Literatura científica selecionada sobre o tema "I romantyzm"
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Artigos de revistas sobre o assunto "I romantyzm"
Makowska, Urszula. "Procent romantyzmu w romantyzmie". Kwartalnik Filmowy, n.º 110 (26 de agosto de 2020): 219–29. http://dx.doi.org/10.36744/kf.355.
Texto completo da fonteNiewiarowska, Joanna. "Kłopotliwe dziedzictwo wieszczów – romantyzm i paradoksy propagandy niepodległościowej w publicystyce (około)literackiej z lat 1914–1918". Perspektywy Kultury 29, n.º 2 (30 de junho de 2020): 95–112. http://dx.doi.org/10.35765/pk.2020.2902.08.
Texto completo da fonteStrzyżewski, Mirosław. "Zakłócony obraz romantyzmu". Sztuka Edycji 24, n.º 2 (6 de dezembro de 2023): 7–12. http://dx.doi.org/10.12775/se.2023.0019.
Texto completo da fonteKopij, Marta. "Romantyzm Nietzschego". Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica, n.º 19/20 (1 de janeiro de 2007): 57–72. http://dx.doi.org/10.18778/0208-6107.19-20.04.
Texto completo da fonteBąk, Magdalena. "Romantische Angst oder Angst vor Romantizismus? Über Paweł Goźlińskis "Dziady"". Transfer. Reception Studies 8 (29 de dezembro de 2023): 77–93. http://dx.doi.org/10.16926/trs.2023.08.01.
Texto completo da fonteKuczera-Chachulska, Bernadetta. "Mickiewicz−Słowacki. Estetyczna wartość opozycji". Prace Filologiczne. Literaturoznawstwo, n.º 10 (13) (25 de abril de 2020): 83–93. http://dx.doi.org/10.32798/pflit.563.
Texto completo da fonteSiwiec, Magdalena. "„Sytuacja” Norwida – „sytuacja” Baudelaire’a". Prace Filologiczne. Literaturoznawstwo, n.º 11 (14) (20 de junho de 2021): 141–60. http://dx.doi.org/10.32798/pflit.605.
Texto completo da fonteZdun, Magdalena. "Ponowoczesny romantyzm jako nurt ideowy określający horyzonty współczesnego człowieczeństwa". Horyzonty Wychowania 20, n.º 53 (17 de fevereiro de 2021): 103–16. http://dx.doi.org/10.35765/hw.1816.
Texto completo da fonteMiodoński, Leon. "Imaging the Absolute: Can Philosophy Visualize Abstractions?" Analiza i Egzystencja 62 (2023): 83–98. http://dx.doi.org/10.18276/aie.2023.62-04.
Texto completo da fonteRawski, Jakub. "Romantyzm — kino — Janion. Omówienie książki Krzysztofa Kopczyńskiego „Paradygmat polskiego romantyzmu w uniwersum filmowym”". Studia Filmoznawcze 43 (2 de fevereiro de 2023): 75–84. http://dx.doi.org/10.19195/0860-116x.43.4.
Texto completo da fonteTeses / dissertações sobre o assunto "I romantyzm"
Rączka, Teresa. "Polsko - inflandzka literatura romantyczna". Doctoral thesis, Katowice : Uniwersytet Śląski, 2013. http://hdl.handle.net/20.500.12128/5459.
Texto completo da fontePilarczyk-Palaitis, Anna Ewa, e Anna Pilarczyk-Palaitis. "Regionalistyczne aspekty poezji Juliana Korsaka". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20080924_180611-34338.
