Bibliografias temáticas / Illustrations collectionID

Literatura científica selecionada sobre o tema "Illustrations collectionID"

Autor: Grafiati
Publicado: 25 de julho de 2024

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Artigos de revistas sobre o assunto "Illustrations collectionID"

1

Lotti, S., A. Altobelli, S. Bambi e M. Poggesi. "Illustrations of the anatomical wax model collection in the “La Specola” Zoology Museum, Florence". Archives of Natural History 33, n.º 2 (outubro de 2006): 232–40. http://dx.doi.org/10.3366/anh.2006.33.2.232.

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Anatomical illustration has evolved through the centuries, first having artistic and educational purposes and later more strictly medical objectives. Between the eleventh and fifteenth centuries, the analytical model (representation of individual parts, organs and systems) gave way to the composite model (description of the human body as a whole). Between the seventeenth and eighteenth centuries, there was a reversal of tendency: initially the anatomist requested the help of artists, but later the artist asked anatomists to check the accuracy of his work. In this way, anatomical illustration reached a high level of precision. This period also saw the creation of the “La Specola” Zoology Museum's collection of anatomical wax models. Initiated in the eighteenth century, it also included a series of contemporary colour illustrations executed by various artists. Most of the illustrations concern human anatomy, while a small number deal with comparative anatomy. These illustrations, each accompanied by one or more explanatory sheets, were produced to help explain the corresponding wax models. The anatomical wax model collection has been well preserved through the centuries, maintaining its ancient splendour, and it is the object of continuing research and restoration interventions.
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Abaydulova, Anna. "Luka Voronin’s Expedition Drawings in the Collection of Illustrations to Peter Simon Pallas’ Zoographia rosso-asiatica: Attribution and Descriptions". Voprosy istorii estestvoznaniia i tekhniki 44, n.º 3 (2023): 524. http://dx.doi.org/10.31857/s020596060027061-9.

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Twenty three drawings by Luka Voronin, artist to the J. I. Billings – G. A. Sarychev North-East Expedition (1785–1795), were discovered in the collection of illustrations for Academician P. S. Pallas’ Zoographia rosso-asiatica at the St. Petersburg Branch of the Archive the Russian Academy of Sciences. For Pallas, this expedition became an important source of information about the Russian fauna. The expedition’s materials were used by him in the preparation of Zoographia rosso-asiatica, which is why some of Voronin’s expedition drawings that had been selected by Pallas were preserved in the collection of illustrations. In this article, the process of attribution of Voronin’s zoological drawings is described and the descriptions of all drawings are published for the first time. The descriptions are given in the order of illustrations in Zoographia rosso-asiatica and contain modern names of the illustrated species, the Latin names given by Pallas, the date, size, transcript and translation of the marks, and descriptions of other distinctive features of the sheets. Introducing Voronin’s zoological drawings sheds new light on the pages from the expedition’s history and broadens the source base for the history of natural science illustration in Russia. Studying these drawings may become an important part of the visual reconstruction of natural-science collections of the Petersburg Kunstkamera of the late 18th – early 19th century.
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Bourdillon, Jane. "The photographic collection of the National Archives of Zimbabwe". African Research & Documentation 43 (1987): 23–27. http://dx.doi.org/10.1017/s0305862x00010347.

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The Illustrations Section of the National Archives of Zimbabwe (NAZ) is administered by the library, which, in addition to being a legal depository, is Zimbabwe’s national reference library. It collects printed and audiovisual materials, relating to this country, both published and unpublished, for permanent preservation. The photographic collection originated as a group of 343 prints and negatives illustrating the country’s history from 1561 to 1924 and collected for an exhibition in 1936, and it has grown into a classified and indexed collection of nearly 23 000 negatives and approximately 26 000 photographs. There is also a number of other large deposits, as yet unprocessed, which will be referred to later. The section strives to reach the twin goals of preserving a photographic record of every aspect of life in this country and of providing a service to members of the public.
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Bourdillon, Jane. "The photographic collection of the National Archives of Zimbabwe". African Research & Documentation 43 (1987): 23–27. http://dx.doi.org/10.1017/s0305862x00010347.

