Literatura científica selecionada sobre o tema "Lacquer art"
Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos
Índice
Consulte a lista de atuais artigos, livros, teses, anais de congressos e outras fontes científicas relevantes para o tema "Lacquer art".
Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.
Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.
Artigos de revistas sobre o assunto "Lacquer art"
Lavrov, D. E. "Russian Lacquer Crafts During the Great Patriotic War". Modern History of Russia 11, n.º 2 (2021): 475–88. http://dx.doi.org/10.21638/11701/spbu24.2021.211.
Texto completo da fonteLiang, Lei. "Brief Analysis of the Lacquer Art Application Value for Indoor Environment Art Design". Applied Mechanics and Materials 587-589 (julho de 2014): 480–83. http://dx.doi.org/10.4028/www.scientific.net/amm.587-589.480.
Texto completo da fonteVan Minh, Nguyen. "Overview of the history of painting and lacquer art in Vietnam". Arts & Humanities Open Access Journal 5, n.º 1 (8 de fevereiro de 2023): 47–53. http://dx.doi.org/10.15406/ahoaj.2023.05.00185.
Texto completo da fonteBEREZINA, Elizaveta. "Lacquered History: Soviet Crafts and Problematic Memory of the Communist Past". Martor. The Museum of the Romanian Peasant Anthropology Review 26 (2021): 47–54. http://dx.doi.org/10.57225/martor.2021.26.03.
Texto completo da fonteLin, Xiaojuan. "Fujian Lacquer Art: Xiamen lacquer line carving art and inheritance protection research". Highlights in Art and Design 2, n.º 2 (20 de março de 2023): 49–53. http://dx.doi.org/10.54097/hiaad.v2i2.6159.
Texto completo da fonteFan, Kuo-Kuang, Xue-Hui Li e Meng-Jia Lu. "Sustainability Research on Promoting the Inheritance of Lacquer Art Based on the E-learning Mode—Case Study of the Popularization of Lacquer Art Education in Primary Schools in Guangzhou Area". Sustainability 12, n.º 6 (12 de março de 2020): 2195. http://dx.doi.org/10.3390/su12062195.
Texto completo da fonteCheng, Lingyun. "Research on the Discrepancy and blending of Lacquer Ceramic Art". Journal of Education, Humanities and Social Sciences 21 (15 de novembro de 2023): 280–88. http://dx.doi.org/10.54097/ehss.v21i.14017.
Texto completo da fonteSong, Xiaoting, Yongzhong Yang, Ruo Yang e Mohsin Shafi. "Keeping Watch on Intangible Cultural Heritage: Live Transmission and Sustainable Development of Chinese Lacquer Art". Sustainability 11, n.º 14 (16 de julho de 2019): 3868. http://dx.doi.org/10.3390/su11143868.
Texto completo da fonteCHEN, Yipin. "Inheritance and innovation in lacquer painting teaching". Region - Educational Research and Reviews 5, n.º 5 (13 de dezembro de 2023): 27. http://dx.doi.org/10.32629/rerr.v5i5.1433.
Texto completo da fonteBincsik, Monika. "European collectors and Japanese merchants of lacquer in ‘Old Japan’". Journal of the History of Collections 20, n.º 2 (5 de agosto de 2008): 217–36. http://dx.doi.org/10.1093/jhc/fhn013.
Texto completo da fonteTeses / dissertações sobre o assunto "Lacquer art"
Körber, Ulrike. "The journey of artifacts: The study and characterization of a nucleus of lacquered Luso-Asian objects from the 16th and 17th centuries". Doctoral thesis, Universidade de Évora, 2019. http://hdl.handle.net/10174/25788.
Texto completo da fonte劉靜蓉. "The decoration of in Lacquer Art". Thesis, 2002. http://ndltd.ncl.edu.tw/handle/91256375028409472675.
Texto completo da fonte國立臺灣師範大學
設計研究所在職進修碩士班
91
This study is to explore the materials and techniques of Lacquer Art and its variety and complexity. It is to reveal the expression of lacquer techniques on Lacquer ware through the development of the traditional decorative lacquer art, and to create more spiritual and contemporary lacquer ware. The decoration on traditional craft used to be created for and only on functional objects, which is limited by its purpose as a functional ornament, but not considered as an art object. In recent years, more and more of the lacquer art exhibitions have taking place all over the world, the lacquer art has becoming rather a new art form than just pictorial decoration as a lacquer ware. Because of its artistic and crafty qualities and its unique techniques, the lacquer art fills the gap between artistic creativity and functional decoration, which brings the lacquer art into a higher level and improves its value, also transforms the lacquer art into the contemporary life. This article has introduced the lacquer art in detail. It intends to break the stereotype of traditional craft to the public and hope that the lacquer art will win the recognition and become the acknowledged art form after the ceramic and glass art not just “Lacquer”, and eventually becoming part of the art education.