Texto completo da fonteDarbas susideda iš trijų pagrindinių dalių. I skyriuje nagrinėjama regionalizmo teorija. Darbo II skyrius skirtas Julijano Korsako asmenybei. Kadangi yra labai mažai medžiagos susijusios su poeto biografija, nutariau parodyti istorinį bei geografinį foną. Tai padėjo geriau pažinti laikotarpį bei aplinką, kuriuose susiformavo kūrėjas. Prie šios darbo dalies yra du priedai – nedidelis žemėlapis su pažymėta Korsako gimimo vieta bei poeto genealoginė apybraiža su šeimos herbu. III skyrius tai pagrindinė darbo dalis, kurią sudaro kūrinių analizė pagal juose atsispindinčius regioninius motyvus. Šį skyrių sudaro pirmas poskyris, kuriame aptariamas emocinis ryšys su tėvyne, antras poskyris, kuriame analizuojami regionalizmo reiškiniai, atsispindintys veikaluose paminėtuose topografiniuose pavadinimuose, su regionu susijusių žmonių pavardėse, simboliuose ir motyvuose bei trečias poskyris, kuriame minimi nagrinėjamoje medžiagoje pasireiškiantys kalbos regionalizmo pavyzdžiai. Darbo pagrindinis tikslas buvo parodyti Juliano Korsako poezijoje įvairius regionalizmo aspektus. Tikiuosi, kad tai man nors iš dalies pavyko. Norėčiau pažymėti, kad dėl to, kad mažai yra mokslinių darbų mano pasirinkta tema, rašyti magistro darbą buvo sudėtinga, tačiau ilgainiui tyrinėjant temą ji suteikė man didelį pasitenkinimą.
The monograph includes a complex of problems connected with the regionalism character of Julian Korsak poetry. A lot of attention is paid to the problems of literature regionalism theory. The term regionalism is already known from many years, bet its treats intuicionally. There is no unequivocal definicion . The monograph presents types of definitions this problem. The analysis of the regionalism character of Julian Korsak poetry shown, that its exists in many levels of this literature – from the motives, names, symbols or geographic points till the language of poetry. The main part of the monograph deals with the examples of regionalism in poetry of Julian Korsak. It presents their basic types, construction, models and principle of use. The monograph also discusses abaut life of Julian Korsak. Becouse of insufficient sources about his biography, I decided to write about epoch and region of his childhood and adoult life. The main target of this monograph was to show the many perspectives and aspects of regionalism in Julian Korsak‘s poetry, what I hope is success. The absence of documents and other monographs about regionalism and poet‘s biography was a difficulty, bet at the same time it was an source of reserch satisfaction.
Grybauskaitė, Agnė. "Apšvietos ir Romantizmo susidūrimas J. S. Millio filosofijoje". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2006~D_20110709_151618-96774.
Texto completo da fonteThis paper discusses the encounter of Enlightenment and Romanticism in John Stuart Mill’s philosophy. The majority of authors and Mill’s commentators (especially John Gray) tend to look at it as the theory with principles of Enlightenment. The smaller part of commentators (Nicholas Capaldi, Isaiah Berlin) sees in Mill’s conception also the principles of Romanticism modifying the traditional interpretation of English philosopher. But in fact this not-dominant approach practically is not analysed – it is limited only with brief notices. Therefore this master work is dedicated to attitude that Mill’s philosophy develops both from basic principles of Enlightenment and those of Romanticism. The inconsistency of Mill’s thought could be related with conflict of Enlightenment and Romanticism which, according to Alvydas Jokubaitis, could be named as the encounter of naturalism and expressivism. In conformity with this separation we could clearly see that Mill is characterized by naturalistic orientation (mostly in area of science) and expressivist orientation (in examination of person and partly – of society). There are indicated the essential principles of Enlightenment in Mill’s philosophy: 1) meliorism (the belief that persons, groups of persons, institutions, science, etc. improve and progresses) which denotes that utilitarian and political theory of this philosopher is pictured as stimulating social, as well as closely related intellectual progress; 2) egalitarianism (the belief... [to full text]
Leite, Ana Filipa Rodrigues Moreira. "Estratégias de gestão e de conservação para a paisagem cultural de Sintra, Património Mundial". Master's thesis, ISA, 2013. http://hdl.handle.net/10400.5/6170.
