Teses / dissertações sobre o tema "Kudi"
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Gálvez, Farfán Esthefany Mariela, Carpio Jackeling Elena García, Santa Cruz Nelly Judith Gonzales, Cardenas Diana Carolina Rodríguez e Díaz Juan Carlos Torres. "Kumi Gomitas". Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/654890.
Texto completo da fonteAccording to the Ministry of Health (MINSA), anemia constitutes a public health problem, which affects children in situations of poverty. However, an inadequate diet, based on fats, empty proteins and carbohydrates can lead infants of any age to suffer from this disease. To cope with this disease, many families supplement the feeding of their children with vitamins, which have various sources. At present, the discovery and enhancement of the nutritional properties of cushuro, encourage the presentation of a product made from said algae. Kumi Gomitas, is a nutritional supplement, not candy, designed especially for children, from the extract of cushuro, an algae from the high Andean regions, rich in protein and iron. Kumi Gummies are also enriched with camu camu as a source of vitamin C and sweetened with honey. Kumi Gomitas, will be sold mainly in supermarkets, convenience stores and pharmacy chains. The financial evaluation shows that the project is sensitive to price changes, since in the event of slight price changes (-13%) the project allows generating profits, in the same way when the price of cushuro increases S / 40.85. Finally, we conclude that the Kumi Gomitas project is viable and this is reflected through the economic evaluation, which results in a NPV for investors of S/125,699 and an IRR of 23.91%. Likewise, the project has low risk, because the investment can be recovered in 2.49 years.
Trabajo de investigación
Schroeder, Paul Edward. "Regional power in China : tiao-tiao kuai-kuai authority in the Chinese political system /". The Ohio State University, 1987. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487335992902816.
Texto completo da fonteHiiemaa, Karin. "Aafrika retseptsioon eestikeelses trükisõnas : kuni 1917 /". Tartu : Tartu Ülikool kirjastus, 2006. http://dspace.utlib.ee/dspace/bitstream/10062/979/5/hiiemaakarin.pdf.
Texto completo da fonteSingson, Dongkho Thang. "The Kuki Christian Church of India". Online full text .pdf document, available to Fuller patrons only, 1985. http://www.tren.com.
Texto completo da fonteHu, Yuming. "Lun zi ben cheng ben kuai ji". Beijing : Zhongguo jing ji chu ban she, 1997.
Encontre o texto completo da fonteEbersolt, Simon. "Contingence et communauté. Kuki Shûzô, philosophe japonais". Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCF027.
Texto completo da fonteThis study focuses on Kuki Shûzô’s entire oeuvre: not only on his theories of contingency, rhyme, and time, and his essay on iki (the ethical and esthetical ideal of Edo period), but also on his cultural-political assertions on ethnic people (minzoku) and war. This essay on history of Japanese philosophy tries to present and develop dialogues that Kuki maintained, sometimes directly, with European philosophers of the time (in particular Bergson and the phenomenologists), but also Japanese philosophers (in particular Watsuji and Tanabe) as well as the broader intellectual world (the “movement of culturalism” of the Taisho era, debates on Japanese poetry and the “literature of contingency”). It was from these dialogues that Kuki’s concepts emerged.I interpret his oeuvre by emphasizing tensions between insistence on the “given concrete” and the principle of identity. Claimed by Kuki against the idea of an abstract universal, the given concrete is embodied by several figures of “we”, of the common, which are characterised by difference with others: ethnic people, intersubjective coexistence of iki, the contingent encounter between individuals, of which I give a phenomenological interpretation. Logic of identity is represented by the idea of ethnic identity, the metaphysics of eternal return of the same, and the praxis of assimilation of others in the identity of the “I”. I clarify the way Kuki systematizes this tension, as well as the consequences of this systematization on ethical and political problems of community and relationships between the individual, nation, and world
Hošák, Dalibor. "Návrh a tvorba aplikace pro IPTV Kuki". Master's thesis, Vysoké učení technické v Brně. Fakulta podnikatelská, 2016. http://www.nusl.cz/ntk/nusl-241559.
Texto completo da fontePau, J. M. Ngul Khan. "When the world of Zomi changed". Theological Research Exchange Network (TREN), 1995. http://www.tren.com.
Texto completo da fonteTorgersen, Dale G. "KTO I KUDA? Russia, language, and national identity". Thesis, Monterey, California : Naval Postgraduate School, 2009. http://edocs.nps.edu/npspubs/scholarly/theses/2009/Dec/09Dec%5FTorgersen.pdf.
Texto completo da fonteThesis Advisor(s): Tsypkin, Mikhail ; Keyser, Boris. "December 2009." Description based on title screen as viewed on January 27, 2010. Author(s) subject terms: Russian Language, Language Policy, Russification, Russia, Russian Federation, Soviet Union, Former Soviet Union, Identity, Nationalist, Nationalism, russkie, rossiianne, Baltic States, Ukraine, Georgia, Moldova, Pushkin, Lermontov, Tolstoy, Romanov Dynasty, Bolsheviks, Communist Party, Lenin, Stalin, Khrushchev, Brezhnev, Gorbachev, Yeltsin, Putin. Includes bibliographical references (p. 31-33). Also available in print.
ENG, JOE. "LIU CH'I AND HIS "KUEI-CH'IEN-CHIH" (CHINA)". Diss., The University of Arizona, 1987. http://hdl.handle.net/10150/184158.
Texto completo da fonteLuk, Yu-ping. "Ren Bonian's Zhong Kui paintings". Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/hkuto/record/B30568316.
Texto completo da fonteLuk, Yu-ping, e 陸於平. "Ren Bonian's Zhong Kui paintings". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2004. http://hub.hku.hk/bib/B30568316.
Texto completo da fonte黃毓棟 e Yuk-tung Wong. "The life and thought of Kuei Chuang (1613-1673)". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31214770.
Texto completo da fonteSaito, Takako. "La question du temps dans la pensée de Kuki". Paris 1, 1999. http://www.theses.fr/1999PA010522.