YI, YU-AN, e 易佑安. "Children's Folkgames – YU AN YI's Lacquer Art and Design". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/ysd7e2.
Texto completo da fonte國立臺灣藝術大學
工藝設計學系
103
Modern people often lead a busy life. Thus, I’d like to evoke people’s pleasant childhood memories by integrating the essence of children’s folk games into my works. First, this thesis studies the art of traditional lacquer ware, the present situation of its development in Taiwan and varied applications of its techniques. Next, this thesis explores the literature on children’s folk games. Then, I incorporate the looks, the playing methods and happy associations of children’s folk games into household ware of various materials while making use of different lacquer techniques. My works are divided into three sections: to play, to reminisce and to have a game together with the purpose of demonstrating how traditional children’s folk games can be transformed into household ware.
SHU-JHEN, HE, e 何淑貞. "The Application of Traditional Lacquer Art to Modern Life". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/10598010865017428440.
Texto completo da fonte大葉大學
造形藝術學系碩士在職專班
96
The creation of the technical art is originated from the human demand, and it brings about the convenience and comfort in life. To manifest the original value of technical art from the level of life, the containing meaning is not only the application of life but also the function of spirit and education. Early period in Taiwan is the immigration society, so the lacquer for life is immigration from Main Land China. During the period of Japan dominion, they planned to develop the lacquer business in Taiwan. Therefore, the foundation of Taiwan lacquer art was settled for the history of traditional technical art. The source materials to be easy obtained and extra work are wood, bamboo, etc. To protect and apply ornaments by simple ways is the characteristic of lacquer during that time. The red, black, and gold are the favorite color of applying ornaments for us Han nationality. The lacquer art drawed by concise, sober, and traditional skills, with artistic and practical functions awaken people to respect for the nature, cherish conventions and concern about humanities and culture. We look forward to bring the esthetics of lacquer craft to our daily life, promote the public to understand it, further more love to use it, place importance on it, and create the life esthetics of lacquer art.
Tuan, Phan Anh, e 潘英俊. "Applying Lacquer Art and Vietnam’s Traditional Culturein Clothing Design". Thesis, 2013. http://ndltd.ncl.edu.tw/handle/19916725592016532069.
Texto completo da fonte樹德科技大學
應用設計研究所
101
Lacquer art represents the spiritual beauty of traditional cultures in Asia and has been researched and applied to create high value-added works as well as it has been mentioned as one of the heritage of the world. Therefore, the purpose of this thesis is to explore a unique view on lacquer painting by comparing its differences in Vietnam and it in Taiwan. Afterwards, I applied it in clothing design. I fulfilled my research based on the methods including data collection, investigation of process and implement of lacquer painting, observation and analysis of color and material. Additionally, the main materials, which are lacquer oil, color powder, egg-shell, shell pearl, gold leaf, silver leaf, were applied in my works. Moreover, I extracted a unique image, the crane standing on the back of turtle, from the traditional culture of Vietnam. It, standing for faith, was presented in the temples, pagodas, tombs in Vietnam and further transferred and applied in my works for the aspiration of longevity, intelligence and good luck. The results were shown that the best mixing ratio of lacquer oil, color power and banana oil is 3:3:4, and a preferable painting layer is 2 layers. Consequently, I can achieve a unique lacquer painting fabric with suitable softness and stretch. Finally, I completed my collection named “Eternal Passion” with total of 10 costumes and some related accessories.
Kao, Shwu-Jiuan, e 高淑娟. "“Sheng Wu You Xin”: Preface Of Lacquer Painting Art". Thesis, 2018. http://ndltd.ncl.edu.tw/handle/8f9u55.
Texto completo da fonte中國文化大學
美術學系
106
Zhuang zhouu(zhuangzi)'s philosophy have greatly influenced over Chinese traditional art work. zhuangzi's vision has carried the effect over Chinese painting, his philosophy enriched Chinese painting's inner beauty and intellectual level. By comparing both eastern and western cultural and method of ancient Chinese art work, It included the idea of "Sheng Wu You Xin" emphasizing the traditional philosophy of Tao; adapting those inspirations of the lacquer painting, to study the source and origin of beauty in the Chinese painting, therefore, enhancing the higher level of creations. Beauty is an emotional force that are consisted throughout the world. By expressing the idea of selfless and understanding of art, the artist uses static image and geometry to create the motion of heart to interpret the feeling of static beauty. Lacquer painting is most traditional way of painting, and it last the longest compare with other kind of painting. Lacquer painting is rich in color and special in presentation. It is different from other style of painting. Due to these special entity and the modern technology adaptation of the art work. Lacquer painting has become more main stream as today. Lacquer is special in its own way, usually lacquer painter are master of both lacquer and painting techniques. Lacquer paint have been heavily influenced by eastern culture: its colors, materials, techniques, and styles. By inquiring all these elements and fusing with the idea of western culture, it can transcend nto the ultimate goal of becoming an international lacquer artist.
