Bibliografias temáticas / Jewish historiography

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Literatura científica selecionada sobre o tema "Jewish historiography"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 31 de julho de 2024

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Artigos de revistas sobre o assunto "Jewish historiography"

Ahuvia, Mika. "Critical Fabulation and the Foundations of Classical Judaism". Studies in Late Antiquity 7, n.º 1 (2023): 29–74. http://dx.doi.org/10.1525/sla.2023.7.1.29.

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This article interrogates the historiography of the field of classical Judaism and suggests what a revisionist feminist historiography of this foundational period might look like. Feminist analysis of gender, class, and race in antiquity allows us to see how scholarly biases today reinscribe and even exceed ancient prejudices. Building on Blossom Stefaniw’s essay “Feminist Historiography and Uses of the Past” and deploying Saidiya Hartman’s method of critical fabulation to analyze synagogue inscriptions and rabbinic texts, this article offers counternarratives of Jewish daily life in the period of Late Antiquity. Through investigation of evidence for enslaved, manumitted, and fostered people in the households of the late antique Jewish patriarchs, this article emphasizes the contribution of ostensibly nonnormative Jews to late antique synagogues, rabbinic learning, and Jewish society in Late Antiquity. It argues that our imaginings of Jewish society and the Jewish household in premodernity must change to accommodate the evidence of these heretofore marginalized Jews and the challenges posed by their enslaved status and/or gendered identity. This restoration of excluded perspectives and traditions represents a more ethical historiographic practice, which produces more inclusive and accurate representations of the past, sets the stage for recognizing continuities through the medieval era, and, finally, enables a different present, one with subjects empowered to construct more ethical social norms within and outside the academy.

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Zimmermann, M. "Jewish History and Jewish Historiography: A Challenge to Contemporary German Historiography". Leo Baeck Institute Yearbook 35, n.º 1 (1 de janeiro de 1990): 35–52. http://dx.doi.org/10.1093/leobaeck/35.1.35.

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Rodrigue, Aron. "Salonica in Jewish Historiography". Jewish History 28, n.º 3-4 (4 de novembro de 2014): 439–47. http://dx.doi.org/10.1007/s10835-014-9221-2.

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Costa Braga, Sabrina. "Historiography and Collective Memory". História da Historiografia: International Journal of Theory and History of Historiography 16, n.º 41 (25 de dezembro de 2023): 1–24. http://dx.doi.org/10.15848/hh.v16i41.1982.

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Zakhor is the commandment of remembrance often repeated in the Torah. It is also the title of an indispensable book for reflection on Jewish identity in relation to historiography. In this article, I will start with the thesis of the Jewish historian Yerushalmi to discuss the relationship between memory and historiography in the Jewish context and beyond. Yerushalmi pointed out a distance between collective memory and historiography that is an interesting starting point for reflection on the possibilities of a non-westernized historiography. The text is divided into an introduction, three topics that aim: to present Yerushalmi’s book; to present the main comments to the book; to reflect on the place or non-place of the national element in a Jewish history; and a conclusion. Thus, I will question the tension between memory and history and a possible approximation that goes beyond the modern notion of historiography. Thus, reading Yerushalmi’s thesis as a possibility of rethinking the instruments of historiography.

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Wharton, Annabel Jane. "Jewish Art, Jewish art". IMAGES 1, n.º 1 (2007): 29–35. http://dx.doi.org/10.1163/187180007782347584.

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AbstractAs the Jews have always produced art, the question arises, why is the notion of a Jewish Art so problematic? No effort is made in this paper to review or summarize the arguments for or against "Jewish Art." Rather, it attempts a modest shift in the terms of the debate. The essay addresses the question by considering the historiography of Jewish art in relation to both the End-of-Art debates and the Holocaust industry.This paper offers a provisional answer to the question: Why has Jewish art never managed to become Jewish Art? The End of Art debate conditions the discussion; the institutions of Jewish art provide its substance.

