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Lippit, Yukio. "Puppy Love: The Legacy of Yi Am’s Paintings in Edo-Period Japan". Korean Journal of Art History 313 (31 de março de 2022): 35–57. http://dx.doi.org/10.31065/kjah.313.202203.002.
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This essay examines the Japanese reception of the Korean painter Yi Am 李巌(b. 1499), and by extension considers the relationship between ink painting technique and pictorial meaning. In particular, it examines how Yi Am’s unique approach to the painting of puppies with blended washes of ink opened up new interpretive possibilities among Japanese viewers. Although Yi Am’s puppy paintings appear to have been circulating in Japan as early as the seventeenth century, they were misattributed to Chinese painters such as Mao Yi, and Yi Am’s seal was mistaken as belonging to a Japanese monk-painter of the Muromachi period. The monochrome ink puppy paintings of the Kyoto artist Tawaraya Sōtatsu 俵屋宗達(ca. 1600-1640), however, depict the bodies of their canine protagonists with the same wash-based approach found in Yi Am’s works, and appear to have been catalyzed in some way by an encounter with the Korean artist’s paintings. In the case of Sōtatsu, this approach eventually came to be known as tarashikomi, a signature technique of the Rinpa School, and therefore it is no exaggeration to state that Yi Am’s works played a role in inspiring one of the most recognizable techniques of early modern Japanese painting. Although dog and puppy paintings are traditionally linked to auspicious meanings, Sōtatsu’s puppy paintings appear to have been associated within a Zen Buddhist themes, in particular the koan “A Dog Has No Buddha-Nature.” This Zen Buddhist framework of meaning can be gleaned from inscriptions on his paintings by Zen monks such as Isshi Bunshu 一絲文守(1608-1646) and Tangai Musen 丹崖無染(1693-1763). I would propose that the particular wash-based approach of Yi Am and Sōtatsu to this subject was particularly significant in generating this association. The eighteenth-century painter-poet Yosa Buson 与謝蕪村(1716-1784) also based his puppy paintings upon models derived from Yi Am. In the case of Buson, however, the cultural meaning of these works can be gleaned from his haikai poetry, in particular a poem accompanying a Maruyama Okyo 円山応挙(1733-1795) painting of a puppy that associates its inky body with the interiority of a poetic subject. The final case study examined in this essay is Itō Jakuchū 伊藤若冲(1716-1800). Jakuchū left a number of puppy paintings that embody Zen Buddhist themes in highly sophisticated ways. Because he was close to Tangai Musen, it is likely that he was aware of Sōtatsu’s puppy paintings, and indirectly familiar with those of Yi Am. Thus the case could be made that Yi Am’s wash-based technique opened up a new horizon of interpretive possibility among Japanese painters extending from Sōtatsu to Jakuchū.
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Peretiat'ko, Artem, e Mariia Selezneva. "The Image of a Romantic Female-Beloved between Two Cultures: The Attempts at Translating of Adam Mickiewicz’ Love Lyrics by Cossack Officer Ivan Ul’ianov". Central-European Studies 6 (2023): 245–72. http://dx.doi.org/10.31168/2619-0877.2023.6.9.
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The study of the evolution of the narratives created by the Don Cossacks in the first half of the nineteenth century is a difficult research task because apart from records, only individual texts, often taken out of context, have survived from this time. Nonetheless, research on such topics seems quite promising. The texts of Don authors often clearly demonstrate the mechanism of transformation of the works of high culture of the nineteenth century when interpreted by amateurs. Taking into account the inevitably individual character of such a transformation in each single case, within the framework of a microhistorical approach we have examined a particular variant of such a transformation, that is the translations of Adam Mickiewicz’s love lyrics by a Cossack officer, Ivan S. Ul'inov (1803–1874). He was a nineteenth-century Don public figure, major-general, and writer. His extensive legacy, most of which has never been published, includes hitherto unknown prose translations of the Polish poet's lyrics, made in the 1820s. Nine of the eleven poems translated by Ulyanov are lyrical works about the inaccessibility of the beloved or separation from her. At the same time, within the framework of traditional Cossack matrimonial practices, the main form of interaction between the sexes was the marriage contracted by the will and in the interests of the parents and involving long separations between husband and wife due to regular service outings. Deviations from the traditional Cossack understanding of the gender role of women in the late eighteenth and early nineteenth centuries are often found in the texts (including autobiographical ones) of other Don Cossacks who were influenced by European culture. In a similar context, Ul'ianov’s inept translations demonstrate how the text about Polish culture changed its meaning when transferred to the Cossack environment: poems on the theme of the inaccessible beloved familiar to the Polish reader were translated into prose about the possibility of a different gender role of a woman, a complete novelty for the Cossack reader.
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Zhuk, Alexandra D. "The Problem of Genre in the Hymns by the Lake Poets and Thomas Moore". Imagologiya i komparativistika, n.º 15 (2021): 7–30. http://dx.doi.org/10.17223/24099554/15/1.
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Though there are many seminal works on early Romanticism and Thomas Moore’s poetry, their hymns remain understudied. This article focuses on the genre problem in the hymns by the Lake Poets (S.T. Coleridge, W. Wordsworth, R. Southey) and Thomas Moore, whose poetry is studied in context of English Literature and German Romanticism. The characteristics of the hymn are emotionality, associative composition, abundance of repetitions and parallelisms, archaic grammatical forms of verbs and pronouns, and the use of verb contractions. The combination of genres in hymns results in such variants as the odic hymn, the idyllic and elegiac hymn, the mythological hymn, and even the satirical hymn, with each of them evolving in its own way in the period under study. The odic hymn is represented in “Hymn before Sun-rise, in the Vale of Chamouni” (1802) by S.T. Coleridge and “Hymn. For the Boatmen, as They Approach the Rapids under the Castle of Heidelberg” (1820/1822) and “To the Laborer’s Noon-Day Hymn” (1834/1835) by W. Wordsworth. These poems have such odic features as comparisons and conditional and cause-and-effect syntactic constructions. Coleridge’s hymn going back to the psalms of praise was influenced by German Romanticism, while Wordsworth’s hymns feature religious vocabulary and quotations from the Mass. The mythological hymn comes in two versions – one with idyllic features (“Hymn to the Earth” (1799, publ.1834) by S.T. Coleridge) and the mythological hymn-fragment (“Fragment of a mythological hymn to Love” (1812) by T. Moore). The fist is the translation of Stolberg’s hymn, from which the leitmotif of the Earth as the mother and the nanny of the World is borrowed. The image of the Earth has anthropomorphic features, with the marriage of the Earth and Heaven going back to W. Blake. The myth created by T. Moore is more complex. The creation of the world begins with the marriage of Love and Psyche. Love appears as the masculine principle of the Universe, while Psyche as the feminine one. The plot goes back to the ancient myths of the world creation from the Chaos and marriage of Eros and Psyche. However, T. Moore changed the myth and transformed the heroes into a source of life. “Hymn to the Penates” (1796) by R. Southey combines the idyllic, elegiac, publicistic and hymn features proper. The idyllic features are related to the image of the Penates that turn into a force controlling human lives and the souls of the dead. The childhood memories give rise to the elegiac features. The publicistic features appear in the verses of the people who do not worship the Penates. The composition, repetitions and parallelisms in the satirical “A Hymn of Welcome after the Recess” (1813) by T. Moore go back to the hymn genre; however the main stylistic devices used are irony and metonymy. Summing up, the genre of hymn in the works by the Lake Poets and Thomas Moore undergoes significant transformations, which will be further developed in late Romanism.
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Verkhovykh, Lyudmila N. "TO THE STUDY OF THE ORIGINS OF DOMESTIC LINGUISTIC LOCAL HISTORY STUDIES AND REGIONAL ONOMASTICS". Proceedings of Southern Federal University. Philology 26, n.º 1 (20 de março de 2022): 81–93. http://dx.doi.org/10.18522/1995-0640-2022-1-81-93.