Chen, Yung-hsing, e 陳永興. "The Research of Eggshell Particles Applied to Lacquer Art Techniques". Thesis, 2012. http://ndltd.ncl.edu.tw/handle/09782749615050277349.
Texto completo da fonte國立臺灣藝術大學
工藝設計學系碩士班
100
Lacquer is an application of decorative arts. Many superb techniques handed down over thousands of years. From archaeological excavations, a wealth of lacquer ware unearthed. Lacquer Is the name of the ancient lacquer, modern term turns to be lacquer art. The ancient lacquer is in the existence of practicality. Modern lacquer is an art form to express their own creative ideas. According to different historical background, it will produce a different style of work. This paper is to explore and discuss the eggshell particle techniques. Standardize the material to produce a test piece. Test eggshell particles according to different types, material sifted segmentation, normalization, classification. Produce a standard specimen respectively. By comparing the differences and characteristics of the visual effects, analyzing, summarizing and collating, the result of this technique is called "eggshell painting" techniques. Be a reference for lacquer creation.
HSU, HSUAN-CHANG, e 許玄昌. "Urushi Landscapes — Japanese Lacquer Art Creation Descriptions by Hsu Hsuan-Chang". Thesis, 2016. http://ndltd.ncl.edu.tw/handle/2xarjg.
Texto completo da fonte大葉大學
設計暨藝術學院碩士在職專班
104
Landscape appears spirit of the nature, and nature inspires our sense of beauty. Artists often were encouraged by the great nature and express their creativities with brushes. The creativities of artists often come from perception and observation. "Urushi Landscape" is a series of work which based on Japanese lacquer and driftwood was made by reflecting the impression of beautiful landscapes in two dimensional lacquer painting and three-dimensional lacquer sculpture. "Preserve wood" is one of the basic techniques for Japanese lacquer craft. In tradition, wood were often preserved by lacquer, thus the application of "lacquer on wood" is not only functional but then also convey to a substantive sense of "Urushi Landscape". Each piece of work in this series contains both active and passive expressions through techniques and materials;The diverse and delicate techniques of Japanese lacquer craft which performs various colors and textures, in contrast to driftwood, which is not fabricated, plain and formed in nature. Besides reflecting the beauty of nature, "Urushi Landscape" is an echo of the action of sustaining the nature.
LI, SHING-LUNG, e 李幸龍. "From Origin to Destination – Discourse of Hsing-Lung Lee’s Lacquer-Pottery Art". Thesis, 2017. http://ndltd.ncl.edu.tw/handle/a3f8kk.
Texto completo da fonte亞太創意技術學院
茶陶創意研究所
105
During the evolution of human civilization, which is driven by advancing thoughts, our life demands greatly promote the functional development of utensils. Moreover, with advancing civilization and uninterrupted creation, human craftsmanship has become more and more delicate. In China, lacquer and pottery arts are two of the longest-standing and most significant forms of folk craftsmanship. During the long historical process of ethnic fusion, they have gradually assimilated the cultures of various ethnic groups and possessed significant values of traditional Chinese customs and traditions. With the rock-solid foundation of knowledge and skills, the Chinese lacquer and pottery craftsmanship could be transformed into the forms of pure art if today’s artists infuse modern aesthetic elements into these traditional craftsmanship and give them new meanings. In China, these craft media are usually used separately even though they have been created for thousands of years and become deeply rooted in our society. However, in Chinese archaeology, a few lacquer-pottery products have been discovered from underground tombs, and most of them are pottery, which made from clays fired at low temperatures (900 oC), covered with natural lacquer. In recent years, Tjouh-Min Lai, the current representative of Taiwanese lacquer culture, has created “Taiwan Ware” by decorating clays fired at higher temperatures (> 1000 oC) with several-layer-lacquer-painting on the surface through revolutionary processes. The patterns of my lacquer-pottery art are completely different from the above. The ancient Chinese craftsmen covered pottery with lacquer only for its waterproofing function; Master Lai used pottery purely and simply as a base material to express his lacquer art. By comparison, the destination of my creation is to fuse the two completely different materials, textures, skills, and arts together in my work. I expect to use pottery’s simplicity and solidity to set off lacquer’s brilliance and brightness. The textures and strengths of lacquer and pottery are in sharp contrast but complementary. The primary idea and pursuit of my lacquer-pottery art is to present the two different craftsmanship simultaneously and equally in my work. In order to expand my artistic creativity and make my lacquer-pottery art more distinct from other artists, I have visualized my innovative idea in this work by expressing it with the elements of creation I used in the past. Looking to the future, I will endeavor to create specific artistic values and historical position for Taiwan’s traditional lacquer culture.