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The Illustrations Section of the National Archives of Zimbabwe (NAZ) is administered by the library, which, in addition to being a legal depository, is Zimbabwe’s national reference library. It collects printed and audiovisual materials, relating to this country, both published and unpublished, for permanent preservation. The photographic collection originated as a group of 343 prints and negatives illustrating the country’s history from 1561 to 1924 and collected for an exhibition in 1936, and it has grown into a classified and indexed collection of nearly 23 000 negatives and approximately 26 000 photographs. There is also a number of other large deposits, as yet unprocessed, which will be referred to later. The section strives to reach the twin goals of preserving a photographic record of every aspect of life in this country and of providing a service to members of the public.
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King, Louise. "Treasures from the Collections". Bulletin of the Royal College of Surgeons of England 98, n.º 4 (abril de 2016): 178. http://dx.doi.org/10.1308/rcsbull.2016.178.

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Isaac, Susan. "Treasures from the Collections". Bulletin of the Royal College of Surgeons of England 101, n.º 4 (maio de 2019): 160. http://dx.doi.org/10.1308/rcsbull.2019.160.

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7

Haq, Sara. "Good Girls Marry Doctors". American Journal of Islam and Society 34, n.º 2 (1 de abril de 2017): 131–34. http://dx.doi.org/10.35632/ajis.v34i2.772.

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From the publisher that brought us Gloria Anzaldua’s classic work Borderlands/La Frontera: The New Mestiza (1987), now comes Good Girls Marry Doctors:South Asian American Daughters on Obedience and Rebellion. AuntLute Books gives us this 2016 anthology of short stories edited by Piyali Bhattacharyathat, I envision, will strike a similar chord of deep resonance withthose who are living in the liminal spaces of mixed consciousness, mixed cultures,mixed religions – the South Asian American diasporic community andbeyond. The striking cover of the book shows a graphic illustration of a browngirl decked in traditional South Asian gold jewelry and a red sarhi, her handslipping underneath the fabric below her waist, leaving the viewer to imaginethat she is feelin’ herself.The style of writing and the range of themes allow this book to speak toa multitude of audiences. The book can easily be included in syllabi rangingfrom South Asian American studies, American studies, and Islamic studies towomen/gender/sexuality studies, cultural studies, and affect theory. WhatBhattacharya set out to do over a span of eight years in bringing this collectionto fruition is to create for herself and the women she knew a network, a community,a support system (p. v) – “we had to find our tribe” (p. viii). What Ifind interesting and useful in this collection is that it can be used as an illustrationof how gender and sexuality frame affective knowledge productionand world-making in diasporic communities ...
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Gibb, W. R. G. "The Ciba Collection of Medical Illustrations". Behavioural Neurology 1, n.º 1 (1988): 59–60. http://dx.doi.org/10.1155/1988/259489.

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Cook, A. "Plants illustrating exotic collections". Notes and Records of the Royal Society of London 55, n.º 1 (22 de janeiro de 2001): 129–44. http://dx.doi.org/10.1098/rsnr.2001.0130.

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The study of plants was nothing new when The Royal Society was founded, but some of our earliest Fellows changed it drastically. Perhaps they did not do this as suddenly or as completely as did Newton for dynamics, but in the long run they had at least as great an influence on views of the natural world and how to study it. Did God create all the great variety of plants no one (in Europe) had ever seen before, and if so why? Plants brought back by explorers, especially from North America, and plants looked at in the microscope, together with the taxonomic system constructed by Linnaeus, replaced the plants grown in monastic gardens and their successors in public botanic gardens, and the study of plants for purely medicinal uses.
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KA, Bugaevsky. "Anatomy of the Heart and the Human Cardiovascular System in the Reflection of Collection Tools". Journal of Human Anatomy 7, n.º 1 (20 de fevereiro de 2023): 1–7. http://dx.doi.org/10.23880/jhua-16000168.

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This article presents materials of the conducted research devoted to the reflection of information about the study of anatomy and physiology of the human heart and circulatory system in the reflection of various means of philately, phylocarty and numismatics in collecting media. The article presents, as illustrations, images of postage stamps, envelopes, commemorative medals and coins, gives their description and other additional information.
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Teses / dissertações sobre o assunto "Illustrations collectionID"

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Pottmeyer, Ollie W. "Illustrations from the CD collection of Ollie W. Pottmeyer". Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=1952.

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Thesis (M.F.A.)--West Virginia University, 2001.
Title from document title page. Document formatted into pages; contains iii, 17, [19] p. : col. ill. Includes abstract. Includes bibliographical references (p. 17).
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2

Kerhoas, Marie-José. "Les dessins de costumes de scène de 1750 à 1790 dans les collections patrimoniales françaises". Tours, 2007. http://www.theses.fr/2007TOUR2042.

