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Bibliografias temáticas / Kofman Sarah

Literatura científica selecionada sobre o tema "Kofman Sarah"

Autor: Grafiati

Publicado: 25 de maio de 2024

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Artigos de revistas sobre o assunto "Kofman Sarah"

1

McDonald, Christie. "Sarah Kofman: Effecting Self Translation". TTR : traduction, terminologie, rédaction 11, n.º 2 (27 de fevereiro de 2007): 185–97. http://dx.doi.org/10.7202/037340ar.

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Abstract Sarah Kofman : Effecting Self Translation — In Sarah Kofman's work, philosophical and psychoanalytical analysis modulate into "life writing" and create a kind of translation which neither alone can fully explain. For Kofman, translation in this sense goes back to readings in philosophy, psychoanalysis and linguistics in order to effect change. Reading Nietzsche through Freud, and Freud through Nietzsche, Sarah Kofman unleashes powerful analytical tools from which emerge a very personal kind of writing in Rue Ordener, rue Labat. What is at stake is the destiny of woman, the extraordinary story of this woman-writer-philosopher and the relationship between life and thought.

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Thevenet, Charlotte. "Derrida's Missing Woman". Paragraph 44, n.º 1 (março de 2021): 58–72. http://dx.doi.org/10.3366/para.2021.0354.

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Since Sarah Kofman's death in 1994, many critics have investigated her friendship with Jacques Derrida, and have tried to make sense of its striking dissymmetry. Contrary to those merely deeming Kofman ‘an orthodox Derridean’ (Alice Jardine), thus ascribing to her the unrewarding role of the disciple, Penelope Deutscher and more recently Ginette Michaud, among others, have endeavoured to interpret Derrida's odd silences and omissions regarding Kofman's work in a more subtle manner. Drawing on these readings, this article questions the erasure of ‘Sarah Kofman’ from Derrida's oeuvre by comparing it to the paradoxical effacement of ‘woman’ in the philosopher's texts, arguing that ‘Sarah Kofman’ both as a proper name and as a corpus figures the ‘woman’ missing from Derrida's work. Drawing on the work of feminist critics like Jardine, Miller and Spivak, the article retraces the ambiguous function of ‘woman’ in Derrida's writing, before stressing parallels between ‘Sarah Kofman’ and the Derridean ‘woman’.

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3

Strong, Tracy B. "On Sarah Kofman". New Nietzsche Studies 7, n.º 3 (2007): 4–6. http://dx.doi.org/10.5840/newnietzsche2007/200873/43.

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4

Deuber-Mankowsky, Astrid, e Ursula Konnertz. "Sarah Kofman (1934 - 1994)". Die Philosophin 6, n.º 11 (1995): 9–11. http://dx.doi.org/10.5840/philosophin199561123.

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5

Weinmann, Heinz. "Sarah Kofman. In Memoriam". Études littéraires 28, n.º 1 (1995): 5. http://dx.doi.org/10.7202/501103ar.

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6

Michaud, Ginette. "Reading Derrida Reading Kofman". Paragraph 44, n.º 1 (março de 2021): 41–57. http://dx.doi.org/10.3366/para.2021.0353.

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This article examines the relationship that Jacques Derrida and Sarah Kofman developed throughout their lifetimes, both as close friends and as philosophers who shared many common research interests. In his tribute to Sarah Kofman, published in Les Cahiers du Grif in 1997, Derrida stated that ‘These interests and exercises go far beyond the limits of a short narrative, indeed of a terminable analysis’, thus challenging the reader to delve into these ‘elliptical greetings’. The numerous interactions present in Kofman's and Derrida's respective bodies of work are not without conflicts nor dissymmetry, and their often oblique modes of acknowledgement are far from any ‘balance’ on either side. Revisiting some of the différends among two great thinkers of différance, this article highlights the Derridean logic of gift and debt at work between them. Focusing on the posthumous tribute Derrida pays to his friend (left untitled, which is itself a revealing gesture), one can sense that there is much at stake in that piece that touches on the major question of forgiveness and the affirmation of survie or living on, thus setting a scene of reading where Derrida's debt towards Kofman turns out to be more telling than one may have expected.

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7

Posada Kubissa, Luisa. "Sarah Kofman, Freud y lo femenino". Atlánticas. Revista Internacional de Estudios Feministas 4, n.º 1 (7 de setembro de 2020): 218–39. http://dx.doi.org/10.17979/arief.2019.4.1.3472.