Ya-FenCheng e 鄭雅芬. "Kou-Shan Lai and Tjouh-Ming Lai: Art and Craft of Lacquer". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/20130146791787285620.
Texto completo da fonte國立成功大學
藝術研究所
98
This essay aims to study the development and revolution of lacquer in Taiwan. From the historical point of view, divided into lacquer business and lacquer work, this essay hopes to systematically organize the lacquer history of Taiwan. The time span starts from Japanese Occupation till the post-Taiwan Restoration. Firstly, to discuss the education of lacquer workers, this essay begins with Yamanaka’s private school built by a Japanese, Kou Yamanaka and includes the transformation of the school history and its lecture content. Secondly, because of Yamanaka’s contribution, Kou-Shan Lai, a student of Mr. Yamanaka, and his son, Tjouh-Ming Lai, become representatives of Taiwan lacquer work. Kou-Shan Lai, the founder of Gaun Shan Store, transcends the barriers of tradition carved lacquerware and invents several-layer-lacquer-painting. Furthermore, Kou-Shan Lai’s lacquer painting becomes a representation of his artistic work. Seeing from the tree lacquer techniques, this essay argues the thematic types and uniqueness of Kou-Shan Lai’s lacquer painting. Later, Tjouh-Ming Lai simplifies the producing processes of Taiwan ware in order to make the creativity of Taiwan ware easier. Then, Tjouh-Ming Lai also re-examines the techniques of several-layer-lacquer-painting invented by his father, Kou-Shan Lai, and discusses his experimental results. From the prosperity to the decline, the history of Taiwan lacquer has developed for almost a hundred years. Accordingly, because of the importance of the cultural preservation, to study art and craft of lacquer in Taiwan becomes necessary.
Livros sobre o assunto "Lacquer art"
Suwannapongse, Panpimon. The golden touch of lacquer art. Editado por Isalāma Saiẏada Manajurula editor e Hājarā Sabyasācī editor. Dhaka: Nymphea Publication, 2017.
Encontre o texto completo da fontePhạm, Hoàng Hải. Art of lacquer: A visitor's guide. Hà Nội, Việt Nam: Thé̂ Giới Publishers, 2007.
Encontre o texto completo da fonteHutt, Julia. Namiki: The art of Japanese lacquer pens. Toronto: Pens Unlimited, 2000.
Encontre o texto completo da fonteDavey, Neil K. The Garrett collection--Japanese art: Lacquer, inrō, netsuke. London: Dauphin Pub., 1993.
Encontre o texto completo da fonteNasser D. Khalili Collection of Islamic Art. Lacquer of the Islamic lands. London: Nour Foundation in association with Azimuth Editions and Oxford University Press, 1996.
Encontre o texto completo da fonteOkada, Barbra Teri. Symbol and substance in Japanese lacquer: Lacquer boxes from the collection of Elaine Ehrenkranz. New York: Weatherhill, 1995.
Encontre o texto completo da fonteDöhring, Karl. Art and art-industry in Siam. 5a ed. Bangkok, Thailand: Siam Society Under Royal Patronage, 1999.
Encontre o texto completo da fonteA, Jörg C. J., ed. Japanese export lacquer: 1580-1850. Amsterdam: Hotei, 2005.
Encontre o texto completo da fonteFrits, Vos, Scholten Frits, Dees Jan, Schaap Robert, Society for Japanese Arts and Crafts. e Haags Gemeentemuseum, eds. Meiji: Japanese art in transition : ceramics, cloisonné, lacquer, prints ... 's-Gravenhage, the Netherlands: Haags Gemeentemuseum, 1987.
Encontre o texto completo da fonteCh'oe, Yŏng-gŭn. Ch'oe Yŏng-gŭn ŭi ch'il: Youngkeun Choe's lacquer art. Sŏul: Misul Munhwa, 2009.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Lacquer art"
Schweizer, Anton. "Nanban Lacquer". In The Routledge Companion to Global Renaissance Art, 67–83. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003294986-7.