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Cette étude cherche à démontrer que, si le costume de théâtre trouve actuellement un regain d'intérêt, il est important de connaître son premier geste : le dessin de costume, le seul à subsister à cette époque. L'Esthétique théâtrale, du moins sur le plan théorique, subit une évolution sensible durant cette deuxième moitié de siècle. L'enjeu, pendant cette période, est un balancement entre le maintien de la tradition ou un essai de renouvellement. Or les premiers frémissements d'un changement peuvent-ils naître au sein du système institutionnel figé de ce temps? Les coups de boutoir des théoriciens auront-ils raison des habitudes des dessinateurs ? Les débats autour de la peinture d'histoire vont-ils transformer le costume de théâtre et par osmose le dessin de costume vers un néo-classicisme ? La mode exerce-t-elle une influence sur ce dessin ? Tels sont les facteurs à débattre
This dissertation aims to demonstrate that, meanwhile theatre's costumes are particularly studied, it appeared important to know its first gesture : the costumes drawing, which alone have subsisted. In the second half of the eighteenth century, the theatrical aesthetic has know a significant theoretical evolution. What is at stake, in this time, is the alternative between tradition's permanence and changing's attempt. Is such a change possible in the sceloresed institution of this period ? Are the theoreticians going to convince the costume's drawers to leave their habits ? Will the discussions around history's painting transform the theatre's costumes, and in the same time costumes drawing, to a neoclassic style ? Will fashion influence it ? These are the questions which will be discussed
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Goëau, Hervé. "Structuration de collections d'images par apprentissage actif crédibiliste". Phd thesis, Grenoble 1, 2009. http://www.theses.fr/2009GRE10070.

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L'indexation des images est une étape indispensable pour valoriser un fond d'archive professionnel ou des collections d'images personnelles. Le "documentaliste" se doit de décrire précisément chaque document collecté dans la perspective de le retrouver. La difficulté est alors d'interpréter les contenus visuels et de les associer entre eux afin de couvrir différentes catégories qui peuvent être souvent très subjectives. Dans ce travail, nous nous inspirons du principe de l'apprentissage actif pour aider un utilisateur dans cette tâche de structuration de collections d'images. A partir de l'analyse des contenus visuels des images, différentes stratégies de sélection active sont développées afin d'aider un utilisateur à identifier et cerner des catégories pertinentes selon son point de vue. Nous proposons d'exprimer ce problème de classification d'images avec apprentissage actif dans le cadre du Modèle des Croyances Transférables (MCT). Ce formalisme facilite la combinaison, la révision et la représentation des connaissances que l'on peut extraire des images et des classes existantes à un moment donné. La méthode proposée dans ce cadre permet ainsi une représentation détaillée de la connaissance, notamment en représentant explicitement les cas d'appartenances à aucune ou à de multiples catégories, tout en quantifiant l'incertitude (liée entre autre au fossé sémantique) et le conflit entrainé par l'analyse des images selon différentes modalités (couleurs, orientations). Une interface homme-machine a été développée afin de valider notre approche sur des jeux de tests de référence, des collections d'images personnelles et des photographies professionnelles issues de l'Institut National de l'Audiovisuel. Une évaluation a été conduite auprès d'utilisateurs professionnels et a montré des résultats très positifs en termes d'utilité, d'utilisabilité et de satisfaction
Image annotation is an essential task in professional archives exploitation. Archivsits must describe every image in order to make easier future retrieval tasks. The main difficulties are how to interpret the visual contents, how to bring together images whitch can be associated in same categories, and how to deal with the user's subjectivity. In this thesis, we use the principle of active learning in order to help a user who wants organize with accuracy image collections. From the visual content analysis, complementary active learning strategies are proposed to the user to help him to identify and put together images in relevant categories according to his oppinion. We choose to express this image classification problem with active learning by using the Transferable Belief Model (TBM), an elaboration on the Dempster-Shafer theory of evidence. The TBM allows the combination, the revision and the representation of the knowledge which can be extracted from the visual contents and the previously identified categories. Our method proposed in this theoritical framework gives a detailed modeling of the knowledge by representing explicitly cases of multi-labeling, while quantifying uncertainty (related to the semantic gap) and conflict induced by the analysis of the visual content in different modalities (colors, textures). A human-machine interface was developed in order to validate our approach on reference tests, personal images collections and professional photos from the National Audiovisual Institute. An evaluation was driven with professional users and showed very positive results in terms of utility, of usability and satisfaction
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Pommaret, Sabine. "Traitement documentaire et valorisation des fonds iconographiques anciens dans les bibliothèques l'exemple de la collection d'estampes de la B.M. de Bourges /". [S.l.] : [s.n.], 2002. http://www.enssib.fr/bibliotheque/documents/dcb/pommaret.pdf.

