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Livros sobre o tema "Jamet (Pierre)"

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Autor: Grafiati

Publicado: 7 de julho de 2024

Última modificação: 7 de julho de 2024

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1

Nicollet. Pierre-Marie Jamet presente Nicollet, peinture. [France]: P.M.J. Editions, 1992.

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2

Chrétien, Edmond. Le bienheureux Pierre-François Jamet, 1762-1845: Serviteur des handicapés et recteur d'université. Paris: Editions du Cerf, 1987.

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3

Lecture psychanalytique de Pierre Janet. Paris: L'Harmattan, 2011.

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4

1947-, Pierce Janet, e RHA Gallagher Gallery (Dublin, Ireland), eds. Janet Pierce: Soul-lands. Dublin: RHA Gallagher Gallery, 1996.

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5

1947-, Pierce Janet, e RHA Gallagher Gallery (Dublin, Ireland), eds. Janet Pierce: Soul-lands. Dublin: RHA Gallagher Gallery, 1996.

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6

Guitet, James. James Guitet: Peintures, livres : 15 juin-17 septembre 1989, Rochebelle, Alès : Musée bibliothèque Pierre-André Benoit. Alès [France]: Le Musée, 1989.

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7

Kelly, William L. Psychology of the unconscious: Mesmer, Janet, Freud, Jung, and current issues. Buffalo, N.Y: Prometheus Books, 1991.

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8

Oulahbib, Lucien-Samir. Actualité de Pierre Janet: En quoi est-il plus important que Freud pour les sciences morales et politiques. Paris: L'Harmattan, 2009.

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9

Arts, Honolulu Academy of, ed. In celebration of light: Photographs from the collection of Cherye R. and James F. Pierce. Honolulu, Hawaii: Honolulu Academy of Arts, 2003.

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10

Perkins, Dorothy Neblett. Descendants of Samuel, James, and Martha Perkins: With collateral lines, Barham, Kemper, Marsh, Pearce, Pierce, Ussery. Rancho Santa Fe, Calif: Neblett Press, 1999.

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11

Christopher, Phillips, Witte de With, centrum voor hedendaagse kunst., Fundació Joan Miró (Barcelona, Spain) e Fresnoy (Art center : Tourcoing, France), eds. Voices =: Voces = Voix : Vito Acconci, Judith Barry, Geneviève Cadieux, Janet Cardiff + George Bures Miller, Jochen Gerz, Gary Hill, Pierre Huyghe, Kristin Oppenheim, Moniek Toebosch. Rotterdam: Witte de With, Center for Contemporary Art, 1998.

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12

United Church of England and Ireland. Order of services on laying the corner stone of the cathedral church of St. James, Toronto, 20th November, 1850. [Toronto?: s.n., 1986.

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13

Pope, Charles Henry. Merriam genealogy in England and America: Including the "genealogical memoranda" of Charles Pierce Merriam, the collections of James Sheldon Merriam, etc. Ithaca, N.Y: Bullbrier Press, 1986.

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14

Rodolphe, Kasser, e Wurst Gregor, eds. The Gospel of Judas: Together with the Letter of Peter to Philip, James, and a Book of Allogenes from Codex Tchacos. Washington, D.C: National Geographic, 2007.

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15

Kreo, Galerie. Galerie Kreo: Seize nouvelles pièces : un nouveau lieu : François Bauchet, Ronan & Erwan Bouroullec, Fernando Brizio, Pierre Charpin, David Dubois, front design, Naoto Fukasawa, Konstantin Grcic, James Irvine, Hella Jongerius, Alessandro Mendini. Paris: Archibooks, 2008.

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16

San Francisco (Calif.). Planning Dept. Draft environmental impact report: The 34th America's Cup & James R. Herman Cruise Terminal and Northeast Wharf Plaza. San Francisco, Calif: San Francisco Planning Dept., 2011.

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17

Morel, Bénédict-Augustin. Angst- en paniekstoornissen: *Dl.I*Eerste aantekeningen : Bénédict-Augustin Morel (1809-1873), Justine : een behandeling, Pierre Janet (1859-1947); vert. [uit het Frans] E.J.P. Brand : ingel. en van kritisch comment. voorz. door G. Glas en J.A. den Boer. Amsterdam: Candide, 1995.

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18

Gilbert, Roger Paul. De l'arquebuse à la bure: Le récit des péripéties au Canada, à Cuba et dans les Antilles de Samuel de Champlain, Pierre Le Moyne d'Iberville, William Albert Charles Ryan, William Van Horne, James Wilson Morrice, Frère Marie-Victorin. Montréal: Méridien, 1999.