Texto completo da fonteThe purpose of this thesis is to study the question of time as conceived by shuzo kuki (1888~1941) , japanese philosopher, a contemporary of m. Heidegger. The first part contains a french translation of kuki's text, entitled keijijogaku-teki jikan (metaphysical- time) and a commentary on it. In this text, kuki established the concept of the temporality of a return to the identical. Reconciling the infinite with accomplishment itself, this concpet permits one to logically think about the infinite depth of the present moment. Kuki's thought originates from the temporality of transmigration, but fundamentally extends beyond this by its achieved infinity. Kuki is likewise inspired by the temporality of the heideggerien dasein, which underlines the futur mode despite the fact that kuki's idea differs from the latter by the primary importance of the present mode. The second part is reserved for analysing temporality in japanese poetry, which is the concrete example of kuki's concept of time. The third and final part consists of freeing the temporality of the human being, "existence" {jitsuzon) as kuki calls man. Existence is built upon three modes of being : the possible, the contingent and the necessary. These three modes correspond to those temporal forms of being : the futur, the present and the past. The present of the contingent mode is the temporality of the immediate experience of another's encounter. We can say that kuki defends the concept of the achieved present which has its own proper value. The temporality of genuine action, poetic creation and the immediate experience of another's encounter are examples of this concept
Clark, Geoffrey R., e n/a. "The Kuri in prehistory : a skeletal analysis of the extinct Maori dog". University of Otago. Department of Anthropology, 1995. http://adt.otago.ac.nz./public/adt-NZDU20070531.123209.
Texto completo da fonteHaokip, Jangkholam. "A theological study of identity among the tribal people of North-East India with a special reference to the Kukis of Manipur". Thesis, University of Aberdeen, 2010. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=166222.
Texto completo da fonteCuasay, R. Peter L. "Time borders and elephant margins among the Kuay of South Isan, Thailand /". Thesis, Connect to this title online; UW restricted, 2002. http://hdl.handle.net/1773/6462.
Texto completo da fonteMostert, Analene C. "Meat quality of kudu (Tragelaphus strepsiceros) and impala (Aepyceros melampus)". Thesis, Stellenbosch : Stellenbosch University, 2007. http://hdl.handle.net/10019.1/18597.
Texto completo da fonteENGLISH ABSTRACT: Although kudu (Tragelaphus strepsiceros) and impala (Aepyceros melampus) are found in the same geographical area, there is variation in their diets as kudu are predominantly browsers, feeding on tree and shrub leaves, while impala are known as mixed feeders as they graze and browse. Therefore this poses the question whether the diet would influence their meat quality. The objective of this investigation was to evaluate the physical measurements and chemical composition of M. longissimus dorsi, M. biceps femoris, M. semimembranosus, M. semitendinosus and M. supraspinatus for kudu and impala, two southern African antelope species. The effects of age (adult and sub-adult) and gender (male and female) were also determined. The sensory characteristics of the M. longissimus dorsi muscle for sub-adult kudu and impala were investigated. Correlations between the various physical measurements and chemical composition of the meat were verified. Physical measurements and chemical composition of the M. longissimus dorsi muscle were tested for correlations with the sensory ratings of the meat. Dressing percentage of impala (59.88%) (n=28) was higher than that of kudu (57.60%) (n=35). The main effects (species, gender and age) showed no differences for drip loss and cooking loss. However, muscles differed in terms of cooking loss with impala M. semitendinosus having the highest (38.28%) value and kudu M. longissimus dorsi having the lowest value (30.77%). For impala, the highest Warner–Bratzler shear (WBS) values were measured for M. semimembranosus (5.90 kg/1.27cmø), followed by M. biceps femoris, M. longissimus dorsi, and M. semitendinosus with the lowest WBS values measured for M. supraspinatus (3.61 kg/1.27cmø). All impala muscles had lower L* values and appeared darker in colour than kudu muscles, except for M. supraspinatus. Adult animals also had lower L* values than the sub-adult group. Kudu had significantly higher a* and b* values (more red) than impala. Chroma values were higher for kudu, thus appearing brighter in colour. The respective muscles of kudu and impala investigated differed significantly in terms of physical characteristics. However, gender and age did not have an effect on the physical measurements. Moisture content was higher in kudu meat (76.46%) than in impala meat (75.28%). Muscles differed for both moisture and fat content. The highest fat was found in M. supraspinatus followed by M. biceps femoris, M. semitendinosus, M. semimembranosus and M. longissimus dorsi. Protein content did not differ between species (kudu: 21.66%; impala: 22.26%), gender (male: 21.98%; female: 21.95%) and age groups (adult: 21.74%; sub-adult: 22.18%). Kudu M. longissimus dorsi (1.62%) had lower fat content than impala M. longissimus dorsi (2.22%) and female animals had a higher fat content than male animals. Sub-adults (1.20 ± 0.02%) had higher ash content than adults (1.10 ± 0.03%). The M. supraspinatus had the lowest protein and also the highest fat content, with M. semimembranosus having the lowest fat content but the highest value for protein. Myoglobin content did not differ between species, although females had higher (6.58 ± 0.20 mg/g) myoglobin content than males (5.11 ± 0.25 mg/g). Glycolitic muscles had the lowest myoglobin content with the highest values found in M. supraspinatus, an oxidative muscle. An interaction was noted between species and muscle for myoglobin content. Myoglobin content in impala M. longissimus dorsi was higher than that in kudu M. longissimus dorsi; however for all other muscles the myoglobin content was lower in impala. Gender did not affect mineral content. Potassium levels were highest for kudu while phosphorus was more prevalent in impala meat. Adult and sub-adult groups differed in terms of potassium, calcium and zinc content. Potassium and calcium content were higher for subadult animals while zinc content was higher in adult animals. In impala meat, stearic acid (22.67%) was the major fatty acid, followed by palmitic acid (16.66%). In contrast, oleic acid (24.35%) was the most profuse fatty acid in kudu, followed by linoleic acid (22.95%). The SFA’s as a percentage of the total fatty acids differed between impala (51.12%) and kudu meat (34.87%). Kudu meat had a higher concentration of total PUFA (38.88%) than impala (34.06%) meat. The PUFA: SFA ratio for kudu meat (1.22) was more favourable than that for impala meat (0.73). The ratio of n-6 PUFA’s to n-3 PUFA’s for kudu and impala were determined as 2.22 and 3.76 respectively. From the current findings it is evident that kudu and impala meat have advantageous fatty acid profiles and can be a healthy substitute for other red meats. Kudu meat (72.62 ± 1.86 mg/100g) had higher cholesterol than impala meat (55.35 ± 1.84 mg/100g). It is recommended that further studies be done in order to confirm the cholesterol content of kudu meat. Within species, no gender differences for any of the sensory characteristics tested were noted. The impala meat had a more intense game aroma than the kudu meat, while kudu meat was found to be more juicy than impala meat. It can therefore be concluded that the marketing of game meat should be species-specific as there are distinct flavour and aroma differences between kudu and impala meat.
