Literatura científica selecionada sobre o tema "Live theater"
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Artigos de revistas sobre o assunto "Live theater"
Zehra, Shamail, Kiran Karamat e Niza Qureshi. "THEATRE IN THE DIGITAL AGE: CHALLENGES AND AUDIENCE VIEWING EXPERIENCES". Pakistan Journal of Social Research 05, n.º 01 (4 de março de 2023): 609–16. http://dx.doi.org/10.52567/pjsr.v5i01.1384.
Texto completo da fonteBuckley, Jennifer. "Long “Live” Theater". Theater 46, n.º 2 (2016): 35–53. http://dx.doi.org/10.1215/01610775-3547659.
Texto completo da fonteSprogøe, Charlotte. "Live Experiences in the Theater Gardens of Contemporary Art". Peripeti 19, n.º 35 (1 de fevereiro de 2022): 97–108. http://dx.doi.org/10.7146/peri.v19i35.130635.
Texto completo da fonteGamaliel Paulus. "Penerimaan Teknologi Gawai dalam Menonton Pertunjukan Teater Virtual di Era Pandemi Covid 19". Jurnal Netnografi Komunikasi 1, n.º 1 (29 de julho de 2022): 31–37. http://dx.doi.org/10.59408/netnografi.v1i1.5.
Texto completo da fonteTurchi, Laura B., Ann C. Christensen e Laura B. Turchi. "Teaching Shakespeare: Live Theater Matters". English Journal 108, n.º 6 (1 de julho de 2019): 103–5. http://dx.doi.org/10.58680/ej201930217.
Texto completo da fonteAhmadova, Gulkhara. "WORLDLY SIGNIFICANCE OF THEATERS: IREVAN STATE AZERBAIJAN DRAMA THEATER". Scientific Journal of Polonia University 58, n.º 3 (1 de setembro de 2023): 10–14. http://dx.doi.org/10.23856/5801.
Texto completo da fonteGontarski, Stanley. "The theater is always dying". Acta Universitatis Lodziensis. Folia Litteraria Polonica 59, n.º 4 (30 de dezembro de 2020): 191–209. http://dx.doi.org/10.18778/1505-9057.59.11.
Texto completo da fonteDewi, Irma Kusuma, e Farid Farid. "Strategi Komunikasi Pemasaran Radjawali Semarang Cultural Center (RSCC) di Masa Pandemi". Kiwari 2, n.º 4 (5 de dezembro de 2023): 578–83. http://dx.doi.org/10.24912/ki.v2i4.27229.
Texto completo da fontePalmer, David. "Miller’s Food for Thought at Food For Thought Productions: A Talk with Susan Charlotte, 15 July 2021". Arthur Miller Journal 17, n.º 1 (2022): 39–43. http://dx.doi.org/10.5325/arthmillj.17.1.0039.
Texto completo da fonteNorman, Sally Jane. "Theater and ALife Art: Modeling Open and Closed Systems". Artificial Life 21, n.º 3 (agosto de 2015): 344–53. http://dx.doi.org/10.1162/artl_a_00175.
Texto completo da fonteTeses / dissertações sobre o assunto "Live theater"
Shrader, Angela D. "A Comparison of Audience Response to Live and Recorded Theatre Performances". Marietta College Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors1430070781.
Texto completo da fonteTorpey, Peter Alexander. "Disembodied performance : abstraction of representation in live theater". Thesis, Massachusetts Institute of Technology, 2009. http://hdl.handle.net/1721.1/55198.
Texto completo da fonteCataloged from PDF version of thesis.
Includes bibliographical references (p. 151-158).
Early in Tod Machover's opera Death and the Powers, the main character, Simon Powers, is subsumed into a technological environment of his own creation. The theatrical set comes alive in the form of robotic, visual, and sonic elements that allow the actor to extend his range and influence across the stage in unique and dynamic ways. The environment must compellingly assume the behavior and expression of the absent Simon. This thesis presents a new approach called Disembodied Performance that adapts ideas from affective psychology, cognitive science, and the theatrical tradition to create a framework for thinking about the translation of stage presence. An implementation of a system informed by this methodology is demonstrated. In order to distill the essence of this character, we recover performance parameters in real-time from physiological sensors, voice, and vision systems. This system allows the offstage actor to express emotion and interact with others onstage. The Disembodied Performance approach takes a new direction in augmented performance by employing a nonrepresentational abstraction of a human presence that fully translates a character into an environment. The technique and theory presented also have broad-reaching applications outside of theater for personal expression, telepresence, and storytelling.
Peter Alexander Torpey.
S.M.
Miller, Michael R. M. Eng Massachusetts Institute of Technology. "Show design and control system for live theater". Thesis, Massachusetts Institute of Technology, 2010. http://hdl.handle.net/1721.1/65324.
Texto completo da fonteCataloged from PDF version of thesis.
Includes bibliographical references (p. 75).