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ENDELMAN, TODD. "Anglo-Jewish Historiography and the Jewish Historiographical Mainstream". Jewish Culture and History 12, n.º 1-2 (agosto de 2010): 28–40. http://dx.doi.org/10.1080/1462169x.2010.10512142.

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CHARVIT, YOSSEF. "The Sabbatean syndrome, the messianic idea and Zionism". Journal of Jewish Studies 75, n.º 1 (3 de abril de 2024): 137–59. http://dx.doi.org/10.3828/jjs.2024.75.1.137.

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My research, still in its early stages, proposes a basic methodological and historiographic perspective that transcends particularistic analysis. This perspective challenges the crisis orientation that has dominated Zionist historiography and examines the roots of Zionism that are integral to the Sephardic diaspora. The purpose, conscious or otherwise, of Zionist historiography that detaches the sixteenth from the nineteenth century is to ensure that the mighty process of return to the Jewish homeland is attributed exclusively to Zionism of the modern era. This ignores all the momentous accomplishments of the sixteenth century that heralded a new age in the settlement of Eretz Israel. Most Zionist historiographers attempt to ‘normalize’ history so that anything hinting at redemption is summarily excised. This is the meaning of the historiographic dispute taking place over the past few decades concerning messianism and the history of Jewish settlement of Eretz Israel in the modern era.

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Meyer, Michael A. "New Reflections on Jewish Historiography". Jewish Quarterly Review 97, n.º 4 (2007): 660–72. http://dx.doi.org/10.1353/jqr.2007.0055.

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Endelman, Todd M. "New Turns in Jewish Historiography?" Jewish Quarterly Review 103, n.º 4 (2013): 589–98. http://dx.doi.org/10.1353/jqr.2013.0039.

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Samuels, Maurice. "The Question of Assimilation in French Jewish Historiography". French Historical Studies 43, n.º 1 (1 de fevereiro de 2020): 29–45. http://dx.doi.org/10.1215/00161071-7920436.

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Abstract This article examines one of the defining features of French Jewish historiography: the debate over assimilation. Beginning with Jewish nationalist historians in the late nineteenth century, French Jews were accused of having gladly renounced their Jewish identity to partake of the benefits of emancipation. Twentieth-century historians writing in the wake of Hannah Arendt offered a similar condemnation of the “politics of assimilation.” At the end of the twentieth century, however, historians began to question this consensus, suggesting that French Jews sought out distinct ways of maintaining their religious and cultural identity. Ultimately, this article argues that the debate reflects a conflict over ideological frameworks used to interpret Jewish modernity. Cet article examine le débat sur l'assimilation qui traverse l'historiographie du judaïsme français. Selon les historiens nationalistes juifs de la fin du dix-neuvième siècle, les juifs français auraient renoncé volontairement à leur identité juive afin de jouir des bienfaits de leur émancipation. Les historiens du vingtième siècle écrivant dans la lignée d'Hannah Arendt ont été également prompts à critiquer cette « politique de l'assimilation ». Pourtant, à la fin du vingtième siècle, certains historiens ont commencé à mettre en doute ce consensus, soulignant les divers moyens par lesquels les juifs auraient essayé de conserver leur identité religieuse et culturelle tout en devenant des citoyens français. En fin de compte, cet article suggère que c'est le cadre idéologique qui produit les différences d'opinion dans ce débat sur la modernité juive.

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Teses / dissertações sobre o assunto "Jewish historiography"

Hine, Gary. "Revisiting the historiography of Luke: 2 Maccabees, Luke and the Jewish-Hellenistic historical fiction monograph". Thesis, Hine, Gary (2015) Revisiting the historiography of Luke: 2 Maccabees, Luke and the Jewish-Hellenistic historical fiction monograph. PhD thesis, Murdoch University, 2015. https://researchrepository.murdoch.edu.au/id/eprint/31349/.

