Literatura científica selecionada sobre o tema "Imprimés italiens"
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Artigos de revistas sobre o assunto "Imprimés italiens"
Dunn-Lardeau (book editor), Brenda, e Jean Balsamo (review author). "Humanistes italiens et imprimés de l’Italie de la Renaissance dans les collections de l’UQAM". Renaissance and Reformation 35, n.º 3 (11 de março de 2013): 127–29. http://dx.doi.org/10.33137/rr.v35i3.19530.
Texto completo da fonteCameron-Pesant, Sarah. "Les Horae à l’usage d’Autun imprimées pour Simon Vostre (v. 1507) : examen de l’exemplaire conservé à McGill". Renaissance and Reformation 39, n.º 4 (5 de abril de 2017): 215–52. http://dx.doi.org/10.33137/rr.v39i4.28164.
Texto completo da fonteGameson, Richard. "The Medieval Books of Durham". Bulletin du bibliophile N° 369, n.º 1 (1 de janeiro de 2019): 11–29. http://dx.doi.org/10.3917/bubib.369.0023.
Texto completo da fonteLandry-Deron, Isabelle. "Le Dictionnaire chinois, français et latin de 1813". T’oung Pao 101, n.º 4-5 (7 de dezembro de 2015): 407–40. http://dx.doi.org/10.1163/15685322-10145p05.
Texto completo da fonteDalarun, Jacques, e Lino Leonardi. "Biblioteca agiografica italiana. Du projet à la publication". Mélanges de l École française de Rome Moyen Âge 115, n.º 1 (2003): 7–40. http://dx.doi.org/10.3406/mefr.2003.9278.
Texto completo da fonteManfio, Vanessa. "Quarta Colônia - RS: os diálogos entre cultura, gastronomia e turismo". Ágora 23, n.º 1 (4 de março de 2021): 85–98. http://dx.doi.org/10.17058/agora.v23i1.15909.
Texto completo da fontePerrone, Fernanda. "Strangers in a Strange Land: A History of Italian-Language American Imprints, 1830–1945". Italian American Review 3, n.º 2 (1 de julho de 2013): 166–68. http://dx.doi.org/10.5406/italamerrevi.3.2.0166.
Texto completo da fonteRivera, Víctor Samuel. "Hermenéutica y violencia. Reflexiones a partir de Comunismo hermenéuticode Gianni Vattimo y Santiago Zabala". Ideas y Valores 64, n.º 158 (28 de agosto de 2015): 319–36. http://dx.doi.org/10.15446/ideasyvalores.v64n158.51120.
Texto completo da fontePerugi, Maurizio. "O envio da canção camoniana ‘Tão suave, tão fresca e tão fermosa’". Revista do Centro de Estudos Portugueses 29, n.º 42 (31 de dezembro de 2009): 209. http://dx.doi.org/10.17851/2359-0076.29.42.209-277.
Texto completo da fonteHarris, N. "Jurisprudence of the Baroque. A Census of Seventeenth Century Italian Legal Imprints. By DOUGLAS J. OSLER." Library 12, n.º 3 (1 de setembro de 2011): 292. http://dx.doi.org/10.1093/library/12.3.292.
Texto completo da fonteTeses / dissertações sobre o assunto "Imprimés italiens"
Desmoulière, Paule. "Les recueils de poésie funèbre imprimés en Italie, en France et dans les Îles britanniques (1587-1644)". Thesis, Paris 4, 2016. http://www.theses.fr/2016PA040096.
