Teses / dissertações sobre o tema "Indian Ocean literature (French)"
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Veja os 16 melhores trabalhos (teses / dissertações) para estudos sobre o assunto "Indian Ocean literature (French)".
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Marshall, Rosalie Dempsy. "On being West Indian in post-war metropolitan France : perspectives from French West Indian literature". Thesis, University of Birmingham, 2012. http://etheses.bham.ac.uk//id/eprint/3334/.
Texto completo da fonteDjoumbé, Thoueïbat. "Un autre aspect de la francophonie, la littérature comorienne : société, histoire, culture et création". Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030039.
Texto completo da fonteThis thesis questions the origins, interferences and the production of French-speaking Comorian literature. At the junction of literary criticism, anthropologic historiography of the source documents and thematic analysis within the creation, it also investigates the notion of reception in a minimalist editorial context where the written and the vernacular languages interfere with each other. For the past 30 years, the 160 publications that have been published, since 1985 to date, have shown slow and difficult beginnings. A trend that would be reversed from the late 1990s, where many publishing houses have emerged, even if it was quite briefly for some of them, with a shared goal: to promote Comorian literature. A new trend will then begin as proven by the number and variety of genres being published, the diversity of the themes discussed, and the direction of the literary assertions of an aesthetic angle in response to identity assertions. At the same time, a form of textual hesitation transpired, shedding a light on a narrative duality, from a narratologic and fictional organisation of the publications, highlighting a type of character-thought creating a form of literal hybridity. Therefore, As a consequence, this thesis proceeds a kind of statement from thirty years of writing according to two axis of analysis. A chronological axis matches elements which are linked to the peopling History with the establishment of a writing for the islands in order to grasp the original context of production; an analytic and hermeneutic axis matching historical and social facts related to subjects or sources of production and revealing the sources of French-speaking Comorian writers’ questionings
Hofmeyr, Andrew James. "Archipelagic thinking in the Indian Ocean world : the story of 'Sindbad the Sailor' and Alan Villiers's Sons of Sindbad". Master's thesis, University of Cape Town, 2016. http://hdl.handle.net/11427/20693.
Texto completo da fonteWilliams, Carla Denise. "When the pen becomes a sword: Race and class consciousness in the literature of the West Indian writers Jacques Roumain, Etienne Lero, Gilbert Gratian". DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 1993. http://digitalcommons.auctr.edu/dissertations/511.
Texto completo da fonteLavery, Charne. "Writing the Indian Ocean in selected fiction by Joseph Conrad, Amitav Ghosh, Abdulrazak Gurnah and Lindsey Collen". Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:bc0865da-1b17-47c6-8bb8-46a4fe0962bc.
Texto completo da fonteTeodoro, Lourdes. "Modernisme brésilien et négritude antillaise : Mário de Andrade et Aimé Césaire /". Paris ; Montréal (Québec) : l'Harmattan, 1999. http://catalogue.bnf.fr/ark:/12148/cb376738958.
Texto completo da fonteMhoumadi, Nassurdine Ali. "Le roman de Mohamed Toihiri : entre témoignage et fiction". Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20062/document.
Texto completo da fonteMohamed Toihiri's novel : a founding and representative novel of the Comorian literature. The analysis confoirms it is a sociological novel to the extent that it is a great novel dealing with the Comorians 'daily life for two centuries (1975-1992). But it would be specific to stop there because this novel not only cleverly shows how the Comorian society works, it is also a radical criticism of this socio-political society and of its government. This novel sbtly includes the reader in its internal functioning. Thus the commentator studied this readers inclusion as well as the novel's reception : while his first novel was given a cold welcom due to its political commitment, his second novel, politically softer, received a positive welcome not to say laudatory
Ali, Ibrahim. "Esclaves, engagés et travailleurs libres à la Grande Comore et au Mozambique pendant le sultanat de Saïd Ali ben Saïd Omar (1883-1910)". Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040028.