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Davila, Victor. "THE ILLUSION OF ART: MY AMALGAMATION OF ILLUSTRATION AND CONTEMPORARY ART". Master's thesis, University of Central Florida, 2007. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3753.

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Drawing on archetypical aspects of human characteristics and personalities, I create images that illustrate our connection to memory, media, and culture. My work is informed by pop culture, including television, movies, cartoons and comic books as it relates to characters in our own physical world and society. The grid is used to represent both childhood games and the frames of a comic strip, where each panel equals an exact moment of time.
M.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
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6

Pucci, Alicia Meredith. "Consuming Surrealism in Modern Mexican Advertising: Remedios Varo's Pharmaceutical Illustrations for Casa Bayer, S.A". Master's thesis, Temple University Libraries, 2018. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/516897.

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Art History
M.A.
My thesis investigates an interdisciplinary narrative of the transatlantic migration of Surrealism to Mexico during the 1940s. I focus on the ways exiled European Surrealists approached notions of Mexican material culture in a hybrid society where local traditions coexisted with a global modernity. Looking to popular and print culture outlets, I concentrate on how Mexican material culture was perceived, promoted, and marketed through a Surrealist lens. Specifically, I consider the collaboration of the German pharmaceutical company Casa Bayer, S.A. and exiled Spanish-born Surrealist Remedios Varo, who produced a series of medical advertisements during her first decade in Mexico City from 1943 to 1949. Through an examination of Varo’s work, my thesis explores the changing boundaries of fine and commercial art that resulted from the efforts of artists who participated in modern mass culture and consumerism. I investigate the significance of her Surrealist advertisements for Casa Bayer as a material culture bound on one side with fine art and the other side with the development of Mexican advertising. This case study supports my argument that Surrealism, as a transnational aesthetic, was one alternative way of demonstrating the new cultural meanings of advertising in an ambiguous, modern Mexican society. Examining Varo’s illustrations in light of the movement of western Europeans to Mexico and the country’s commitment to modern progress explains why the artist negotiated her past avant-garde sensibilities with her Mexican present.
Temple University--Theses
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7

Phillips, Catherine Victoria. "Art and politics in the Austrian Netherlands : Count Charles Cobenzl (1712-70) and his collection of drawings". Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4049/.

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The Cabinet of Count Charles Cobenzl lies at the heart of the Hermitage Museum, forming the core of the collection of Old Master Drawings. Yet despite perpetual references to him as ‘grand collectionneur’, no study of Cobenzl’s collecting has ever been undertaken. Nor, in the absence of prosopographical studies of art production or collecting in the Austrian Netherlands in the middle of the eighteenth century, or indeed of other individual collectors, has it been possible to set him in a ‘collecting context’. Bringing together the works of art themselves and Cobenzl’s abundant correspondence, this thesis assesses what he owned, how and why he acquired it, the political and intellectual framework for his collecting and how he perceived the objects in his possession. Looking at Cobenzl’s roles as public figure and private collector, it shows how the latter fits into the context of the former, his collecting rooted firmly in his ambition to revive the economy and the arts of the Austrian Netherlands, in his own ambiguous status and his conflicts with the Governor, Charles de Lorraine. The battle for both real and perceived superiority was played out in many different parts of Cobenzl’s professional and private life, and he used display – the adornment of his home and his person and his collecting – as part of a play for social prestige. Cobenzl used objects as a discrete assertion of both intellectual and aesthetic superiority. This thesis proposes that Cobenzl’s transformation into a collector of drawings was an example of his perspicacious identification of emerging trends that could be turned to advantage, economic or prestigious, public or personal. He was drawn by the status of drawings, perceived as accessible only to those of greater refinement and understanding, as something elite, less accessible than the collecting of paintings. The direct and specific stimulus for his emergence as a collector of drawings lay in the provenance of two large groups of works he was offered, which permitted him to assert a very specific link to the past. It suggests that Cobenzl adopted not only the drawings, but also their histories, to negotiate social position and identity, within the context of his pragmatic utilitarianism. This egocentric study also provides the foundation for a preliminary attempt to create a context for Cobenzl’s collecting of drawings, within his circle, in the Austrian Netherlands overall, and, through analysis of his collecting practices, in the wider European context.
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Goëau, Hervé. "Structuration de collections d'images par apprentissage actif crédibiliste". Phd thesis, Université Joseph Fourier (Grenoble), 2009. http://tel.archives-ouvertes.fr/tel-00410380.