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The article presents an analysis of scientific literature devoted to the study of the linguistic local history direction of language learning. The aim of the work is to describe the origins of Russian linguistic local history, regional onomastics based on the use of textological analysis, descriptive method, elements of comparative and comparative-historical methods. The material of the research is presented by works that have a linguistic local history character, starting from the 30s of 18th century. Based on the analysis of scientific works of the 18th and early 19th centuries, including the linguistic local history component, the author comes to the following conclusions. Since the first third of the 18th century in Russia, there have been some fragmentary attempts at linguistic local lore commenting when describing settlements by historians, geographers, physicians, and biologists who participated in research expeditions across Russia. Of particular importance in this respect was the historical and regional studies activities of V.N. Tatishchev, who compiled detailed questions for the study of settlements in Russia, prepared the first part of the “Lexicon of Russian historical, geographical, political and civil”. The material of the research shows that the origins of scientific linguistic regional studies in Russia are associated with the activities of V.K. Trediakovsky and M.V. Lomonosov. M.V. Lomonosov consistently introduced the linguistic local history component into the research methodology, which was applied in practice in the compilation of the “Russian grammar”, in the organization of centralized work on the historical and geographical study of Russian settlements, in the development of the foundations of teaching Russian students in their native language. M.V. Lomonosov is the founder of the linguistic local history direction in Russian linguistics. The beginning of scientific regional onomastic research is associated with the activities of E.A. Bolkhovitinov, who for the first time in 1800 gave a detailed historical and linguistic description of the toponymy and microtoponymy of the Voronezh Territory.
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Тангаева, Н. И. "Sentimental Traditions in M. N. Makarov’s “Letters of a Russian Traveler” (1805 and 1824)". Вестник Рязанского государственного университета имени С.А. Есенина, n.º 1(74) (1 de abril de 2022): 104–15. http://dx.doi.org/10.37724/rsu.2022.74.1.010.
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В статье анализируются малоизвестные журнальные публикации М. Н. Макарова начала XIX века в аспекте их преемственности традициям сентиментализма. Сочинения Макарова «Несколько писем русского путешественника из Англии в Россию» (1805) и «Август Адольф Фридерик Десалверт» (1824) рассматриваются с опорой на повествовательную структуру прозы Н. М. Карамзина. Повести Макарова представляют интерес для исследования, по крайней мере, в двух аспектах: во-первых, в контексте его малоизученной прозы; во-вторых, как свидетельство влияния карамзинской повествовательной традиции. В ходе сопоставительного анализа опубликованных анонимно сочинений Макарова (атрибутировано В. Э. Вацуро) установлены прямые параллели с сюжетно-повествовательной структурой повестей Карамзина «Бедная Лиза» и «Остров Борнгольм». В названных произведениях Макарова обнаружены ключевые особенности сентиментального повествования: следование жанровой структуре автобиографических жанров, путевого очерка, дневниковых записей, использование типичных мотивов: случайная встреча, влюбленность, угроза разлуки, совместные прогулки, враждебная природа, болезнь, сон, соблазнение и др. Образный ряд произведений восходит к рыцарской и сентиментальной поэтике. Исследование показало продуктивность сформированных в сентиментальной прозе Карамзина тем и мотивов для русской литературы последующего периода. The article analyzes little-known journal publications of the early 19th century, namely M. N. Makarov’s “Several Letters of a Russian Traveler from England to Russia” (1805) and “August Adolf Friederike Desalvert” (1824), through the prism of continuity of traditions of sentimentalism characteristic of N. M. Karamzin’s prosaic works. Being underinvestigated and honoring N. M. Karamzin’s narrative legacy, M. N. Makarov’s novellas are research-worthy. A comparative analysis of these texts, whose authorship has been attributed to M. N. Makarov by V. E. Vatsuro, enables us to trace parallel story lines in M. N. Makarov’s novellas and in N. M. Karamzin’s “Poor Lisa” and “Bornholm Island”. M. N. Makarov’s “Several Letters of a Russian Traveler from England to Russia” and “August Adolf Friederike Desalvert” reek of sentimentalism and are characterized by genre-imposed confines (autobiographical essay, travel essay, diary entries), cliché motifs (chance meeting, falling in love, the threat of separation, joint walks, hostile nature, illness, sleep, seduction, etc.), the use of chivalric and sentimental imagery. The research shows that N. M. Karamzin’s sentimental legacy played a major role in shaping literary traditions of the centuries to come.
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Доманский, Валерий Анатольевич. "TURGENEV AND SIBERIAN JOURNALISM BEGINNING 1880S YEARS". Tomsk state pedagogical university bulletin, n.º 4(216) (6 de julho de 2021): 131–39. http://dx.doi.org/10.23951/1609-624x-2021-4-131-139.
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Введение. Проведен анализ сибирских газет начала 1880-х гг., в которых имеются сведения о И. С. Тургеневе: иркутские газеты «Сибирь» (1873–1887), «Восточное обозрение» (1882–1906) и томские «Сибирская газета» (1881–1888), «Сибирский вестник» (1885–1905). Цель – выявление рецепции личности и творчества великого русского писателя сибирским образованным обществом и понимание его роли в духовной жизни Сибири и России. Материал и методы. Использовались биографический, историко-литературный, историко-функциональный, культурно-исторический и сравнительно-типологический методы. Материалом послужили сибирские и центральные периодические издания 1880-х гг. Результаты и обсуждение. Тургенев оказался знаковой фигурой для культурной жизни Сибири. Его произведения продавались в книжных магазинах Томска, Омска, Барнаула, Иркутска, находились во многих библиотеках Сибири. С появлением первых сибирских газет на их страницах печатались рецензии и материалы о творчестве и событиях жизни русского писателя. Наиболее часто его имя встречалось на страницах «Сибирской газеты». История любви члена редколлегии «Сибирской газеты» С. С. Синегуба была известна в среде революционеров-народников. Она нашла, по мнению автора статьи, свое отражение в разработке любовной интриги Нежданова, Марианны и Соломина (роман «Новь»). Негласным редактором газеты являлся Ф. В. Волховский, политический ссыльный, судимый по «процессу 193-х». В 1877 г. Тургенев не был лично знаком с Волховским, но активно общался с Г. А. Лопатиным, его приятелем и соратником по политической деятельности, и вместе с ним основал Русскую общественную библиотеку в Париже. Особое внимание уделено анализу материалов о И. С. Тургеневе на страницах иркутских и томских периодических изданий: это перепечатки и комментарии статей центральных газет о произведениях Тургенева, собственные рецензии и отзывы о писателе сибирских литераторов. Некоторые из них – Н. И. Наумов, И. В. Омулевский (и, возможно, Н. М. Ядринцев) – были лично знакомы с ним и присутствовали на встречах И. С. Тургенева с редакцией журнала «Слово» и «Русское богатство». Именно в мартовском номере радикального журнала «Слово» в 1881 г. впервые в России опубликовано знаменитое стихотворение Тургенева «Крокет в Виндзоре» (1876). Заключение. Сибирская общественность внимательно следила за творчеством Тургенева, в сибирских газетах печатались сведения о его болезни. После смерти писателя сообщалось о панихидах, которые проходили в ряде сибирских городов. Рассмотрены некрологи и посмертные статьи о Тургеневе, талантливо написанные редакторами «Восточного обозрения» и «Сибирской газеты». В них отмечалось большое значение творчества выдающегося русского писателя и его общественной деятельности для формирования гражданского самосознания сибиряков. Introduction. The analysis of Siberian newspapers of the early 1880s, which contains information about I. S. Turgenev: Irkutsk newspapers «Siberia» (1873–1887), «Eastern Review» (1882–1906) and Tomsk; Sibirskaya Gazeta (1881–1888), Sibirskiy Vestnik (1885–1905). The purpose of the study was to identify the reception of the personality and work of the great Russian writer by the Siberian educated society and an understanding of his role in the spiritual life of Siberia and Russia. Material and methods. In the course of its implementation, a system of methods was used: biographical, historicalliterary, historical-functional, cultural-historical and comparative-typological. Results and discussion. Turgenev turned out to be a significant figure for the cultural life of Siberia. His works were sold in bookstores in Tomsk, Omsk, Barnaul, Irkutsk, and were in many libraries in Siberia. With the appearance of the first Siberian newspapers, reviews and materials about the work and events of the life of the Russian writer were printed on their pages. Most often his name was found on the pages of the «Siberian newspaper». The love story of S. S. Sinegub was known among the populist revolutionaries. She found, in the opinion of the author of the article, its reflection in the development of the love affair of Nezhdanov, Marianna and Solomin (novel «Nov»). The secret editor of the newspaper was F. V. Volkhovsky, a political exile, tried in the socalled «trial of the 193s» in 1877 y. Turgenev was not personally acquainted with Volkhovsky, but actively communicated with G. A. Lopatin, his friend and associate in political activities, and together with him founded the Russian Public Library in Paris. Particular attention in the article is paid to the analysis of materials about Turgenev on the pages of Irkutsk and Tomsk periodicals: these are reprints and comments and articles of central newspapers about the works of Turgenev, their own reviews and reviews of the writer of Siberian writers. Some of them – N. I. Naumov, I. V. Omulevsky (and, possibly, N. M. Yadrintsev) – were personally acquainted with him and were present at Turgenev’s meetings with the editors of the magazine «Slovo» and «Russkoe Bogatstvo». It was in the March issue of the radical magazine «Slovo» in 1881 that Turgenev’s famous poem «Croquet in Windsor» (1876) was first published in Russia. Conclusion. The Siberian public closely followed the work of Turgenev, information about his illness was published in Siberian newspapers. After his death, it was reported about memorial services, which took place in a number of Siberian cities. The author of the article reviewed obituaries and posthumous articles about Turgenev, talentedly written by the editors of «Vostochny Obozreniye» and «Sibirskaya Gazeta». They noted the great importance of the work of the outstanding Russian writer and his social activities for the formation of civic consciousness of Siberians.
