Literatura científica selecionada sobre o tema "Liberté créative"
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Artigos de revistas sobre o assunto "Liberté créative"
Salimikouchi, Ebrahim. "Un an après le mouvement Mahsa en Iran ; les acquis, les espoirs et les regrets d’une éco-résistance féminine". La Pensée écologique N° 10, n.º 1 (23 de janeiro de 2024): 98–104. http://dx.doi.org/10.3917/lpe.010.0098.
Texto completo da fonteEuvé, François. "Faire réussir la création". Études juillet-août, n.º 7 (23 de junho de 2015): 67–78. http://dx.doi.org/10.3917/etu.4218.0067.
Texto completo da fonteBahurel, Marie. "A experiência da liberdade como experiência da graça". Revista DIAPHONÍA 4, n.º 1 (29 de junho de 2018): 90–107. http://dx.doi.org/10.48075/rd.v4i1.19815.
Texto completo da fonteLéger, Pauline. "Liberté de création et droit d’auteur évolutions en matière d’emprunt créatif à l’œuvre d’autrui". L'Observatoire N°55, n.º 1 (2020): 83. http://dx.doi.org/10.3917/lobs.055.0083.
Texto completo da fonteKraïem Dridi, Mouna. "La liberté de création culturelle". Annuaire international de justice constitutionnelle 29, n.º 2013 (2014): 551–66. http://dx.doi.org/10.3406/aijc.2014.2195.
Texto completo da fonteTricoire, Agnès. "L’autonomie de la liberté de création ?" LEGICOM 58, n.º 1 (2017): 49. http://dx.doi.org/10.3917/legi.058.0049.
Texto completo da fonteMessier, Anne Marie. "Ticket pour la liberté. Entretien avec Otto Joachim". Circuit 19, n.º 3 (8 de outubro de 2009): 38–47. http://dx.doi.org/10.7202/038256ar.
Texto completo da fontePeylet, Gérard. "Otium, liberté et création dans le roman d’artiste sandien". Recherches & travaux, n.º 88 (1 de junho de 2016): 85–105. http://dx.doi.org/10.4000/recherchestravaux.813.
Texto completo da fonteMondzain, Marie-José. "La liberté de création et la destruction des œuvres". Études Janvier, n.º 1 (22 de dezembro de 2015): 97–106. http://dx.doi.org/10.3917/etu.4223.0097.
Texto completo da fonteGingras, Yves. "Promouvoir et protéger la liberté universitaire. Le cas du Québec". Communications 114, n.º 1 (5 de abril de 2024): 141–59. http://dx.doi.org/10.3917/commu.114.0141.
Texto completo da fonteTeses / dissertações sobre o assunto "Liberté créative"
Pignard, Isabelle. "La liberte de création". Phd thesis, Université Nice Sophia Antipolis, 2013. http://tel.archives-ouvertes.fr/tel-00868027.
Texto completo da fonteDelvolvé, Véronique. "La liberté d'entreprendre". Paris 2, 2002. http://www.theses.fr/2002PA020033.
Texto completo da fonteKim, Hyangmi. "L'esprit de liberté dans la création poétique de Baudelaire". Paris 4, 1999. http://www.theses.fr/1999PA040108.
Texto completo da fonteEkogha, Thierry. "Liberté et création chez Nicolas Berdiaev et Louis Lavelle". Dijon, 2000. http://www.theses.fr/2000DIJOL005.
Texto completo da fonteLecardonnel, Mélaine. "Exercice et limites de la liberté de création : approche juridique". Nantes, 2009. http://www.theses.fr/2009NANT4017.
Texto completo da fonteThe realization of a work requires that the author enjoys an important freedom of creation to mark the imprint of his personality. But many works are the result of a contractual agreement between the author and an employer or a backer. In this context, freedom of creation of the first is necessarily framed by the directive given by the other party. Moreover, even outside of this case, the freedom of creation is limited: the authors must not disturb public order or violate the rights of third parties. But the boundary between lawful and unlawful is not always clear. Therefore, some authors believe that their activity is marked by a legal insecurity and call the authorities to take better account of their interests. Yet areas of freedom have been set by legislators and judges. Most of them are from copyright which, despite the criticism it undergoes, remains an essential medium of creation. But the instruments they propose are not sufficient to fully secure the creative activity. . This is why it is advisable to seek new methods to achieve a balance between the rights of the third persons and the freedom of creation
Billion, Arnaud. "La production de l’intelligence artificielle comme objet du droit d’auteur". Electronic Thesis or Diss., Lyon 3, 2023. https://scd-resnum.univ-lyon3.fr/in/theses/2023_in_billion_a.pdf.