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The present dissertation contends that the Gospel of Luke and 2 Maccabees stand at the junction of Biblical historical narratives and Greco-Roman historiography. A literary product of this generic intersection was the emergence of the Jewish-Hellenistic historical fiction monograph which may be defined as: A short historiographic narrative that exists in a separate volume, covers a limited chronological period and restricted geographical area, and has a consistent focus on one theme and person. It professes to be historiography and is often received as such. It centers on real historical subjects and endeavours to recount the reality of the past even if this includes historical errors, chronological manipulations, and supernatural causality. It proposes that Luke qualifies as an ancient historiographic narrative and exhibits generic aspects and methodologies characteristic of the Jewish-Hellenistic historical fiction monograph, particularly as might also be observed in 2 Maccabees. The thesis does not seek to argue that Luke depends on Second Maccabees, nor that it derives its generic structure and historiographical nature from the Maccabean narrative. What it suggests is that when viewed from the perspective that literary genres are fluid rather than fixed and often proceed from a prototype towards similar although divergent types, together with the recognition that ancient historiography was in practice flexible with regards to historic veracity, both Luke and Second Maccabees share generic and historiographic similarities and may be treated as historiography. The authors of Luke and 2 Maccabees imagined they were writing history. This is evident through their prologues and in their use of ancient historiographic methodology. Both authors sought to position their narratives in a recent historic context with a focus on a specific individual. However, in the shaping of their narratives to conform to a particular ideology they made errors in historic details, manipulated earlier sources, and relied on supernatural causality to explain events. This shaping blurred the boundaries between ‘fact’ and ‘fiction’. It is proposed that such historiographic methodology and shaping conforms to the characteristics of the Jewish-Hellenistic historical fiction monograph and that Luke and 2 Maccabees stand side-by-side in this tradition.

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Davies, Jonathan. "Representing the dynasty in Flavian Rome : the case of Josephus' "Jewish War"". Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:49ea83e6-6943-4abd-9c47-19c750ee8a93.

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This thesis investigates the problem of contemporary historiography and regime representation in Flavian Rome through a close study of a text not usually read for such purposes but which has obvious promise for a study of this theme, the Jewish War of Flavius Josephus. Having surveyed the evolution of our conception of Josephus' relationship to Flavian power, taken a broad account of issues of political expression and regime representation in Flavian Rome outside Josephus and examined questions relating to the structure and date of the work, I will provide a series of thematically-focused readings of the three senior members of the Flavian family, Vespasian, Titus and Domitian, as represented by their contemporary and client Josephus. Key topics to be explored include the level of independence of Josephus' vision, his work's relationship to how the regime is depicted in other contemporary sources, how Josephus makes the Flavians serve his own agenda (which is distinct from the heavy focus of most previous scholarship on how Josephus served their agenda), and the viability and usefulness of certain types of reading practices relating to figured critique which have recently become influential in Josephan scholarship. The thesis offers a new approach to Josephus' relationship to the Flavian Dynasty and sheds new light on contemporary historiography and political expression in the Early Principate.

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Gross, Adam D. "Josephus and his Choice: Reading the 'Bellum Judaicum' within the Greco-Roman Historiographic Tradition". Thesis, Boston College, 2012. http://hdl.handle.net/2345/2628.

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Thesis advisor: Kendra Eshleman
This paper reads Josephus' 'Bellum Judaicum' within the Greco-Roman historiographic tradition and argues that this work must be read within this context. Josephus adheres to the conventions of this tradition and an examination of this shows that specific objections raised by scholars who consider Josephus unreliable are better explained as him following these conventions. Josephus chooses to write in this tradition because it allows him to address a tripartite audience of Jews, Romans, and the Greek-speaking east in order to instruct all sides on the best ways to manage affairs between Rome and her subject nations. It further concludes that Josephus should be considered a reliable historian
Thesis (BA) — Boston College, 2012
Submitted to: Boston College. College of Arts and Sciences
Discipline: College Honors Program
Discipline: Classics Honors Program
Discipline: Classical Studies

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Rabin, Anthony. "The Adiabene narrative in the Jewish Antiquities of Josephus". Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:ef0f2ecf-568c-44ca-af6d-81738447c85e.