Texto completo da fonteThe Cultural Landscape of Sintra, classified in 1995 by UNESCO as World Heritage Site, is the testimony of a unique symbiosis between Nature and Man. The specific microclimate and lush vegetation gives to Serra de Sintra the bucolic spirit that promoted, since long times, its occupation by different cultures: From Neolithic vestiges to the medieval Suntria; convents and hermitages scattered throughout the solitude of the Sierra, the establishment of the royal court and nobles in their recreational farms, harmoniously arranged amidst the massive granite blocks and the lush vegetation brought from various parts of the world. The Landscape of Sintra was built under artistic and literary influences, being even today considered as a reference of the expression of the Romanticism, which influenced the Europe of the eighteenth and nineteenth centuries. This unit, also integrating the Natural Park of Sintra-Cascais, is characterized as well as a rich area, but highly sensitive. The current urban pressure and constant threats to the preservation of this site, including the forest area, motivated the development of the present research, in order to the pursuit of conservation of this landscape of incomparable value, as well as its maintenance as a classified heritage of UNESCO. As the main objective, we intend to develop a proposal for a new Management Plan for this Cultural Landscape, seeking a coherent development from the standpoint of tourism and economic development. With the design of strategies aiming the protection of the site, by leveraging their capital gains, dissemination and transfer of knowledge to the communities, the maintenance and the perpetuation of cultural identity, the ecological values and the biodiversity of the Sierra will be assured, thus allowing the full experience in this heritage
Stanko, Vlaški. "Hegelova kritika romantiĉarskog poimanja religije". Phd thesis, Univerzitet u Novom Sadu, Filozofski fakultet u Novom Sadu, 2018. https://www.cris.uns.ac.rs/record.jsf?recordId=107083&source=NDLTD&language=en.
Texto completo da fonteIstraživanje tematizuje Hegelovo kritiĉko vrednovanje ranoromantiĉarskog poimanja religije kao centralni aspekat Hegelove kritike romantiĉarskog duhovnog strujanja uopšte. Autor polazi od naĉina na koji Hegel određuje pojam filozofije religije. Saglasno tom pojmu, poimanje religije kod romantiĉara propituje se s obzirom na naĉin na koji su vodeći predstavnici tzv. jenske romantike (Šlajermaher, Šlegel, Novalis) pristupali pitanju o pojmu boga, problemu forme religijske svesti, pitanju o odnosu religije prema onome praktiĉkom i pitanju o odnosu religije prema umetnosti i filozofiji. Romantiĉarski pojam religije manifestovaće se pre svega kao programsko depotenciranje pitanja o pojmu boga i božjem postojanju, favorizacija formi neposrednosti svesti kao formi koje jesu autentiĉno religijske, razgraniĉenje religije od sfere ljudskog praksisa i nagovor na kreiranje nove religiije. Hegel ovakvom pojmu religije kritiĉki pristupa kao obliku duhovnosti koji je u ontološkom pogledu zasnovan Fihteovim filozofskim stanovištem. Kritika romantiĉarskog pojma religije kod Hegela biva konkretizovana kao kritika apsolutizacije formi neposrednosti religijske svesti, kao kritika promišljanja odnosa religije i drţave koje nije reflektovalo razliku onoga što jeste drţava i onoga što jeste građansko društvo i kao opozivanje mogućnosti da se moderna religioznost revitalizuje u liku romantiĉarske nove religije umetnosti.
Taujanskaitė, Aurelija. "Pride and Prejudice by Jane Austen and Bridget Jones’s Diary by Helen Fielding: The Situation of Writing a Novel". Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120831_092258-48880.
Texto completo da fonteTyrimo objektas – Džeinės Austen ir Helenos Fielding romano rašymo situacija remiantis jų kūriniais: Austen Puikybė ir prietarai bei Fielding Bridžitos Džouns dienoraštis. Nors autorės yra skirtingų laikotarpių anglų rašytojos, jų kūriniai yra dažnai lyginami.Bakalauro darbe buvo naudojami lyginamosios bei feministinės kritikos metodai. Lyginamasis metodas buvo taikomas ištirti romanų Puikybė ir prietarai ir Bridžitos Džouns dienoraštis panašumo ar savitumo reikšmes, palyginti kūrinių rašymo kontekstus. Kadangi Austen ir Fielding yra moterys rašytojos, feministinės kritikos metodas buvo naudojamas atskleisti moterų literatūros savitumą.
Silva, Maria Consuelo da Costa Oliveira e. "O legado de Georg Groddeck: genuinidade e originalidade". Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/15892.