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Este trabajo se propone rescatar a una pensadora contemporánea poco (re)conocida hoy, como fue Sarah Kofman y, en particular, atender a la relevancia de sus ajustes críticos con el discurso freudiano sobre la feminidad. Desde una innegable afinidad intelectual con el padre del psicoanálisis, esta pensadora analiza las quiebras de su discurso cuando se trata de conceptualizar la femineidad, que la discípula entiende y revisa en Freud no sólo como insuficiente, sino como expresión de un subtexto patriarcal presente ya en filósofos tan reconocidos como Rousseau o el propio Kant. A partir de aquí, se entrará a discutir si estas posiciones de Kofman pueden ser leídas o no en clave de un discurso crítico-feminista.

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8

Eagan, Jennifer. "Enigmas: Essays on Sarah Kofman (review)". Hypatia 17, n.º 3 (2002): 271–73. http://dx.doi.org/10.1353/hyp.2002.0049.

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9

Johnson, Joseph R. "The Margins of a Nightmare". Paragraph 44, n.º 1 (março de 2021): 88–102. http://dx.doi.org/10.3366/para.2021.0356.

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A pivotal fusion of philosophy and life-writing, Sarah Kofman's Comment s'en sortir ? (1983) concludes with a highly experimental essay that uses medieval language as a means of recalling traumatic childhood events. Between the medieval and the personal past (which Kofman terms her own ‘middle ages’), the text of a nightmare stands as a sort of bridge. In this article, I closely consider the meaning and symbolism of the nightmare, with a particular eye to how its central figures condense information that can be gleaned by consulting various sources that Kofman is known to have read. I argue that Kofman's essay, as well as her nightmare, function as a referential space in which medieval material at once conceals and discloses the points of greatest suffering.

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Pieniążek, Paweł. "Metafora i interpretacja u Nietzschego. "Nietzsche et la métaphore" Sarah Kofman". Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica, n.º 19/20 (1 de janeiro de 2007): 29–44. http://dx.doi.org/10.18778/0208-6107.19-20.02.

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L'article analyse l'interprétation deconstructive de la pensée de F. Nietzsche, qui a été presentée par Sarah Kofman sous l'influence de Jacques Derrida et à la base de sa critique de la tradition logocentrique. Kofman discerne deux périodes dans l'evolution de la philosophie de Nietzsche. Dans la premier Nietzsche part de la notion de la métaphore, qui detruit la possibilité du langage rationelle et objectif, mais qui se rapport symboliquement à l'essence dionysiaque du monde. Dans la seconde Nietzsche développe la notion de l'interprétation: la volonté de puissance n'est que l'interprétation, "la hypothèse interprétative" qui fonde la possibilité de l'interprétation en général. À la fin de l'article j'analyse les difficultés concernant l'interprétation presentée par Kofman.

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Teses / dissertações sobre o assunto "Kofman Sarah"

1

Cummings, Ashlee Mae. "The Shelter of Philosophy: Repression and Confrontation of the Traumatic Experience in the Works of Sarah Kofman". Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1248976254.

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2

Giró, Gianfranca. "Après les camps entre autobiographie et fiction : les récits de la survie dans la littérature française contemporaine". Lille 3, 2007. http://www.theses.fr/2007LIL30049.

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3

Vignon, Elodie. "Mère et fille - des relations en question, ou la liberté à tout prix". Thesis, Paris 3, 2013. http://hdl.handle.net/1974/7889.

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The mother-daughter relationship is dual, ambivalent, a hall of mirrors; it is at once the site of the womb and maternity, a veritable matrix of meaning. The mother-daughter pairing moves through the body, constantly calling attention to its origins and valorising a transmission au féminin even from within a patriarchal society. However, it can also prove catastrophic. Though the mother is the first person with whom the daughter identifies—her first link to life—the daughter not only reacts to her, but also pushes against her. It would appear that this confrontation is necessary, that it allows the child to detach herself from the mother even as she models herself on her. In order to avoid a destructive union, the daughter must become conscious of the maternal love from which she must take her distance if she is to become someone, and more precisely, a woman. In the novels analysed here, the daughter’s flight—her quest for independence from her mother—points to her need to create herself, to come into her own without destroying the mother-daughter bond. The notion of space is of the utmost importance in the discovery and (re-)establishment of this exclusive filial/maternal relationship. Space becomes the symbol of the mother and the antidote to filial solitude, a site of resistance, one to be conquered and understood, and thus an incentive to write the mother-daughter relationship. The symbolic matricide—depicted in these novels through the absence of the mother during the process of identification and the liberation of the daughter—ensures, a posteriori, the continuation rather than destruction of the filial/maternal relationship, as well as the affirmation of a female lineage. La relation mère-fille est duelle, ambivalente, jeu de miroirs. A la fois lieu de la matrice, lieu de maternage, et de matriçage. Le couple mère-fille en appelle en effet au corps, revenant à l’origine de cette relation qui valorise une transmission au féminin, et ce à l’intérieur-même d’une société patriarcale tendant à assujettir les femmes. Il peut toutefois aussi devenir désastre. La fille réagit face à sa mère, première personne à laquelle elle peut s’identifier, premier lien à la vie. La confrontation est, semble-t-il, nécessaire, elle permet à l’enfant de se détacher de la figure maternelle tout en s’en servant de modèle. Afin d’éviter une union destructrice, la fille doit prendre conscience d’un amour maternel envers lequel il faut qu’elle prenne ses distances de façon à être, à son tour, quelqu’un, et plus précisément une femme. La fuite des filles, ou du moins leur recherche d’indépendance face à leur mère dans les romans analysés indique cette nécessité de se construire soi-même sans pour autant détruire le lien à la mère. L’espace prend alors une place prépondérante dans la découverte et le rétablissement de cette relation maternelle exclusive. Il s’avère être symbole de la mère, antidote contre la solitude filiale, espace à conquérir et à comprendre, lieu de résistance, incitation à écrire cette relation mère-fille. Le meurtre symbolique de la mère, illustré ici par l’absence de celle-ci lors du processus d’identification et de libération de la fille assure a posteriori la persistance de la relation maternelle ainsi que l’affirmation d’une lignée féminine – et non leur anéantissement.
Thesis (Ph.D, French) -- Queen's University, 2013-04-18 17:21:29.738