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Hanson, Jeffrey. "The Oneness of Love in Works of Love". Religions 14, n.º 12 (8 de dezembro de 2023): 1517. http://dx.doi.org/10.3390/rel14121517.
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Kierkegaard’s claim that God just is love implies that love is ultimately one reality. Indeed, on more than one occasion, Kierkegaard will make this point explicitly as well as implicitly by frequently asserting the oneness of love. For example, early on in Works of Love, he states plainly that “this love for the neighbor is not related as a type to other types of love. Erotic love is defined by the object; friendship is defined by the object; only love for the neighbor is defined by love”. What Kierkegaard means by this is that preferential loves are defined by a factor in addition to love itself: the object of that love. Neighbor-love is defined by love itself, which takes as its object the neighbor, or in other words, “unconditionally every human being”. Preferential loves are specified as it were by the person loved in this manner. Neighbor-love is not related as a type to other types of love in that neighbor-love is paradigmatic love; preferential loves are specified, but as recent commentators have shown, are not thereby precluded from also being or filtered by or infused by or coincident with neighbor-love as well. The point of this passage is that there are not distinct, enumerated types of love that, taken together, can be amalgamated into something called “love”, which would be inclusive of distinct kinds. The current paper argues that neighbor-love is meant to be thought of as paradigmatic. Therefore, as a paradigmatic unity, it will also exhibit qualities ordinarily associated with preferential love. Put differently, my claim is that we have reason to conclude that, in the end, features of preferential love will be manifest in neighbor-love just as surely as neighbor-love has an effect on preferential love. I wish to take seriously the claim of Works of Love that, ultimately, love is one. Love, being one, is not comprised of distinct types or subsets. I demonstrate the importance of this point by explaining how all love has its ultimate origin in God (and God just is love). While seemingly a truism, I argue from a variety of passages that the oneness of love has multiple implications throughout the text, implications that further support the theory that neighbor-love is not an alternative to, but rather encompasses features of, preferential loves.
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Leffler, Yvonne. "Svensk 1800-talslitteratur i världen". Tidskrift för litteraturvetenskap 48, n.º 1-2 (1 de janeiro de 2018): 7–17. http://dx.doi.org/10.54797/tfl.v48i1-2.7597.
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Swedish Literature as World Literature in the Nineteenth Century. Top Selling Novels by Women Writers
So far, Swedish literary history has been the construction of a nation’s cultural heritage based on certain authorships. This most certainly was the case when the history of the Swedish nineteenth-century novel was written. In textbooks, the important writers before Strindberg and Lagerlöf are Carl Jonas Love Almqvist and Viktor Rydberg. Sometimes a couple of female novelists are included, such as Fredrika Bremer and Emilie Flygare-Carlén. The actual circulation of Swedish novels in translation shows another picture. While Bremer and Flygare-Carlén, together with Marie Sophie Schwartz, were very popular novelists in both Europe and the United States, Almqvist’s and Rydberg’s novels reached very few readers outside of Scandinavia. This article aims to examine the export of Swedish novels in the nineteenth century. Statistics based on the SWED database, constructed in connection to the research project Swedish Women Writers on Export in the Nineteenth Century, is used to describe the distribution of Swedish novels across borders and their translation into different target languages. Similarities and dissimilarities in distribution and reception will be discussed, as well as some of the reasons behind these differences. The number of translated titles, as well as the transcultural circulation of the three most translated and top-selling novelists, Bremer, Flygare-Carlén and Schwartz, are compared to the circulation of Almqvist’s and Rydberg’s translated works. Based on these comparisons, it becomes obvious that if the history of Swedish literature were written from a transcultural perspective based on the contemporary audience’s choice of literary works and writers, it would look very different from the nation-based literary history of today. For example, Almqvist and Rydberg would be edged out by female novelists such as Bremer,Flygare-Carlén, and Schwartz.
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Abdul Malik, Mohd Puaad, Faisal @. Ahmad Faisal Abdul Hamid e Rahimin Affandi Abdul Rahim. "Analyse Malay Fiqh Works Writing 1600-1800". Al-Muqaddimah: Online journal of Islamic History and Civilization 6, n.º 2 (31 de dezembro de 2018): 71–89. http://dx.doi.org/10.22452/muqaddimah.vol6no2.6.
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In essence, this article will focus on the subject classical Malay fiqh works 1600-1800. Classical Malay fiqh works are Malay intellectual works produced by Malay Muslim scholars in various topics of Islamic law including worship (ibadah), commercial transaction law (muamalah), family law (munakahat) and others. This fiqh Malay work played an important role in Malay society at the beginning of Islamic development in the Malay world. It is a means of communication, scientific knowledge or developmental science. The premise of this article analyzes the writing of fiqh works that developed in the early days of the great intellectual nature of the Malay world. There are features of fiqh writing in the year 1600 and it is different from the features of fiqh writing in 1700 and 1800. The discussion of this writing includes the difference between the writing text and the style of writing fiqh and being reviewed from various scopes, items and writing features. The method of analysis used is the method of historiography or historicalism which examines the development of an idea. Facts obtained will be thoroughly screened using the Malay induction history approach. Research shows that the earliest classic Malay fiqh writing has its own identity and superiority and is a Malay intellectual work.
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ANDREEV, Felix. "FATAL LOVE OF KHARKIV WOMEN". 6, n.º 6 (7 de dezembro de 2021): 7–38. http://dx.doi.org/10.26565/2521-6481-2021-6-01.
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The article is devoted to the cultural study of the life and work of two famous Kharkiv women who lived and worked in Kharkiv in the second half of the XIX - first half of the XX century - Eulalia Pavlovna Kadmina and Anna Yakivna Brovar, better known as Anna Mar. The article updates the biography of Eulalia Kadmina, analyzes her creative path, emphasizes the prominent personalities of that time who had a great influence on the life of the artist (such as: Nikolai Grigoryevich Rubinstein, Peter Ilyich Tchaikovsky, Alexandra Dormidontovna Alexandrova-Kochetova). The article mentions the life stories of other famous women of that time - Elizaveta Dormidontivna Lavrovska, Oleksandra Valerianivna Panayeva-Kartsova, Emilia Karlivna Pavlovska. The reproduction of the image of Eulalia Pavlovna Kadmina in literature is studied, in particular in the novel "After Death" by Ivan Turgenev, in the story "Theatrical Character" by Nikolai Leskov, in the story "The Last Debut" by Alexander Kuprin and others. The author of the article researches the biography of Anna Yakivna Brovar (Anna Mar), analyzes her stories that were published in magazines of that time. Anna Mar's early works are autobiographical, the main characters of her early works are young women, lonely, disorganized, half-hungry, dreaming of love, a meeting with a courageous and good man. The fascination with Buddhism, and later the conversion to Catholicism, was reflected in the subsequent works of Anna Mar. A separate series of works is dedicated to the activities of the Polish House of Kharkiv, a public and cultural center created by the Polish community of Kharkiv. At this time, she chose European decadence and symbolism as aesthetic and spiritual landmarks. Lyrical miniatures become an artistic form of her works. The main themes of the writer's works in recent years are loneliness, death and suicide.
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Špelda, Daniel. "Kepler in the Early Historiography of Astronomy (1615–1800)". Journal for the History of Astronomy 48, n.º 4 (novembro de 2017): 381–404. http://dx.doi.org/10.1177/0021828617740948.
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This article discusses the reception of Kepler’s work in the earliest interpretations of the history of astronomy, which appeared in the seventeenth and eighteenth centuries. The focus is not on the reception of Kepler’s work among astronomers themselves but instead on its significance for the history of science as seen by early historians of mathematics and astronomy. The first section discusses the evaluation of Kepler in the so-called “Prefatory Histories” of astronomy that appeared in various astronomical works during the seventeenth century. In these, Kepler was considered mainly to be the person who brought the work of Tycho Brahe to completion, rather than an original astronomer. The second section is devoted to the evaluation of Kepler in interpretations of the history of astronomy that appeared in the eighteenth century (often as part of the history of mathematics). In these works, Kepler is regarded as a genius who deserves tremendous credit for the advancement of the human spirit. Both sections also devote attention to Copernicus and Tycho Brahe because this facilitates the explanation of how Kepler’s contribution was judged. By studying the reception of Johannes Kepler’s work, we may gain greater insight into the transition from a cyclical perception of the history of science to the progressive model.