Texto completo da fonteThis Thesis studies the slaves trade starting from East Africa to Comoros where foreign growers came to buy them as free Endentured servant. The Sultanat of Saïd Ali born in 1883 benefited of French protection in 1886. Even thought this protectorate, the slavery is abolished in 1904. To maintain the colonialworkforce, The Protecting State has delayed this abolition. In front of theses hesitations, the Sultan is attached to Madagascar in 1908, the sultan abdicated in 1910, before that the Great Comoro become a French colony in 1912
Keeler, Kyle B. KEELER. ""The earth is a tomb and man a fleeting vapour": The Roots of Climate Change in Early American Literature". Kent State University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=kent152327594367199.
Texto completo da fonteAli, Ibrahim. "Esclaves, engagés et travailleurs libres à la Grande Comore et au Mozambique pendant le sultanat de Saïd Ali ben Saïd Omar (1883-1910)". Electronic Thesis or Diss., Paris 4, 2017. http://www.theses.fr/2017PA040028.
Texto completo da fonteThis Thesis studies the slaves trade starting from East Africa to Comoros where foreign growers came to buy them as free Endentured servant. The Sultanat of Saïd Ali born in 1883 benefited of French protection in 1886. Even thought this protectorate, the slavery is abolished in 1904. To maintain the colonialworkforce, The Protecting State has delayed this abolition. In front of theses hesitations, the Sultan is attached to Madagascar in 1908, the sultan abdicated in 1910, before that the Great Comoro become a French colony in 1912
Sagodira, Gilles. "La formation continue à l'entrepreneuriat : par-delà le déterminisme social de l'acte entrepreneurial". Phd thesis, Université de la Réunion, 2011. http://tel.archives-ouvertes.fr/tel-00665537.
Texto completo da fonteChummun, Divisha. "Le trauma de l’esclavage à l’engagisme: une réécriture des géographies du corps humain et de l’espace". Thesis, 2018. https://hdl.handle.net/2144/33203.
Texto completo da fonte2020-11-27T00:00:00Z
Guyot, Adrien. "Monstruosité et identités littéraires une étude sur les littératures antillaise et québécoise /". 2009. http://hdl.handle.net/10048/809.
Texto completo da fonteTitle from pdf file main screen (viewed on Oct. 20, 2009). "A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in French Language, Literatures and Linguistics, Department of Modern Languages and Cultural Studies. University of Alberta, Fall 2009." Includes bibliographical references.
RIGOLI, Ilaria. "Histories of the Indian Ocean: Perspectives on Historiography and Fiction in Amitav Ghosh's "Sea of Poppies" and "River of Smoke"". Doctoral thesis, 2014. http://hdl.handle.net/11562/692563.
Texto completo da fonteAbstract English Version Among the literary production of the Indian writer Amitav Ghosh, the latest novels (Sea of Poppies and River of Smoke) constitute a sort of summa literaria that brings together this author's two souls: that of the writer and that of the historiographer. The novels, part of the announced Ibis Trilogy, collect and develop this author's thought, which sees fiction-writing as a necessary complement to historiography, within an interdisciplinary vision of the knowledge of the past and of history-writing. Ghosh, as a novelist, has proved to be particularly concerned about the practice of research and about the analysis of the historical sources. Moreover, the concern about history is one of the principal topics of the contemporary Indian fiction. On the one hand, it is related to the critique of the eurocentric historical thought, especially with regard to the Indian experience; on the other hand, it is bound to the topic of language as metahistory, since language is seen as a symbol of a particular Weltanschaaung which obviously influences the writing of the past. The academic debate on the relationships between historiography and fiction writing has been subjected to an unprecedented revolution ever since Hayden White's works and the theories of a series of philosophers such as Jacques Derrida and Paul Ricoeur. On the one hand, these works have highlighted the provisional and subjective character of the historiographical practice; on the other hand, they have brought to the forefront the centrality of the narrative element in this kind of writing. By doing so, they have distanced history as a discipline from the typical objectivity of science, defining it as a practice whose task is to map the relationships between the real and the imaginary. Given these premises, the analysis focuses first on Ghosh's literary