Bibliografias temáticas / Imperialism in motion pictures

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Literatura científica selecionada sobre o tema "Imperialism in motion pictures"

Autor: Grafiati
Publicado: 4 de junho de 2021
Última modificação: 29 de julho de 2024

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Artigos de revistas sobre o assunto "Imperialism in motion pictures"

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Nangimah, Musrifatun. "The cultural repertoire of recontextualized superhero in the Avengers sequels". EduLite: Journal of English Education, Literature and Culture 6, n.º 2 (31 de agosto de 2021): 353. http://dx.doi.org/10.30659/e.6.2.353-368.

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This research presents content analysis to the cultural repertoire of Marvel Cinematic Universe�s superhero motion pictures. It investigates the content, theme, and core ideas of Avengers sequels: The Avengers (2012), Avengers: Age of Ultron (2015), Avengers: Infinity War (2018), and Avengers: Endgame (2019). It explores how the Avengers sequels portrays recontextualization of superhero characters and whether as well as to what extent it provides US cultural monomyth. The finding shows that each character of the Avengers has flaws and vulnerabilities as common human beings that leave them from traditional superhero monomyth. Nevertheless, it still illustrates US cultural imperialism, pharmakon portrayal, hegemonic masculinity, and sovereignty. These motion pictures still serve US heroism and patriotism interest as well as binary interplay: order-chaos, law-violence and villain-superhero that occurs among superheroes, extra-terrestrial race, robots and Titans despite its recontextualized characters. Moreover, it depicts the traditional masculine ideal valorisation where men are more likely powerful, intelligent, and equipped by sophisticated technology whereas women are seen as supportive superheroes with implied beauty standards. The recommendation for future research is discussed.
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Geiger, Jeffrey. "Exquisite wonder: Colour film, realism and the Yankee voyage, 1936–38". Journal of New Zealand & Pacific Studies 8, n.º 1 (1 de maio de 2020): 57–79. http://dx.doi.org/10.1386/nzps_00015_1.

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This article looks at rare Kodachrome film taken across Oceania, mostly shot by a skilled amateur filmmaker, Edmund Zacher, to document the circumnavigation of the famous clipper Yankee. There are three intertwined lines of inquiry traced here. The first explores relations between US imperialism, moving image media and a popular imaginary, considering how experiences of virtual travel engage with cultural ideology. The second examines how this footage may be interpreted: how might critical frameworks brought to bear on amateur non-fiction differ from those commonly applied to professional and narrative fiction film? A key reference point is the theory of cinematic gesture developed by Giorgio Agamben, who expands on the work of Gilles Deleuze and his notion of the movement image. This stress on gesture and on the mediality of moving images leads towards a third key area under consideration: colour and the (then) new medium of Kodachrome. Homing in on relations between colour stock and motion picture realism, this study explores the ways that Kodachrome colour might have affected broader perceptions of the world itself.
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Young, Linda. "Motion Pictures". SMPTE Journal 105, n.º 4 (abril de 1996): 177–78. http://dx.doi.org/10.5594/j15829.

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Masson, Alan J. "Motion Pictures". SMPTE Journal 108, n.º 2 (fevereiro de 1999): 75–78. http://dx.doi.org/10.5594/j17112.

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Masson, Alan J. "Motion Pictures". SMPTE Journal 107, n.º 1 (janeiro de 1998): 11–13. http://dx.doi.org/10.5594/j17616.

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Bonnaud, Irène, Suzanne Doppelt, Christophe Triau e Sacha Zilberfarb. "Motion pictures". Vacarme 15, n.º 2 (2001): 60. http://dx.doi.org/10.3917/vaca.015.0060.

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Burns, Edward J. "Motion Pictures". SMPTE Journal 97, n.º 4 (abril de 1988): 268–74. http://dx.doi.org/10.5594/j00667.

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Young, Linda. "Motion Pictures". SMPTE Journal 106, n.º 1 (janeiro de 1997): 9–11. http://dx.doi.org/10.5594/j09530.

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Ricotta, Frank J. "Motion Pictures". SMPTE Journal 104, n.º 4 (abril de 1995): 186–88. http://dx.doi.org/10.5594/j09609.

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Ricotta, Frank J. "Motion Pictures". SMPTE Journal 103, n.º 4 (abril de 1994): 211–15. http://dx.doi.org/10.5594/j09688.