Texto completo da fonteResearches over psychosomatic theme point to various authors. Each one with their own definition of the theme. By consequence there is no consistent definition of it. It is from this point that the author will use Georg Groddeck as a central theme of this dissertation. Groddeck calls the attention on the subject to be easily announced as the father of psychosomatic besides the originality and uniqueness of his theories. The main objective of this paper is to make a deeper reading of Groddecks work, categorizing it, emphasizing his intellectual production, giving it biographic context and enhancing his procedures to understand the historical context of his time. This work aim to subtract the concepts of psychosomatics found on Groddecks work before his contacts with Freud and psycanalisis passing by his biography and writings that approach the first world war. Sources are mainly primary ones
Pesquisas realizadas sobre o conceito Psicossomática apontam para muitos autores. Cada um deles com referencias teóricas próprias. Conseqüência disso é a falta de consistência na busca dessa definição. Com base nesse fato, a autora preferenciará a teoria de Georg Groddeck como tema central desta dissertação. Ele que, em um primeiro contato, já chama a atenção por ser considerado por alguns pesquisadores como o Pai da Psicossomática , também se destaca pela originalidade e genuinidade de sua teoria. O objetivo desta dissertação é realizar uma leitura mais detalhada da obra de Georg Groddeck, categorizá-la, enfatizar sua produção intelectual, situá-la dentro do referencial biográfico e ainda, tentar localizar sua obra dentro de um contexto histórico/teórico: O Romantismo e A Filosofia da Natureza. Com isso, a autora espera subtrair da obra de Georg Groddeck sua conceituação de psicossomática no período anterior aos seus contatos com Freud e com a Psicanálise, percorrendo sua biografia e escritos até data próxima à Primeira Guerra Mundial. A bibliografia estará principalmente centrada em fontes primárias
Billon-Grand, Pascal. "La poésie et la « révolution de l’existence quotidienne »". Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20053/document.
Texto completo da fonteFrom the first german romantism, at the end of the XVIIIth century, to the International Situationnist, in the 1960’s, through the futurist, the dadaïst and the surrealist avant-gardes, poetry became one with the project of a global and permanent revolution of the everyday life. During almost two centuries, all these poets have tried to reconcile the marxist and the rimbaldian key-words « transform the world » and « change the life ». In doing so, they redetermined the forms and the practices of the poetry, as well as the terms and the stakes of the revolutionnary socialist program, determining what we call a « Twentieth century socialism ». Beyond the classical range of the litterary writing, poetry has now to be realized into new acts and behaviours, transposing all the potential of creativity contained in the letters and the fictions until now. Its main characteristics (autonomy, developement of the desires, creativity and ability to redynamize and to impassion reality) define a new way of life and its perception of the universe as a dynamic system defines a new political model based on the same principles of self-government, creativity and social dynamism.All along this work, we have tried to define and to analyze the stakes and the practices linked to such a project, up to now. We have processed the history of ideas with one purpose : to define the stakes of varied and convergent practices, their contributions and their limitations, in order to incorporate them into what we called a « theory of practices » and to create the basis of a new practical theory for the present times
Junior, Jonas Alves da Silva. "Doces modinhas pra Iaiá, buliçosos lundus pra Ioiô: poesia romântica e música popular no Brasil do século XIX". Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-23082007-135330/.
Texto completo da fonteThis dissertation examines the relations between poetry and music in the nineteenth century, as well as the poetic-musical production which results from this union. The central argument is that romantic poets took inspiration from european medievalism not only for building a national mythology (indianism) but also for the conception of an unique art form, ruled by this alliance between poetry and music in the troubadourish models. This connection went beyond the implicit musicality of that era\'s poetry. Some romantic poets, as troubadours, wanted to integrate both arts from poems specially written to be set to music and presented in performance venues. Thus, the partnership was born in Brazil: poets started to create lyrics and composers set them to music. The practice of blending these two artistic manifestations in only one, initiated by the troubadours, had continuity with some romantic poets, mainly those who attended the editor Paula Brito\'s typography, founder of the well known Sociedade Petalógica do Rossio Grande. From these meetings came several poems set to music in form of modinha or lundu examinated here in order to portray the recurrent themes, as well as images and musical metaphors existing in them. This alliance brought popularity and enthusiasm for the popular music as for the Brazilian poetry, which found in this alliance a way of diffusion that would supply the need of the scholarly public.
