Teses / dissertações sobre o tema "Landscapes in art – exhibitions"
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Veja os 50 melhores trabalhos (teses / dissertações) para estudos sobre o assunto "Landscapes in art – exhibitions".
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Stretch, Eleanor Eunice, e mikewood@deakin edu au. "Using site as the medium of image-making at Tower Hill". Deakin University. School of Contemporary Arts, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.144857.
Texto completo da fonteBriggs, Susan H. "Landscape as metaphor: artist as metaphier". Thesis, Curtin University, 2002. http://hdl.handle.net/20.500.11937/1470.
Texto completo da fonteBriggs, Susan H. "Landscape as metaphor : artist as metaphier /". Curtin University of Technology, School of Art, 2002. http://espace.library.curtin.edu.au:80/R/?func=dbin-jump-full&object_id=14292.
Texto completo da fonteLi, Vivian Yan. "Art negotiations : Chinese international art exhibitions in the 1930s". Connect to resource, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1209143379.
Texto completo da fonteForstrom, Melissa. "Interpretation and visitors in two Islamic art exhibitions". Thesis, University of Westminster, 2017. https://westminsterresearch.westminster.ac.uk/item/q3610/interpretation-and-visitors-in-two-islamic-art-exhibitions.
Texto completo da fonteMcGirr, Diana Rosemary. "Legitimate landscapes: repositioning regional art production". Thesis, Curtin University, 2016. http://hdl.handle.net/20.500.11937/48488.
Texto completo da fonteHatcher, Lynn A. "Exhibition in the curriculum preparing students to complete the artistic cycle /". Atlanta, Ga. : Georgia State University, 2009. http://digitalarchive.gsu.edu/art_design_theses/49/.
Texto completo da fonteTitle from title page (Digital Archive@GSU, viewed July 13, 2010) Melanie Davenport, committee chair; Kevin Hsieh, Melody Milbrandt, committee members. Includes bibliographical references (p. 45-46).
Fuller, Michele. "Reviewing medium: paint as flesh". Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/d1008590.
Texto completo da fonteJordan, Benjamin Thomas. "Synthetic Landscapes". VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4303.
Texto completo da fonteAsquith, Wendy. "Haiti and art : curating the nation for international exhibitions". Thesis, University of Liverpool, 2015. http://livrepository.liverpool.ac.uk/2027099/.
Texto completo da fonteKamata, Mayumi. "Chinese art exhibitions in Japan, ca 1900 to 1931". Connect to resource, 2001. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1233600845.
Texto completo da fonte이윤영 e Yoon Yung Lee. "The Joseon Fine Art Exhibition under Japanese colonial rule". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196493.
Texto completo da fontepublished_or_final_version
Fine Arts
Master
Master of Philosophy
Zhang, Linzhi. "Contemporary art and the exhibitionary system : China as a case study". Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/289428.
Texto completo da fonteCook, Shashi Chailey. ""Redress : debates informing exhibitions and acquisitions in selected South African public art galleries (1990-1994)" /". Thesis, Rhodes University, 2009. http://eprints.ru.ac.za/1631/.
Texto completo da fonteFrears, Lucy. "Unlocking landscapes using locative media". Thesis, University of the Arts London, 2016. http://ualresearchonline.arts.ac.uk/13330/.
Texto completo da fontePalmer, Daniel. "Exhibiting practice : retrospective survey exhibitions of conceptual art, 1989-2000". Thesis, Kingston University, 2007. http://eprints.kingston.ac.uk/20221/.
Texto completo da fonteBorchardt-Hume, Achim. "The history of the Esposizione Quadriennale d'Arte Nazionale 1927-1943 : sixteen years of aesthetic pluralism under Facist patronage". Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248636.
Texto completo da fonteMorrison, Ann Katherine 1929. "Canadian art and cultural appropriation : Emily Carr and the 1927 exhibition of Canadian West Coast Art - Native and Modern". Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31244.
Texto completo da fonteArts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
Price, Brandi. "Aural Landscapes". VCU Scholars Compass, 2011. http://scholarscompass.vcu.edu/etd/2451.
Texto completo da fonteHolland, Nicole Murphy. "Worlds on view visual art exhibitions and state identity in the late Cold War /". Diss., [La Jolla] : University of California, San Diego, 2010. http://wwwlib.umi.com/cr/ucsd/fullcit?p3397171.
Texto completo da fonteTitle from first page of PDF file (viewed March 30, 2010). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references.
Smith, Matthew. "Unpresentable landscapes and the art of the index". Thesis, University of Newcastle Upon Tyne, 2012. http://hdl.handle.net/10443/1913.
Texto completo da fontePontelli, Elena. "Landscapes before the landscape in ancient Etruscan art". Thesis, IMT Alti Studi Lucca, 2022. http://e-theses.imtlucca.it/347/1/Pontelli_phdthesis.pdf.
Texto completo da fonteMcMasters, Neil G., e neilgmcmasters@mac com. "Impressions from Virtual Landscapes". RMIT University. Art and Culture, 2003. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090715.142840.
Texto completo da fonteTurner, Sarah Elizabeth. "Constructing landscapes : art in Neolithic and modern southern Brittany". Thesis, University College London (University of London), 2005. http://discovery.ucl.ac.uk/1446864/.
Texto completo da fontePetty, Nancy. "African Art in Western Museums: Issues and Perspectives". Honors in the Major Thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/992.
Texto completo da fonteBachelors
Arts and Sciences
Art History
Floe, Hilary Tyndall. "The Museum of Modern Art, Oxford (1965-1982) : exhibitions, spectatorship and social change". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8ecada55-921a-4e6f-a279-92fd2313d459.