production in general, tracing the emergence of a kind of hybrid writing, in-between historiography and fiction, which goes under the name of ´fictional history`. The essential characteristics of this aesthetics are a series of ´strategies`; the first one is the critique of the concept of the nation-state, a pervasive metaphor used by the Western science, whose deconstruction serves Ghosh as a means to propose alternative definitions of cultural belonging, and to formulate a new kind of humanism of the postmodern era. Second, Ghosh chooses the individual and the individual experience, the subalterns' one in particular, as the core of history; third, he introduces the use of imagination with precision as the essential tool for an imaginative writing of history. The second part of the analysis regards the two already published novels of the Ibis Trilogy. The analysis of Sea of Poppies focuses on the individuality of the characters, described in the novel both as examples of an inescapable cultural difference, and as symbols of a plural humanity which challenges the canonical borders between cultures, introducing a view of the human experience as a process of movement and negotiation. In River of Smoke, the analysis focuses essentially on the critique of the form of the modern historical novel; Ghosh starts from this tradition and reinvents it, deconstructing its essential categories, in order to propose a new type of historical novel of postmodernity. In both novels, moreover, the importance of the linguistic research is highlighted as a central feature of this author's production; once again, Ghosh deconstructs the form of the English language from within, in the light of the experiences of colonization and globalization. Finally, a short outlook analyses Amitav Ghosh's blog, which is interpreted as a sort of digital archive that ´opens up` the normally ´closed` form of the novel and, once again, proposes a vision of fiction-writing as a practice ´beyond the borders` of forms, genres and disciplines.
Muir, Stewart John. "Economic botany in the Indian Ocean: official and unofficial botanical gardens on Ile de France and Ile de Bourbon under the French regime, 1735-1810". Thesis, 1994. http://hdl.handle.net/2429/5678.
Texto completo da fonteChelin, Véronique. "De l'intime au social : l'écriture de l'enfance dans le roman francophone contemporain de Maurice et de la Réunion". Thèse, 2014. http://hdl.handle.net/1866/12024.
Texto completo da fonteIn this doctoral dissertation, which deals with childhood narratives in contemporary novels of Mauritius and Reunion Islands, we will examine the following dimensions: the narrative modalities, the construction, evolution and functions of the child protagonist within the texts, his relationship with different members of his family and the people around him, and the connection between these works and their social and discursive context. Our corpus includes fourteen works of fiction from ten different Mascareignes writers, published from 1987 to 2012 : from Mauritius, Nathacha Appanah, Ananda Devi, Marie-Thérèse Humbert, Shenaz Patel, Amal Sewtohul et Carl de Souza; and from Reunion, Danielle Dambreville, François Dijoux, Axel Gauvin et Jean-François Samlong. In these novels, if the narrative, discursive and symbolic diversity corresponds to the plural imaginative world of these heterogeneous societies, we can still find some significant trends, including narratives based on the adult’s memory or the child’s immediate experience; suffering, ill-treated, subaltern and rebellious child protagonists; families and societies whose general functioning, discourses and ideologies seem inappropriate, even harmful. If some of these aesthetic choices partake of certain conventions, others embody a new and even transgressive approach. For example, borrowings from other generic forms like tales, theatre, etc., particular styles of writing and the frequent mixing of different voices and languages distinguish those texts from established norms. The extreme abuse of little girls and the appearance of violent children also seem original. The child’s experience and perspective provides a global, profound and inherently critical view of present-day and past societies of Mauritius and Reunion Islands, therefore providing a counter-discourse to the exotic and bucolic images of a paradise island. From being a witness to an actor, the child allows the author to explore a series of motives and issues distinct to the imaginative world and literatures of the Indian Ocean, like otherness, identity, history, memory, etc.