AFRIKAANSE OPSOMMING: Alhoewel koedoes (Tragelaphus strepsiceros) en rooibokke (Aepyceros melampus) in dieselfde geografiese area voorkom, is daar variasie in hulle diëte. Koedoes is hoofsaaklik blaarvreters, terwyl rooibokke bekend staan as gemengde vreters aangesien hulle grassowel as blaarvreters is. Die vraag ontstaan dus of die verskil in diëet die kwaliteit van hulle vleis sal beϊnvloed. Die doel van hierdie ondersoek was dus om die fisiese metings en chemiese samestelling van die M. longissimus dorsi, M. biceps femoris, M. semimembranosus, M. semitendinosus en M. supraspinatus vir koedoes en rooibokke te bepaal. Die invloed van ouderdom (volwasse en onvolwasse) en geslag (manlik en vroulik) op hierdie eienskappe is ook geëvalueer. Die sensoriese eienskappe van die M. longissimus dorsi van onvolwasse koedoes en rooibokke is ook ondersoek. Korrelasies tussen die fisiese metings en chemiese samestelling van die vleis is ondersoek. Die fisiese metings en chemiese samestelling van die M. longissimus dorsi is getoets vir korrelasies met die resultate van die sintuiglike evaluering van die vleis. Die gemiddelde uitslagpersentasie van rooibokke (59.88%) (n=28) was hoër as die van koedoes (57.60%) (n=35). Daar was geen verskille in drupverlies en kookverlies vir die hoofeffekte (spesie, geslag en ouderdom) nie. Spiere het wel verskil in terme van kookverlies, met die hoogste waarde gemeet vir rooibok M. semitendinosus (38.28%) en die laagste waarde vir koedoe M. longissimus dorsi (30.77%). In rooibokke was die hoogste Warner- Bratzler skeurkrag waardes gemeet vir M. semimembranosus (5.76 kg/1.27cmø), gevolg deur M. biceps femoris, M. longissimus dorsi, en M. semitendinosus met die laagste Warner- Bratzler skeurkrag waardes gemeet vir M. supraspinatus (3.78 kg/1.27cmø). Alle rooibokspiere het laer L* waardes gehad en was donkerder van kleur as koedoespiere, behalwe vir M. supraspinatus. Laer L* waardes is ook verkry vir volwasse diere in vergelyking met onvolwasse diere. Die a* en b* waardes was hoër in koedoe- as in rooibokvleis, m.a.w. koedoevleis het rooier vertoon. Die onderskeie koedoe- en rooibokspiere het betekenisvol verskil in terme van fisiese eienskappe, terwyl geslag en ouderdom geen effek op die fisiese eienskappe gehad het nie. Voginhoud was hoër in koedoe- (75.52%) as in rooibokvleis (74.52%). Verkille tussen spiere is opgemerk vir beide vog- en vetinhoud. M. supraspinatus het die hoogste vetinhoud gehad, gevolg deur M. biceps femoris, M. semitendinosus, M. semimembranosus en M. longissimus dorsi. Geen verskille is opgemerk tussen spesies (koedoe: 21.66%; rooibok: 22.26%), geslagte (manlik: 21.98%; vroulik: 21.95%) en ouderdomme (volwasse: 21.74%; onvolwasse: 22.18%) in terme van proteϊeninhoud nie. Die vetinhoud van koedoe M. longissimus dorsi (1.62%) was laer as dié van rooibok M. longissimus dorsi (2.22%) en die vetinhoud van vroulike diere was hoër as dié van manlike diere. Onvolwasse diere (1.20 ± 0.02%) het ‘n hoër asinhoud as dié van volwasse diere (1.10 ± 0.03%) getoon. In terme van die onderskeie spiere het M. supraspinatus die laagste proteϊen- en die hoogste vetinhoud gehad, terwyl M. semimembranosus die laagste vet- en die hoogste proteϊeninhoud gehad het. Die mioglobieninhoud was nie beϊnvloed deur spesie nie, terwyl vroulike diere ‘n hoër (6.58 ± 0.20 mg/g) mioglobieninhoud as manlike diere (5.11 ± 0.25 mg/g) gehad het. Die M. supraspinatus, ‘n oksidatiewe spier het die hoogste mioglobieninhoud gehad, terwyl glikolitiese spiere die laagste mioglobieninhoud gehad het. ’n Interaksie tussen spesie en spier was opgemerk vir mioglobieninhoud. Rooibok M. longissimus dorsi het ‘n hoër mioglobieninhoud as koedoe M. longissimus dorsi gehad, terwyl die mioglobieninhoud vir al die ander spiere laer was in rooibokke. Mineraalinhoud was nie deur geslag beϊnvloed nie. Kaliumvlakke was hoër in koedoevleis, terwyl fosforvlakke hoër was in rooibokvleis. Kalium- en kalsiuminhoud was hoër in onvolwasse diere terwyl die sinkinhoud hoër was in volwasse diere. Steariensuur (22.67%), gevolg deur palmitiensuur (16.66%) was die mees algemene vetsure in rooibokvleis. In teenstelling hiermee was oleϊensuur (24.35%), gevolg deur linoleϊensuur (22.95%) die mees algemene vetsure in koedoevleis. Die totale versadigde vetsure was laer in koedoevleis (34.87%) in vergelyking met rooibokvleis (51.12%), terwyl die totale polionversadigde vetsure in koedoevleis (38.88%) hoër was as dié van rooibokvleis (34.06%). Die verhouding van n-6 tot n-3 poli-onversadigde vetsure vir koedoe en rooibok was 2.22 en 3.76 onderskeidelik. Hierdie resultate bevestig dat koedoe- en rooibokvleis oor ‘n vetsuurprofiel beskik wat ’n gesonde alternatief bied tot ander rooivleise. Die cholesterolinhoud van koedoevleis (72.62 ± 1.86 mg/100g) was hoër as dié van rooibokvleis (55.35 ± 1.84 mg/100g). Dit word egter aanbeveel dat verdere studies gedoen word om die cholesterolinhoud van koedoevleis te bevestig. Binne spesies was daar geen geslagsverkille vir enige van die sensoriese eienskappe nie. Rooibokvleis het ‘n meer intense wildsvleis aroma as koedoevleis gehad, terwyl koedoevleis meer sappig was as rooibokvleis. Hierdie resultate dui daarop dat die bemarking van wildsvleis spesie-spesifiiek moet wees aangesien daar defnitiewe geur en aroma verskille tussen koedoe- en rooibokvleis is.