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4

St-Louis, Savoie Marie-Joëlle. "Survivances de Sarah Kofman". Thèse, 2012. http://hdl.handle.net/1866/9694.

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Cette thèse propose une analyse de la question de la survivance – notion ayant retenu l’attention de penseurs issus de différentes disciplines tels que Janine Altounian, Jacques Derrida et Georges Didi-Huberman – dans l’œuvre de Sarah Kofman, plus particulièrement dans son récit autobiographique intitulé Rue Ordener, rue Labat, paru en 1994. Quatre grandes orientations guident ce travail dont l’approche théorique se situe à la croisée de la littérature, de la philosophie, de la psychanalyse, de l’histoire (tant sociale que de l’art) et du juridique. Premièrement, nous nous intéressons à ce qu’implique non seulement le fait d’« échapper à la mort », en observant les moyens mis en œuvre pour y parvenir, mais aussi celui de « continuer à vivre » après l’événement de la Shoah. Deuxièmement, nous étudions les différentes manifestations de « la survivance active de l’enfant en nous » (J.-B. Pontalis) de même que celle de « l’objet perdu » dans le travail de deuil impossible, encore autrement « interminable », qui a pris corps dans l’œuvre de Sarah Kofman. Troisièmement, nous abordons la « survivance » au sens du Nachleben d’Aby Warburg et repérons la trace des autres écrits de la philosophe, elliptiquement condensés dans son récit par la reprise de thèmes, le retour de sujets antérieurement évoqués. Quatrièmement, nous interrogeons la locution pronominale « se survivre » et la portée de ses compléments : « dans son œuvre », « dans son témoignage », « dans les mémoires ». Parmi les points qui sont analysés en profondeur dans les chapitres de cette thèse, notons les motifs du ressentiment, du double tragique, du pardon et de l’oubli, de la « disgrâce », de la honte et de la culpabilité, ainsi que les différentes modalités de la survivance – la capacité d’adaptation et le rôle des mères, la lecture, le rire, les arts visuels – mises en œuvre par Sarah Kofman. Dans cette « œuvre-vie » (Pleshette DeArmitt), ce corpus singulier et unique, il s’est toujours agi de ceci, quoi qu’il lui en coûta : « affirmer sans cesse la survie », selon l’expression de Derrida.
This thesis considers the notion of survival—a concept that has attracted the attention of thinkers from various disciplines, from Janine Altounian to Jacques Derrida and Georges Didi-Huberman—in the work of Sarah Kofman, and specifically in her autobiography, Rue Ordener, rue Labat, which came out in 1994. Four lines of inquiry guide this work, whose theoretical approach lies at the crossroads of literature, philosophy, psychoanalysis, and history (both social history and art history), and which, in the central chapter, addresses the legal sphere as well. We begin by looking not only into what it means to “escape death,” (including the attempts to achieve such a goal), but also into the drive to “live on” after the event of the Shoah. Secondly, we study various manifestations of the “active survival of the inner child” (J.-B. Pontalis), as well as the manifestations of the “lost object” in the work of impossible mourning, equally “interminable,” as it takes shape in Kofman’s works. Thirdly, we address the question of “survival” in the sense of Aby Warburg’s Nachleben (a concept studied by Georges Didi-Huberman) and find traces of other writings by Kofman, elliptically condensed in her autobiography, which takes up themes and revisits subjects previously touched upon in her writings. Fourthly, we question the pronominal French locution “se survivre” (to outlive, to outlast) and the scope of its complements: “in his/her work,” “in his/her testimonial,” “in memories”—all drawn together in Kofman’s work in an exemplary manner. Among the points analyzed in depth in the chapters of this thesis are the motifs of resentment, the tragic double, forgiveness and forgetting, “disgrace,” shame and guilt, as well as various modalities of survival—the adaptation ability and the role of mothers, reading, laughter, the visual arts—all used by Kofman. This “LifeWork” (Pleshett DeArmitt), this singular and unique corpus, has always been about “ceaselessly affirming survival,” in the words of Jacques Derrida—no matter how high the price.