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Teses / dissertações sobre o assunto "Imperialism in motion pictures"

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Li, Chun-hoi Benjamin, e 李俊海. "Madame butterfly and orientalism". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952732.

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Bae, Juyeon. "The representation of Asian others in Korean cinema since 2003 : multiculturalism, nationalism and sub-imperialism". Thesis, University of Nottingham, 2016. http://eprints.nottingham.ac.uk/33610/.

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This thesis elucidates current industrial and representational tendencies in South Korean films that depict Asian others. Asian others such as migrant workers, marriage migrants, overseas ethnic Koreans and North Korean defectors have become increasingly important in South Korean filmic discourse and practice since 2003. This thesis examines how contemporary Korean cinema has responded to the multicultural society and how it seeks to articulate Korean nationalism in the globalised era through the appropriation of Asian others. Such films are intertwined with governmental policies of multiculturalism and discourses on globalisation and thus reflect historical formations both inside and outside South Korean cinema. In particular, this thesis places the celebration of multicultural identity in Korean cinema into dialogue with existing debates on nationalism and sub-imperialism. Through case studies of selected films, this thesis investigates the tension between a changing society and emerging sub-imperial perspectives. The specific interest of this thesis lies in the examination of historical, geopolitical and socio-cultural trajectory in the representation of Asian others, since this discursive structure has been formed around Asia and its regional socio-political history. In doing so, this thesis aims to shift the discursive sphere of these films, which is limited to the discussion of multiculturalism and globalisation, to an expanded sphere which embraces historical and regional perspectives.
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Lam, Sui-kwong Sunny. "The impact of translated Japanese comics on Hong Kong cinematic production : cultural imperialism or local redeployment? /". Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18598389.

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Li, Chun-hoi Benjamin. "Madame butterfly and orientalism". Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B22535305.

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Lam, Sui-kwong Sunny, e 林萃光. "The impact of translated Japanese comics on Hong Kong cinematic production: cultural imperialism or localredeployment?" Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B29902289.

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Emerson, John. "The representation of the colonial past in French and Australian cinema, from 1970 to 2000 /". Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phe536.pdf.

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Cazdyn, Eric M. "Problem cinema : culture, capital and form in Japan /". Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9908497.

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Chan, Kim-mui Eileen. "Postmodernity and recent Hong Kong cinema /". Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18539191.

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Carbonaro, Joseph. "Enabling church members to evaluate the moral content of feature films". Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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Tam, Siu-yan Xavier. "Between penumbrae and shadow contextualizing transnational queer Chinese cinemas /". Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B44142663.

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Livros sobre o assunto "Imperialism in motion pictures"

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Chapman, James. Projecting empire: Imperialism and popular cinema. London: I.B. Tauris, 2009.

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2

Anderson, Mark Cronlund. Cowboy imperialism and Hollywood movies. New York: P. Lang, 2008.

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3

Stollery, Martin. Alternative empires: Soviet montage cinema, the British documentary movement & colonialism. [s.l.]: typescript, 1994.

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4

Le cinéma post-colonial français. Paris: Éditions du Cerf, 2006.

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5

Limbrick, Peter. Making settler cinemas: Film and colonial encounters in the United States, Australia, and New Zealand. New York: Palgrave Macmillan, 2010.

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6

Adolfo, Colombres, ed. Cine, antropología y colonialismo. 2a ed. Buenos Aires: Ediciones Del Sol, 2005.

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7

Ono, Kent A. Contemporary media culture and the remnants of a colonial past. New York: Peter Lang, 2009.

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8

Quintero, María del Pilar. Psicología del colonizado. Mérida, Venezuela: Universidad de Los Andes, Consejo de Publicaciones, 1993.

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9

Institute, British Film, ed. Empire and film. London: Palgrave Macmillan on behalf of the British Film Institute, 2011.

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10

Laura, Wright, ed. Visual difference: Postcolonial studies and intercultural cinema. New York: Peter Lang, 2010.

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Capítulos de livros sobre o assunto "Imperialism in motion pictures"

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Germann, Christophe. "Chapter 7. Content Industries and Cultural Diversity: The Case of Motion Pictures". In Cultural Imperialism, editado por Bernd Hamm e Russell Smandych, 93–113. Toronto: University of Toronto Press, 2005. http://dx.doi.org/10.3138/9781442602090-014.