Silva, Rosa Aparecida do Couto [UNESP]. "Fela Kuti: contracultura e (con)tradição na música popular africana". Universidade Estadual Paulista (UNESP), 2015. http://hdl.handle.net/11449/134152.
Texto completo da fonteA década de 60 do século XX é reconhecidamente um período de grande movimentação contracultural. A luta pelos direitos civis realizada principalmente pelos negros é uma das faces mais importantes desta contracultura, que se desenrola nos Estados Unidos da América e em outras partes do mundo. O músico nigeriano Fela Kuti é fortemente influenciado pelo jazz, e pelo movimento negro, criando um estilo musical chamado Afrobeat e toda uma cena contracultural nigeriana, que floresce na década de 70. A obra deste músico será abordada através de suas contradições internas que, segundo entendemos, surgem de sua maneira peculiar de compreender as questões que se colocavam em sua época, e de sua maneira singular de compreender o papel da cultura africana no mundo
The 60's of the last century is recognized as a period of great countercultural movement. The struggle for civil rights realized mainly by the black people is one of the most important faces of this counterculture, which takes place in the United States and other parts of the world. The Nigerian musician Fela Kuti is strongly influenced by jazz and by the black movement, he creates a musical style called Afrobeat and a whole countercultural scene in Nigeria during the 70's. The work of this musician will be analised through its internal contradictions which, according to our understand, spring from his unique way of understanding the issues that were placed at his time, and his singular way of understanding the role of African culture in the world
Silva, Rosa Aparecida do Couto. "Fela Kuti : contracultura e (con)tradição na música popular africana /". Franca, 2015. http://hdl.handle.net/11449/134152.
Texto completo da fonteBanca: Marcia Regina Tosta Dias
Banca: Marcos Sorrilha Pinheiro
Resumo: A década de 60 do século XX é reconhecidamente um período de grande movimentação contracultural. A luta pelos direitos civis realizada principalmente pelos negros é uma das faces mais importantes desta contracultura, que se desenrola nos Estados Unidos da América e em outras partes do mundo. O músico nigeriano Fela Kuti é fortemente influenciado pelo jazz, e pelo movimento negro, criando um estilo musical chamado Afrobeat e toda uma cena contracultural nigeriana, que floresce na década de 70. A obra deste músico será abordada através de suas contradições internas que, segundo entendemos, surgem de sua maneira peculiar de compreender as questões que se colocavam em sua época, e de sua maneira singular de compreender o papel da cultura africana no mundo
Abstract: The 60's of the last century is recognized as a period of great countercultural movement. The struggle for civil rights realized mainly by the black people is one of the most important faces of this counterculture, which takes place in the United States and other parts of the world. The Nigerian musician Fela Kuti is strongly influenced by jazz and by the black movement, he creates a musical style called Afrobeat and a whole countercultural scene in Nigeria during the 70's. The work of this musician will be analised through its internal contradictions which, according to our understand, spring from his unique way of understanding the issues that were placed at his time, and his singular way of understanding the role of African culture in the world
Mestre
Psomiadis, Gerry. "Temporalities, spatialities, subjectivities : Kuki Shûzô and the poetico-ontology of the nation". Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23355.
Texto completo da fonteGold, Dagmar Eleonore [Verfasser], Verena Akademischer Betreuer] Kuni e Birgit [Akademischer Betreuer] [Blättel-Mink. "Innovative Ansätze im Feld von Kunst und Wirtschaftsunternehmen - Motive, Chancen und Perspektiven unternehmerischer Kunstförderung / Dagmar Eleonore Gold. Gutachter: Verena Kuni ; Birgit Blättel-Mink. Betreuer: Verena Kuni". Frankfurt am Main : Univ.-Bibliothek Frankfurt am Main, 2013. http://d-nb.info/1044094583/34.
Texto completo da fonteKudo, Kerim [Verfasser]. "Europäisierung und Islam in Bosnien-Herzegowina : Netzwerke und Identitätsdiskurse / Kerim Kudo". Baden-Baden : Nomos Verlagsgesellschaft mbH & Co. KG, 2016. http://d-nb.info/1106338103/34.
Texto completo da fonteCastro, Josu? Lopes de. "Inclus?o de Feno de Kudz? Tropical na Dieta de Ovinos". Universidade Federal Rural do Rio de Janeiro, 2006. https://tede.ufrrj.br/jspui/handle/tede/563.
Texto completo da fonteThe feed-lot trial was carried the main goal was the evaluation of liveweight gain made by 5 months old male lambs of St Ines breed receiving diets with three levels of concentrate substitution by Puero hay. The experiment lasted for 55 days with 15 days of adaptation period. The concentrate was made out 50% of wheat bran 35% of ground corn and 15% of soybean meal. The Statistical Design was Completely Random with five replications and three treatments: Treatment one 0%, treatment two 50% and treatment three 100% of hay. The animals were kept in three pens (five lambs in each one). They were feed daily at 8:00 h and had their movements individually restrained during feeding time. Feeding and refused were weighed daily, samples were collected and sent for bromatological analysis (DM, CP, NDF, ADF, Hcel, Cel, Lig and Ashes). The performance was evaluated through daily consumption and daily liveweigth gain. The results showed significant differences (P<0,05) between T1 and T3 (0 and 100% of substitution, with 194,5 and 74,2 g/day, respectively). T2 (50% of substitution with 135,5 g/day of liveweigth gain was not significantly different either from T1 and T3. The concentrate substitution is feasible and brought a noticeable reduction on feeding costs, since the net profits were of R$110,00 R$101,90 and R$47,75, for T1, T2 and T3, respectively.