Texto completo da fonteThis dissertation is both a global and detailed study dedicated to collections of funeral verse published in Italy, France and the British Isles between 1587 and 1644. It follows a comparative approach, for several reasons. Firstly, because these works were written and published in several languages. Secondly, because of the number of engravings they contain and the close relationship they often bear to the fine arts. Since many of the poems printed within these works were first pinned to funeral hearses or catafalques, they must be considered in the light of funerary art and architecture. Thirdly, these works warranted a sociological and historical analysis because of their collective nature: they are the product of a group of authors, whose ideals and aspirations they embody. The initial part of this study presents the development of this type of funerary commemoration from its origins in late Quattrocento Italy to its later expressions in mid-sixteenth-Century England and France. The second chapter examines the evolution of these collections from the 1580s to the 1640s, as well as the identity of the deceased and their commemorators. The third chapter gives an overview of the great formal and rhetorical variety of the poems published in these collections. The case studies in chapter four illustrate how and why groups of authors assembled in order to conceive collections of funeral poetry. Finally, the last chapter is a brief survey of the relationships that these works bear with different types of funeral ceremonies
Laini, Marinella. "La diffusion imprimée de la chanson française en italie au [XVIe] seizième siècle : Etude historique et catalogue". Tours, 2000. http://www.theses.fr/2000TOUR2041.
Texto completo da fonteTournieroux, Anne. "Les bibliothèques privées en France et en Italie à la fin du Moyen Âge (1400-1520)". Thesis, Paris 1, 2017. http://www.theses.fr/2017PA01H103.
Texto completo da fonteThis thesis aims at the comparative study of libraries of laity and clerics in the north of France and northern Italy between 1400 and 1520. The relations between the French and Italian territories are no longer to be demonstrated, marked for the beginning of our period by the progressive resolution of the Great Schism and, for the end, by the Italian wars between 1494 and 1516. In the fifteenth century and up to the beginning of the sixteenth century, cultural phenomena of the first order such as dissemination of humanism and, on the material level, the invention of printing spread throughout Europe. We have chosen to focus on "traditional" categories of possessors such as the secular clergy, but also to emerging categories of possessors, including the bourgeoisie
Graheli, Shanti. "The circulation and collection of Italian printed books in sixteenth-century France". Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/7809.
Texto completo da fonteLivros sobre o assunto "Imprimés italiens"
Dunn-Lardeau, Brenda. Humanistes italiens et imprimés de l'Italie de la Renaissance dans les collections de l'UQAM. Montréal: Université du Québec à Montréal, Centre de recherche Figura sur le texte et l'imaginaire, 2012.
Encontre o texto completo da fonteGiovanni, Dotoli, ed. Les traductions de l'italien en français du XVIe au XXe siècle. Fasano (Br-Italia): Schena, 2001.
Encontre o texto completo da fonteGiovanni, Dotoli, ed. Les traductions de l'italien en français au 17. siècle. Fasano (Brindisi): Schena, 2001.
Encontre o texto completo da fonteTomita, Soko. A bibliographical catalogue of Italian books printed in England, 1558-1603. Aldershot, Hants, England: Ashgate, 2008.
Encontre o texto completo da fonteZanardi, Zita. Bononia manifesta: Catalogo dei bandi, editti, costituzioni e provvedimenti diversi, stampati nel XVI secolo per Bologna e il suo territorio. Firenze: L.S. Olschki, 1996.
Encontre o texto completo da fonteIstituto centrale per il catalogo unico delle biblioteche italiane e per le informazioni bibliografiche. Bibliografia nazionale italiana: Monografie. Roma: Istituto centrale per il catalogo unico delle biblioteche italiane e per le informazioni bibliografiche, 1994.
Encontre o texto completo da fonteGiancotti, Vicente. La bibliografia della letteratura italiana in America Latina. Torino: Edizioni della Fondazione Giovanni Agnelli, 1992.
Encontre o texto completo da fonteSchwaderer, Richard. Italienbild und Stimme Italiens in den deutschsprachigen Kulturzeitschriften, 1945-1990: Kommentierte Bibliographie. Tübingen: G. Narr, 1998.
Encontre o texto completo da fonteAntonio, Garzya, e Associazione italiana di studi bizantini., eds. Bibliografia della bizantinistica italiana, 1960-1979. Napoli: M. D'Auria, 1996.