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Moshchenko, Irina A. "The concept of “love” in the early works of Zhang Ailing (张爱玲 1920–1995)". Philological Sciences. Scientific Essays of Higher Education, n.º 3 (maio de 2021): 59–67. http://dx.doi.org/10.20339/phs.3-21.059.
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This article presents a study designed to analyse the concept of love in the early work of chinese writer Zhang Ailing. The research reveals conceptual binary oppositions which are formed arround the core of the concept of love that is: ai (爱), qing (情) and lian (恋). The oppositions are the following: absurdity — conciseness; frivolous / pretense — serious / sincerity; material — spiritual / sacred; isolation — openness; selfishness — generosity; cowardice — courage; overseas — traditional. This ambiguity of the concept is the key to understanding how early works of Zhang Ailing differs from the previous literature tradition, which understands love as а supreme good. The research shows the transformation of the concept of love in the early work of Zhang Ailing. The writer confronts the tradition, she tries to destroy the romantic-sentimental attitude to love that was formed in Chinese literature in the first decades of the twentieth century. Breaking with the conventional image of “love above all” (恋爱之上), Zhang Ailing begins to build up her own world of love. She starts from the denying of romantic love and attachment, and only then tries to fit love into the social structure, to turn ordinary love into a social value equal to success in work, financial well-being, etc.
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Franklin, Peter. "Missing Love-scenes, Evasion, and the Inexpressible in Early Mahler". 19th-Century Music 47, n.º 3 (2024): 192–208. http://dx.doi.org/10.1525/ncm.2024.47.3.192.
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Given the openness to ideas about sexuality, not least in music, in post-Wagnerian turn-of-the-century Vienna, Mahler’s outwardly rather guarded and seemingly conservative approach to sexual experience is examined in the light of more recent biographical research (as in the German edition of Mahler’s letters to Anna von Mildenburg). Discussion focuses upon a reconsidered approach to the evidence of his first two extended musical works: Das klagende Lied (a copy of whose score he gifted to von Mildenburg at the end of their relationship and to Alma Schindler at the beginning of theirs) and the First Symphony. Aspects of the critical reception of both works—presented in Vienna for the first time by Mahler, in reverse order, in 1900 and 1901—revealed the disapproval of more conservative commentators and their implicitly anti-Semitic interpretation of the works’ questionable audience appeal in terms of a kind of mass-culture critique. The link between the evasion of or indulgence in musical representations of sexuality and changing attitudes toward musical taste and reception might heighten our awareness of how the complex modernity of those works was tending in a quite different direction to that of the nascent modernism of Mahler’s younger contemporaries.
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Ibañez, Berman. "Contraception in the Works of St. Augustine". Philippiniana Sacra 49, n.º 148 (2014): 353–74. http://dx.doi.org/10.55997/ps3003xlix148a3.
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This paper aims to present the teaching of St. Augustine on contraception as founded on his theology of love proper to marriage. The study begins with a look at the origin of contraceptive practices in ancient times and the development of the teaching on contraception in the Greco-Roman world and in the early Church Fathers. In the second section, the study examines St. Augustine’s view of marriage in his work ‘De bono coniugali’ bringing clarification to the central role of sexual intimacy and love in marriage. The third section then proceeds to discuss St. Augustine’s teaching on contraception as treated in some of his other works arguing that contraception is morally wrong because it violates conjugal love.
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El-Rouayheb, Khaled. "The Love of Boys in Arabic Poetry of the Early Ottoman Period, 1500 – 1800". Middle Eastern Literatures 8, n.º 1 (janeiro de 2005): 3–22. http://dx.doi.org/10.1080/1366616042000309157.
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Dobrzhanskyi, Oleksandr. "Bukovyna local lore studies during the stay of the territory as a part of the Kingdom of Galicia and Volodymeria (1786-1849)". History Journal of Yuriy Fedkovych Chernivtsi National University, n.º 56 (30 de dezembro de 2022): 48–57. http://dx.doi.org/10.31861/hj2022.56.48-57.
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Bukovyna was part of the Kingdom of Galicia and Volodymeria since 1786 to 1849. This time became important for the further development of local lore studies of Bukovyna. Professors of Lviv University, B. Hacquet, J. Rohrer, M. Stöger, A. Zawadzki played a significant role in the development of research. Considerable attention was paid in their works to geography, demographic features, socio-economic development, and the introduction of changes in the management of the region. There were also works in which flora and fauna, features of geology, etc. were studied.The Ukrainian local lore studies of Bukovyna started in the early 19th century. Thanks to the efforts of the figures of the «Rus Trinity», the first descriptions of folklore, life, and social status of the Ukrainians of the region appeared. A number of local lore studies works were written at the beginning of the 19th century, but they were made public only in the late 19th and early 20th centuries. Nevertheless, they were naturally assigned to this period. In particular, this is the work of I. Вudai-Deleanu and an unknown author, who for the first time prepared the local lore guide «Bukovyna in 1801». The work of T. Bendella in which for the first time tourist routes were proposed to the sights of Bukovyna was an important phenomenon in the development of Bukovyna.Research about Bukovyna at that time was published in well-known European scientific journals, which was of great importance for awakening interest in the region.It is noted that local history of Bukovyna at that time was only making its first steps. The local authorities didn’t care. However, there have been some achievements. They were the significant foundation for the development of Bukovynian studies in the following decades.
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Chernysh, Anna. "POETICS OF PSYCHOANALYSIS IN THE EARLY PROSE OF STEPAN PROTSYUK". Fìlologìčnì traktati 14, n.º 1 (2022): 135–44. http://dx.doi.org/10.21272/ftrk.2022.14(1)-14.
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The article is dedicated tothe poetics of psychoanalysis in the early prose works of S. Protsyuk. The system of psychoanalytic codes in the collections of novels and short stories “The Gallows for Tenderness”and “Seraphimsand Misanthropes”consists of categories of destruction, immorality, neurosis, conflict, fear, the presence of which allows to interpret the early prose of Ukrainian writers by psychological works. It is revealed that S. Protsyuk’s early prose works significantly influenced the formation of the author’s unique poetics and style, built on the principles of psychoanalysis in his great epic (“Infection”, “Totem”, “Sacrifice”, “Doll Destruction”, “Fingers between the sand”etc.). It is investigated that psychoanalytic constructs in the collections “Gallows for Tenderness”and “Seraphimsand Misanthropes”are not presented systematically and quite heterogeneously, which indicates the process of development and formation of the author’s style. Techniques of self-knowledge, self-copying, insight, self-criticism and honesty with oneself are naturally reinforced by complex categories of fear, insecurity, destruction, immorality, despair, psychosis, neurosis, perverted fantasies and suicidal thoughts of early epic characters. Psychoanalytic typification of characters is facilitated by the introduction into the structure of the text of psychiatric terms that form thebackground of psychoanalysis, motivating some of the actions of the characters in the works. S. Protsyuk’s early work is marked by anti-imperial motives as one of the basic factors in the formation of dissatisfaction, resistance, unconscious resistance and resistance to the system, devaluation of social values and more. Psychoanalytic sounding in the works is acquired by neurotic love (“Gallows for Tenderness”), undivided love (“Drop of Beresh”), mental and psychological vicissitudes of the participants of the love triangle (“Red Rose”, “Black Rose”), “Self-destruction and Monologues”). Psychoanalytic constructs of novels form a new type of hero in the literature of the late XX–early XXI centuries the writer skillfully characterizes the mental organization of a number of psychoanalytic tools, techniques and tools.
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Dakake, Maria Massi. "“Guest of the Inmost Heart”:Conceptions of the Divine Beloved among Early Sufi Women". Comparative Islamic Studies 3, n.º 1 (19 de outubro de 2008): 72–97. http://dx.doi.org/10.1558/cis.v3i1.72.
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In the works of Sufi love mysticism, the Sufi seeker is often represented as a male lover in relation to God as the symbolically “feminine” Beloved. However, women themselves were not infrequently the practitioners of the mystical path in Islam, and it is clear from the words attributed to them that female Sufis developed their own image of the Divine Beloved as the symbolically masculine object of their female desire. In this paper, I examine short poetic pieces and sayings attributed to Sufi women in both hagiographical and biographical works in an attempt to identify a specifically feminine brand of Islamic “love” mysticism, reflecting a distinctly and traditionally female experience of loving and spiritual longing.
