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Bibliografias temáticas / Jewish (1939-1945) on television

Literatura científica selecionada sobre o tema "Jewish (1939-1945) on television"

Autor: Grafiati

Publicado: 27 de julho de 2024

Última modificação: 28 de julho de 2024

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Artigos de revistas sobre o assunto "Jewish (1939-1945) on television"

1

Berger, Alan L. "The Holocaust, Second-Generation Witness, and the Voluntary Covenant in American Judaism". Religion and American Culture: A Journal of Interpretation 5, n.º 1 (1995): 23–47. http://dx.doi.org/10.1525/rac.1995.5.1.03a00020.

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Widespread discourse about the Holocaust entered American popular culture in the seventies in two main ways: a series of television shows that purportedly focused on the destruction of European Judaism and two books that dealt specifically with the children of survivors. The television miniseries, Gerald Green's Holocaust (1978), suited the national need for simplified history and melodrama. Moreover, given the American penchant for ethnic identifiers, Holocaust became known as the Jewish Roots. The networks soon aired other Holocaust programs, including Herman Wouk's far less commercially successful The Winds of War. The resultant Holocaust discourse was frequently poorly informed and historically naive. On the one hand, it reflected a tendency in Western culture to think that the Holocaust ended definitively in 1945. On the other hand, this discourse frequently neutralized the evil of nazism.

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KANDRATSENKA, A. "SLOVAK HISTORIOGRAPHY ON THE PROBLEM OF THE STATE OF NATIONAL MINORITIES IN THE SLOVAK REPUBLIC DURING THE SECOND WORLD WAR". Herald of Polotsk State University. Series A. Humanity sciences 66, n.º 1 (10 de fevereiro de 2023): 91–95. http://dx.doi.org/10.52928/2070-1608-2023-66-1-91-95.

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The article gives an assessment of the Slovak historiography on the problem of the state of national minorities in the Slovak Republic in 1939–1945. Modern historians focus on previously unexplored topics, such as the Slovak-Hungarian borderlands, the expulsion of Czechs, the evacuation of the Carpathian Germans, the deprivation of property of the Jewish community, etc. The most studied and controversial aspects of the socio-political and economic life of the national minorities of Slovakia in the period 1939–1945 are noted.

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Michlic-Coren, Joanna. "Anti-Jewish Violence in Poland, 1918–1939 and 1945–1947". Polin: Studies in Polish Jewry 13, n.º 1 (janeiro de 2000): 34–61. http://dx.doi.org/10.3828/polin.2000.13.34.

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Roche, Emily. "Building through the flames: Polish-Jewish architects and their networks, 1937–1945". Studia Rossica Posnaniensia 49, n.º 1 (11 de junho de 2024): 71–87. http://dx.doi.org/10.14746/strp.2024.49.1.5.

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Before 1939, Jewish architects were active members of their profession, participating in domestic and international architectural networks and contributing to the built environment of Polish cities. From the mid-1930s, however, intensifying antisemitism and far-right political forces pressured architectural networks to exclude Jews from professional unions. The start of the Second World War and the German occupation in 1939 strained professional architectural networks but led to the formation of underground workshops, cooperatives, and other groups, whose connections extended from Warsaw through the camps and ghettos of occupied Poland. This article presents the history of Jewish-Polish architects from 1937 to 1945. Demonstrating how architectural networks reacted to changing conditions of war, occupation, and genocide, it emphasizes architectural networks as sites of political engagement, ranging from prewar antisemitic attacks on Jews and their removal from the Society of Polish Architects (SARP) to underground architectural networks that hid Jews and allowed them to work. Although the fate of Jewish architects depended largely on their relationships with their professional networks, they also actively decided how to utilize those networks to resist the Nazis and to ensure their survival. This research shows that interpersonal relationships and wartime networks were consequential in determining the wartime fates of Jewish architects and also shaped the profession’s post-war structure.