Encontre o texto completo da fonteBosco, Giovanna. Bibliografia di bibliografie: Edizioni italiane del XVI secolo. Pisa: Scuola Normale Superiore, Accademia della Crusca, Instituto Nazionale di Studi sul Rinascimento, 1988.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Imprimés italiens"
Gaullier-Bougassas, Catherine. "Les manuscrits italiens desRomans d’Alexandrefrançais en vers et de l’Histoire ancienne jusqu’à César(xiiieetxivesiecles) : lectures originales et créations inédites". In Alexandre le Grand à la lumière des manuscrits et des premiers imprimés en Europe (XIIe-XVIe siècle), 49–80. Turnhout: Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.ar-eb.5.108681.
Texto completo da fonteCampopiano, Michele. "Un poème et son manuscrit auxviesiècle : lecture d’un poème épique sur Alexandre le Grand dans la Renaissance italienne". In Alexandre le Grand à la lumière des manuscrits et des premiers imprimés en Europe (XIIe-XVIe siècle), 507–15. Turnhout: Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.ar-eb.5.108703.
Texto completo da fonteBorriero, Giovanni. "Notes sur la « matière d’Alexandre » en Italie et sur le manuscrit d’une version en prose duLiber Allexandri(Florence, Biblioteca Nazionale Centrale, II I 363)". In Alexandre le Grand à la lumière des manuscrits et des premiers imprimés en Europe (XIIe-XVIe siècle), 101–15. Turnhout: Brepols Publishers, 2015. http://dx.doi.org/10.1484/m.ar-eb.5.108683.
Texto completo da fonteCostanzo, Denise, e Andrew Leach. "Imprints and Tracks". In Italian Imprints on Twentieth-century Architecture. Bloomsbury Visual Arts, 2022. http://dx.doi.org/10.5040/9781350257757.ch-001.
Texto completo da fontePoerschke, Ute. "Functionalism and Its Italian Entanglements". In Italian Imprints on Twentieth-century Architecture. Bloomsbury Visual Arts, 2022. http://dx.doi.org/10.5040/9781350257757.ch-005.
Texto completo da fonteAquilar, Giorgia. "Italian Afterthoughts: Transcoding Veniceness From Without". In Italian Imprints on Twentieth-century Architecture. Bloomsbury Visual Arts, 2022. http://dx.doi.org/10.5040/9781350257757.ch-003.
Texto completo da fontePearson, Caspar. "The Italian Renaissance as Rebirth and Return". In Italian Imprints on Twentieth-century Architecture. Bloomsbury Visual Arts, 2022. http://dx.doi.org/10.5040/9781350257757.ch-006.
Texto completo da fonteSantos, Daniela Ortiz dos. "Italian Roots in Latin American Architectural History". In Italian Imprints on Twentieth-century Architecture. Bloomsbury Visual Arts, 2022. http://dx.doi.org/10.5040/9781350257757.ch-020.
Texto completo da fonteGoad, Philip. "From the Universal to the Particular: Robin Boyd and the Positioning of Italy in Postwar Architectural Criticism". In Italian Imprints on Twentieth-century Architecture. Bloomsbury Visual Arts, 2022. http://dx.doi.org/10.5040/9781350257757.ch-018.
Texto completo da fonteGalán, Ignacio G. "Furnishing Fascist Italy". In Italian Imprints on Twentieth-century Architecture. Bloomsbury Visual Arts, 2022. http://dx.doi.org/10.5040/9781350257757.ch-015.
Texto completo da fonteTrabalhos de conferências sobre o assunto "Imprimés italiens"
Plutniak, Sébastien. "L’automatisation éditoriale da la publication des données. Des tirés-à-part aux data journals en archéologie (1950-2000)". In Séminaire PéLiAS (Périodiques, Littérature, Arts, Sciences). MSH Paris-Saclay Éditions, 2023. http://dx.doi.org/10.52983/qbtj3499.
Texto completo da fonteTomassoni, Rosella, Valentina Coccarelli e Francesco Spilabotte. "THE CRISIS OF THE EGO IN THE PAINTINGS AND DRAWINGS OF GIAN CARLO RICCARDI: BRIEF PSYCHOLOGICAL REFLECTIONS". In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/vs08.10.
Texto completo da fonte