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CANUTI, Silvia. "Christian Faith in Bing Xin’s Early Life: Tradition and Western Values in the Early 20th Century China". Asian Studies, n.º 2 (25 de setembro de 2012): 47–64. http://dx.doi.org/10.4312/as.2012.-16.2.47-64.
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Among Chinese writers of the 20th century, Xie Wanying 谢婉莹 (1900–1999), known with her pen name Bing Xin 冰心, has been considered by literary critics as “the writer of love” and “the philosopher of love”. Nevertheless, this label seems to have ignored an element that could let us identify important conflicts within her works, that can be attributed to her contacts and relations with people and institutions linked to the Christian faith. Therefore, in the first period of Bing Xin’s literary production (1920–1930), this peculiar aspect of Western culture, the Christian belief, seems to be for her the expression of a definitely alternative and unconventional way to achieve truth in the early 20th century China.
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Denisov, V. D. "HERITAGE OF “LYUBOMUDRS” AND THE COLLECTION “ARABESQUES” BY N. GOGOL". Culture and Text, n.º 44 (2021): 14–30. http://dx.doi.org/10.37386/2305-4077-2021-1-14-30.
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The article is devoted to the correlations with the works of “lyubomudrs” (“wise men”) in the early works of N. V. Gogol, who later admitted that these works had on him in his youth. In the early to mid-1830s, he became close to some former “lyubomudrs”, corresponded with them, shared plans and ideas, and discussed issues of creativity, history, and philosophy. This was reflected in the works of his collection Arabesques (1835), where most of the reminiscences were associated with the “Works of D. Venevitinov” (1829; 1831) as a kind of extract of philosophical and aesthetic ideas of “lyubomudrie” (“love to wisdom”).
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Metzer, David. ""Spurned Love": Eroticism and Abstraction in the Early Works of Aaron Copland". Journal of Musicology 15, n.º 4 (1997): 417–43. http://dx.doi.org/10.2307/764002.
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Metzer, David. ""Spurned Love": Eroticism and Abstraction in the Early Works of Aaron Copland". Journal of Musicology 15, n.º 4 (outubro de 1997): 417–43. http://dx.doi.org/10.1525/jm.1997.15.4.03a00010.
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Bowers, Katherine. "Ghost Writers: Radcliffiana and the Russian Gothic Wave". Victorian Popular Fictions Journal 3, n.º 2 (17 de dezembro de 2021): 152–71. http://dx.doi.org/10.46911/tvct9530.
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Ann Radcliffe’s novels were extremely popular in early nineteenth-century Russia. Publication of her work in Russian translation propelled the so-called gothic wave of 1800-10. Yet, many of the works Radcliffe was known for in Russia were not written by her; rather, they were works by others that were attributed to Radcliffe. This article traces the publication and translation histories of Radcliffiana on the Russian book market of 1800-20. Building on JoEllen DeLucia’s concept of a “corporate Radcliffe” in the anglophone world, this article proposes a Russian corporate Radcliffe. Identifying, classifying, and analysing the provenance of Russian corporate Radcliffe works reveals insight into the transnational circulation of texts and the role of copyright law within it, the nature of the early nineteenth-century Russian book market, the rise of popular reading and advertising in Russia, and the gendered nature of critical discourse at this time. The Russian corporate Radcliffe assures the legacy and influence of Radcliffe in later Russian literature and culture, although a Radcliffe that represents much more than just the English author. Exploring the Russian corporate Radcliffe expands our understanding of early nineteenth-century Russian literary history through specific case studies that demonstrate the significant role played by both women writers and translation, an aspect of this history that is often overlooked.
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Pangestu, Yohana Putri Damayanti Adi, Daniel Pernandes, Maria Yuli Indrawati e Maria Lusiana Prihatin. "Using the TikTok App to Publish Your Love Imperfections Works through the “Love Imperfections Campaign”". Indonesian Journal of Behavioral Studies 2, n.º 1 (30 de junho de 2022): 01–16. http://dx.doi.org/10.19109/ijobs.v2i1.12251.
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The COVID-19 pandemic required every person to stay at home and made them look for entertainment. Social media such as TikTok become one of the forms of entertainment that are easy to reach along with the development of technology. TikTok users in Indonesia as of June 2020 reached 30.7 million users. The writing of this scientific work aims at how much influence the Love Imperfections campaign has on TikTok users. This research aimed to see how far the love imperfections campaign influenced TikTok users. The subject of this research was early adolescence divided into the small scope and large scope. The method was research and development. Data was collected through Google Form to small and large scope. The results of the experiment showed that quite a lot of participants felt insecure in themselves with different problems and backgrounds, then also the results on a large scope showed that the average participant felt that the Love Imperfections campaign was very useful, interesting, good, and informative. Then participants want this Love Imperfections campaign to continue to be developed and continued.
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O'Dwyer, Shaun. "The Unacknowledged Socrates in the Works of Luce Irigaray". Hypatia 21, n.º 2 (2006): 28–44. http://dx.doi.org/10.1111/j.1527-2001.2006.tb01092.x.
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In Luce Irigaray's thought, Socrates is a marginal figure compared to Plato or Hegel. However, she does identify the Socratic dialectical position as that of a ‘phallocrat’ and she does conflate Socratic and Platonic philosophy in her psychoanalytic reading of Plato in Speculum of the Other Woman. In this essay, I critically interpret both Irigaray's own texts and the Platonic dialogues in order to argue that: (1) the Socratic dialectical position is not ‘phallocratic’ by Irigaray's own understanding of the term; (2) that Socratic (early Platonic) philosophy should not be conflated with the mature Platonic metaphysics Irigaray criticizes; and (3) that Socratic dialectical method is similar in some respects with the dialectical method of Diotima, Socrates’ instructress in love and the subject of Irigaray's “Sorcerer Love” essay in An Ethics of Sexual Difference.
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Lilyana, Sandra. "READING COLONIZATION IN CONRAD'S TRANS-RACIAL LOVE PLOTS". Kajian Linguistik dan Sastra 17, n.º 2 (19 de julho de 2017): 164–73. http://dx.doi.org/10.23917/kls.v17i2.4535.
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The study is about a close look at Conrad's trans-racial romance related to the Victorian period. Trans-racial love between white men and non-white women becomes a popular theme in the early works of Josep Conrad, a famous writer of the late Victorian period. Using a closely technical reading in the three of Conrad's works Lord Jim, Almayer's Folly, and An Outcast of the Island, we can show that such a trans-racial romance is not merely meant for appreciating equivalence. In turn, the trans-racial romance of Conrad's can be understood as the reflection of the Western colonization on the East where the white men take a role as subjects who had dominately explored while the non-white women as objects who are passively being explored.Key words: colonization, race, romance plot, subject, object, and dominance
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Ståhle Sjönell, Barbro. "Det tidiga 1800-talets svenska novellistik". Tidskrift för litteraturvetenskap 43, n.º 2 (1 de janeiro de 2013): 5–17. http://dx.doi.org/10.54797/tfl.v43i2.10840.
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Swedish Short Stories in the Early 19th Century. Publication and Subgenres
The present study of Swedish short stories published between the years 1810 and 1829 illustrates that authors representing the Romantic Movement made special efforts to put the short story on the market. At V. F. Palmblad’s publishing house, German contemporary short stories were translated and distributed, later followed by Swedish contributions to the genre, which appeared primarily in literary magazines. Only a small number of short stories were published over the course of these 19 years, and the means of publication varied. Out of 45 works found in the catalogues of the National Library of Sweden, 27 are published separately, while 14 are published in periodicals or newspapers and two in anthologies (one of which is a frame story and the other a modern collection). Authors connected to the Romantic school introduced two new varieties of short story: the exotic story and the fantastic story. The pre-existing subgenres included, for instance: adventures, satirical or comic stories, stories of family life, travel stories and historical short stories. Among these, the historical story was the only subgenre to be printed separately. Characteristic for the short story is its ability to be inserted into many different kinds of publications. Another result of the study is the discovery of the ease with which a short story may be transferred from one form of publication to another. For instance, the short story may originate as part of a novel, only to turn into a separate work in its own right. Alternatively, it may develop as a serial story in a newspaper and go on to be printed separately, and later appear in a publishing house series or in a volume of selected works. This adaptive, or transferable, quality should be included in the ongoing discussion pertaining to the definition of the short story.