Pereira, Cilene Margarete. "Jogos e Cenas do Casamento : construção e elaboração das personagens e do narrador machadianos em Contos Fluminenses e Historias da Meia Noite". [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269940.
Texto completo da fonteTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-11T01:14:41Z (GMT). No. of bitstreams: 1 Pereira_CileneMargarete_D.pdf: 1753260 bytes, checksum: 0a874ff24fc394827cbc5366ad418df6 (MD5) Previous issue date: 2008
Resumo: Em ¿Jogos e Cenas do Casamento¿, nosso objetivo principal é apresentar um estudo detalhado da construção e do modo como Machado de Assis elabora suas personagens e seus narradores em Contos Fluminenses (1870) e Histórias da Meia Noite (1873). Se considerarmos a imagem principal que une as treze narrativas desses livros, veremos que todas ¿ a exceção aparente é ¿Aurora sem dia¿ ¿ são histórias de amor que têm como imagem/tema central o casamento, seja nos preparos que antecedem o contrato ou em seus aspectos cerimoniais, seja na intimidade conjugal dos lares já concebidos. Mais do que isso, há um elo maior entre as histórias, e uma imagem que se afirma como preponderante: o fracasso do casamento. As mocinhas e os heróis machadianos são construídos mediante as dificuldades e os problemas matrimoniais, decorrentes muitas vezes de imposições paternas ou das expectativas (mediadas, sobretudo, pela literatura) e experiências amorosas dos envolvidos. São essas personagens, em última hipótese, que veiculam essas imagens de fracasso e as apresentam ao leitor. Mas nesse processo de captação do amor e do casamento aparece quase sempre um narrador a sussurrar no ouvido do leitor algo acerca da personagem e da imagem amorosa construída por ela. Dessa forma, as imagens e cenas matrimoniais são filtradas (e desestabilizadas) pelas exposições de personagens e narradores, uns a intervirem na concepção amorosa de outros. Por isso, este estudo prioriza não só a caracterização dessas primeiras personagens machadianas, mas também dos narradores desses contos como forma de examinar melhor o modo como ambos constroem essas imagens amorosas e a partir de que outras associações elas nascem e se definem, já que se tratam, na maior parte das vezes, de homens e mulheres inexperientes em relação ao amor e à própria realidade do casamento.
Abstract: In ¿Jogos e Cenas do Casamento¿, our main objective is to introduce a detailed study of the construction and the way Machado de Assis elaborates his characters and narrators in Contos Fluminenses (1870) and Histórias da Meia Noite (1873). If we consider the mainstream image that joins the thirteen narratives of this collectanea, we will see thal all of them ¿ the apparent exception is ¿Aurora sem dia¿ ¿ are love stories that bears as a mainstream image/theme the marriage, either in the preparations that happen before the contract or its ceremonials aspects, either in conjugal intimacy of conceived homes. Moreover, there is a bigger link between the stories and an image that is itself preponderant: the failure of marriage. The ¿machadianos¿ ladies and heroes are constructed the difficulties and matrimonial problems, generated most of the time by father impositions or expectancy (mediated for literature) and love experiences of the involved ones. These characters are in last hypothesis, the ones that take the images of failure and introduce them to reader. But in this process of catching love and marriage, almost always there is a narrator whispering something on the ear¿s reader about the characters and the loving image constructed by the character. In this way, the matrimonial images and scenes are filtered for expositions of the characters and narrators, intervening in the loving conception of each other. Thus, this study prioritizes not only the characterization of the first ¿machadianos¿ characters, but also the tale¿s narrators as a way of examining better how they both construct these loving images and from where other possible associations are born and defined, once they deal, most of the times, with inexperienced men and women in relation to love and the reality of marriage.
Doutorado
Literatura Brasileira
Doutor em Teoria e História Literária
Livros sobre o assunto "I romantyzm"
Ursel, Marian. Romantyzm. Wrocław: Wydawn. Dolnośląskie, 2000.