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The story of the conversion to Judaism of the Royal House of Adiabene, a satellite kingdom of Parthia, is contained in Book 20, the final book of Josephus's Jewish Antiquities. It is an ostensibly strange interlude in an otherwise chronological account of events in Judaea in the first century CE leading up to the Jewish Revolt against Rome. The narrative has often been thought of by scholars as a makeweight, copied from other sources, without much authorial intervention by Josephus. The thesis shows that the Adiabene narrative is no makeweight, but is crafted by Josephus to link closely to the themes of the Jewish Antiquities as a whole and indeed forms a coda to the work. The primary links are in the messages that Judaism is attractive to distinguished non-Jews, that Jews are a respectable people who can display Greco-Roman virtues and that the Jewish God is all-powerful and protects from harm those who worship him in piety. The links to the rest of the Jewish Antiquities are reinforced by the similarity of the characterisation of the hero Izates, King of Adiabene, with Josephus's characterisation of biblical heroes, and by a continuity of style of historiography, showing a definite authorial imprint. The thesis also concludes, contrary to most scholarly opinion, that Josephus viewed the hero, Izates, as a Jew before he became circumcised. The thesis concludes that much of the narrative's historiographical style would have resonated with a non-Jewish Greco-Roman readership, Josephus's probable audience, albeit his treatment of Parthian incest and extensive focus on circumcision would have probably seemed strange. In addition, Josephus's use of a royal Parthian as hero would have been credible, notwithstanding Greco-Roman cultural prejudices.

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MacGregor, Fianna Raven. "The Responsibilities and Limitations of Holocaust Storytelling: Understanding the Structure and Usage of the Master Narrative in Holocaust Film". PDXScholar, 2011. https://pdxscholar.library.pdx.edu/open_access_etds/150.

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When we speak of historical events, we do so with a certain amount of perceived knowledge; that is, we come to believe we know specific, individual 'truths' about the event. Since historical works are never unembellished lists of documented facts, the knowledge of how we conceive of factual events, how we document events we did not witness, is important in understanding the resulting storytelling process, not just in fictional literary constructs such as novels, short stories, poetry or film, but in the formulation of history itself. For written history must be seen, at least in part, as a constructed or representational reality and this construction generally takes place organically, that is, there are no architects of such histories. Instead, they come together as a result of public acceptance of the individual elements of the narrative. Over time, historical data and anecdotal narrative solidify into a cohesive whole made up of both hard fact and individual response to those facts, a blended whole that can be termed the master narrative of the historical event and which serves as the basis on which we construct the fictional narratives of literature and film.

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Rupnow, Dirk. "Vernichten und Erinnern : Spuren nationalsozialistischer Gedächnispolitik /". Göttingen : Wallstein-Verl, 2005. http://www.h-net.org/review/hrev-a0f1n6-aa.

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Kaiyal, Robyn. "Rethinking history : from traditional Zionism to a New Post-Zionist curriculum: An examination of Israel's New historiography and its application in American Jewish education /". Ann Arbor, Mich. : UMI, 2001. http://wwwlib.umi.com/dissertations/preview/3013589.

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Maeck, Julie. "Voir et entendre la destruction des Juifs d'Europe: histoire parallèle des représentations documentaires à la télévision allemande et française, 1960-2000". Doctoral thesis, Universite Libre de Bruxelles, 2007. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210722.