O experimento foi conduzido no Col?gio T?cnico da Universidade Federal Rural do Rio de Janeiro. Com o objetivo de avaliar o desempenho produtivo de cordeiros machos n?o castrados da ra?a Santa In?s confinados e alimentados com dietas ? base de concentrado e feno de Kudzu Tropical. O per?odo experimental foi de 55 dias, sendo 15 dias de adapta??o ?s dietas. Foram utilizados 15 cordeiros com idade m?dia de cinco meses. O delineamento experimental foi o inteiramente casualizado, com 5 repeti??es (animais) por tratamento (0, 50 e 100% de inclus?o de feno de kudzu tropical). Os animais foram mantidos em 3 baias coletivas, cada uma com 5 animais. O fornecimento das dietas foi realizado ?s 08:00h, sendo os animais contidos por canzis para individualiza??o do fornecimento. As sobras foram recolhidas diariamente para posterior an?lise. Foram realizadas an?lises bromatol?gicas das dietas e das sobras. Analisou-se mat?ria seca (MS), prote?na bruta (PB), fibra em detergente neutro (FDN), fibra em detergente ?cido (FDA), hemicelulose (HCEL), celulose (CEL), lignina (LIG) e mat?ria mineral (MM). Foram avaliados os consumos de nutrientes e o ganho de peso m?dio di?rio (GPMD). Os resultados mostraram diferen?as significativas (P<0,05) entre os percentuais de 0 e 100% com m?dia de ganho de peso de 194,5 e 74,2g/animal/dia, respectivamente. Por?m o mesmo n?o foi observado entre os percentuais de 0 e 50% com m?dias de 194,5 e 135,5g/ animal/dia, respectivamente, indicando que a inclus?o do feno de kudzu tropical pode ser uma alternativa para a diminui??o dos custos de produ??o. No presente trabalho observou-se rendimentos l?quidos de R$ 110,00, R$ 101,90 e R$ 47,75 para os tratamentos T1, T2 e T3, respectivamente.
Netopilová, Eliška. "Kurdská menšina v Turecku: Problémy a perspektivy". Master's thesis, Vysoká škola ekonomická v Praze, 2012. http://www.nusl.cz/ntk/nusl-197223.
Texto completo da fontePrichard, Jesse. "Verb Stem Alternation in Vaiphei". PDXScholar, 2018. https://pdxscholar.library.pdx.edu/open_access_etds/4470.
Texto completo da fonteCurley, Melissa. "Surface tension : Kuki Shūzō's iki as a posture of resignation and resistance". Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=79835.
Texto completo da fonteGrandchamp, Jacqueline. "La lutte panafricaniste du musicien contestaire nigérian Fela Anikulapo-Kuti : 1963-1987". Paris 3, 1987. http://www.theses.fr/1987PA030113.
Texto completo da fonteFela anikulapo-kuti, born ransome-kuti in a family of protestant preachers and teachers in abeokuta (nigeria) went to study music in london in 1958. Returning to lagos in 1963, he started a musician's career and played african music with his orchestra koola lobitos. He created "afro-beat", a type of music based on african rythms in 1969, during a stay in the united states. There, he witnessed the struggle of the black americans and became aware of the link between black people all over the world. He also understood his mother's fight for the rights of africans in nigeria under colonial rule and her dedication to panafricanism as defined by nkrumah. Fela returned home with a message for the african people and used the medium of his music to convey it. He changed the name of his orchestra to africa 70. His first successes date from that period. Fela also created an alternative society, named kalakuta republic in 1974. In his songs, he criticized the government and sided with the poor man's fate. He suffered repression several times and his house was destroyed by soldiers in 1977 after he sang zombie, a satire of the military. Despite his hardships, fela remained at the head of his social group. He formed a political party with the aim of running for president during the election campaign for the return to civilian rule in october 1979. His candidacy however was not accepted and, in 1983, at the following elections, he was revented from campaigning. Turning towards spirituality, fela has recently focussed on africa's past. At the beginning of the 80's, he renamed his band egypt 80, calling attention in particular to ancient egypt, considered by many researchers to be the cradle of the black race. The king of afro-beat has toured the west several times with his band in the past ten years during which he served a 20 month prison term in nigeria for having failed to comply with the foreign exchange regulations of the new military regime. As the self-named "spiritual son of nkrumah", fela anikulapo-kuti is a harsh critic of neocolonialism; he depicts the social disenchantment of the post-independence period
Franzon, Érica Cristina de Souza. "A imagem midiatizada da morte de Aylan Kurdi : experiências estéticas e poéticas /". Bauru, 2020. http://hdl.handle.net/11449/192626.
Texto completo da fonteResumo: Esta tese tem por objetivo discutir a contribuição da experiência estética aos estudos da comunicação midiatizada a partir do fenômeno de interpretação da imagem de Aylan Kurdi, pequeno refugiado sírio morto numa praia da Turquia. Toma-se com ponto de partida a imagem na perspectiva da cultura e tratada como um objeto estético que se oferece à percepção estética, que se dá na experiência sensível. A experiência estética é compreendida no seu aspecto relacional, enquanto percepção ativa do espectador diante do objetivo estético midiatizado. Por sua vez, a comunicação é tomada em uma dimensão estética com a participação dos espectadores nas dinâmicas de produção e partilha de sentidos e de afetos. Com as possibilidades de reelaborações e compartilhamentos, as experiências estéticas se desdobram em experiências poéticas, conectadas com possibilidades dialógicas e dialéticas entre os sujeitos, em relações de reconhecimento e de alteridade. A tese fundamenta-se na pesquisa bibliográfica e na análise da imagem e suas releituras, com a elaboração de seis categorias temáticas e três eixos analíticos: temporalidades, territorialidades e mediações. O estudo identificou que alguns temas foram mais recorrentes nas criações dos espectadores de acordo com os elementos formais utilizados, associando a cena com circunstâncias religiosas, políticas e relativas à cotidianidade da criança. As releituras também tiveram aspectos que expandiram a interpretação da cena para manifestações de rua, pe... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: This is the objective of discussing the contribution of aesthetic experience to studies of mediatized communication, based on the phenomenon of image interpretation of Aylan Kurdi, a small Syrian refugee who died on a beach in Turkey. It is taken as a starting point in the image in perspective of culture and treated as an aesthetic object that offers aesthetic perception, that offers a sensitive experience. The aesthetic experience is understood in its relational aspect, while the spectator's active perception is facing the mediatized aesthetic objective. In turn, communication is taken on an aesthetic scale with the participation of viewers in the dynamics of production and sharing of meanings and affections. With possibilities for re-elaborations and sharing, as aesthetic experiences unfold in poetic experiences, connected with dialogical and dialectical possibilities between the subjects, in relationships of recognition and change. This is a bibliographic and image analysis study and its reinterpretations,with an elaboration of six thematic categories and three analytical axes: temporalities, territorialities and mediations. The study identified that some themes were more recurrent in the spectators' creations according to the formed elements used, associating a scene with religious, political circumstancesandthe child's usual use. The reinterpretations also had aspects that expanded the interpretation of the scene to street demonstrations, performances, graffiti and monum... (Complete abstract click electronic access below)
Doutor
Scott, Terence Peter. "Rabies in Namibian kudu (Tragelaphus strepsiceros) : virological aspects of an unique epidemic". Diss., University of Pretoria, 2012. http://hdl.handle.net/2263/31516.