Texto completo da fonteAI systems can produce outputs that may purportedly be subject to copyright. To investigate this possibility, one should avoid the use of a rough model of copyright law, and an approximative description of the facts. Artificial production should be envisaged realistically, being serial and non-convergent. Most of the time, there is not one sole artificial output obtained by the so-called “AI user”. On the contrary, there are mostly supernumerary outputs due to the use of an indirect and highly iterative kind of software engineering. Then we understand the reason why this cannot be subject to copyright protection. Free choices are only creative towards works of authorship, not their indirect computed implications. This is also a confirmation of the consistency of copyright law: it protects what the author has conceived and realized, what is not excessively impeded by technical constraints, what is objectively and precisely identifiable… As a consequence, authorial determination, creative convergence and social intelligibility appear as unavoidable preconditions of copyright law
Cabay, Julien. "L'objet de la protection du droit d'auteur: Contribution à l'étude de la liberté de création". Doctoral thesis, Universite Libre de Bruxelles, 2016. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/228996.
Texto completo da fonteDoctorat en Sciences juridiques
info:eu-repo/semantics/nonPublished
Favier, Sylvain. "L'étendue de la liberté lors de la création des sociétés par actions à capital privé". Toulouse 1, 2004. http://www.theses.fr/2004TOU10023.
Texto completo da fonteIn its broadest meaning, the principle of contractual freedom recommends that a law subject may be tied to a bond of law only if he expressly wants the latter. In that regard, the company contract is of a remarkable importance when it seals fate of contracting parties within a juridical entity distinct from those who created it. Share-based companies are governed by mandatory rules which do not offer much liberty to their founders. To that extend, recent developments in company law, though not exclusive from a particular regime where contractual element is predominant, do not give up a juridical security which is eminently necessary. The founders must define the juridical form which is most appropriate to the company purpose, in accordance to the different possibilities offered by the legislation. In the contract, they determine the juridical scope of the rules which will govern their relationships (composition of organs, operation of the company, organisation and stabilisation of power. . . ). However, the definition itself of those relationships must not divert from the fundamental exigency aiming at preserving the balance of power and respective attributions of the parties, whether major or minor associaties. The company contract must strive to establish the most fair and useful relationships in the interest of the parties. The underlying opposition to the establishment of the contract thus guarantees obligations it generates respect some type of balance, since they must fulfil everybody's needs
Latil, Arnaud. "Création et droits fondamentaux". Thesis, Lyon 3, 2011. http://www.theses.fr/2011LYO30073/document.
Texto completo da fonteThe legal approach to the notion of creation is vague. It is traditionally considered in the light of intellectual property rights (copyright, patent, design, etc.), but this approach is insufficient. Fundamental rights show us this. They let us distinguish between its different dimensions: creation as both a human activity (a creative act) and an object of property (a creative good). The freedom of creation protects and ensures the creative act. However, the nature of the former remains unclear. It fluctuates between falling within the freedom of expression and the freedom to conduct a business. Furthermore, the proportionality test leads to the limits of creative freedom being examined in terms of “laws of the creative type”. Fundamental rights then require us to go beyond the concept of the creative act as a message.The creative good is protected by property law. Fundamental rights, however, bring into question the French concept of a creative good by further emphasising their economic aspect. Moreover, the proportionality test means retracing the boundaries of property law by taking into account its social functions. Fundamental rights therefore blur the line between property law and unfair competition law
Paillasson, Roger. "L'art et le pouvoir : de l'annexion politique de l'art à la liberté créatrice de l'artiste dont l'architecte demeure l'archétype". Lyon 3, 1996. http://www.theses.fr/1996LYO31014.
Texto completo da fonteLivros sobre o assunto "Liberté créative"
Centre de publications de l'Université de Caen., ed. Hommage à Jean-Charles Payen: Farai chansoneta novele : essai sur la liberté créative au Moyen-Âge. Caen: Université Caen, 1989.
Encontre o texto completo da fonteSpira, Marcelle. Créativité et liberté psychique. Lyon: Césura Lyon Édition, 1985.
Encontre o texto completo da fonteTricoire, Agnès. Petit traité de la liberté de création. Paris: Découverte, 2011.