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Fox, J. P. "German-and Austrian-Jewish Volunteers in Britain's Armed Forces 1939-1945". Leo Baeck Institute Yearbook 40, n.º 1 (1 de janeiro de 1995): 21–50. http://dx.doi.org/10.1093/leobaeck/40.1.21.

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Székely, Gabriel. "Gréckokatolícka cirkev a Židia v Slovenskej republike v rokoch 1939–1945". Studia historica Brunensia, n.º 2 (2022): 91–124. http://dx.doi.org/10.5817/shb2022-2-4.

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The study analyzes the attitude of the Greek Catholic Church towards the Jewish population in the Slovak Republic during 1939–1945. In the authoritarian political regime, this minority church was confronted with the nationalist and racial (anti-Semitic) policies of the state; a fundamentally oppositional attitude towards the regime was interpreted in the form of pastoral letters, or public appearances of its hierarch – Bishop Peter Pavel Gojdič. The study describes specific forms of help from the clergy of the Greek Catholic Church intending to rescue the Jewish population from the repressive measures and deportations of the regime. The most common form of help and rescue of Jews was baptism and the issuing of false letters on baptisms with antedated baptisms. Persecuted Jews also found help by getting presidential exemptions and issuing letters on baptisms, hiding valuables and movable property, saving their real estates from arization, and finally sheltering people from persecution and deportation.

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Machin, G. I. T. "British Churches and the Cinema in the 1930s". Studies in Church History 28 (1992): 477–88. http://dx.doi.org/10.1017/s0424208400012638.

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With the possible exception of the ‘wireless’, the cinema was the most popular form of entertainment in Britain from the 1920s to the 1950s, when attendances began to decline and cinemas to close because of the competing power of television. On the eve of the Second World War, television was still in struggling infancy, while the number of cinemas had grown from some 3,000 in 1914 to about 5,000 in 1939, some of the recent ones having been built on a palatial scale. The introduction of sound films in 1929 enhanced the cinema’s popularity, and by 1939 annual attendances exceeded 1,500 million. Still higher figures were reached for a few years from 1945.

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Graczyk, Konrad, e Hubert Mielnik. "Special Courts (Sondergerichte) in the General Government (1939–1945)". Tijdschrift voor Rechtsgeschiedenis / Revue d'Histoire du Droit / The Legal History Review 91, n.º 1-2 (25 de agosto de 2023): 271–308. http://dx.doi.org/10.1163/15718190-2023xx12.

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Summary This article presents the legal bases of operation and organisation of the special judiciary in the General Government for the occupied Polish territories. Special courts were subject to the policy pursued by the German authorities in the General Government. The German legislation in the gg delegated to the jurisdiction of special courts chiefly such criminal matters that involved safeguarding German interests in the occupied country. Adjudication in such cases boiled down to applying normative acts related to combatting serious (severe) crime or expressly pursued the German policy in the gg, including the exterminatory anti-Jewish legislation. The special courts created by the German occupier in the General Government were not judicial authorities in the traditional sense. The literature on the topic is not particularly extensive. The article would be the first comprehensive study of this subject written in English.

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Stone, Daniel. "Coverage of the Holocaust in Winnipeg’s Jewish and Polish Press 1939–1945". Polin: Studies in Polish Jewry 19, n.º 1 (janeiro de 2007): 183–203. http://dx.doi.org/10.3828/polin.2007.19.183.

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Schleunes, Karl A., e Richard C. Lukas. "Did the Children Cry? Hitler's War against Jewish and Polish Children, 1939-1945." American Historical Review 101, n.º 2 (abril de 1996): 520. http://dx.doi.org/10.2307/2170499.

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Teses / dissertações sobre o assunto "Jewish (1939-1945) on television"

1

Brodie, Mark Phillip. ""From Darwin to the death camps" : a collage of Holocaust representation focusing on perpetrator atrocity discourse in literature, drama, and film /". Auburn, Ala., 2007. http://repo.lib.auburn.edu/07M%20Dissertations/BRODIE_MARK_43.pdf.

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Mosley, Paul David. "Frightful crimes : British press responses to the holocaust 1944-45 /". Connect to thesis, 2002. http://eprints.unimelb.edu.au/archive/00000552.