Texto completo da fonteDissertation (MSc)--University of Pretoria, 2012.
Microbiology and Plant Pathology
MSc
Unrestricted
Lam, Bonita Mei-Hua Soohoo. "HONG MAI AND THE "YI JIAN ZHI" (SUNG LITERATURE, CHINA, CHIH-KUAI)". Thesis, The University of Arizona, 1986. http://hdl.handle.net/10150/292094.
Texto completo da fonteHansson, Martin. "Transient road simulation of the cooling system in heavy-duty trucks using KULI". Thesis, Umeå universitet, Institutionen för fysik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-122524.
Texto completo da fonteHäggström, Kristina. "The Photographs of Alan Kurdi : Exploitative or Just What the Syrian Refugees Needed?" Thesis, Uppsala universitet, Medier och kommunikation, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-364034.
Texto completo da fonteRodrigues, Anna Cristina de Araújo. "Naufrágio e ressurreição da imagem : a fotografia de Aylan Kurdi inquieta o imaginário contemporâneo". reponame:Repositório Institucional da UnB, 2018. http://repositorio.unb.br/handle/10482/31857.
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A fotografia de Aylan Kurdi, menino sírio de 3 anos de idade morto numa praia da Turquia em 2 de setembro de 2015, chocou o mundo e tornou-se símbolo da atual crise migratória que tem gerado milhões de refugiados. Essa fotografia inspirou um movimento artístico nas redes sociais digitais que reproduziu, em forma de ilustrações, a imagem de Aylan morto na praia e transformou o tema “refugiados” em um dos assuntos mais discutidos na internet em 2015. Trouxe também mais uma vez a discussão sobre o poder transformador da imagem, sobretudo da fotografia icônica. Propõe-se discutir o suposto estatuto transformador da imagem e identificar os elementos presentes na fotografia de Aylan Kurdi responsáveis por inquietar o mundo em favor e contra os refugiados, bem como as características de uma sociedade em que as tecnologias digitais criam condições para que os indivíduos atuem ativamente na propagação de conteúdos, alterando irreversivelmente a forma como nos comunicamos.Por meio de leitura de imagem, do estudo do imaginário e da sociedade em rede, e com uso de metodologia qualitativa, procedeu-se à análise das reproduções artísticas da fotografia de Aylan, sustentada em teóricos dos campos estudados. A pesquisa recuperou a trajetória da imagem e do imaginário no Ocidente e localizou no tempo e no espaço o drama dos refugiados, com destaque para a guerra civil na Síria, bem como associou tais aspectos à emergência da sociedade em rede e das tecnologias digitais que põe em xeque as formas tradicionais de exercício do poder, uma vez que esse exercício depende do controle da comunicação. Constatou que a imagem em estudo inquietou indivíduos e grupos, gerou iniciativas empáticas transitórias em defesa dos refugiados, mas divide a opinião de estudiosos do tema sobre seu poder transformador. Concluiu que a sociedade digital nos obriga a rever o conhecimento construído ao longo dos últimos séculos, considerando que vivemos em contexto radicalmente diferente, o que exige mais que a histórica iconoclastia e a desconfiança quanto ao poder da imagem.
A fotografia de Aylan Kurdi, menino sírio de 3 anos de idade morto numa praia da Turquia em 2 de setembro de 2015, chocou o mundo e tornou-se símbolo da atual crise migratória que tem gerado milhões de refugiados. Essa fotografia inspirou um movimento artístico nas redes sociais digitais que reproduziu, em forma de ilustrações, a imagem de Aylan morto na praia e transformou o tema “refugiados” em um dos assuntos mais discutidos na internet em 2015. Trouxe também mais uma vez a discussão sobre o poder transformador da imagem, sobretudo da fotografia icônica. Propõe-se discutir o suposto estatuto transformador da imagem e identificar os elementos presentes na fotografia de Aylan Kurdi responsáveis por inquietar o mundo em favor e contra os refugiados, bem como as características de uma sociedade em que as tecnologias digitais criam condições para que os indivíduos atuem ativamente na propagação de conteúdos, alterando irreversivelmente a forma como nos comunicamos.Por meio de leitura de imagem, do estudo do imaginário e da sociedade em rede, e com uso de metodologia qualitativa, procedeu-se à análise das reproduções artísticas da fotografia de Aylan, sustentada em teóricos dos campos estudados. A pesquisa recuperou a trajetória da imagem e do imaginário no Ocidente e localizou no tempo e no espaço o drama dos refugiados, com destaque para a guerra civil na Síria, bem como associou tais aspectos à emergência da sociedade em rede e das tecnologias digitais que põe em xeque as formas tradicionais de exercício do poder, uma vez que esse exercício depende do controle da comunicação. Constatou que a imagem em estudo inquietou indivíduos e grupos, gerou iniciativas empáticas transitórias em defesa dos refugiados, mas divide a opinião de estudiosos do tema sobre seu poder transformador. Concluiu que a sociedade digital nos obriga a rever o conhecimento construído ao longo dos últimos séculos, considerando que vivemos em contexto radicalmente diferente, o que exige mais que a histórica iconoclastia e a desconfiança quanto ao poder da imagem.
Hassel, Rainer [Verfasser]. "Rabies in greater kudu antelope in Namibia : History, Epidemiological Studies and Vaccinology Experiments / Rainer Hassel". Berlin : Freie Universität Berlin, 2019. http://d-nb.info/1198211202/34.
Texto completo da fonteCHUNG, YUAN-HSIANG, e 鍾元祥. "THE YANG KUEI MEMORIAL HALL". Thesis, 2004. http://ndltd.ncl.edu.tw/handle/74278109896733753914.