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19

Kreo, Galerie, ed. Galerie Kreo: Sixteen new pieces, a new place : François Bauchet, Ronan & Erwan Bouroullec, Fernando Brízio, Pierre Charpin, David Dubois, Front Design, Naoto Fukasawa, Konstantin Grcic, James Irvine, Hella Jongerius, Alessandro Mendini, Jasper Morrison, Marc Newsom, Jerszy Seymour, Wieki Somers, Martin Szekely. Paris: Archibooks, 2008.

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20

1940-, Rouleau Donald, e Roy Louise, eds. L' épître apocryphe de Jacques (NH I,2). Québec, Canada: Presses de l'Université Laval, 1987.

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21

Rudin, A. James. Cushing, Spellman, O'Connor: The surprising story of how three American cardinals transformed Catholic-Jewish relations. Grand Rapids, Mich: W.B. Eerdmans Pub. Co., 2011.

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22

Craparo, Giuseppe, Francesca Ortu e Onno van der Hart. Rediscovering Pierre Janet. Editado por Giuseppe Craparo, Francesca Ortu e Onno van der Hart. Routledge, 2019. http://dx.doi.org/10.4324/9780429201875.

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23

Craparo, Giuseppe, Onno van der Hart e Francesca Ortu. Rediscovering Pierre Janet. Taylor & Francis Group, 2019.

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24

Craparo, Giuseppe, Onno van der Hart e Francesca Ortu. Rediscovering Pierre Janet. Taylor & Francis Group, 2019.

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25

Mayo, Elton. The Psychology of Pierre Janet. Routledge, 2015.

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26

Mayo, Elton. Psychology of Pierre Janet (Routledge Revivals). Taylor & Francis Group, 2014.

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27

Mayo, Elton. Psychology of Pierre Janet (Routledge Revivals). Taylor & Francis Group, 2014.

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28

Mayo, Elton. Psychology of Pierre Janet (Routledge Revivals). Taylor & Francis Group, 2013.

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29

Psychology of Pierre Janet (Routledge Revivals). Routledge, 2014.

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30

Mayo, Elton. Psychology of Pierre Janet (Routledge Revivals). Taylor & Francis Group, 2014.

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31

Mayo, Elton. Psychology of Pierre Janet (Routledge Revivals). Taylor & Francis Group, 2014.

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32

Mayo, Elton. The Psychology of Pierre Janet (Routledge Revivals). Routledge, 2014. http://dx.doi.org/10.4324/9781315850467.

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33

(Editor), Daniel Herwitz, e Michael Kelly (Editor), eds. Impressions by Pierre Loti: With an Introduction by Henry James (Pierre Loti Library). Kegan Paul, 2008.

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34

Hoffmann, Nicolas, e N. Hoffmann. Zwänge und Depressionen: Pierre Janet und Die Verhaltenstherapie. Springer London, Limited, 2013.

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35

Hoffmann, Nicolas. Zwänge und Depressionen: Pierre Janet und die Verhaltenstherapie. Springer, 1998.

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36

Hoffmann, Nicolas, e N. Hoffmann. Zwänge und Depressionen: Pierre Janet und die Verhaltenstherapie. Springer, 2011.

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37

Streethassle. Pierce Brosnan (James Bond) 2004 Calendar. Streethassle, 2003.

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38

Craparo, Giuseppe, Onno van der Hart e Francesca Ortu. Rediscovering Pierre Janet: Trauma, Dissociation, and a New Context for Psychoanalysis. Taylor & Francis Group, 2019.

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39

Craparo, Giuseppe, Onno van der Hart e Francesca Ortu. Rediscovering Pierre Janet: Trauma, Dissociation, and a New Context for Psychoanalysis. Taylor & Francis Group, 2019.

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40

Craparo, Giuseppe, Onno van der Hart e Francesca Ortu. Rediscovering Pierre Janet: Trauma, Dissociation, and a New Context for Psychoanalysis. Taylor & Francis Group, 2019.

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41

Craparo, Giuseppe, Onno van der Hart e Francesca Ortu. Rediscovering Pierre Janet: Trauma, Dissociation, and a New Context for Psychoanalysis. Taylor & Francis Group, 2019.

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42

Davis, Joe. James Davis and Nancy Pierce of Americus, MS: Untangling the Web. Independently Published, 2020.

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43

Pierre, Bernardin De Saint. Indian Cottage. by James Henry Bernardin de Saint-Pierre. Translated by Edward Augustus Kendall. Creative Media Partners, LLC, 2018.

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44

Social theory for a changing society edited by Pierre Bourdieu and James S. Coleman. . Boulder, Col.-Oxford / New York, N.Y.: Westview Press / Russell Sage Foundation 1991, vii, 389 S., 1991.