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Vogler, Nikolai, Kartik Goyal, Kishore PV Reddy, Elizaveta Pertseva, Samuel V. Lemley, Christopher N. Warren, Max G'Sell e Taylor Berg-Kirkpatrick. "Contrastive Attention Networks for Attribution of Early Modern Print". Proceedings of the AAAI Conference on Artificial Intelligence 37, n.º 4 (26 de junho de 2023): 5285–93. http://dx.doi.org/10.1609/aaai.v37i4.25659.
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In this paper, we develop machine learning techniques to identify unknown printers in early modern (c.~1500--1800) English printed books. Specifically, we focus on matching uniquely damaged character type-imprints in anonymously printed books to works with known printers in order to provide evidence of their origins. Until now, this work has been limited to manual investigations by analytical bibliographers. We present a Contrastive Attention-based Metric Learning approach to identify similar damage across character image pairs, which is sensitive to very subtle differences in glyph shapes, yet robust to various confounding sources of noise associated with digitized historical books. To overcome the scarce amount of supervised data, we design a random data synthesis procedure that aims to simulate bends, fractures, and inking variations induced by the early printing process. Our method successfully improves downstream damaged type-imprint matching among printed works from this period, as validated by in-domain human experts. The results of our approach on two important philosophical works from the Early Modern period demonstrate potential to extend the extant historical research about the origins and content of these books.
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SAMPSON, MARGARET. "‘THE WOE THAT WAS IN MARRIAGE’: SOME RECENT WORKS ON THE HISTORY OF WOMEN, MARRIAGE AND THE FAMILY IN EARLY MODERN ENGLAND AND EUROPE". Historical Journal 40, n.º 3 (setembro de 1997): 811–23. http://dx.doi.org/10.1017/s0018246x97007437.
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Marriage and the English Reformation. By Eric Josef Carlson. Oxford: Blackwell, 1994. Pp. ix+276. ISBN 0-631-16864-8. £45.00Gender, sex and subordination in England, 1550–1800. By Anthony Fletcher. New Haven and London: Yale University Press, 1995. Pp. xxii+442. ISBN 0-300-06531-0. £19.95.Domestic dangers: women, words, and sex in early modern London. By Laura Gowing. Oxford: Clarendon Press, 1996. Pp. 301. ISBN 0-19-820517-1. £35.00.The prospect before her: a history of women in western Europe, Volume one, 1500–1800. By Olwen Hufton. London: HarperCollins, 1995. Pp. xiv+654. ISBN 0-00255120-9. £25.00.Sex and subjection: attitudes to women in early modern society. By Margaret R. Sommerville. London: Edward Arnold, 1995. Pp. 287. ISBN 0-340-64574-1. £14.99.
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Green, Ashleigh. "Bird-Catching as a Love Allegory: A Comparison of Greco-Roman and Early Modern English Literature". Parergon 40, n.º 1 (2023): 181–208. http://dx.doi.org/10.1353/pgn.2023.a905419.
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Abstract: In the literature of early modern England, particularly Lyly, Shakespeare, and Spenser, love and sexual desire are commonly allegorised in terms of luring, trapping, and shooting birds. This paper investigates the classical origins of this symbolism, revealing how authors used Greek and Roman metaphors of love-as-fowling to inform their own works, with Cupid himself often imagined as a bird. It reconstructs technical and terminological aspects of fowling, arguing that we can only understand why bird-catching was used to express desire once we have answered fundamental questions of how, when, and by whom birds were traditionally caught.
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King, Martina. "Gesteinsschichten, Tasthaare, Damenmoden: Epistemologie des Vergleichens zwischen Natur und Kultur – um und nach 1800". Internationales Archiv für Sozialgeschichte der deutschen Literatur 45, n.º 2 (9 de novembro de 2020): 246–66. http://dx.doi.org/10.1515/iasl-2020-0014.
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AbstractThis paper investigates comparison as a fundamental practice within the early life sciences. Four episodes are selected that show how comparing species works in the early 19th century and how it builds bridges between scientific and literary culture: comparing living organisms in pre-Darwinian natural history (Lacépède, Treviranus), comparing species distribution in actualistic geology (Lyell), comparing organs in comparative anatomy (Müller), and – last but not least – comparing social classes in new literary genres such as sketch, ‘Paris physiology’, or travel feuilleton.
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Zhang, Zhenjun. "Two Modes of Goddess Depictions in Early Medieval Chinese Literature". Journal of Chinese Humanities 3, n.º 1 (8 de fevereiro de 2017): 117–34. http://dx.doi.org/10.1163/23521341-12340046.
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Early medieval Chinese literature depicts two modes of goddesses, derived from the two masterpieces attributed to Song Yu, “Rhapsody on the Goddess” and “Rhapsody on Gaotang.” Since Cao Zhi’s “Rhapsody on the Goddess” overshadowed other works among rhapsodies and poems, it appeared as if the influence of “Rhapsody on Gaotang” had stopped. This study reveals the two lineages of goddess depictions in medieval Chinese literature, showing that the “Goddess of Love” has never disappeared.
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Ousmanova, A. "ALEXANDRA KOLLONTAI AND THE POLITICAL MEANING OF LOVE". Bulletin of Kazakh National Women's Teacher Training University, n.º 2 (30 de junho de 2022): 16–24. http://dx.doi.org/10.52512/2306-5079-2022-90-2-16-24.
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In the given article I analyze the contribution of the prominent socialist feminist thinker and politician Alexandra Kollontai to the development of conceptual vision of a just society, that would be based on the equality of the sexes, and to the formation of contemporary views onto the problem of the of the political, intellectual and emotional autonomy of women . In my view, the rethinking of Kollontai's views in regards to the issues of love, sexuality and the role of emotional life under socialism and capitalism may be helpful for better understanding of the complex relationship between gender and class identities, collisions of public and private lives, and the emancipation of women (politically, economically, emotionally and symbolically). I also argue that Kollontai's legacy is relevant for the contemporary scholarship on political , gender-specific aspects of emotional life as well as the affective dimension of the politics.My analysis is based on three types of sources: theoretical works and literary texts by Alexandra Kollontai, in which she developed her views on love relationships and women's autonomy; selected works of other Marxist and feminist thinkers of the early XX century (V.I. Lenin, I. Armand) that dealt with the questions of free love and sexual mores; the works by contemporary gender scholars and feminist thinkers, that engage with the texts of Kollontai and debates on love and sexuality in the Soviet 1920s.
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Donohue, Joseph. "The Victorian Marionette Theatre". Theatre Survey 47, n.º 1 (13 de abril de 2006): 133–35. http://dx.doi.org/10.1017/s0040557406320091.
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John McCormick's delightful book The Victorian Marionette Theatre is at once a labor of love, a comprehensive history of a popular art form, an insider's description of the craft by a longtime practitioner, and a nostalgic reminiscence of a nearly forgotten aspect of the Victorian theatre. For all that, the book has an authoritative point of view and a cohesive unity establishing it as one of the most important sources of its kind, complementing George Speaight's more wide-ranging, classic treatment of the subject, The History of the English Puppet Theatre (London: G. G. Harrap, 1955; 2d ed., Carbondale: Southern Illinois University Press, 1990) and McCormick's own companion study, coauthored with Bennie Pratasik, Popular Puppet Theatre in Europe, 1800–1914 (Cambridge: Cambridge University Press, 1998). Those three works anchor a shelf of studies of a major cultural phenomenon.
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Gagné, Renaud, e Regina Höschele. "Works and nights: Marcus Argentarius (AP 9.161)". Cambridge Classical Journal 55 (dezembro de 2009): 57–70. http://dx.doi.org/10.1017/s1750270500000191.
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In a long and colourful passage from Book 3 of his elegiac poemLeontion, a veritable manifesto of Hellenistic erotics, Hermesianax of Colophon (early third century BC) presents us with an amusing list of poets and their loves (fr. 7 Powell = Athen. XIII 597B). This catalogue features, inter alia, an enamoured Hesiod inspired by a woman. The notion of surly old Hesiod in love with a girl may come as a bit of a surprise to most students of classical philology. After all, one might suppose that the harsh, archaic misogyny of the didactic poet does not bode well for amorous relationships with members of the opposite sex.
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Möller-Sibelius, Anna. "Kärlekens etos i Gösta Ågrens 1960-talslyrik". AVAIN - Kirjallisuudentutkimuksen aikakauslehti, n.º 1 (3 de abril de 2017): 22–37. http://dx.doi.org/10.30665/av.66191.
