Artigos de revistas sobre o tema "Landscapes in art – exhibitions"
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Veja os 50 melhores artigos de revistas para estudos sobre o assunto "Landscapes in art – exhibitions".
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AMATO, LORENZO. "Landscapes of Identity: Nature, Art, and Modern Nations in Three Recent Exhibitions". Journal of Asian Humanities at Kyushu University 8 (abril de 2023): 45–52. http://dx.doi.org/10.5109/6788688.
Texto completo da fonteMichałowski, Andrzej. "KRAJOBRAZ KULTUROWY NA LIŚCIE ŚWIATOWEGO DZIEDZICTWA – POLSKIE DOŚWIADCZENIA". Protection of Cultural Heritage, n.º 4 (29 de novembro de 2017): 21–30. http://dx.doi.org/10.24358/odk_2017_04_03.
Texto completo da fonteGerasimova, Natalia V. "Exhibitions of Art Works from Private Collections of Kazan in the Second Half of 19th — Beginning of 20th Century". Observatory of Culture 21, n.º 2 (19 de abril de 2024): 214–23. http://dx.doi.org/10.25281/2072-3156-2024-21-2-214-223.
Texto completo da fonteBashiron Mendolicchio, Herman. "Wounded landscapes, tense equilibriums, and broken connections:". Coolabah, n.º 35 (19 de março de 2024): 4–12. http://dx.doi.org/10.1344/co2023354-12.
Texto completo da fonteRobertson, Carmen. "THE ETHICAL CHALLENGES OF RECOVERING HISTORICAL MEMORY SEEING LAND: RESITUATING LANDSCAPES THROUGH CONTEMPORARY INDIGENOUS ART EXHIBITIONS". Les ateliers de l'éthique 14, n.º 2 (2019): 108. http://dx.doi.org/10.7202/1071134ar.
Texto completo da fontePethő, Ágnes. "Tacita Dean’s Affective Intermediality: Precarious Visions in-between the Visual Arts, Cinema, and the Gallery Film". Arts 12, n.º 4 (31 de julho de 2023): 168. http://dx.doi.org/10.3390/arts12040168.
Texto completo da fonteEchesony, Gibson. "Perception of Gender Roles in Modern Art Exhibitions in Nigeria". American Journal of Arts, Social and Humanity Studies 4, n.º 1 (30 de maio de 2024): 33–42. http://dx.doi.org/10.47672/ajashs.2066.
Texto completo da fonteSyska, Rafał. "Comics in museums. Paradoxes of the presence and absence of comics in museum exhibition practices". Kultura Popularna 60, n.º 2 (31 de janeiro de 2020): 148–61. http://dx.doi.org/10.5604/01.3001.0013.7341.
Texto completo da fonteFerguson, Nicholas. "Migrating Landscapes". Transfers 12, n.º 2 (1 de junho de 2022): 8–23. http://dx.doi.org/10.3167/trans.2022.120203.
Texto completo da fonteTibbe, Lieske. "Aardappeleters". De Moderne Tijd 5, n.º 3/4 (1 de dezembro de 2021): 328–52. http://dx.doi.org/10.5117/dmt2021.3/4.006.tibb.
Texto completo da fonteStefańska, Joanna. "Painting in the exhibition space, interactions". Teka Komisji Architektury, Urbanistyki i Studiów Krajobrazowych 17, n.º 4 (30 de dezembro de 2021): 19–24. http://dx.doi.org/10.35784/teka.2661.
Texto completo da fonteKugusheva, Alexandra Yu. "Saved art: Simferopol Art Gallery in evacuation (1941–1944)". Issues of Museology 13, n.º 1 (2022): 57–64. http://dx.doi.org/10.21638/spbu27.2022.104.
Texto completo da fonteAKERMAN, Oleksandr, e Nadia BEDRINA. "THE APPLICATION OF PHOTOGRAMMETRY IN AUDIO-VISUAL ART (ON THE EXAMPLE OF THE EDUCATIONAL PROFESSIONAL PROGRAM “ADVERTISING AND VIDEO ART” AT KSADA)". HUDPROM: The Ukrainian Art and Design Journal 2023, n.º 2 (15 de outubro de 2023): 108–14. http://dx.doi.org/10.33625/hudprom2023.02.108.