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L'indexation des images est une étape indispensable pour valoriser un fond d'archive professionnel ou des collections d'images personnelles. Le "documentaliste" se doit de décrire précisément chaque document collecté dans la perspective de le retrouver. La difficulté est alors d'interpréter les contenus visuels et de les associer entre eux afin de couvrir différentes catégories qui peuvent être souvent très subjectives. Dans ce travail, nous nous inspirons du principe de l'apprentissage actif pour aider un utilisateur dans cette tâche de structuration de collections d'images. A partir de l'analyse des contenus visuels des images, différentes stratégies de sélection active sont développées afin d'aider un utilisateur à identifier et cerner des catégories pertinentes selon son point de vue. Nous proposons d'exprimer ce problème de classification d'images avec apprentissage actif dans le cadre du Modèle des Croyances Transférables (MCT). Ce formalisme facilite la combinaison, la révision et la représentation des connaissances que l'on peut extraire des images et des classes existantes à un moment donné. La méthode proposée dans ce cadre permet ainsi une représentation détaillée de la connaissance, notamment en représentant explicitement les cas d'appartenances à aucune ou à de multiples catégories, tout en quantifiant l'incertitude (liée entre autre au fossé sémantique) et le conflit entrainé par l'analyse des images selon différentes modalités (couleurs, orientations). Une interface homme-machine a été développée afin de valider notre approche sur des jeux de tests de référence, des collections d'images personnelles et des photographies professionnelles issues de l'Institut National de l'Audiovisuel. Une évaluation a été conduite auprès d'utilisateurs professionnels et a montré des résultats très positifs en termes d'utilité, d'utilisabilité et de satisfaction.
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9

Yamada, Shigehito. "Graphic and movie illustrations of human prenatal development and their application to embryological education based on the human embryo specimens in the Kyoto collection". Kyoto University, 2006. http://hdl.handle.net/2433/143856.

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Kyoto University (京都大学)
0048
新制・課程博士
博士(医学)
甲第12223号
医博第2976号
新制||医||922(附属図書館)
24059
UT51-2006-J216
京都大学大学院医学研究科外科系専攻
(主査)教授 篠原 隆司, 教授 影山 龍一郎, 教授 富樫 かおり, 教授 中辻 憲夫
学位規則第4条第1項該当
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Wightman, Shaun. "PITIFUL CREATURES". Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4188.

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By focusing on character, humor, and loose narrative, I create a world full of quirky, pitiful creatures that blur the lines between illustration and "Fine Art". Inspired by golden age cartoons, Pop-Surrealism, and late 50's commercial art, I make work that speaks of the awkwardness of human emotion while keeping a "tongue in cheek" attitude about everyday life. This work is expressed through illustration, animation, sculpture, and a lot of sarcasm.
M.F.A.
Department of Art
Arts and Humanities
Studio Art and the Computer MFA
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Livros sobre o assunto "Illustrations collectionID"

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1930-, Hewett James S., ed. Illustrations unlimited. Wheaton, Ill: Tyndale House Publishers, 1988.

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2

Sommer, Michael, e Andreas von Seggern. Mythos Aeneis: Vergil-Illustrationen der Sammlung Ulrich Wilke. Oldenburg: Stadtmuseum Oldenburg, 2016.

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3

Hull, European Illustration Collection. European Illustration Collection Hull. Hull: European Illustration Collection, 1994.

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4

Faeti, Antonio. L' illustrazione nel romanzo popolare: Tavole originali dalla collezione Rava (1907-1938). Torino: U. Allemandi, 1988.

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5

Netter, Frank H. The Netter Collection of medical illustrations. Summit, NJ: Novartis, 1997.

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6

1906-, Netter Frank H., Freyberg Richard H, Hensinger Robert N e Dingle Regina V, eds. The CIBA collection of medical illustrations. Summit, N.J: CIBA-Geigy, 1990.

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7

Nuttall, Barbara H. Australian themes: Short stories, poetry, illustrations. New York: Vantage Press, 1995.

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8

Wilke, Ulrich. Die Metamorphosen des Ovid: Francois Foppens, Brüssel 1677. Neukirchen: Verlag Make a book, 2018.