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Goss, Nina Rochelle. "Reading is still life : how my journey to planet Auschwitz taught me the awful irresistible yes /". Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/9451.

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Dowling, Shannon. "Hitler on Lygon Street : Lily Brett and second generation Jewish suffering". Title page, table of contents and abstract only, 2004. http://web4.library.adelaide.edu.au/theses/09PH/09phd747.pdf.

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Martin, Michael John Harris Charles B. Goldfarb Alvin. "Struggling with the language of night the development and application of a postmodern lens for the teaching, reading, and interpretation of Holocaust literature /". Normal, Ill. Illinois State University, 2002. http://wwwlib.umi.com/cr/ilstu/fullcit?p3064519.

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Thesis (Ph. D.)--Illinois State University, 2002.
Title from title page screen, viewed February 23, 2006. Dissertation Committee: Charles B. Harris, Alvin Goldfarb (co-chairs), Rebecca Saunders, Roberta Seelinger Trites. Includes bibliographical references (leaves 294-304) and abstract. Also available in print.

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Köster, Juliane. "Archive der Zukunft der Beitrag des Literaturunterrichts zur Auseinandersetzung mit Auschwitz /". Augsburg : Wissner, 2001. http://catalog.hathitrust.org/api/volumes/oclc/50591175.html.

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Costa, Amanda Jean. "Accessory to genocide? : an exploration of America's response to the Holocaust /". Lynchburg, VA : Liberty University, 2007. http://digitalcommons.liberty.edu.

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Kampmark, Binoy. "Victims and executioners : American political discourses on the holocaust from liberation to Bitburg /". [St. Lucia, Qld.], 2004. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18428.pdf.

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Watt, Katherine. "Jewish partisans in the Soviet Union during World War II". Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23856.

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Although the Soviet partisan movement in the Second World War was one of a kind, in the sense that it was far more substantial than any comparable phenomenon in the West, the Jewish role within it had its own historical peculiarities. If Jewish motives for taking up arms against the occupying forces of the Third Reich were much the same as those of other partisans, they were forced to come to terms with the anti-Semitism not only of their Axis foes, but of so-called collaborators, anti-Nazi but anti-Soviet nationalists, and anti-Nazi but anti-Semitic Soviet partisans. This subject has not been explored by Soviet historians for obvious ideological reasons and the scant literature in English so far is limited largely to eye-witness accounts and insufficient statistics, which this thesis makes use of. Its purpose is to attempt to ascertain the Jewish contribution to the Soviet partisan movement and the circumstances, some of them unique, that defined it.

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Tillman, Aaron. "Magical American Jew : the enigma of difference in contemporary Jewish American short fiction and film /". View online ; access limited to URI, 2009. http://0-digitalcommons.uri.edu.helin.uri.edu/dissertations/AAI3368007.

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Mais fontes

Livros sobre o assunto "Jewish (1939-1945) on television"

1

L, Rashke Richard, ed. Escape from Sobibor: CBS Television Reading Program. New York: CBS Television Network, 1987.

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2

Maeck, Julie. Montrer la Shoah à la télévision, de 1960 à nos jours. Paris: Nouveau monde, 2009.

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3

Schäbitz, Michael. Hans Rosenthal: Deutschlands unvergessener Quizmaster : bewusster, stolzer Jude. Teetz: Hentrich & Hentrich, 2004.

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4

Anson, Rabinbach, e Zipes Jack David, eds. Germans and Jews since the Holocaust: The changing situation in West Germany. New York: Holmes & Meier, 1986.

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5

Degen, Michael. Nicht alle waren Mörder: Eine Kindheit in Berlin. München: Econ, 1999.

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6

Kansteiner, Wulf. In pursuit of German memory: History, television, and politics after Auschwitz. Athens, OH: Ohio University Press, 2004.

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7

Grzesik, Julian. Zagłada Żydów (1939-1945). 3^a ed. Lublin: Wydawnictwo-Drukarnia "Liber Duo", 2011.