Texto completo da fonteZotti, Georg, Florian Schaukowitsch e Michael Wimmer. "The Skyscape Planetarium". Culture and Cosmos 21, n.º 1 and 2 (2017): 269–81. http://dx.doi.org/10.46472/cc.01221.0629.
Texto completo da fonteZotti, Georg, Florian Schaukowitsch e Michael Wimmer. "The Skyscape Planetarium". Culture and Cosmos 21, n.º 0102 (outubro de 2017): 269–81. http://dx.doi.org/10.46472/cc.01221.0229.
Texto completo da fonteROCACIUC, Victoria. "GRAPHIC AND PAINTING CREATION SIGNET BY THE MOLDOVAN VISUAL ARTIST ION SFECLĂ". ART Space 1, n.º 4 (2024): 9–18. http://dx.doi.org/10.28925/2519-4135.2024.41.
Texto completo da fonteOikarinen-Jabai, Helena. "Young Finnish People of Muslim Background: Creating “Spiritual Becomings” and “Coming Communities” in Their Artworks". Open Cultural Studies 3, n.º 1 (1 de fevereiro de 2019): 148–60. http://dx.doi.org/10.1515/culture-2019-0013.
Texto completo da fonteLazzeretti, Cecilia. "A Landscape Never Goes Out of Style. Diachronic Lexical Variation in Exhibition Press Announcements". HERMES - Journal of Language and Communication in Business 27, n.º 52 (6 de janeiro de 2017): 107. http://dx.doi.org/10.7146/hjlcb.v27i52.25138.
Texto completo da fonteKarina, Sarkissova. "Interconnectedness: Entangled curation and dance in unsettled landscapes: An interview with DACE". Maska 37, n.º 3 (1 de dezembro de 2022): 87–94. http://dx.doi.org/10.1386/maska_00132_1.
Texto completo da fonteBulavs, Vilnis. "Kārlis Cemiņš – mākslinieks un pedagogs". Scriptus Manet: humanitāro un mākslas zinātņu žurnāls = Scriptus Manet: Journal of Humanities and Arts, n.º 12 (21 de dezembro de 2020): 89–113. http://dx.doi.org/10.37384/sm.2020.12.089.
Texto completo da fonteЧирков, В. Ф. "Zonal and regional exhibitions in Siberia from the Soviet period to the present day: gains and losses". Iskusstvo Evrazii [The Art of Eurasia], n.º 2(29) (30 de junho de 2023): 116–39. http://dx.doi.org/10.46748/arteuras.2023.02.014.
Texto completo da fonteAvery-Quash, Susanna, e Lucy Davis. "New perspectives on Rubens’ landscapes: Separation and reunion of Het Steen and The rainbow landscape". Oud Holland – Journal for Art of the Low Countries 136, n.º 2-3 (6 de setembro de 2023): 70–88. http://dx.doi.org/10.1163/18750176-1360203002.
Texto completo da fonteĻaviņa, Dace. "Symbiosis of Modernisation and National Identity in the Legacy of the “Baltars” (Baltic Art) Porcelain Painting Workshop, 1924–1930". Art History & Criticism 15, n.º 1 (1 de dezembro de 2019): 37–55. http://dx.doi.org/10.2478/mik-2019-0003.
Texto completo da fonteStelmashchuk, Halyna. "Prince Vsevolod Karmazyn-Kakovsky scientist, teacher, artist". Vìsnik Harkìvsʹkoi deržavnoi akademìi dizajnu ì mistectv 2022, n.º 1 (15 de janeiro de 2022): 137–52. http://dx.doi.org/10.33625/visnik2022.01.137.
Texto completo da fonteCai, Gangwei, Baoping Zou, Xiaoting Chi, Xincheng He, Yuang Guo, Wen Jiang, Qian Wu, Yujin Zhang e Yanna Zhou. "Neighborhood Spatio-Temporal Impacts of SDG 8.9: The Case of Urban and Rural Exhibition-Driven Tourism by Multiple Methods". Land 12, n.º 2 (29 de janeiro de 2023): 368. http://dx.doi.org/10.3390/land12020368.