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Voir et entendre la destruction des Juifs d’Europe analyse l’aporie sur laquelle butent les documentaires à la télévision française et allemande, de 1960 à 2000. De Nuit et Brouillard du Français Alain Resnais aux séries de l’Allemand Guido Knopp, en passant par le Mein Kampf de Erwin Leiser, par Les Dossiers de l’écran consacrés à la diffusion d’Holocaust à la télévision française, par Shoah de Claude Lanzmann et d’autres films majeurs, tous s’affrontent à l’impossibilité de représenter, via l’image d’archives et le témoignage, de donner à « voir » et à « entendre » l’extermination de plus de cinq millions de personnes. L’examen minutieux de l’usage du témoignage et de l’image d’archives permet de dégager les stratégies mises en place, au fil du temps, par les réalisateurs pour contourner cette aporie. Les métamorphoses du statut et de la fonction des traces sonores et visuelles au sein du récit documentaire jettent également un éclairage sur la définition fluctuante de l’événement historique, sur les déplacements de regards et de sens portés sur le matériel iconographique et les souvenirs des acteurs de l’époque qui bousculent immanquablement la perception de l’histoire des Juifs sous le nazisme.

Parallèlement à cette analyse interne, proposant un savoir non plus livresque du film, mais, au contraire un savoir qui intègre ses qualités propres, que sont l’audio et le visuel, la focale s’élargit au contexte mémoriel de la réalisation et de la diffusion du film afin d’évaluer le degré de singularité du discours élaboré par son auteur. Le documentaire est-il créateur de débats et d’événements, de sources de représentations et de croyances ?Donne-t-il, au contraire, au débat l’occasion de s’exprimer, limitant alors son rôle à un effet de miroir – fidèle ou non – des mémoires collectives ?Au regard de la connexité des sources (orales, visuelles et scripturales) entre l’historien et le réalisateur de documentaires, se superpose une interrogation relative à la nature du discours énoncé par le film :est-il d’ordre historique ou métahistorique ?Est-il du domaine de la connaissance ou, au contraire, s’inscrit-il dans la perspective d’un discours sur l’histoire utilisant les données historiques pour servir des enjeux du temps présent qui imposent ce dont il faut se souvenir ?

Cette approche, replaçant les représentations documentaires dans leur propre contexte mémoriel et historiographique s’enrichit d’une perspective comparatiste entre les représentations documentaires allemandes et françaises qui a l’avantage de sortir des débats et enjeux nationaux relatifs au film documentaire.

Voir et entendre la destruction des Juifs d’Europe présente ainsi une histoire culturelle et critique de la mémoire télévisuelle de l’événement juif de la Seconde guerre mondiale

Doctorat en philosophie et lettres, Orientation histoire
info:eu-repo/semantics/nonPublished

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Friedman, David A. "Josephus on the servile origins of the Jews in Egypt". Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:313b7cfc-8abb-4bcf-b7d8-4a0131fab691.

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The Exodus story of the Israelites' slavery in Egypt and subsequent redemption was central to Jewish accounts of their national origins and was an important component of Jewish self-identification in antiquity. Although Greek and Latin sources appear ignorant of the Exodus story, ancient ethnographies of the Jews in non-Jewish sources claim that the Jews were originally Egyptian. This thesis examines how Josephus presents the Exodus story of the Jews' servile national origins in Egypt to a Roman audience who had biases against slaves, freedmen, and Egyptians, and little knowledge of Jewish origins apart from reports that they were Egyptian by origin. Josephus's first work Jewish War, a politico-military history, includes tangential remarks about Jewish origins, but implies in the proem that the Jews were originally Egyptian. Jewish Antiquities, which rewrites the biblical account of Jewish origins, explicitly denies that the Jews were originally Egyptian and deliberately omits mention of the Jews' servitude in Egypt at important points in the narrative where it would have been expected. In Against Apion, an apologia, Josephus subtly uses keywords and the rhetorical technique of insinuatio to prove that the Jews were not originally Egyptian without stating openly that this is a goal of the work. Several factors explain these results. Aristotle's theory of natural slavery, which posits that slaves are innately defective, was part of the ideological assumptions of first century CE Roman elites. Romans were also ambivalent about their own partly-servile origins in Romulus's asylum. Influenced by Augustan propaganda about Actium, first-century Roman sources deride Egyptians with a range of negative stereotypes. Josephus denies that the Jews were Egyptian and omits their servile origins at important points in the narrative where the Bible mentions it in order to portray the Jews as favorably as possible.