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9

Corrado, Gizzi, ed. L' arte nuova e Dante. Milano: Skira, 2000.

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10

Corrado, Gizzi, e Casa di Dante in Abruzzo., eds. L' arte nuova e Dante. Milano: Skira, 2000.

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Capítulos de livros sobre o assunto "Illustrations collectionID"

1

Sayers, W. C. Berwick. "Exhibitions, Illustration Collections". In A Manual of Children's Libraries, 218–22. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003230021-16.

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2

Bates, Denis E. B., e Jörg Maletz. "Collection, Preparation and Illustration of Graptolites". In Graptolite Paleobiology, 244–53. Chichester, UK: John Wiley & Sons, Ltd, 2017. http://dx.doi.org/10.1002/9781118515624.ch14.

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3

Mills, Victoria. "Dandyism, Visuality and the ‘Camp Gem’: Collections of Jewels in Huysmans and Wilde". In Illustrations, Optics and Objects in Nineteenth-Century Literary and Visual Cultures, 147–66. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230297395_8.

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4

Schwarz, Katharina, Pavel Rojtberg, Joachim Caspar, Iryna Gurevych, Michael Goesele e Hendrik P. A. Lensch. "Text-to-Video: Story Illustration from Online Photo Collections". In Knowledge-Based and Intelligent Information and Engineering Systems, 402–9. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-15384-6_43.

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Page, Joanna. "3. Floras, Herbaria, and Botanical Illustration". In Decolonial Ecologies, 93–136. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0339.03.

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New World plants were exhaustively catalogued in the floras and herbaria produced by the great scientific expeditions led by European naturalists in the eighteenth and nineteenth centuries, such as the Royal Botanical Expedition to New Granada (1783–1816), directed by José Celestino Mutis. Species were primarily illustrated in a way that would allow their identification according to Linnaean taxonomies. Three contemporary artists from Colombia—Alberto Baraya, María Fernanda Cardoso and Eulalia de Valdenebro—have reworked the Enlightenment norms of botanical illustration in order to draw attention to their many erasures and to chart environmental change over the past two centuries. Baraya’s Herbario de plantas artificiales (2002–) celebrates the anomalies and aberrations that were smoothed out in the European quest for a universal system of classification, exposing the relationship between modern Western science and the dynamics of economic and cultural dispossession. De Valdenebro’s seed collections contrast the homogenization and commercialization of transgenic varieties with the greater biodiversity of native seeds, whose cultivation has unfolded within a much higher degree of reciprocity between humans and their environment. In On the Marriages of Plants (2018), Cardoso reflects on Linnaeus’s use of sexual terms borrowed from the human world in her exploration of more recent research into reciprocal relationships between plants, insects, and humans. I bring these projects into dialogue with a selection of illustrations by Abel Rodríguez (Mogaje Guihu), an artist whose work preserves the ancestral knowledge of the Nonuya and Muinane communities in the Colombian Amazon. Contrasting with Linnaean abstraction, Rodríguez’s drawings and paintings depict rainforest ecosystems in ways that cast light on Amazonian concepts of cohabitation and the co-constitution of human and nonhuman subjects. These enter into conflict with two dominant Western paradigms: extraction, on the one hand, and conservation, on the other.
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Kingstone, Helen. "Photography Remediated in the Crimean War: Illustration, Exhibition and Collection". In Panoramas and Compilations in Nineteenth-Century Britain, 109–44. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-15684-7_5.

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"Illustrations". In Collections and Objections, ix—x. McGill-Queen's University Press, 2010. http://dx.doi.org/10.1515/9780773580657-001.

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Bowen, Karen Lee. "Collections". In Christopher Plantin's Books of Hours: Illustration and Production, 287–88. BRILL, 1997. http://dx.doi.org/10.1163/9789004616318_020.

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"Collection of Illustrations". In Hybrid Drawing Techniques, 221–46. Routledge, 2014. http://dx.doi.org/10.4324/9781315753942-16.

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Cooper, Andrew M. "Collection of Illustrations". In William Blake and the Productions of Time, 123–61. Routledge, 2016. http://dx.doi.org/10.4324/9781315234069-6.

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Trabalhos de conferências sobre o assunto "Illustrations collectionID"

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Vinogradova, Tatiana. "“DEPEND ON HEAVEN FOR FOOD”: A WELL-KNOWN PROVERB IN LITERATURE, ILLUSTRATIONS AND COMMENTS". In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.16.