Texto completo da fonteLindqvist, Ursula Anna Linnea. "The politics of form : imagination and ideology in 1930s transnational exhibitions and socially engaged poetry /". view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3190531.
Texto completo da fonteTypescript. Includes vita and abstract. Includes bibliographical references (leaves 295-305). Also available for download via the World Wide Web; free to University of Oregon users.
Avgita, Louisa. "The remaking of the Balkans in contemporary art exhibitions : a critical view". Thesis, City University London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580612.
Texto completo da fonteGhidini, Marialaura. "Curating Web-based art exhibitions : mapping online and offline formats of display". Thesis, University of Sunderland, 2015. http://sure.sunderland.ac.uk/6088/.
Texto completo da fonteAllison, Martha. "On the Beginning of Contemporary Tibetan Art: The Exhibitions, Dealers, and Artists". VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1751.
Texto completo da fonteSutherland, Ann. "Art exhibitions in the national interest: Australian cultural diplomacy, 1918 to 1941". Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29656.
Texto completo da fonteRoberts, Judith. "Drawing the Artesian: Extracting Methods to Visualise Unseen Landscapes". Thesis, Griffith University, 2015. http://hdl.handle.net/10072/366164.
Texto completo da fonteThesis (Professional Doctorate)
Doctor of Visual Arts (DVA)
Queensland College of Art
Arts, Education and Law
Full Text
Haydon, Kirsten, e kirsten haydon@rmit edu a. "Antarctic landscapes in the souvenir and jewellery". RMIT University. Art, 2009. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20090227.115157.
Texto completo da fonteSousa, Luis. "Between monument and memorial : the design of the Korean War veterans memorial". Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/23012.
Texto completo da fonteThorne, Jessica Louise. "The choreography of display : experiential exhibitions in the context of museum practice and theory". Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/22063.
Texto completo da fonteIn this project I examine curatorial processes and the experience of constructing and viewing museum exhibitions. Specifically I have been interested in the way in which certain exhibits facilitate powerful emotional responses from their viewers. I suggest that the curators of these kinds of exhibitions employ strategies which not only choreograph the displays but the viewers' bodies themselves as they move through them. As a case study of an experiential exhibition I focus on the District Six Museum where I have been part of its curatorial team since 1999. The work of curatorship that I have done at the Museum during the period of my registration for this degree constitutes part of this submission.
Manasseh, Cyrus. "The problematic of video art in the museum (1968-1990)". University of Western Australia. Faculty of Architecture, Landscape and Visual Arts, 2008. http://theses.library.uwa.edu.au/adt-WU2009.0004.
Texto completo da fonteSmith, George Wilson. "Displaying Edinburgh in 1886 : the International Exhibition of Industry, Science and Art". Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/11771.
Texto completo da fonteBrown, Carol. ""Museum spaces in post-apartheid South Africa": the Durban Art Gallery as a case study". Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1006231.
Texto completo da fonteBarlow, John. "Experiences of travel and northern rural landscapes in contemporary art". Thesis, University of Brighton, 2017. https://research.brighton.ac.uk/en/studentTheses/c1e76a25-99b3-4fa0-9a0e-33966a589882.
Texto completo da fonteHögström-Schnee, Linn. "Treading the Timeline : A Study of the Newly Renovated Permanent Art and Design Exhibition at Nationalmuseum, Stockholm". Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-165547.
Texto completo da fonteBunn, Leanne. "Changing landscapes : Norman Cornish and North East regional identity". Thesis, Northumbria University, 2010. http://nrl.northumbria.ac.uk/3677/.
Texto completo da fonteHogarth, Jan. "'Dislocated landscapes' : a sculptors response to contemporary issues within the British landscape". Thesis, University of Sunderland, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268041.
Texto completo da fonteSchoeber, Felix. "Modernity, nationalism and global marginalisation : representing the nation in contemporary Taiwanese art exhibitions". Thesis, University of Westminster, 2014. https://westminsterresearch.westminster.ac.uk/item/8yv7y/modernity-nationalism-and-global-marginalisation-representing-the-nation-in-contemporary-taiwanese-art-exhibitions.
Texto completo da fonteLiu-Devereux, Pauline Carol. "Galleries and drift : mapping undermined landscapes". Thesis, University of Exeter, 2011. http://hdl.handle.net/10036/3283.
Texto completo da fonteZhu, Chenlu (Cindy). "Searching For A Graspable Past: Landscapes, Nostalgia, And Chinese Contemporary Art". Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1311.
Texto completo da fonteHoward, Courtney L. "Special Exhibitions, Media Outreach, and Press Coverage at the Metropolitan Museum of Art, the Chicago Art Institute, and the National Gallery of Art". Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1276542794.
Texto completo da fonteLinton, Jerry. "Chance images". Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9862.
Texto completo da fonteGrunenberg, Christoph. "The politics of presentation : museums, galleries and exhibitions in New York, 1929-1947". Thesis, Courtauld Institute of Art (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283893.
Texto completo da fonteRapp, Karen M. ""Not the romantic west" : site-specific art, globalization, and contemporary landscapes /". May be available electronically:, 2009. http://proquest.umi.com/login?COPT=REJTPTU1MTUmSU5UPTAmVkVSPTI=&clientId=12498.
Texto completo da fonteChasse, Sarah Noble. ""A Certain Kinship": The First Exhibitions of American Folk Art, New York, 1924-1932". W&M ScholarWorks, 2012. https://scholarworks.wm.edu/etd/1539626675.
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