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45

Suszczyk, Nicolas. Bond Del Nuevo Milenio: Los días de Pierce Brosnan Como James Bond. Independently Published, 2019.

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46

Suszczyk, Nicolas. The Bond of The Millennium: The Days of Pierce Brosnan as James Bond. Independently published, 2019.

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47

Rivers, Isabel. Roman Catholic Influences. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198269960.003.0007.

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Methodists and Quakers had a particular interest in pre- and post-Reformation continental Catholic writers of a mystical, spiritual, or quietist tendency, including Thomas à Kempis, Madame Guyon, Fénelon, Antoinette Bourignon, de Molinos, and the lives of Armelle Nicolas, M. de Renty, and Gregory Lopez. This chapter indicates the ways in which knowledge of these Catholic models was disseminated by Pierre Poiret, William Law, John Wesley, and the Quakers Josiah Martin and James and John Gough, among others, and analyses the carefully abridged editions of Catholic works designed for Methodist and Quaker readers. Both Wesley and the Quakers were careful to separate the Catholic writers’ approved emphasis on inward religion and perfection from dangerous Catholic practices, and Wesley warned Methodists against quietism.

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48

Orrells, Daniel, Duncan F. Kennedy, Nicoletta Momigliano, Robert L. Fowler, Juan Christian Pellicer, Elizabeth Prettejohn e Neville Morley. Antiquity in Print. Editado por Nora Goldschmidt, Fiachra Mac Góráin e Charles Martindale. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350407800.

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Daniel Orrells examines the ways in which the ancient world was visualized for Enlightenment readers, and reveals how antiquarian scholarship emerged as the principal technology for envisioning ancient Greek culture, at a time when very few people could travel to Greece which was still part of the Ottoman Empire. Offering a fresh account of the rise of antiquarianism in the 18th century, Orrells shows how this period of cultural progression was important for the invention of classical studies. In particular, the main focus of this book is on the visionary experimentalism of antiquarian book production, especially in relation to the contentious nature of ancient texts. With the explosion of the Quarrel between the Ancients and the Moderns, eighteenth-century intellectuals, antiquarians and artists such as Giambattista Vico, Johann Joachim Winckelmann, the Comte de Caylus, James Stuart, Julien-David Leroy, Giovanni Battista Piranesi and Pierre-François Hugues d’Hancarville all became interested in how printed engravings of ancient art and archaeology could visualize a historical narrative. These figures theorized the relationship between ancient text and ancient material and visual culture – theorizations which would pave the way to foundational questions at the heart of the discipline of classical studies and neoclassical aesthetics. What did it meant to see and visualize ancient Greece in the eighteenth century, and why does that still matter today? Antiquity in Print: Visualizing Greece in the Eighteenth Century provides a fresh, new narrative about the emergence of classical studies as a discipline during the Enlightenment. The book examines how antiquarians during the mid-eighteenth century illustrated their narratives about the history of ancient art – in particular, of ancient Greece. In the seventeenth and eighteenth centuries, science became spectacular: with the invention of the modern microscope and the telescope and the increase in imperial and commercial travel, new, strange and exoticized worlds were being depicted for European readers. Advances in mathematics and logic also interrogated the truthfulness of ancient texts. The so-called Quarrel between the Ancients and the Moderns erupted. Antiquity in Print explores how key eighteenth-century intellectuals and antiquarians such as Giambattista Vico, Alexander Pope, Bernard de Montfaucon, Johann Joachim Winckelmann, Pierre-Jean Mariette, the Comte de Caylus, James Stuart, Julien-David Leroy, Giovanni Battista Piranesi and Pierre-François Hugues d’Hancarville all became interested in how printed engravings of ancient art and archaeology could visualize a historical narrative. Antiquity in Print shows how these figures theorized the relationship between ancient text and ancient material and visual culture, and how these theorizations would pave the way to the foundational questions at the heart of the discipline of classical studies and neoclassical aesthetics.

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49

Saunders, James, e Simon Limbrick. Intervention. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199355914.003.0010.

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This Intervention traces, through email exchanges and blog correspondence, the evolution of a piece for percussion (surfaces) written by James Saunders for Simon Limbrick. The full piece is intended to last twenty-four hours in performance, and involves the sonic activation and exploration of a variety of materials by means of a whole array of techniques. The collaborative development of surfaces is documented in words and images over the ten months from first ideas to first performance, revealing the intertwining of material, conceptual, practical and aesthetic considerations in the creative process.

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50

K, Polk James. Messages and Papers of the Presidents: James K. Polk, Zachary Taylor, Millard Fillmore, and Franklin Pierce. Wildside Press, LLC, 2009.

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