fonteLévy, Michaël D. (Michaël David). "A competitive analysis of the U.S. motion picture industry". Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/14112.
Texto completo da fonteShu, Yan. "Coding of motion picture residues without adaptive spatial transforms". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape7/PQDD_0030/MQ47477.pdf.
Texto completo da fonteStock, Helga. "Issues of Colour Management in contemporary Motion Picture Creation". Master's thesis, Akademie múzických umění v Praze.Filmová a televizní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-251463.
Texto completo da fonteWallace, Kristi Monique Fellini Federico Demme Jonathan Kassovitz Mathieu. "The Road in picture : Fellini, Demme, Kassovitz /". Connect to title online (ProQuest), 2007. http://proquest.umi.com/pqdweb?did=1453174371&sid=2&Fmt=2&clientId=11238&RQT=309&VName=PQD.
Texto completo da fonteTypescript. Includes vita and abstract. Includes bibliographical references (leaves 193-195). Also available online in ProQuest, free to University of Oregon users.
Carboni, Camilla. "Film spectatorship and subjectivity : semiotics, complications, satisfactions". Thesis, Link to the online version, 2007. http://hdl.handle.net/10019/1671.
Texto completo da fonteYung, Wai-kei, e 戎偉基. "Pictorial representations of "Hong Kong": a study of 1980s and 90s Hong Kong films". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951788.
Texto completo da fonteWedzielewski, Daniel. "The impact of blind bidding on market structure and performance in the U.S. motion picture industry". Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 134 p, 2009. http://proquest.umi.com/pqdweb?did=1654492601&sid=3&Fmt=2&clientId=8331&RQT=309&VName=PQD.
Texto completo da fonteYung, Wai-kei. "Pictorial representations of "Hong Kong" : a study of 1980s and 90s Hong Kong films /". Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20059760.
Texto completo da fonteMcVeigh, Kathryn Margaret. "Work in progress : the writing of Short changed". Thesis, Queensland University of Technology, 1999.
Encontre o texto completo da fontePreston, Barry A. (Barry Alan). "Myths and Movies: a Mythographical Methodology of Motion Picture Analysis". Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc279362/.
Texto completo da fonteChoi, Wing-yee Kimburley, e 蔡穎儀. "Reading audiences: spectatorship and stars inHong Kong cinema : the case of Chow Yun-fat". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B29913469.
Texto completo da fonteYu, Gwo-chauo. "China, Hong Kong, and Taiwan: The Convergence and Interaction of Chinese Film". Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc501002/.
Texto completo da fonteTosaka, Yuji. "Hollywood goes to Tokyo American cultural expansion and imperial Japan, 1918-1941 /". Connect to this title online, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1060967792.
Texto completo da fonteDocument formatted into pages; contains ix, 416 p. Includes bibliographical references (p. 394-416). Abstract available online via OhioLINK's ETD Center; full text release delayed at author's request until 2006 Aug. 15.
McKenzie, Jordi. "An economic analysis of motion pictures in the Australian cinema industry, 1997-2000". Connect to full text, 2005. http://hdl.handle.net/2123/1794.
Texto completo da fonteTitle from title screen (viewed 27th June, 2007). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Discipline of Economics, University of Sydney. Degree awarded 2006?; thesis submitted 2005. Includes bibliographical references. Also issued in print.
Melville, Andrew. "Exegesis and screenplay for a film entitled Mangrove a thesis submitted to the Auckland University of Technology in partial fulfilment of the degree of Master of Arts (Communication Studies), August 2004". Full thesis. Abstract, 2004.
Encontre o texto completo da fonteTitle page and table of contents missing from e-thesis. Also held in print (14 p., 30 cm.) in Wellesley Theses Collection (T 791.4372 MEL)
Matzkin, Rosalie Greenfield. "The film encounter in the life-world of urban couples : a uses and gratification study /". Access Digital Full Text version, 1985. http://pocketknowledge.tc.columbia.edu/home.php/bybib/10538483.
Texto completo da fonteNegrisolo, Letizia <1994>. "Tarzan of the Apes: the first motion picture adaptation (1918)". Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/13372.
Texto completo da fonteLifshitz, Judith. "Completion guarantees and the financing of entertainment projects in the province of Quebec". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/MQ50946.pdf.
Texto completo da fonteTu, Haijing. "A Chinese director and his transition from critical banned filmmaker to box office success". Auburn, Ala., 2005. http://repo.lib.auburn.edu/2005%20Summer/master's/TU_HAIJING_25.pdf.
Texto completo da fonteTang, Yi. "A bird known by its note : identity legitimacy, network dynamics, and actor performance in the Hong Kong film industry, 1970-1997 /". View abstract or full-text, 2009. http://library.ust.hk/cgi/db/thesis.pl?MGTO%202009%20TANG.
Texto completo da fonteRitchie, Brendan. "CooperStreet' (original screenplay); and, Into the foreground : an examination of setting in the screenplay". Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2011. https://ro.ecu.edu.au/theses/456.
Texto completo da fonteSchweitzer, Dennis C. "Ton & traum : a critical analysis of the use of sound effects and music in contemporary narrative film /". Ohio : Ohio University, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1108483481.
Texto completo da fonteNguyen, Nguyet 1980. "Representation of Vietnam in Vietnamese and U.S. War Films: A Comparative Semiotic Study of Canh Dong Hoang and Apocalypse Now". Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10635.
Texto completo da fonteThis comparative semiotic study aims to examine and critically compare the portrayal of the Vietnam War in two award-winning films, one Vietnamese and the other American, both made in 1979: Canh Dong Hoang (The Wild Rice Field) and Apocalypse Now. This study employs semiology to examine the two films in the framework of postcolonial, ideology and hegemony theories to critically compare similarities and differences in the two films' portrayal of "the enemy," nationalism and individualism, and women, in order to understand how dominant perspectives of the times are reflected, reinforced, and challenged. In Apocalypse Now, the "other" is faceless, which reflects an imperialistic standpoint toward the Vietnamese people; nationalism is promoted by calling on individual suffering and sympathy; and women are diminished. Canh Dong Hoang gives "the enemy" a more balanced depiction; nationalism is woven naturally with individualism; and the women in the film play a much more significant role.
Committee in Charge: Dr. H. Leslie Steeves, Chair; Dr. Pat Curtin; Dr. Gabriela Martinez