Encontre o texto completo da fonteBerdi͡aev, Nikolaĭ. Pour un christianisme de création et de liberté. Paris: Les éditions du Cerf, 2009.
Encontre o texto completo da fonteLamontagne, Christian. Responsabilité, liberté et création du monde: Réflexions pour une éthique contemporaine. Montréal: Liber, 2010.
Encontre o texto completo da fontePicard Audap Solanet & Associés, ed. La création en liberté: Univers de Denise et Paul Poiret, 1905-1928. Paris: PIASA, 2005.
Encontre o texto completo da fonteKalogeropoulos, Léonidas. Liberté, égalité, fraternité et esprit d'entreprise: L'esprit d'entreprise : socle consensuel pour un renouveau du mérite républicain. Paris: Cent Mille Milliards, 2014.
Encontre o texto completo da fonteProust, Sophie. Mise en scène et droits d'auteur: Liberté de création scénique et respect de l'œuvre dramatique. Montpellier: Entretemps, 2012.
Encontre o texto completo da fonteCaloz-Tschopp, Marie-Claire. La liberté politique de se mouvoir: Desexil et création : philosophie du droit de fuite : essai. Paris IIe: Kimé, 2019.
Encontre o texto completo da fonteGoedert, Nathalie. Censure et libertés, atteinte ou protection?: Colloque organisé en partenariat avec le centre de recherche Droits et sociétés religieuses (D.S.R.) et l'Observatoire de la liberté de création : 26 -27 mars 2010. Paris: Harmattan, 2011.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Liberté créative"
Lefebvre, Quentin. "Liberté créative". In Leadership spirituel en pratiques, 226–30. EMS Editions, 2021. http://dx.doi.org/10.3917/ems.voynn.2021.01.0226.
Texto completo da fonteCoste, Marion. "Liberté et maîtrise". In Votre Faust, la création en partage, 97–122. Presses universitaires de Franche-Comté, 2019. http://dx.doi.org/10.4000/books.pufc.39555.
Texto completo da fonteFaivre d’Arcier, Eléonore. "L’imagination créatrice entre forme et liberté. Goethe, Kant, Cassirer". In Mythe et création, 49–67. Presses de l’Université Saint-Louis, 2005. http://dx.doi.org/10.4000/books.pusl.22099.
Texto completo da fonteStrowel, Alain. "Liberté, propriété, originalité : retour aux sources du droit d’auteur". In Profils de la création, 141–65. Presses de l'Université Saint-Louis, 1997. http://dx.doi.org/10.4000/books.pusl.12435.
Texto completo da fontePalaude, Stéphane. "Le bousillage. La part illégale de liberté industrielle devenue geste artistique verrier officiel". In Apprentissage, travail et création. Publications de l’Institut de recherches historiques du Septentrion, 2021. http://dx.doi.org/10.4000/books.irhis.4383.
Texto completo da fonteLaborier, Pascale, e Sophie Wauquier. "Les libertés académiques, une affaire d’État ? L’exemple de la création d’un programme dédié en France (2017)". In Liberté de la recherche, 71–84. Éditions Kimé, 2019. http://dx.doi.org/10.3917/kime.duclo.2019.01.0071.
Texto completo da fontede la Rica, Álvaro. "L’essai créatif chez Florence Delay : de Petites formes en prose après Edison à Mes cendriers". In Florence Delay en liberté, 23–30. Presses Universitaires de Bordeaux, 2013. http://dx.doi.org/10.4000/books.pub.22781.
Texto completo da fontePigeaud, Jackie. "Liberté et création, une idée du sublime, une idée sublime". In Le Sublime, 35–50. Presses universitaires de Rennes, 2018. http://dx.doi.org/10.4000/books.pur.182951.
Texto completo da fonteLumbroso, Émile. "Conditions démocratiques pour la fabrique du soin et la liberté de création". In La fabrique du soin, 9. ERES, 2012. http://dx.doi.org/10.3917/eres.cheml.2012.01.0009.
Texto completo da fonte"Des Vertus de L’antiquité Aux Valeurs Modernes : Liberté Positive et Volonté Créatrice". In La démocratie, 31–58. Les Presses de l’Université de Laval, 2005. http://dx.doi.org/10.1515/9782763714530-004.
Texto completo da fonteRelatórios de organizações sobre o assunto "Liberté créative"
Rousseau, Henri-Paul. Gutenberg, L’université et le défi numérique. CIRANO, dezembro de 2022. http://dx.doi.org/10.54932/wodt6646.
Texto completo da fonte