Literatura científica selecionada sobre o tema "Littérature catastrophiste"
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Artigos de revistas sobre o assunto "Littérature catastrophiste"
Sukiennicka, Marta. "Réflexivité environnementale et (in)conscience de la crise écologique dans la littérature catastrophiste du XIXe siècle". Acta Universitatis Lodziensis. Folia Litteraria Romanica 17, n.º 1 (12 de agosto de 2022): 9–25. http://dx.doi.org/10.18778/1505-9065.17.1.02.
Texto completo da fonteVignoli, Alessia. "De l’éruption rhétorique : étude de l’hypotypose dans la littérature catastrophique franco-antillaise". ACTA UNIVERSITATIS LODZIENSIS. FOLIA LITTERARIA ROMANICA, n.º 11 (24 de abril de 2016): 261–73. http://dx.doi.org/10.18778/1505-9065.11.20.
Texto completo da fonteMoatty, Annabelle, Freddy Vinet, Stéphanie Defossez, Jean-Philippe Cherel e Frédéric Grelot. "Intégrer une " éthique préventive " dans le processus de relèvement post-catastrophe : résilience, adaptation et " reconstruction préventive "". La Houille Blanche, n.º 5-6 (outubro de 2018): 11–19. http://dx.doi.org/10.1051/lhb/2018046.
Texto completo da fonteBlondel, Jacques. "À propos de l’ouvrage d’Alain Pavé Comprendre la biodiversité. Vrais problèmes et idées fausses". Natures Sciences Sociétés 28, n.º 1 (janeiro de 2020): 73–80. http://dx.doi.org/10.1051/nss/2020021.
Texto completo da fonteDelile, Jean-Michel. "Tabac et précarité : l’enjeu central de l’accès aux soins". Santé Publique Prépublication (23 de março de 2030): I1e—12. http://dx.doi.org/10.3917/spub.pr1.0025.
Texto completo da fonteSaemmer, Alexandra. "LITTÉRATURE ET NUMÉRIQUE : ARCHÉOLOGIE D’UN PARADOXE". Préambule 8 (20 de agosto de 2018). http://dx.doi.org/10.7202/1050933ar.
Texto completo da fonteTeses / dissertações sobre o assunto "Littérature catastrophiste"
Beggour, Imad. "Littérature germanophone et catastrophe nucléaire (1945-1989) - une littérature de l'anthropocène ?" Electronic Thesis or Diss., Université de Lille (2022-....), 2024. http://www.theses.fr/2024ULILH019.
Texto completo da fonteThe present work is a study of literature on the theme of nuclear power, with particular reference to the representation of nuclear catastrophe in German literature from 1945 to 1989. This theme is linked to current debates on the new geological era of the Anthropocene. Indeed, many geologists assume that one of the most significant signs of the onset of the Anthropocene is the use of nuclear power from the 1950s onwards. By analysing literary works published between the end of the Second World War and the fall of the Berlin Wall, this work seeks to address several issues. It shows the different ways in which literature deals with the theme of nuclear catastrophe. The central question is to what extent this literature and the representation of nuclear catastrophe represent an early awareness of the Anthropocene era, even before the emergence of the term in the early 2000s. The first part of our research aims to show the extent to which the catastrophic narrative of the Anthropocene manifests itself in this nuclear literature. In the second part, the question raised concerns the character of the “Last Man” (a term introduced by the German philosopher Günther Anders) as a figure of the Anthropocene and a central figure in the literature that focuses on the nuclear issue. Based on the theses of Günther Anders, the final part questions the existence, in the selected corpus, of the critique of man's anthropocentrism, demonstrating that Anders' reasoning contributes to enriching this narrative of catastrophe. The aim of this study is not to show that a literature of the Anthropocene did not exist before 1945, but rather to prove that the literature on the use of nuclear energy is par excellence a literature of the Anthropocene
Pirard, Timothée. "Céline : variations sur la décadence. Nietzschéisme, catastrophisme, mysticisme". Thesis, Montpellier 3, 2020. http://www.theses.fr/2020MON30040.
Texto completo da fonteThe main objective of this work is to show that Celine's work is fully in line with his intellectual era. This assertion, obvious for any other writer than Celine, seems to be opposed to the originality everywhere present in the texts and which makes appear to the reader « the mirage of a work without precursor », to use the beautiful formula of Yves Pagès.We would therefore like to trace Celine's intellectual and more precisely philosophical horizon. We will show that Celine's time is haunted by an idea : that of decadence. This idea is linked to a tutelary figure : Nietzsche. Twenty to thirty years after his death, Nietzsche's influence in Europe is considerable : many writers of the Belle Époque evoke Nietzsche and most of them claim a form of intellectual filiation. Celine composes three variations on the theme of decadence : a decadentalist variation, a catastrophist variation, and a mystical variation.The objective of this research is to complete works already undertaken by Celine researchers who have, through books for which this was not the main objective, shown that Celine had integrated in his writings a part of Nietzsche's philosophy. We will also show that Céline's racist discourse is a consequence of the obsession with decadence, and that this discourse is not exclusively found in pamphlets : the fictional work is impregnated with it in an explicit or cryptic way. Céline's racism is not the consequence of a moment of bewilderment, possibly opportunistic, linked to the hazards of history : it is one of the data that structures the image of the world that the writer describes in her works. A certain form of mysticism is the expression of this.At the end of this reflection, it seems to us that Celine's crucial position in literature is reinforced for new reasons. He was able to pose with a particular poetic force this problem of decadence, not without falling into some commonplaces. Céline has shown with renewed effectiveness that decadence was not linked to particular historical conditions, but that it was a universal trend that had to be fought against at all times and in all places. Hence her pessimism, so often commented upon. Through catastrophism and mysticism, Celine formulates two original solutions to the problem of decadence that are the fruits of her time. In this, he prolongs the reflection of Nietzsche and his successors, finding a medium way between simple recovery and dialectical overcoming.In this, Celine is the last decadent
Sarr, Adiouma. "La représentation de la tragédie humaine dans la littérature des génocides du XXe siècle : les enjeux de la mise en récit d’une expérience catastrophique". Thèse, 2012. http://hdl.handle.net/1866/10222.
Texto completo da fonteCapítulos de livros sobre o assunto "Littérature catastrophiste"
Racault, Jean-Michel. "Utopie et utopisme, catastrophe et catastrophisme dans les littératures des xviie et xviiie siècles". In Utopie et catastrophe, 25–42. Presses universitaires de Rennes, 2015. http://dx.doi.org/10.4000/books.pur.177796.
Texto completo da fonte