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kydd, Elspeth. "Motion Pictures". In The Critical Practice of Film, 17–37. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34527-0_2.

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Kamada, Seiichi. "Motion Pictures". In Springer Monographs in Mathematics, 39–73. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4091-7_3.

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Kamada, Seiichi. "Motion pictures". In Mathematical Surveys and Monographs, 63–70. Providence, Rhode Island: American Mathematical Society, 2002. http://dx.doi.org/10.1090/surv/095/09.

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Walters, James. "Perpetual motion pictures". In The Routledge Companion to World Cinema, 382–92. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315688251-32.

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Czitrom, Daniel. "Early Motion Pictures". In Communication in History, 158–66. 8a ed. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003250463-26.

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Czitrom, Daniel. "Early Motion Pictures". In Communication in History, 175–83. Seventh edition. | New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315189840-26.

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Prinz, Jesse. "Affect and Motion Pictures". In The Palgrave Handbook of the Philosophy of Film and Motion Pictures, 893–921. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_38.

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Walls, W. David. "Motion Pictures, Economics of". In The New Palgrave Dictionary of Economics, 1–7. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_1942-1.

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Walls, W. David. "Motion Pictures, Economics of". In The New Palgrave Dictionary of Economics, 9164–70. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_1942.

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Trabalhos de conferências sobre o assunto "Imperialism in motion pictures"

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Obretenov, Christos. "Cinematography For Stylized Motion Pictures". In SIGGRAPH '23: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3587421.3595426.

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Lagendijk, R. L., e M. I. Sezan. "Motion compensated frame rate conversion of motion pictures". In [Proceedings] ICASSP-92: 1992 IEEE International Conference on Acoustics, Speech, and Signal Processing. IEEE, 1992. http://dx.doi.org/10.1109/icassp.1992.226178.

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Karaki, Koichi, Hiroko Sasaki e Masaharu Mitsunaga. "Holographic motion pictures by hole burning". In International Conferences on Optical Fabrication and Testing and Applications of Optical Holography, editado por Toshio Honda. SPIE, 1995. http://dx.doi.org/10.1117/12.215315.

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Alexander, P. "Development of integral holographic motion pictures". In Display Holography: Fifth International Symposium, editado por Tung H. Jeong. SPIE, 1995. http://dx.doi.org/10.1117/12.201899.

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Chuang, Yung-Yu, Dan B. Goldman, Ke Colin Zheng, Brian Curless, David H. Salesin e Richard Szeliski. "Animating pictures with stochastic motion textures". In ACM SIGGRAPH 2005 Papers. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1186822.1073273.

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Holynski, Aleksander, Brian Curless, Steven M. Seitz e Richard Szeliski. "Animating Pictures with Eulerian Motion Fields". In 2021 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2021. http://dx.doi.org/10.1109/cvpr46437.2021.00575.

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Baecker, Ronald, Alan J. Rosenthal, Naomi Friedlander, Eric Smith e Andrew Cohen. "A multimedia system for authoring motion pictures". In the fourth ACM international conference. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/244130.244142.

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Mayhew, Christopher A. "True Three-Dimensional Animation In Motion Pictures". In OE LASE'87 and EO Imaging Symp (January 1987, Los Angeles), editado por David F. McAllister e Woodrow E. Robbins. SPIE, 1987. http://dx.doi.org/10.1117/12.940133.

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Abdulsamet, Hasiloglu, e Tosun Olcay. "Identification system from motion pictures: LBPH application". In 2017 International Conference on Computer Science and Engineering (UBMK). IEEE, 2017. http://dx.doi.org/10.1109/ubmk.2017.8093546.

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Awatsuji, Yasuhiro, Aya Komatsu, Masatomo Yamagiwa e Toshihiro Kubota. "Motion pictures of propagating ultrashort laser pulses". In 26th International Congress on High-Speed Photography and Photonics, editado por Dennis L. Paisley, Stuart Kleinfelder, Donald R. Snyder e Brian J. Thompson. SPIE, 2005. http://dx.doi.org/10.1117/12.567035.

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Relatórios de organizações sobre o assunto "Imperialism in motion pictures"

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Koschmann, Anthony, e Yi Qian. Latent Estimation of Piracy Quality and its Effect on Revenues and Distribution: The Case of Motion Pictures. Cambridge, MA: National Bureau of Economic Research, agosto de 2020. http://dx.doi.org/10.3386/w27649.

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