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The Ethos of Love in Gösta Ågren’s Poems from the 1960s Gösta Ågren is one of the most appreciated poets in contemporary Finland-Swedish literature. Nevertheless, his early works dating back to the 60s have been considered (not least by himself) to be of little interest. The common opinion is that his engagement with left-wing politics impoverished the aesthetic aspects of his poetry; when released from these ideological bonds in the late 1970s he became an important poet. The aim of this article is to call into question the reasons put forth by the negligence of his early poetry. Ågren is one of the earliest examples of the 1960s left-wing movement in Finland-Swedish poetry, which per se is of literary historical interest. However, he combines his Marxist perspective with ideas recognizable in a broader tradition of history of ideas, which makes his ideological and ethical undertaking complex. In addition, he integrates political and existential aspects in his poems at an early stage. In this article, I examine a central theme in Ågren’s early poetry from the 1960s: love. I relate his thoughts on the topic to various thinkers such as eodor W. Adorno & Max Horkheimer, R.W. Emerson, C.G. Jung and Rudolf Steiner. Although love between man and woman in many respects is a timeless issue, the contextual aspects of love are important in Ågren’s poems. Furthermore, in his early poetry dating from the rather dystopic post-war period in Europe love has an emphasized ethical function. In his efforts to find a solution to the problems of a contemporary world in distress, the very concept of “woman” becomes a metaphor for ideas such as peace, hope, love and freedom. Clearly, this is an idealist but also (more surprisingly) a feminist standpoint.
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Dupont, Anthony, Bernard Bruning e Kristiaan Venken. "The Relationship between Augustine’s Anthropological Duality and His Doctrine of the Two Cities". Religions 14, n.º 6 (14 de junho de 2023): 791. http://dx.doi.org/10.3390/rel14060791.
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Augustine of Hippo’s early works distinguish between the earthly human person, driven by worldly desires, and the reborn person, oriented towards heaven. Later, in his monumental De ciuitate Dei (On the City of God), Augustine expands on this distinction, proposing the existence of two cities: the earthly city, characterized by the love of self; and the city of God, characterized by the love of God. This tension between the two loves shapes human understanding of and place in the world. This article explores how the said tension reflects a duality in human nature, tracing the development of the relationship between Augustine’s doctrine of the two cities and his reflections on the dual human nature from his early works to De ciuitate Dei. The article studies whether the duality of human nature mirrors the dichotomy between the ciuitas Dei (city of God) and the ciuitas terrena (earthly city), examining how the conflict between good and evil within individuals and society serves as a model for the conflict between the two cities in Augustine’s doctrine, with a focus on how these concepts are expounded in his earlier writings and articulated in his De ciuitate Dei. It examines how the interaction between these loves manifests in human actions and desires, and shapes our understanding of the good and desirable. Ultimately, this article seeks to address the question of whether the tension between the love of God and the love of self, both in society and in human nature, is capable of harmonious resolution in Augustine’s mindset.
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Dever, Carolyn. "Introduction: “Modern” Love and the Proto-Post-Victorian". PMLA/Publications of the Modern Language Association of America 124, n.º 2 (março de 2009): 370–74. http://dx.doi.org/10.1632/pmla.2009.124.2.370.
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One early thursday evening in 1892, Katharine Bradley returned to her suburban home and recorded the following entry in the diary she shared with Edith Cooper, her niece, lover, and literary collaborator:Thursday evening Oct 6th 1892.∗Tennyson is dead. We saw it in the Underground this morning—Death of Lord Tennyson Illustrated biography a penny.The news of Tennyson's death affected Bradley profoundly, propelling her back to a pastoral, “Victorian” past that seems remote from her urban fin de siècle world of the Underground and rapid-cycle tabloid news. Bradley is returned, she writes, to “days when ‘The Miller's Daughter’ bounded my horizons.—My way of looking at the universe was unquestionably determined by Tennyson” (Field, Works 5: 5).
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Strub, Spencer. "The Play of Love, 1230–1578: A Case Study and Edition". Journal of Medieval Religious Cultures 50, n.º 2 (junho de 2024): 159–83. http://dx.doi.org/10.5325/jmedirelicult.50.2.0159.
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ABSTRACT This article offers the first comprehensive history of the “play of love”—a similitude that compares God’s withdrawal in temptation to a mother at play with her young child—from its origin in Ancrene Wisse through its subsequent appearances in English and Latin devotional writing. In Ancrene Wisse, the scene allows an anchorite to understand her emotion in light of God’s love while acknowledging that God’s unprompted withdrawal causes suffering. The play of love was subsequently excerpted, translated into Latin, and circulated in England and on the continent. A Latin compilation misattributed to Richard Rolle, Quandoque tribularis (edited in the appendix), and later Middle English works refashion the play of love to prescribe specific practices or emotions. This case history thus reveals surprising connections between early English vernacular religious writing, Latinate European readers, and later medieval English compilers, as well as an object lesson in these readers’ changing expectations.
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Oostindie, Gert, e Jessica Vance Roitman. "Repositioning the Dutch in the Atlantic, 1680–1800". Itinerario 36, n.º 2 (agosto de 2012): 129–60. http://dx.doi.org/10.1017/s0165115312000605.
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After some decades of historical debate about the early modern Atlantic, it has become a truism that the Atlantic may better be understood as a world of connections rather than as a collection of isolated national sub-empires. Likewise, it is commonly accepted that the study of this interconnected Atlantic world should be interdisciplinary, going beyond traditional economic and political history to include the study of the circulation of people and cultures. This view was espoused and expanded upon in the issue of Itinerario on the nature of Atlantic history published thirteen years ago—the same issue in which Pieter Emmer and Wim Klooster famously asserted that there was no Dutch Atlantic empire. Since this controversial article appeared, there has been a resurgence of interest among scholars about the role of the Dutch in the Atlantic. With Atlantic history continuing to occupy a prominent place in Anglo-American university history departments, it seems high time to appraise the output of this resurgence of interest with an historiographical essay reviewing the major works and trends in the study of the Dutch in the Atlantic.
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Goncharov, Vitaly Viktorovich, Marina R. Zheltukhina, Gennady G. Slyshkin, Zaineta R. Khachmafova e Susanna R. Makerova. "Semantic of color in the poetics of Vladimir Mayakovsky". LAPLAGE EM REVISTA 7, Extra-B (29 de maio de 2021): 88–96. http://dx.doi.org/10.24115/s2446-622020217extra-b887p.88-96.
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This article analyzes the use of color in the poetic works of Vladimir Mayakovsky as a symbolic actualization of the most important aspects of both the reality surrounding the poet and the world of his inner experienceshe authors note that the poet's choice of a particular color palette in his literary works is often determined by a number of objective and subjective factors: personal sensual love experiences, including complicated and fairly long relationships within the love triangle "Lilya Brik - Osip Brik - Vladimir Mayakovsky"; events of the early twentieth century, rapidly replacing each other, in which not only Russia, but the whole world were immersed (World War I, revolution, civil war in Russia, new economic policy, etc.). And, although the poet constantly mentions in his works about the rich color palette of the surrounding world, including thousands of colors, the authors of the article substantiate the position that in reality Vladimir Mayakovsky uses a rather limited number of colors and shades (the most popular with him are gold, red, black and white).
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Adamkowicz-Iglińska, Bożena. "“When the Polish people will truly arise”. Patriotic Issues in the Works by Juliusz Słowacki". Prace Literaturoznawcze, n.º 7 (7 de fevereiro de 2020): 53–64. http://dx.doi.org/10.31648/pl.4710.
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This article discusses patriotic issues in the works of Juliusz Słowacki. It focuses on the textsdevoted to the November Uprising. The poet’s early (youthful) works, including the very first ones,in which he showed ways of regaining independence, are subjected to interpretation. In these works,Słowacki writes about his love for his homeland, and thus they are testimony to his patriotic feelings.The poet demands that the nation undergo a transformation. The independence of Poland ishis poetic dream. Słowacki takes up the subject of important historical events and recalls the figuresof heroes fighting for a free homeland. The resurrection of the nation is Słowacki’s poetic dream.
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Zeng, Xiaoan, e Junjin Lai. "On the Emotional Colors and Performance Techniques in Brahms' Interlude Op.118 No.2". Journal of Education and Culture Studies 7, n.º 4 (7 de novembro de 2023): p65. http://dx.doi.org/10.22158/jecs.v7n4p65.
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Johannes Brahms was the last German Austrian classical master of the romantic period. In this era of significant changes in music style, Brahms' early creative style still retained some traces of classical style. However, in his later years, he became more passionate about small genre lyrical works. I believe that these works must be the gentlest and most monologue works of Brahms' life. The interlude Op118 No.2, created in the late period of Brahms, possesses extremely clever creative techniques and extremely beautiful melodies, and is later known as the "Love Letter to Clara". The emotions and performance techniques involved are worth further exploration.