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“Depend on Heaven for food” (kao tian chi fan, 靠天吃飯) is a well-known Chinese proverb. The presumed author of this expression was Wen Kang (文康), his novel Legend of Heroes and Heroines (儿女英雄傳) Ernü Yingxiong Zhuan first published in late 1870s became very popular. The expression “depend on Heaven for food” is from the 33rd chapter of the novel. Yet, the image under the title Picture Depend on Heaven for Food (kao tian chi fan tu, 靠天吃飯圖) appeared earlier than novel: two stone steles dated 1813 with the same picture, but different commentary text. In the academician Vasyli M. Alekseev’s collection of Chinese popular prints nianhua there are several engravings on this subject, the explanations for which are in the notebooks of the Chinese xiansheng mentors V. M. Alekseev to his collections of folk art (St. Petersburg Branch of the Archive of the Russian Academy of Sciences, fund 820, inv. 1, files 473, 479a). And finally we can compare xiansheng comments to (kao tian chi fan tu, 靠天吃飯圖) with the essay on the same subject by Lu Xun in his Qie Jie Ting Essay Collection (雜文集: 且介亭雜文二 集, 1935).
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Coelho, Filipe, e Cristina Ribeiro. "Automatic illustration with cross-media retrieval in large-scale collections". In 2011 9th International Workshop on Content-Based Multimedia Indexing (CBMI). IEEE, 2011. http://dx.doi.org/10.1109/cbmi.2011.5972515.

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Kriuchkova, E. A., D. D. Ryzhakova e P. D. Gudkova. "Genus Festuca L. in the Altai Territory". In Problems of studying the vegetation cover of Siberia. TSU Press, 2020. http://dx.doi.org/10.17223/978-5-94621-927-3-2020-21.

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The work presents original key, illustrations, notes on morphology and distribution extensions for 12 species of the genus Festuca in the Altai territory. The revision of the genus and the selection of material for illustrations was made on the basis of the herbariums ALTB, NSK, NS, TK, and the author's own collections.
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Moldovanu, Anastasia. "The Scientific Value of the Collection of “Tudor Arghezi” art Library. Heritage Documents". In Simpozionul Național de Studii Culturale, Ediția a 2-a. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/9789975352147.01.

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The written culture of a people is impressive in terms of heritage documents. These include books, the press, old prints and manuscripts, maps. According to their scientific importance, the Library’s collection includes current books, old books, books that, regardless of the year of publication, have special graphic qualities of the cover, title page, valuable content, atypical format, illustrations by well-known artists, and books with special bibliophile value with the signature or autograph of the author/donor. In libraries, such documents come from private donations and libraries; they are collected by professional people who activated in a certain period of time. These donations are managed in the form of special collections at the Arts Branch. In this context, the question of managing this special fund appears, i.e. the inventory, cataloging and preservation of the fund, the elaboration of a common Bibliography for all branches of “B. P. Hasdeu” Municipal Library, which would be permanently completed and therefore become everybody’s common good.
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Zavidovskaia, Ekaterina, e Dmitrii Maiatskii. "COMPARATIVE STUDY OF THE ILLUSTRATIONS OF THE NOVEL INVESTITURE OF THE GODS BASED ON WOODBLOCK EDITIONS AND POPULAR PRINTS NIANHUA". In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.13.

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The authors of this paper discuss visual material based on the plot of the Ming dynasty novel Investiture of the Gods (Fengshen yanyi, 封神演義), formed on the basis of large corpus of written historical works and Song-Yuan vernacular literature. Various illustrated woodblock and lithographic editions of the novel (published before 1911) are discussed in chronological order with focus on the special features and artistic level of their illustrations, whose content and technique are compared. Popular woodblock prints nianhua from Russian collections are examined in order to trace whether connections with book illustrations exist and what episodes of the novel became more popular and for what reason. The paper refers to materials stored in prominent libraries, museums and research centers of Russia, Europe, US and Asia.
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Tamulevich, S. V. "SPECIFICITY OF DESIGNING THE CATALOG OF THE ETHNOGRAPHIC COLLECTION OF THE MUSEUM AS AN OBJECT OF GRAPHIC DESIGN". In INNOVATIONS IN THE SOCIOCULTURAL SPACE. Amur State University, 2020. http://dx.doi.org/10.22250/iss.2020.19.