Texto completo da fonteHulme, Charles. "John Cassidy, Manchester Sculptor, and his Patrons: Their Contribution to Manchester Life and Landscape". Bulletin of the John Rylands Library 89, n.º 1 (março de 2012): 207–45. http://dx.doi.org/10.7227/bjrl.89.1.9.
Texto completo da fonteKannike, Anu, e Ester Bardone. "Köögiruum ja köögikraam Eesti muuseumide tõlgenduses". Eesti Rahva Muuseumi aastaraamat, n.º 60 (12 de outubro de 2017): 34–60. http://dx.doi.org/10.33302/ermar-2017-002.
Texto completo da fonteRashidova, Feruza Ulugbekovna. "The Technology Of Creating Topiary Compositions With The Participation Of Ornamental Shrubs - Frame Topiary In The “Green Art” Style". American Journal of Agriculture and Biomedical Engineering 03, n.º 05 (22 de maio de 2021): 39–44. http://dx.doi.org/10.37547/tajabe/volume03issue05-08.
Texto completo da fonteRomanova, E. O. "Italian Landscape in the Art of Konstantin Gorbatov". Art & Culture Studies, n.º 2 (junho de 2022): 194–217. http://dx.doi.org/10.51678/2226-0072-2022-2-194-217.
Texto completo da fonteTsakiri, Efrossyni, Maria Markou, Konstantinos Moraitis e Helene Haniotou. "Local development and cultural landscapes: getting to know the inaccessible villages of the greek war of independence". E3S Web of Conferences 274 (2021): 01033. http://dx.doi.org/10.1051/e3sconf/202127401033.
Texto completo da fonteButler, Sally. "Inalienable Signs and Invited Guests: Australian Indigenous Art and Cultural Tourism". Arts 8, n.º 4 (6 de dezembro de 2019): 161. http://dx.doi.org/10.3390/arts8040161.
Texto completo da fonteSaid Ahmad @ Syed Ahmad, Siti Humaini, e Muhamad Rozali Othman. "Covid-19 Pandemic: Zainon Abdullah’s Expression Through Artworks". Idealogy Journal 5, n.º 2 (28 de setembro de 2020): 131–40. http://dx.doi.org/10.24191/idealogy.v5i2.235.
Texto completo da fonteKolenda, Karolina. "The Grass is Greener: Władysław Hasior in an Ecocritical Perspective". Ikonotheka, n.º 30 (28 de maio de 2021): 155–71. http://dx.doi.org/10.31338/2657-6015ik.30.8.
Texto completo da fonteLyashenko, Ekaterina S. "Transbaikal Painting of the 18th — the Early 20th Centuries: Periodization Problems". Vestnik of Saint Petersburg University. Arts 13, n.º 3 (2023): 467–88. http://dx.doi.org/10.21638/spbu15.2023.305.
Texto completo da fontePolańska, Anna. "Działania artystyczne w gdańskim środowisku fotograficznym promujące fotografię marynistyczną w latach 1948-1981". Porta Aurea, n.º 17 (27 de novembro de 2018): 179–217. http://dx.doi.org/10.26881/porta.2018.17.08.
Texto completo da fonteTsvetkova, Anna Yu. "ON ONE TENDENCY IN THE DEVELOPMENT OF THE LENINGRAD LANDSCAPE IN THE SECOND HALF OF THE 1950S — 1960S". Scientific and analytical journal Burganov House. The space of culture 17, n.º 3 (10 de setembro de 2021): 65–77. http://dx.doi.org/10.36340/2071-6818-2021-17-3-65-77.
Texto completo da fonteMüller, Susanne. "L’art contemporain traversé par la mémoire ou la survivance de l’histoire des guerres". Intercâmbio: Revue d’Études Françaises=French Studies Journal, n.º 16 (2024): 150–64. http://dx.doi.org/10.21747/0873-366x/int16a9.
Texto completo da fonteJuszczyk, Aleksandra. "Wczesny okres twórczości Hanny Żuławskiej. Warszawa–Paryż–Gdynia". Porta Aurea, n.º 20 (21 de dezembro de 2021): 148–73. http://dx.doi.org/10.26881/porta.2021.20.07.