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Wallenborn, Hélène. "L'historien, la parole des gens et l'écriture de l'histoire: l'exemple d'un fonds de témoignages audiovisuels de survivants des camps nazis". Doctoral thesis, Universite Libre de Bruxelles, 2004. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/211141.

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Cette étude analyse le contexte d’élaboration et le contenu d’un corpus de témoignages de rescapés des camps nazis composé de récits de résistants et de Juifs enregistrés dans les années 1990 par la Fondation Auschwitz de Bruxelles, dont un des buts est de prévenir la résurgence de toute forme de fascisme.

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Doctorat en philosophie et lettres, Orientation histoire
info:eu-repo/semantics/nonPublished

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Mais fontes

Livros sobre o assunto "Jewish historiography"

Ada, Rapoport-Albert, ed. Essays in Jewish historiography. Atlanta, Ga: Scholars Press, 1991.

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1908-1987, Momigliano Arnaldo, e Rapoport-Albert Ada, eds. Essays in Jewish historiography. Middletown, CT: Wesleyan University, 1988.

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Yerushalmi, Yosef Hayim. Zakhor, Jewish history and Jewish memory. New York: Schocken Books, 1989.

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Rosman, Murray Jay. How Jewish is Jewish history? Oxford: The Littman Library of Jewish Civilization, 2007.

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Mendes-Flohr, Paul, Rachel Livneh-Freudenthal e Guy Miron, eds. Jewish Historiography Between Past and Future. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110554618.

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1971-, Stone Dan, ed. The historiography of the Holocaust. New York: Palgrave Macmillan, 2004.

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Yerushalmi, Yosef Hayim. Zakhor: Jewish history and Jewish memory. Seattle: University of Washington Press, 1996.

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Bell, Dean Phillip, ed. The Routledge Companion to Jewish History and Historiography. Milton Park, Abingdon, Oxon; New York, NY: Routledge, [2019]: Routledge, 2018. http://dx.doi.org/10.4324/9780429458927.

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Weinberg, Elizabeth. Indiana Jewish history. Fort Wayne, IN: Indiana Jewish Historical Society, 1991.

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Stone, Dan. Constructing the Holocaust: A study in historiography. London: Vallentine Mitchell, 2003.

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Capítulos de livros sobre o assunto "Jewish historiography"

Heywood Jones, David. "Jewish Historiography". In Moses Hirschel and Enlightenment Breslau, 5–34. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-46235-2_2.

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Craig-Norton, Jennifer. "Jewish Refugee Historiography". In Migrant Britain, 128–37. Abingdon, Oxon ; New York, NY : Routledge, 2019. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315159959-15.

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Rozett, Robert. "Jewish Resistance". In The Historiography of the Holocaust, 341–63. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230524507_16.

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Bell, Dean Phillip. "Postmodernism, Jewish history, and Jewish historiography". In The Routledge Companion to Jewish History and Historiography, 572–84. Milton Park, Abingdon, Oxon; New York, NY: Routledge, [2019]: Routledge, 2018. http://dx.doi.org/10.4324/9780429458927-46.

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Buber, Martin. "Jewish Studies". In Jewish Historiography Between Past and Future, editado por Paul Mendes-Flohr, Rachel Livneh-Freudenthal e Guy Miron, 197–202. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110554618-012.

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Michman, Dan. "Jewish Leadership in Extremis". In The Historiography of the Holocaust, 319–40. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230524507_15.