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8

Żydowski Instytut Historyczny im. Emanuela Ringelbluma e Stowarzyszenie Żydów Kombatantów i Poszkodowanych w II Wojnie Światowej, eds. Żydzi w walce 1939-1945. Warszawa: Żydowski Instytut Historyczny, 2009.

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9

Czech, Danuta. Auschwitz chronicle, 1939-1945. New York: H. Holt, 1990.

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10

Czech, Danuta. Auschwitz chronicle 1939-1945. London: Tauris, 1990.

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Capítulos de livros sobre o assunto "Jewish (1939-1945) on television"

1

Bignell, Jonathan. "The Absence of Television: Broadcasting and War in Britain, 1939–1945". In Issues and Singularity in the British Media Volume 2, 71–93. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60653-3_4.

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Antonelli, Valerio, Raffaele D'Alessio, Roberto Rossi e Warwick Funnell. "Accounting and expropriation of Jewish property in Fascist Italy 1939–1945". In Accounting for the Holocaust, 164–95. London: Routledge, 2024. http://dx.doi.org/10.4324/9781032685328-8.

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Shlomi, Hanna. "The ‘Jewish Organising Committee’ in Moscow and the ‘Jewish Central Committee’ in Warsaw, June 1945 — February 1946: Tackling Repatriation". In Jews in Eastern Poland and the USSR, 1939–46, 240–54. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21789-2_14.

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Švantnerová, Jana. "The Expropriation of Jewish Collections of Fine Arts and their Transfer to the State Collections under the Slovak State (1939–1945)". In Kunst sammeln, Kunst handeln, 269–78. Wien: Böhlau Verlag, 2012. http://dx.doi.org/10.7767/boehlau.9783205791997.269.

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Himka, John-Paul. "Ukrainian Collaboration in the Extermination of the Jews During the Second World War: Sorting Out the Long-Term and Conjunctural Factors". In The Fate Of The European Jews, 1939-1945 Continuity or Contingency?, 170–89. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195119312.003.0011.

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Abstract The subject of Ukrainian collaboration in the Nazi-directed genocide of the European Jews is a minefield. Over the past decade it has several times erupted into public controversy (notably over the Deschenes Commission of Inquiry on War Criminals in Canada, the trial of John Demjanjuk in Israel and the television broadcast “The Ugly Face of Freedom” [60 Minutes] in the United States). The rhetoric on both the Ukrainian and Jewish sides of these controversies can reach an uncomfortably high pitch. Even the scholarly literature on the subject is sharply polarized. The issue is not only sensitive, but devilishly complex. Moreover, it is an issue with insufficient monographic research behind it; it is only apprehendable from the sources, which are multilingual, widely scattered and frustratingly contradictory. Given the context in which it is written, this chapter is necessarily exploratory and its conclusions tentative. It is offered, within these limitations, as a case study of the problem of continuity versus contingency in the perpetration of the genocide against the Jews; that is, as an attempt to sort out the long-term from the short-term factors inducing Ukrainians to collaborate in the extermination of the Jewish population, by examining the time frame in which the circumstances and attitudes facilitating collaboration were formed.

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Dyer, Davis, e Daniel Gross. "Corning Goes to War, 1939-1945". In The Generations of Corning, 173–208. Oxford University PressNew York, NY, 2001. http://dx.doi.org/10.1093/oso/9780195140958.003.0006.

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Abstract The 1939 World’s Fair, which opened in New York City on April 30, 1939, seemed to herald the promise of a new era rich with technology and opportunity. Booths and exhibits set up by sixty countries, the League of Nations, and dozens of companies projected an almost uniformly optimistic worldview that bordered on the utopian. RCA gave the mesmerizing new medium called television its first large-scale public demonstration, and the Carrier Corporation presented the unimaginable luxury of air conditioning. Other products debuting at the fair included the diesel engine, color film, and Lucite. Corning Glass Works’ imprint seemed to be everywhere on the sprawling fair grounds, in Flushing Meadows, Queens. Television, of course, had a glass heart-the cathode ray tube. An exhibit in the glass industries building showed how an electrical insulator made of Fiberglas™ a material pioneered by Corning affiliate Owens-Corning-permitted small motors to deliver the same horsepower as motors twice their size. To memorialize the technology shown at the fair, Westinghouse buried a Pyrex-lined time capsule. Among its contents were a Mazda electric lamp and a Westinghouse Sterilamp, both fitted with Corning bulbs.