Tod Machover's upcoming opera Death and the Powers calls for an unprecedented integration of technology and theater. These uses of technology are at the heart of the show and include a Greek chorus of nine "Operabots"; a novel surround sound and audio processing architecture; a massive string instrument called "The Chandelier"; three 14' tall robotic stage fixtures with displays called "The Walls"; and more. Each component has its own unique challenges, but all share the need for a comprehensive show design and control system. A show design and control system was built for this specific purpose and will be used for Death and the Powers. The software affords real-time control over the robotic elements in the opera alongside predetermined, choreographed routines.
by Michael R. Miller.
M.Eng.
Kastel, Thiemo [Verfasser]. "Live Performances and Broadcast Productions with Augmented Reality / Thiemo Kastel". Gernsbach : Prof.(FH) Dr. Thiemo Kastel, kastel media solutions, 2017. http://d-nb.info/1139666266/34.
Texto completo da fonteZachry, Corinne. "CREATING PUPPETS THAT LIVE: AN EXPLORATION OF THEORIES AND TECHNIQUES IN MODERN PUPPETRY". Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1366906448.
Texto completo da fonteChau-Dang, Tiffanie T. "Using Optical Illusions to Enhance Projection Design for Live Performance". Kent State University Honors College / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ksuhonors1588376296563101.
Texto completo da fonteThomas, Kenneth. "Who, What, Why: A Self-Reflection on the Creation and Practice of Audition Technique in the Business of Live Theatre". Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/honors/633.
Texto completo da fonteGray, Leslie. "A Home You Can’t Live in: Performances of the Black Body and Domestic Space in Contemporary Drama". Thesis, University of Oregon, 2015. http://hdl.handle.net/1794/19318.
Texto completo da fonteVandorpe, Dries. "The Archaeology of Liveness". The Ohio State University, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=osu1430786242.
Texto completo da fonteFaigin, David A. "COMPARING LIVE AND VIDEO-TAPED THEATRICAL PERFORMANCE IN CHANGING STIGMATIZING ATTITUDES TOWARDS PEOPLE WITH SERIOUS MENTAL ILLNESS". Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1141964034.
Texto completo da fonteLivros sobre o assunto "Live theater"
Milwaukee's live theater. Charleston, S.C: Arcadia Publishing, 2009.
Encontre o texto completo da fonteMilwaukee's live theater. Charleston, SC: Arcadia Publishing, 2009.
Encontre o texto completo da fonteStages for tomorrow: Housing, funding, and marketing live performances. Oxford: Focal Press, 1998.
Encontre o texto completo da fonteAvant-garde performance: Live events and electronic technologies. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2005.
Encontre o texto completo da fonteCoveney, Michael. The aisle is full of noises: A vivisection of the live theatre. London: Nick Hern Books, 1994.
Encontre o texto completo da fonteLittle, Jean. Live on Broadway: A treasury of theater from A to Z. Maplewood, NJ: Blue Apple Books, 2009.
Encontre o texto completo da fonteAssociates, Nicholas Clark and. Study of the professional live theatre industry in Victoria for Victorian Ministry for the Arts. Melbourne, Vic: The Associates, 1985.
Encontre o texto completo da fonteApplying performance: Live art, socially engaged theatre and affective practice. New York: Palgrave Macmillan, 2012.
Encontre o texto completo da fonteNick, Kaye, ed. Performing presence: Between the live and the simulated. Manchester, UK: Manchester University Press, 2011.
Encontre o texto completo da fonteMaaike, Bleeker, ed. Anatomy live: Performance and the operating theatre. [Amsterdam]: Amsterdam University Press, 2008.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Live theater"
Ibbotson, Piers. "Live Communication: The Business of Theater". In The Illusion of Leadership, 85–93. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/9780230202009_10.
Texto completo da fonteLiedke, Heidi Lucja. "Transmedial experience in nineteenth-century live theater broadcasting". In Transmedia Practices in the Long Nineteenth Century, 62–78. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003222941-5.
Texto completo da fonteCheok, Adrian David. "Interactive Theater Experience with 3D Live Captured Actors and Spatial Sound". In Art and Technology of Entertainment Computing and Communication, 59–82. London: Springer London, 2010. http://dx.doi.org/10.1007/978-1-84996-137-0_3.
Texto completo da fonteVander Wilt, Dirk, e Morwaread Mary Farbood. "Deploying Prerecorded Audio Description for Musical Theater Using Live Performance Tracking". In Lecture Notes in Computer Science, 181–89. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-70210-6_13.
Texto completo da fonteSmith, Paul Julian. "Two Media Crossovers: Cinema and Television for Day of the Dead; Live Theater Versions of TV Shows". In Multiplatform Media in Mexico, 127–49. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-17539-9_8.
Texto completo da fonteConnock, Alex. "Theatre". In Media Management and Live Experience, 165–92. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003435167-11.
Texto completo da fonteKyung-Sung, Lee. "Practice of Theatre—Rehearsal of Life". In Theater, 225–42. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459973-014.