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The article discusses the design features of the ethnographic catalog on the example of the project of the multi-page publication «Nanai» Khabarovsk Museum of Local Lore named after N.I. Grodekova. The author defines the purpose and target audience of the museum catalog, describes the relationship between design and content - the interaction of elements of end-to-end design and spread, color, illustrations and typography with text, ways to solve the information and logistics catalog by visual means, traditions and current trends in the implementation of navigation through the publication.
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Chen, Yuetian, Bowen Shi, Peiru Liu, Ruohua Li e Mei Si. "Automated Visual Story Synthesis with Character Trait Control". In 14th International Conference on Applied Human Factors and Ergonomics (AHFE 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1003275.

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Visual storytelling is an art form that has been utilized for centuries to communicate stories, convey messages, and evoke emotions. The images and text must be used in harmony to create a compelling narrative experience. With the rise of text-to-image generation models such as Stable Diffusion, it is becoming more promising to investigate methods of automatically creating illustrations for stories. However, these diffusion models are usually developed to generate a single image, resulting in a lack of consistency be- tween figures and objects across different illustrations of the same story, which is especially important in stories with human characters.This work introduces a novel technique for creating consistent human figures in visual stories. This is achieved in two steps. The first step is to collect human portraits with various identifying characteristics, such as gender and age, that describe the character. The second step is to use this collection to train DreamBooth to generate a unique token ID for each type of character. These IDs can then be used to replace the names of the story characters in the image-generation process. By combining these two steps, we can create controlled human figures for various visual storytelling contexts.
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Liang, Ruquan, e Satoru Komori. "Computation of a Propagating Interface in Multiphase Flows Using an Adaptive Coupled Level Set Method". In ASME 2002 International Mechanical Engineering Congress and Exposition. ASMEDC, 2002. http://dx.doi.org/10.1115/imece2002-39044.

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We present a numerical strategy for a propagating interface in multiphase flows using a level set method combined with a local mesh adaptative technique. We use the level set method to move the propagating interface in multiphase flows. We also use the local mesh adaptative technique to increase the grid resolution at regions near the propagating interface and additionally at the regions near points of high curvature with a minimum of additional expense. For illustration, we apply the adaptive coupled level set method to a collection of bubbles moving under passive transport. Good agreement has been obtained in the comparision of the numerical results for the collection of bubbles using an adaptative grid with those using a single grid. We also apply the adaptive coupled level set method to a droplet falling on a step where it is important to accurately model the effect of surface tension force and the motion of the free-surface, and the numerical results agree very closely with available data.
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Cazac, Radu. "Sound aspects in Sonata no. 1 for clarinet and piano by Oleg Negruţa". In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.11.

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The author proposes to study some structural elements of the sound discourse, as well as their manifestation in the ideation of Sonata no.1 for clarinet and piano by Oleg Negruţa. The fact that this creation is written under the influence of jazz music and style is mentioned by the composer himself in the preface to the work – Sonata in Jazz Style. Following the detailed analysis of the first part, it can be observed that the element (language) of jazz is used to the maximum. Typical intonations as jumps, ornaments, trills, sonorous slides, delayed sounds, but also the genuistic sphere are used to the full: the swing dance, although it is the author's music, without resorting to citation, yet its melody corresponds to metrical patterns, rhythmic and expressive of the jazz style. Equally ingenious are the harmonies specific to African-American music – altered chords, unresolved seventh chords, arpeggios, sound overlaps, etc. As is natural, the improvisational manner has a massive presence in the work, which persists in the illustration of the basic themes.
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Venkataraman, P. "Leveraging Symbolic Programming in Engineering Courses: An Example". In ASME 2011 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. ASMEDC, 2011. http://dx.doi.org/10.1115/detc2011-47659.

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Symbolic programming, available through software packages, is a useful resource for teaching and learning in upper level professional courses in the undergraduate engineering curriculum. It positively impacts both knowledge and comprehension. The knowledge of required mathematics, previously learnt but easily forgotten, is now available at the fingertips. Symbolic programming makes it accessible through a single line of code. The comprehension is encouraged by visually illustrating the mathematical results through simple graphic commands. Increased knowledge and comprehension improves student’s academic ability, confidence, and maturity. These are necessary drivers of innovation. It takes only a small collection of software commands to deliver these significant improvements in student learning. In this paper we showcase some examples that demonstrate how symbolic programming can be used to service the basic course in aerodynamics. We also highlight the small collection of commands. It is anticipated that every other course in the engineering curriculum that uses mathematics can be completely supported in a similar fashion.
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