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Liljas, Juvas Marianne. "”Från pappas lydige Henric”: Pedagogiska perspektiv på det tidiga 1800-talets bildningsresande". Nordic Journal of Educational History 6, n.º 2 (13 de dezembro de 2019): 73–99. http://dx.doi.org/10.36368/njedh.v6i2.151.
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“From daddy’s obedient Henric”: Pedagogical perspectives on educational travel of the early 1800s. This article analyses educational travel in the early 1800s from the perspective of its educational heritage and praxis. The aim is to develop an understanding of the pedagogical significance of educational travel. The article makes clear how upbringing and education are represented in the framework of travel narratives in pre-industrial landscapes. The argument is based on the influence of the mercantile class on educational travel and the informal effect of these trips on changes in pedagogical thinking. The travel letters of Johan Henrik Munktell from 1828 to 1830 are used as primary sources. Using Paul Ricoeur’s memory-critical hermeneutics, travel narratives become significant sources for how education is arranged, and immanent pedagogy is a key term. The results demonstrate that the individualisation process works together with forms of crypto-learning, the core of the personal development vision, and society’s long-term memory.
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Ostaric, Lara. "Absolute Freedom and Creative Agency in Early Schelling". Philosophisches Jahrbuch 119, n.º 1 (2012): 69–93. http://dx.doi.org/10.5771/0031-8183-2012-1-69.
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bstract. By arguing that the connection between Schelling’s reception of Plato and Kant’s conception of genius is relevant for Schelling’s early development, this essay demonstrates the following: (1) that Schelling’s early Idealism brings to the general problem that plagues German Idealists, i.e., the search for an unconditioned principle that unites theoretical and practical reason, the solution that is genuinely his own, this original solution consisting in Schelling’s conception of “creative reason [schöpfersiche Vernunft]”; (2) that the theme of an absolutely free creative subjectivity is shared by many of Schelling’s early works and, hence, that the early development of his Idealism can be interpreted as a beginning of the philosophical system or as a “proto-system” of what was later to become his 1800 System; (3) that when compared to Kant’s notion of genius, Schelling’s “absolute I” should be considered a regress rather than a progress.
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Fokin, Alexander Anatolyevich. "Philosophical Principles of Heinrich Klee’s Theology (1800–1840)". Philosophy of Religion: Analytic Researches 6, n.º 1 (2022): 24–36. http://dx.doi.org/10.21146/2587-683x-2022-6-1-24-36.
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The article focuses on the study of the dogmatic works of Heinrich Klee (1800–1840) in relation to his criticism and reception of contemporary philosophical systems. The dogmatic theology of Heinrich Klee is a little-studied page in the history of Catholic religious thought in the first half of the 19th century, yet for his contemporaries Klee was a significant thinker, and his theology was the subject of active discussion. The works of Klee are known to have been criticized more than once in connection with the possible borrowing of philosophical ideas in his dogmatic theology. This criticism, however, was taken for granted, without being corroborated by any specific study of his texts – a fault the present article seeks to amend. The article attempts to fit the theology of Heinrich Klee into a philosophical context and analyze the philosophical principles in his theology. In the conclusions of the article, we highlight the tendencies and features of the use of philosophical concepts characteristic for Klee and emphasize the breadth and variety of philosophical trends he was debating. The article uses specific examples to demonstrate that, while openly criticizing such сelebrities as Hegel, Fichte, Schelling, Schleiermacher, Klee not only embraced their philosophical language but also borrowed their foundational ideas. In the article, it was demonstrated with specific examples that, openly criticizing such authors as Hegel, Fichte, Schelling, Schleiermacher, he perceives not only the philosophical language of these authors, but also borrows their system-forming ideas. At the same time, his theological thought moved within the strict framework of the Catholic concept of the objectivity of divine Revelation and the authority of the Church. The article sheds light not only on some of the philosophical and theological positions of a particular theologian of the early 19th century, but also on the discussion about the degree of philosophical foundation of theological constructions in the modern era as a whole.
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Levin, William R. "Indications for a Franciscan Role in the Philanthropic Activities of the Early Florentine Misericordia". Explorations in Renaissance Culture 49, n.º 1 (17 de agosto de 2023): 1–56. http://dx.doi.org/10.1163/23526963-04901001.
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Abstract Scholarship on Saint Francis of Assisi and the Franciscan movement, established in the thirteenth century, surprisingly tends to ignore his response to a central message of the Church: that we must love and care for the needy among our human brethren. Jesus himself said so, nowhere more explicitly than in Matthew, chapter twenty-five. Yet Francis’s writings repeatedly manifest his familiarity with Matthew, including that chapter. Conditions in rapidly urbanizing parts of Europe during the late-medieval period such as Northern and Central Italy rendered Christ’s mandate to “love one another” especially pertinent. Charitable confraternities played a major role in mitigating human suffering during that transitional era, providing various types of assistance community-wide to disadvantaged neighbors. Archival documents confirm that such actions performed by members of the Misericordia Confraternity of Florence followed Christ’s declaration in Matthew 25 setting forth the Corporal Works of Mercy. Inscriptions and pictorial details in the Misericordia’s frescoed Allegory of Mercy of 1342 underscore this point. Other details within that painting signal a Franciscan influence upon, and presence within, the Misericordia Company, reflecting the existence of a robust Franciscan community in Florence comprising not only members of the First and Second Orders—the Friars Minor and Poor Clares, respectively—but also laypersons of the Third Order. Passages in the writings of Saint Francis and his early biographers indicate the importance that works of mercy had for the Poverello, the six named in Matthew and a seventh commonly added to that list. In particular, Francis’s experiences, pronouncements, and efforts in regard to the fourth and sixth works of mercy, clothing the naked and aiding prisoners, exemplify the charitable activities both encouraged by the saint and, almost certainly with his background, words, and deeds in mind, actually implemented by members of the Misericordia Confraternity, as articulated in their inspirational centerpiece, the Allegory of Mercy.
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Franza, Iana Carolina Maciel. "A Never-ending Plight for Authentic Love". Clinical Journal of the International Institute for Bioenergetic Analysis 31, n.º 1 (maio de 2021): 95–110. http://dx.doi.org/10.30820/0743-4804-2021-31-95.
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«Schiz” is a Latinized word-forming element that means split, division or cleavage. In German, the word schizoid, turned up in the 1920’s meaning «resembling schizophrenia”, from the combination of (gr.) schiz + (gr.) oeides, «like”, form eidos, form or shape. In The Betrayal of the Body, The Language of the Body, and Bioenergetics, Dr. Lowen’s works that most thoroughly teach us his views about the schizoid character structure, it becomes evident that the story of the schizoid split is a one of very early rejection and hostile hatred, culminating in profound, many times painfully misunderstood, inner torment. The following article offers some considerations about the schizoid structure illustrated by an analysis of clinical work with a client. Reflecting upon the theoretical proposal of how interaction, in this case, may be felt particularly as an oppressive inner ambivalence, this paper will present considerations about handling with a schizoid client in the therapeutic setting.
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Aigner, Franziska, e Uri Turkenich. "Beginnings at Tanz-Theater Wuppertal: On relevance, form and love – An interview with Vivienne Newport". Maska 31, n.º 181 (1 de dezembro de 2016): 80–91. http://dx.doi.org/10.1386/maska.31.181-182.80_7.
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Vivienne Newport spoke to us about the early choreographic works of Tanztheater Wuppertal under the direction of Pina Bausch, in which Newport participated as one of the seminal dancers. Furthermore, she spoke to us about the internal dynamic in the company and the particularity of Pina Bausch’s relations to the dancers.
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Konysheva, N. Yu. "Formation of the concept «difference» in early works of R. Musil". Current Issues in Philology and Pedagogical Linguistics, n.º 2(2020) (25 de junho de 2020): 157–66. http://dx.doi.org/10.29025/2079-6021-2020-2-157-166.
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«Other condition» is a utopia of opposites of rational and irrational. The idea of «otherness», which is the basis of the whole creation of Musil took shape in a holistic concept of knowledge and search. The way of the formation of the concept in early diaries, the first novel and the novel of the early creation are described in this article. The general field of the concept of semantic, which extends to early works of Musil, formalizes differently and gets additional meanings inside of the separate creation. In early creation of R. Musil we can distinguish three phases of the formation of the concept. In diaries it’s the formulation of the idea of the otherness: the possibility of an irrational experience; in novel «The confusions of young Torless» it is the statement and the solving of the problem of word search and linguistic expression of the concept; and finally it’s the conceptualization of the idea in the novel « The Perfecting of a Love». In novel «The confusions of young Torless» semantic aspects of the concept are actual: 1) exceptionality of the hero, who is different in relation to other; 2) the evolution of the character that is «different» in relation to yourself; 3) «different», that is contraposed.