Texto completo da fonteMoody, James L., e Jeff Ravitz. "Theatre Production". In Lighting for Televised Live Events, 150–52. First edition. | New York, NY : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429288982-23.
Texto completo da fonteDundjerović, Aleksandar Sasha. "Live Theatre on Zoom". In Live Digital Theatre, 158–80. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003275893-10.
Texto completo da fonteKulick, Brian. "Borges and theater". In The Secret Life of Theater, 15–16. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429445255-5.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Live theater"
Wilt, Dirk Vander, e Morwaread Mary Farbood. "Automating Audio Description for Live Theater". In AM'19: Audio Mostly. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3356590.3356603.
Texto completo da fonteFrank, Whitton Anne, e Brendan Andolsek Bradley. "Creating Intimacy and Connection Through Live Theater in VR". In SA '22: SIGGRAPH Asia 2022 Real-Time Live! New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3550453.3586017.
Texto completo da fonteTsoupikova, Daria, Jo Cattell, Andrew Johnson, Lance Long, Arthur Nishimoto e Sai Priya Jyothula. "Hummingbird: A Collaborative Live Theater and Virtual Reality Adventure". In SIGGRAPH '22: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3532834.3536213.
Texto completo da fonteSantos, Maria Lucina Anonas De, e Magdalena De Leon. "Can Virtual Theater Fulfill the Function of Live Theater in COVID–19 for Tertiary Level Dance Program Stakeholders?" In The Asian Conference on Arts and Humanities 2023. The International Academic Forum(IAFOR), 2023. http://dx.doi.org/10.22492/issn.2186-229x.2023.5.
Texto completo da fonteOosthuizen, Patrick H. "A Numerical Study of the Effect of Inlet Vent Position and Size on the Velocity and Temperature Distributions in a Smaller Naturally Ventilated Theater in Canada". In ASME 2014 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/imece2014-36781.
Texto completo da fonteHe, Ziyi, Xiao Yan e Hanxi Wang. "Necessity of Establishing the Stage Technical Standards for Outdoor Live Performance Theater". In 2021 International Conference on Culture-oriented Science & Technology (ICCST). IEEE, 2021. http://dx.doi.org/10.1109/iccst53801.2021.00084.
Texto completo da fonteYan, Xiao, e Hanxi Wang. "Comparison of Technical Systems between Outdoor Live Performance Stage and Indoor Theater Stage". In 2021 International Conference on Culture-oriented Science & Technology (ICCST). IEEE, 2021. http://dx.doi.org/10.1109/iccst53801.2021.00059.
Texto completo da fonteZeglin, Garth, Aaron Walsman, Laura Herlant, Zhaodong Zheng, Yuyang Guo, Michael C. Koval, Kevin Lenzo et al. "HERB's Sure Thing: A rapid drama system for rehearsing and performing live robot theater". In 2014 IEEE Workshop on Advanced Robotics and its Social Impacts (ARSO). IEEE, 2014. http://dx.doi.org/10.1109/arso.2014.7020993.
Texto completo da fonteVander Wilt, Dirk, e Morwaread Mary Farbood. "Syncing Pre-Recorded Audio Description to a Live Musical Theater Performance Using a Reference Audio Recording". In ASSETS '19: The 21st International ACM SIGACCESS Conference on Computers and Accessibility. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3308561.3354624.
Texto completo da fonteWoodward, Jay, e Michelle Kwok. "CREATING A VIRTUAL STUDY ABROAD EXPERIENCE TO RUSSIA". In International Conference on Education and New Developments. inScience Press, 2021. http://dx.doi.org/10.36315/2021end141.
Texto completo da fonteRelatórios de organizações sobre o assunto "Live theater"
McIntyre, Phillip, Susan Kerrigan e Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Albury-Wodonga. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206966.
Texto completo da fonteIlgenfritz, Pedro. Guide Me Without Touching My Hand: Reflections on the Dramaturgical Development of the Devised-theatre Show One by One. Unitec ePress, dezembro de 2016. http://dx.doi.org/10.34074/ocds.038.
Texto completo da fonteTyson, Paul. Orchestrated Irrationality: Why It Exists and How It Might Be Resisted. Mέta | Centre for Postcapitalist Civilisation, maio de 2022. http://dx.doi.org/10.55405/mwp13en.
Texto completo da fonteKhomenko, Tetiana, e Yuriy Kolisnyk. Втрати української культури у російсько-українській війні: культурно-інформаційний спротив. Ivan Franko National University of Lviv, março de 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11749.
Texto completo da fonteStudy of Social Entrepreneurship and Innovation Ecosystems in the Latin American Pacific Alliance Countries: Case Study: La Tarumba, Peru. Inter-American Development Bank, julho de 2016. http://dx.doi.org/10.18235/0009335.
Texto completo da fonteTheatre can bring research findings to life for a wide range of audiences. National Institute for Health Research, dezembro de 2020. http://dx.doi.org/10.3310/alert_43190.
Texto completo da fonte