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Aleksiun, Natalia. "2. Networks of Dependence and Love: Jewish–Gentile Relationships in Nazi-Occupied Poland". In Poland under German Occupation, 1939-1945, 41–64. Berghahn Books, 2024. http://dx.doi.org/10.1515/9781805392453-005.

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Michlic-coren, Joanna. "Anti-Jewish Violence in Poland, 1918‒1939 and 1945‒1947". In Polin: Studies in Polish Jewry Volume 13, 34–61. Liverpool University Press, 2000. http://dx.doi.org/10.3828/liverpool/9781874774600.003.0002.

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This chapter discusses anti-Jewish violence in twentieth-century Poland. Historical research has tended to focus on descriptions of individual riots, such as the Przytyk pogrom of March 9, 1936 and the Kielce pogrom of July 4, 1946, or on discussion of a particular historical period. There has been no attempt to explore the similarities and differences between the mechanisms of and reactions to anti-Jewish riots. The chapter looks at the link between the myth of the Jew as the ‘Threatening Other’ and eruptions of anti-Jewish excesses between 1918 and 1939 and between 1945 and 1947, concentrating on the extent to which this myth influenced the initiation and evaluation of anti-Jewish violence in these two distinctive historical periods. The term ‘violence’ refers to the following types of actions: inflicting damage on Jewish properties, including private homes, shops, institutions, and synagogues; slander; physical harassment; assaults; and murder. The chapter also outlines the socio-historical context in which the anti-Jewish violent disturbances and riots occurred in both periods.

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Trochimczyk, Maja. "Jewish Composers of Polish Music after 1939". In Polin: Studies in Polish Jewry Volume 32, 371–86. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781906764739.003.0020.

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This chapter looks into the devastating impact of the Holocaust in Jewish musical creativity in Poland. It discusses the inclusion of Jewish composers in the world of Polish music by its post-1945 historians. It also examines the presence of Jewish composers in Poland's musical world before 1939 and the disappearance of these composers as shown by official publications, dictionaries, and music histories up until 1989. The chapter reviews all the composers of Jewish origin who were alive in September 1939, regardless of their attitude and relationship with Judaism. It mentions the most important composers of Jewish descent but not of Jewish faith, such as Józef Koffler, who gave up his official Jewish religious allegiance in May 1939, and Roman Palester, who was baptized Catholic as a baby.

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Michman, Dan. "Understanding the Jewish Dimension of the Holocaust". In The Fate Of The European Jews, 1939-1945 Continuity or Contingency?, 225–50. Oxford University PressNew York, NY, 1998. http://dx.doi.org/10.1093/oso/9780195119312.003.0013.

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Abstract Holocaust historiography, by now unimaginable in its extent, deals with fragments or subtopics of the event itself. Few studies have been devoted to an effort to set the Holocaust “as a whole” within, as Amo Mayer put it, “the singular historical context in which it was conceived and executed.” Moreover, on examining those studies, one discovers that what is usually being “set in history,” what is usually being explained, is the persecution of the Jews-their expropriation, forced emigration and, ultimately, their murder. The paths of explanation differ, emphasizing variously Hitler’s will to world power; rabid eliminationist antisemitism; racism; the almost apocalyptic clash between Bolshevism and fascism; the modem bureaucratic state and economic modernization; and modernity itself; but all these theories share one characteristic: the subject of the analysis is one-dimensional-the issue of persecution or murder-and the explanation is placed linearly in German and/or European history. The Jews are thus perceived as an object, as “raw material,” and of minor importance in any explanation of the “event” as such.

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