Texto completo da fonte東海大學
建築學系
92
ABSTRACT A towering figure in Taiwanese literature, Yang Kuei plowed the land and wrote poetry with a hoe in his Tunghai Garden in the 1980s. Before the World War II, he wrote novels and articles promoting an equal, peaceful and open society of Taiwan. After the war, he was jailed for 12 years only because his Peace Manifesto was cited during the rebellious 228 Incident of 1947. Coming out of the prison, he worked as a farmer and Tunghai Garden became Taiwan’s Parnassus. The design of the Yang Kuei Memorial Hall seeks to construct on the site a memorial space representing Yang Kuei’s life and ideals while memorizing the old gardener, a performer who struggled for justice and peace for his whole life. Fulfilling Yang Kuei’s intentions in the founding of the Tunghai Garden, the design engages visitors with enjoyable flowers and cultivates their minds with literature and arts.
Luu, Hue-Trinh, e 劉蕙貞. "A Study of Kuai Tong". Thesis, 2018. http://ndltd.ncl.edu.tw/handle/b43794.
Texto completo da fonte國立清華大學
中國文學系所
106
Abstract After reuniting six states, Qin Shi Huang(秦始皇)governed his country with harsh law, enslaved its popular, which led The Qin Empire to collapse after 15 years of survival. At the end of Qin dynasty, society was full of mess and disorder, rising the contention between Chu–Han(楚漢)forces. Kuai Tong(蒯通)went to Fan Yang alone, pacified the state of Zhao(趙國), convinced Han Xin(韓信)to build one force that can compete with Chu and Han. During the reign time, Emperor Wu of Western Han Dynasty(漢武帝)had used the set of doctrines ‘Interactions Between Heaven and Mankind(天人感應)’ and ‘Mythological Confucianism(儒學神話)’ formulated by Dong Zhong Shu to consolidate his power; Emperor Guang Wu of Eastern Han Dynasty(漢光武帝)had utilized doctrines of Chen Wei(讖緯學説)to obtain the orthodoxy of Liu Han administration as well. Therefore, Loyalty Ideology(忠君思想)had deeply influenced on scholars over the two long period of Han Denasty as well as posterior scholars. Obviously, most of posterior scholars had critical and negative point of view to Kuai Tong himself when researching about him. This thesis is based on historical aspect, through objective perspective and without effects of Loyalty Ideology to fully interpret Kuai Tong – a politician in a chaos time. Keyword:Kuai Tong, Han Xin, Xiang Yu, The School of Diplomacy
Chen, Ting-Ying, e 陳亭螢. "Unveil the Mysteries of Kuei-Shan Buddhist Order: Focus on Master Kuei-Shan Ling-Yu". Thesis, 2018. http://ndltd.ncl.edu.tw/handle/288dhk.
Texto completo da fonte法鼓文理學院
佛教學系
106
Though Kuei-Shan Ling-Yu is the founder of the Kuei Yang Sect—the earliest one of the Five Branches of Chan School—there are rare researches of Ling-Yu. People knows little about him and his order. All of these is just like a lost composite picture of the Chan history. The purpose of this study was to investigate the development of Kuei-Shan Buddhist Order and the role of its founder—master Kuei-Shan Ling-Yu in the history of Chan school. The study examined the life, the writing and the sayings of Ling-Yu and the related Chan masters with a historical literature review method. The main literature for analyzing was the biography, the inscription, and the recorded sayings in Zu tang Ji(祖堂集) and Jingde Chuandeng Lu(景德傳燈錄) of Ling-Yu. As the sayings recorded after the Southern Sung Dynasty were took for a comparison. It was discovered that Ling-Yu took the buddhist sutras and discipline seriously. He frequently quoted the classics in his writing and sayings. However, after the the Hui-Chang Persecution(會昌法難), most buddhist writings were destroyed, and a lot of Buddhist monks and nuns were forced to secularization. So it was getting hard to appreciate and resonate Ling-Yu’s teaching. To respond the tendency, Hui-Ji—the most famous dhama hair of Ling-Yu and both the founder of the Kuei Yang Sect—placed more emphases on the circle symbolization and developed many derivative variation. The circle symbolization teachings were popular among the Tang Dynasty and the Five Dynasties, and became the well-known feature of the Kuei Yang Sect. In the course of development, the Kuei-Shan School initially turned into the Yang-Shan School, and finally flowed into the Lin-Ji School in the Sung Dynasty. The results of the study revealed that although the lineage of the Kuei Yang Sect was buried in oblivion in the the Sung Dynasty, but its teaching was passed on by the Lin-Ji School. And Ling-Yu played a key role in the early stage of the forming the the Five Branches of Chan School. By the study, there was much clear understanding of Ling-Yu and the Kuei-Shan Buddhist Order.
Sakwa, James Shikuku. "Molecular phylogeography and evolutionary history of the greater kudu (Tragelaphus strepsiceros)". Thesis, 2002. http://hdl.handle.net/2263/29757.
Texto completo da fonteThesis (PhD (Zoology))--University of Pretoria, 2005.
Zoology and Entomology
unrestricted
Liu, Quei-Jen, e 劉貴仁. "Rearing of juvenile seahorse, Hippocampus kuda". Thesis, 2002. http://ndltd.ncl.edu.tw/handle/61827018126089181025.
Texto completo da fonte國立中山大學
海洋生物研究所
90
Abstract We examined the effects of different live food、water quality and environmental factor on the survival rate and growth of newborn Hippocampus kuda, in the laboratory, Three experiments were conducted: (1) effects of food organisms using three species i.e., Schmackeria dubia、Artemia sp. and Brachionus sp.; (2) effects of adding algae water to aquaria, and(3) effects of side-illumination and habitat. The survival rate and growth rate, were used to assess the responses of seahorses. The results showed that the growth of seahorses fed with copepod is the best, 28 days old seahorses are 127 ± 8mg (mean of three replicates ± 1se) in wet weight、32.38 ± 0.79mm in body length and the survival rate is 92.0 ± 0%. Copepod + artemia group are 69 ± 5mg、27.23 ± 0.35mm and 90.7 ± 5.8%. Rotifer + Copepod group are 86 ± 8mg、28.36 ± 1.04mm and 88.0 ± 4.0%. Rotifer + artemia group are 26 ± 1mg、19.77 ± 0.31mm and 68.0 ± 0%. Artemia group are 45 ± 2mg、23.29 ± 0.41mm and 38.7 ± 3.5%. The lowest survival rate occurs in the rotifer group and the no-feed group, all seahorses were dead on the sixteenth day and the thirteenth day, respectively. Copepods were used as food organisms in side-illumination 、algae and habitat experimental designs. The difference were all signify- cant between the side-illumination and no side-illumination group:97.3 ± 1.3%、68.0 ± 6.9%( p=0.014, ANOVA, Fisher’s PLSD),126 ± 3mg、101 ± 5mg(p=0.013) and 32.51 ± 0.30mm、29.32 ± 0.75mm(p=0.017)。 The body length was significant difference between algae fed and no-algae group: 25.40 ± 0.63mm、23.23 ± 0.44 mm(p= 0.047). The survival rate、body weight and body length were all no significant difference between habitat and no habitat group. To sum up, the living food is a major factor affecting survival and growth. And the side-illumination method can increase both. So the suitable living food and aquaculture engineer designs have great potential to raise more seahorses.