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5

Chagnon, Katrie. "De la théorie de l'art comme système fantasmatique : les cas de Michael Fried et de Georges Didi-Huberman". Thèse, 2017. http://hdl.handle.net/1866/20473.

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Livros sobre o assunto "Kofman Sarah"

1

editor, Ullern-Weité Isabelle, ed. Sarah Kofman: Philosopher autrement. Paris: Hermann, 2021.

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2

Oliver, Kelly, e Penelope Deutscher. Enigmas: Essays on Sarah Kofman. Ithaca, NY: Cornell University Press, 1999.

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3

Sarah Kofman et le devenir-femmes des philosophes. Paris: Hermann, 2012.

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4

Isabelle, Ullern-Weité, ed. Sarah Kofman et Jacques Derrida: Croisements, écarts, différences. Paris, France: Hermann, 2018.

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5

1960-, Chanter Tina, e DeArmitt Pleshette 1967-, eds. Sarah Kofman's corpus. Albany, NY: State University of New York Press, 2007.

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6

Sarah Kofman. Descartes & Cie, 1997.

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7

Ginette Michaud e Isabelle Ullern, eds. Sarah Kofman : philosopher autrement. Hermann, 2021. http://dx.doi.org/10.14375/np.9791037007841.

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8

Feyertag, Karoline. Sarah Kofman: Eine Biographie. Turia und Kant, 2014.

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9

(Editor), Penelope Deutscher, e Kelly Oliver (Editor), eds. Enigmas: Essays on Sarah Kofman. Cornell University Press, 1999.

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10

Oliver, Kelly, Penelope Deutscher e Jean-Luc Nancy. Enigmas: Essays on Sarah Kofman. Cornell University Press, 2018.

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Capítulos de livros sobre o assunto "Kofman Sarah"

1

Miller, Paul Allen. "Sarah Kofman". In The Routledge Handbook of Women and Ancient Greek Philosophy, 569–82. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003047858-43.

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2

Pollock, Griselda. "Art as Transport-Station of Trauma? Haunting Objects in the Works of Bracha Ettinger, Sarah Kofman and Chantal Akerman". In Representing Auschwitz, 194–221. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137297693_10.

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3

"Sarah Kofman". In Bildtheorien aus Frankreich, 183–90. Wilhelm Fink Verlag, 2011. http://dx.doi.org/10.30965/9783846750131_017.

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4

Conley, Tom. "Sarah Kofman". In Film, Theory and Philosophy The Key Thinkers, 190–200. McGill-Queen's University Press, 2009. http://dx.doi.org/10.1515/9780773594821-020.

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5

Raczymow, Henri. "Sarah Kofman". In Shadows in the City of Light, 87–99. SUNY Press, 2021. http://dx.doi.org/10.1515/9781438481753-008.

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"Miming History: Sarah Kofman". In She Changes by Intrigue, 177–231. BRILL, 2005. http://dx.doi.org/10.1163/9789401201131_008.

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7

"Sarah Kofman: Bibliography, I963-I998". In Enigmas, 264–75. Cornell University Press, 2019. http://dx.doi.org/10.7591/9781501723742-019.

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8

"Ouvrages cités". In Sarah Kofman et Jacques Derrida, 357–74. Hermann, 2018. http://dx.doi.org/10.3917/herm.micha.2018.01.0357.

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"Sarah Kofman et l’ambiguïté des mères". In Témoignages de l’après-Auschwitz dans la littérature juive-française d’aujourd’hui, 101–20. Brill | Rodopi, 2008. http://dx.doi.org/10.1163/9789401206686_010.

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Rosenblum, Rachel. "Am Sprechen sterben? - Sarah Kofman, Primo Levi". In Jahrbuch der Psychoanalyse, 153–86. frommann-holzboog Verlag, 2004. http://dx.doi.org/10.5771/9783772831485-153.

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