Texto completo da fonteWu, Xiumei, e Xuming Feng. "Application of Lacquer Art in Ceramic Decoration". In Advances in Social Science, Education and Humanities Research, 362–67. Paris: Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-094-7_45.
Texto completo da fonteKaufmann, Thomas DaCosta. "Japanese Export Lacquer and Global Art History: An Art of Mediation in Circulation". In Art, Trade, and Cultural Mediation in Asia, 1600–1950, 13–42. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-57237-0_2.
Texto completo da fonteJin, Hanlin. "On the Influence of Image Aesthetics on Lacquer Painting Art". In Advances in Social Science, Education and Humanities Research, 1235–44. Paris: Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-38476-062-6_159.
Texto completo da fonteShen, Jin-Shan, Yu-Meng Xiao e Rungtai Lin. "A Study on the Innovation of Traditional Lacquer Art: The Creation of Paper-Based Lacquer Paintings as an Example". In Lecture Notes in Computer Science, 255–67. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-06047-2_18.
Texto completo da fonteChen, LuoYu, e Jun Chen. "A Study on the Emotional Awareness of Lacquer Art Dyeing Applied to Fan". In Cross-Cultural Design, 3–12. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-35946-0_1.
Texto completo da fonteChiang, Shun-Yao, e Shyh-Huei Hwang. "Exploring the effect of peer assessment on lacquer art learners' discussion promotion and motivation". In System Innovation for a World in Transition, 150–54. London: CRC Press, 2023. http://dx.doi.org/10.1201/9781003460763-31.
Texto completo da fonteLi, Jin, e Yonghui Lin. "Teaching Thoughts and Cases Analysis of the Innovative Design of Lacquer Art Products in the Multi-disciplinary and Trans-Boundary Historical Background". In Lecture Notes in Computer Science, 186–95. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-92252-2_14.
Texto completo da fonteWrona, Monika. "Research on Berlin Lacquered Vases Manufacturing Techniques and Materials. A Source of Information on Works of Art and a Pre-Study for their Conservation Treatment". In Investigation and Conservation of East Asian Cabinets in Imperial Residences (1700–1900), 233–50. Wien: Böhlau Verlag, 2017. http://dx.doi.org/10.7767/9783205207139.233.
Texto completo da fonte"LACQUER". In Japan And Its Art, 165–88. Routledge, 2012. http://dx.doi.org/10.4324/9780203040195-16.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Lacquer art"
"On the Decorative Beauty of Lacquer Painting Art". In 2020 Conference on Social Science and Modern Science. Scholar Publishing Group, 2020. http://dx.doi.org/10.38007/proceedings.0000719.
Texto completo da fonteZheng, Xin. "Classic Craft: Fuzhou Bodiless Lacquer Ware". In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.081.
Texto completo da fonteXu, Tao. "Analysis of the Current Development of Lacquer Painting Art". In 8th International Conference on Education, Management, Information and Management Society (EMIM 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/emim-18.2018.153.
Texto completo da fonteWang, Jinghui. "Lacquer Art and Buddhism: Cultural Trophallaxis and Their Aesthetic Commonality". In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.22.
Texto completo da fonteLi, Xue-Hui, e Kuo-Kuang Fan. "Study on plane carrier art of Chinese ancient lacquer culture". In 2016 International Conference on Advanced Materials for Science and Engineering (ICAMSE). IEEE, 2016. http://dx.doi.org/10.1109/icamse.2016.7840263.
Texto completo da fonteWang, Mingjun. "Innovation and development of arts and crafts in lacquer art research". In 2017 International Conference on Humanities Science, Management and Education Technology (HSMET 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/hsmet-17.2017.149.
Texto completo da fonteSun, Xiaodong. "Research on the Lacquer Painting Art with the Theme of Hui’an Women". In 7th International Conference on Arts, Design and Contemporary Education (ICADCE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210813.011.
Texto completo da fonteXiaoling, Wen. "On the Interest in the Still Life of Modern Lacquer Painting". In 2020 International Conference on Language, Art and Cultural Exchange (ICLACE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200709.027.
Texto completo da fonteLin, Zhentuan. "Inheritance and Transmutation: Discussion on the Artistic Features of Chinese Lacquer Painting". In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.111.
Texto completo da fonteChen, Jing. "Analysis on Innovative Path of Lacquer Products in the Context of Fashion". In 2021 Conference on Art and Design: Inheritance and Innovation (ADII 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220205.049.
Texto completo da fonte