Hejduková, Eliška. "Fenomén krajina aneb kudy teče Botič". Master's thesis, 2006. http://www.nusl.cz/ntk/nusl-267953.
Texto completo da fonteHuang, Tzu-Ying, e 黃孜穎. "Floating on The Kuai-Kuai World and Keep Dreaming Comsciously -A Statement of Tzu Ying Huang Creative Works". Thesis, 2010. http://ndltd.ncl.edu.tw/handle/50170790292575342545.
Texto completo da fonte高雄師範大學
美術學系
98
The writer of this paper is trying to reveal her creation development which was governed by an “obey” conception,the fuzzy and transient phenomenon confused and constrained hers painting style for years. Through depth study for the background of “Kuai-Kuai”(obey-conception) for couple years,she learn that is how to face the binary and antagonistic relations and overcome that confuse field which are full of and lust and rare fraud. Finally, she finds out a way for personal development. For this purpose, she records the whole truth story by means of various styles of paintings. The story beginning was happen by a simple memory of a sponge cake. That cake taste sense memory, caused an enlightenment moment in hers young life. She finds out the package paper print a brand image—a rarely human figures, which is full of binary and antagonistic image. The point is that figure’s appearance seems wear two mask. That illusion appearance—mask face, one is a kindly and smile appearance, other is shown an evil eyes which hidden a dark and wolf like subconscious. She slips into those conscious especial “wolf conscious” and then record that discovered by painting. Twofold personality study coursed hers mental serious clash on that time. Therefore, creation process to advance a step always moves in a zigzag and by roundabout ways. To the end, she believes that study way is a necessary, because, dredge up some embarrassing facts about hers past where under a corner on the subconscious, till face the truth self. After that, she find out personal prototype by through writing and reflect on hers discover. Then, she spirit will release from a conscious rope. Finally, the writer, surpass the binary “choosing” and motivation conflict and indicate the natural beauty of ecology thinking perform on hers painting.
Jen, Chen Tzun, e 鄭尊仁. "study on chung kui". Thesis, 1995. http://ndltd.ncl.edu.tw/handle/94969669550569952715.
Texto completo da fonteJin, En-Zhu, e 金恩柱. "Chinese Phonetics In 《Kuei Jang Chiuan Yun》". Thesis, 1993. http://ndltd.ncl.edu.tw/handle/64403723126623621824.
Texto completo da fonteKuei-Ching, Yu, e 游貴靖. "A Discourse on Yu Kuei-Ching’s Creations". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/74953983684422277612.
Texto completo da fonte華梵大學
工業設計學系碩士班
96
Abstract Based on personal art creations, this study induced the artistic features and development of expressionism and cubism from the perspective of art history and presented illustrative diagrams to integrate theories and the practice. Besides, this study also attempted to justify the relationship between “self creation” and “tradition and trends”. Through experiments, the researcher aimed to search for directions for self creations, escape traditional models to form new art creating structures, and pursue an art creating model featuring personal characteristics. The contents of this research included: 1. Introduction of research motivations, objectives, and methods. 2. Literature review consisted of two sections: (1) Development of expressionism and cubism. (2) Exploration of the artistic styles presented by the expressionist artist, Franz Marc (1880-1916). Expressionism is based on artist’s subjectivity, while cubism deepens the results of color themes in the aesthetic revolutions through restructuring of forms. Both intrinsic meanings and formal colors are indispensable in art creation. Thus, the researcher attempted to clarify and break down the historic evolution of expressionism and cubism through literature review. 3. Artistic features of painting: This chapter mainly discussed the formation of space and structural elements, including methods of presentation, lines and strokes, and forms and colors. 4. Creative ideas and analysis of works: Based on the utilization of experimental skills, this chapter progressively explained the author's creating process and analyzed the forms and contents of the creative works. 5. Preliminary conclusions of this research were induced. Through this research, a new art creating model was constructed to solve problems encountered in art creation, clarify confusions in creative painting, and develop directions for personal creative forms.
Lin, Kuanhsien, e 林冠賢. "A Study Of Chao,Kuni Seal Carving". Thesis, 2011. http://ndltd.ncl.edu.tw/handle/18883685573356479421.
Texto completo da fonte國立臺灣藝術大學
書畫藝術學系碩士班
99
The current paper mainly explores the creation and creativity of seal cutting from Chao Ku-ni and analyzes the sources of materials. Collected works herein are divided chronologically and non-chronologically, both of which serve as evidence to change of style in seal cutting. The paper first explores Chao’s background and living, seeing into relevant documentation and classifying his epithets, and thus comes to grasp the various styles and content of such epithets from various periods; hence the sequence of works can be detected and decided. Meanwhile, the study examines the events during the course of his mastering the art, including the subjects of his emulation and the period when he had become familiar with some friends of his, hoping to unearth the causes of his change of style in seal cutting. This paper deals with Chao Ku-ni’s studying and creating ancient seal cutting and further explores his view of “studying the beauty outside of the seal” by categorizing “casting Han’s seals”, “ancient jade seals”, “schools of seal cutting”, “inscriptions of ancient bronze and stones” and “works of tiles”. The study first clarifies the sequence of the abovementioned artworks and screening which elements are to be integrated into his idiosyncrasies; and secondly the study compares his works to other seal artists who learned from ancient pottery and luting. In addition, the inscriptions on the side or top of a seal are classified as well. Lastly the paper turns to the materials of adopted by Chao Ku-ni, namely, stone, tooth, crystal, jade and bronze. The spectacular quality produced from materials other than stone have become a core factor contributed to Chao’s style. The aesthetics of Chao Ku-ni’s seal cutting has not merely contributed to Yu Shan School’s innovative style, but has influenced the developments from then into later generations as well. The perspectives of Chao’s disciples who succeed his strain are also a major concern in this paper. Keywords: Chao Ku-ni, Yu Shan School, studying the beauty outside of the seal
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