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Cannon, Ellen. "Contemporary Jewish politics and historiography". In The Routledge Companion to Jewish History and Historiography, 310–25. Milton Park, Abingdon, Oxon; New York, NY: Routledge, [2019]: Routledge, 2018. http://dx.doi.org/10.4324/9780429458927-22.

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Kornfeld, Jodi. "Visual arts and Jewish historiography". In The Routledge Companion to Jewish History and Historiography, 335–42. Milton Park, Abingdon, Oxon; New York, NY: Routledge, [2019]: Routledge, 2018. http://dx.doi.org/10.4324/9780429458927-24.

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Rabinovitch, Simon. "Jewish politics". In The Routledge Companion to Jewish History and Historiography, 534–49. Milton Park, Abingdon, Oxon; New York, NY: Routledge, [2019]: Routledge, 2018. http://dx.doi.org/10.4324/9780429458927-43.

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Bell, Dean Phillip. "Non-Jewish records". In The Routledge Companion to Jewish History and Historiography, 396–405. Milton Park, Abingdon, Oxon; New York, NY: Routledge, [2019]: Routledge, 2018. http://dx.doi.org/10.4324/9780429458927-31.

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Trabalhos de conferências sobre o assunto "Jewish historiography"

Shakir Sultani, Haider. "The Problematic of Characterizing Genocide A Reading in the Techniques of Historical Trends to Explain the Jewish Genocide". In Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/16.

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"The research is an attempt designed to diagnose the problematic of characterizing the genocide by adopting the ""Holocaust"" as a paradigm for the hypothesis addressed by the research, reviewing the trends of historians' interpretation of the genocide since the end of World War II (1945), as well as tracking the historical stations that those interpretations have gone through, the problems and crises that they provoked in Germany, and the response of German historical circles for the challenge imposed by those interpretations. The research is divided into two topics: the first: The Historians' Trends in Interpreting the Nazi Genocide of the Jews until the 1980s. As for the second: the ""Holocaust"" Historiography, the Nazi Knot, and the Identity Crisis in Germany."

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Relatórios de organizações sobre o assunto "Jewish historiography"

Velychko, Zoriana, e Roman Sotnyk. LINGUISTIC PRESENTATION AND TERMINOLOGICAL ASPECTS OF THE HOLODOMOR OF THE 1920s AND 1930s. Ivan Franko National University of Lviv, março de 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12166.

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The article reveals and analyses a wide range of terms for the Holodomor of the 1920s and 1930s in Ukraine. The main objectives of the study are to find out the peculiarities of the linguistic presentation of the Holodomor phenomenon in scientific, popular science, and journalistic discourses, and to reveal semantic differences in the use of various terms for the Holodomor used in different languages. The main methodological bases of the study are linguistic analysis, socio-cultural method, qualitative content analysis, comparative method, etc. The method of retrospection must be used to substantiate the hypothesis. Thus, the reasons for the formation of the semantic contours of the terms “Holodomor”, “Famine”, “Great Famine”, “Terror by Famine”, “Big Hunger”, etc. were clarified. At the same time, the semantic nuances of word use are identified. As a conclusion, the authors substantiate the fundamental importance of using the term “Holodomor-genocide” in scientific circulation as the one that most accurately represents the essence of the historical phenomenon of the Holodomor. Based on the analysis of the documents, the content of the term “genocide” is formulated. It is explained that the Holodomor is genocide of the Ukrainian people, just as the Holocaust is genocide of the Jewish people. The authors prove the anti-Ukrainian orientation of the consistent and deliberate policy of Stalin and his followers against the Ukrainian nation, which culminated in the murder by starvation. These research findings are significant not only for the development of Ukrainian terminology or international terminology. They are also of great importance for modern politics, political science and historiography, and jurisprudence, especially in the context of a new genocide – the Russian Federation’s full-scale war of aggression against Ukraine. Keywords: Holodomor; genocide; Ukraine; Stalin’s terror; terminology.

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