Texto completo da fonteTarnowska, Magdalena. "Zagłada i odrodzenie w twórczości ocalonej – łódzkiej malarki Sary Gliksman-Fajtlowicz (1909–2005)". Studia Judaica, n.º 2 (48) (2021): 437–71. http://dx.doi.org/10.4467/24500100stj.21.018.15073.
Texto completo da fonteGasparetto, Francesca, Laura Baratin e Giovanni Checcucci. "Digital Approaches for Public Art Collection Between Conservation and Public Outreach". Studies in Digital Heritage 6, n.º 2 (25 de janeiro de 2023): 51–70. http://dx.doi.org/10.14434/sdh.v6i2.33914.
Texto completo da fonteMaksimov, Yu I., A. B. Mambetova e A. I. Krivichev. "STRAIGHT TO THE NORTH: ARCTIC EXPLORATION IN ARTISTS’ WORKS." Herald of Kola Science Centre of the RAS 13, n.º 1/2021 (9 de setembro de 2021): 7–22. http://dx.doi.org/10.37614/2307-5228.2021.13.1.001.
Texto completo da fonteBottinelli, Silvia, e Margherita d’Ayala Valva. "Symbiotic Relations at Ca’ Inua: Farming, Exhibitions, and Social Engagement. A Conversation with the Artist Collective Panem et Circenses (Ludovico Pensato and Alessandra Ivul)". Humanities 12, n.º 5 (1 de setembro de 2023): 92. http://dx.doi.org/10.3390/h12050092.
Texto completo da fontePokrovskaya, Natalia V. "Valeryan Sergin and the development of the Siberian landscape painting at the turn of 21st century: to the study of the artist`s works". Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 62 (2021): 310–24. http://dx.doi.org/10.37816/2073-9567-2021-62-310-324.
Texto completo da fonteKulakova, Olga Yu. "Dutch Flower Still Life of 17th Century: Interest and Oblivion through the Centuries". Observatory of Culture 18, n.º 5 (29 de outubro de 2021): 496–505. http://dx.doi.org/10.25281/2072-3156-2021-18-5-496-505.
Texto completo da fontePolyakov, E. N., e T. V. Donchuk. "SCOTTISH MODERN IN DESIGN WORKS OF C.R. MACKINTOSH AND M. MACDONALD". Vestnik Tomskogo gosudarstvennogo arkhitekturno-stroitel'nogo universiteta. JOURNAL of Construction and Architecture, n.º 5 (30 de outubro de 2018): 9–34. http://dx.doi.org/10.31675/1607-1859-2018-20-5-9-34.
Texto completo da fonteOdinokova, P. S. "To the Problem of Attribution of the Albums Ten Landscapes and Travelling Along the River [Painted by] Shitao". Art & Culture Studies, n.º 2 (junho de 2021): 122–39. http://dx.doi.org/10.51678/2226-0072-2021-2-122-139.
Texto completo da fonteKotovskaya, Mariya G., e Elina G. Shvets. "Painting-report as visual document of an event (based on graphic sketches of F. Reshetnikov’s polar expeditions)". Vestnik slavianskikh kul’tur [Bulletin of Slavic Cultures] 61 (2021): 333–44. http://dx.doi.org/10.37816/2073-9567-2021-61-333-344.
Texto completo da fonteFilippova, O. N. "Пейзаж в творчестве Василия Переплётчикова". Iskusstvo Evrazii [The Art of Eurasia], n.º 2(21) (30 de junho de 2021): 32–45. http://dx.doi.org/10.46748/arteuras.2021.02.003.
Texto completo da fonteSudirjo, Frans, Senna Enzovani e Eva Desembrianita. "Pendekatan Strategi Pemasaran NFT untuk Meningkatkan Kesadaran Konsumen dan Mendorong Tindakan dalam Lingkungan Kripto di Indonesia". Jurnal Bisnisman : Riset Bisnis dan Manajemen 5, n.º 2 (29 de setembro de 2023): 39–49. http://dx.doi.org/10.52005/bisnisman.v5i2.158.
Texto completo da fonteArcher, Anita, e David M. Challis. "‘The Lucky Country’: How the COVID-19 Pandemic Revitalised Australia’s Lethargic Art Market". Arts 11, n.º 2 (5 de abril de 2022): 49. http://dx.doi.org/10.3390/arts11020049.
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