Encontre o texto completo da fonteWitkowska, Alina. Romantyzm. Warszawa: Wydawn. Nauk. PWN, 1997.
Encontre o texto completo da fonteSapko, Myroslava. Digital romantyzm. Kyïv: Hamazin, 2006.
Encontre o texto completo da fonteSiwicka, Dorota. Romantyzm 1822-1863. Warszawa: PWN, 1997.
Encontre o texto completo da fonteRomantyzm: 1822-1863. Warszawa: Wydawn. Nauk. PWN, 1995.
Encontre o texto completo da fonteKruszelnicki, Michał, e Wojciech Kruszelnicki. Nietzsche i romantyzm. Wrocław: Wydawnictwo Naukowe Dolnośląskiej Szkoły Wyższej, 2013.
Encontre o texto completo da fonteMichał, Kuziak, ed. Romantyzm i nowoczesność. Kraków: Towarzystwo Autorów i Wydawców Prac Naukowych "Universitas", 2009.
Encontre o texto completo da fonteDopart, Bogusław. Mickiewiczowski: Romantyzm przedlistopadowy. Kraków: Universitas, 1992.
Encontre o texto completo da fonteBarok - romantyzm - kresy. Warszawa: Wydawnictwo DiG, 2017.
Encontre o texto completo da fonteZielińska, Marta. Polacy, rosjanie, romantyzm. Warszawa: IBN Wydawn., 1998.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "I romantyzm"
Król, Zofia. "I. Brytyjski romantyzm i haiku". In Powrót do świata, 119–49. Instytut Badań Literackich Polskiej Akademii Nauk, 2013. http://dx.doi.org/10.4000/books.iblpan.1606.
Texto completo da fonteKról, Marcin. "Romantyzm polityczny od Mochnackiego do Piłsudskiego". In Genealogia współczesności. Historia idei w Polsce 1815-1939. Warsaw University Press, 2015. http://dx.doi.org/10.31338/uw.9788323523260.pp.83-98.
Texto completo da fonteMaurach, Martin. "Nacjonalizm i romantyzm w literaturze wschodniopruskiej". In Tożsamość jako proces. Od Johannesa Bobrowskiego do dyskursu o „poniemieckim”. Literatura – historia – krajobraz. University of Warsaw Press, 2023. http://dx.doi.org/10.31338/uw.9788323561217.pp.87-104.
Texto completo da fonteChłap-Nowakowa, Justyna. "Romantyzm w polskim Londynie po 1945 roku". In Wizje romantyzmu w literaturze i publicystyce polskiej XX wieku. Ksiegarnia Akademicka Publishing, 2020. http://dx.doi.org/10.12797/9788381382618.06.
Texto completo da fonteCoghen, Monika, e Małgorzata Łuczyńska-Hołdys. "Wstęp. Poza definicją. Romantyzm brytyjski wtedy i dziś". In Nowe oblicza romantyzmu brytyjskiego. Eseje na dwusetlecie. University of Warsaw Press, 2022. http://dx.doi.org/10.31338/uw.9788323555346.pp.7-20.
Texto completo da fonteZatorska, Izabella. "Iluzja i prawda w teatrze od baroku po romantyzm". In Prawda i fałsz w nauce i sztuce. University of Warsaw Press, 2020. http://dx.doi.org/10.31338/uw.9788323542223.pp.70-89.
Texto completo da fonteAraszkiewicz, Agata. "Romantyzm, melancholia, wykluczenie. Zuzanna Ginczanka i *** [Non omnis moriar…]". In Poeci-studenci podziemnego Uniwersytetu Warszawskiego wobec romantyzmu. Warsaw University Press, 2018. http://dx.doi.org/10.31338/uw.9788323534129.pp.238-253.
Texto completo da fontePaluchowska-Messing, Anna. "Frances Burney – krótka historia powieściopisarki, która spóźniła się na romantyzm". In Nowe oblicza romantyzmu brytyjskiego. Eseje na dwusetlecie. University of Warsaw Press, 2022. http://dx.doi.org/10.31338/uw.9788323555346.pp.205-226.
Texto completo da fonteAdolphi, Rainer. "Pokusy rozumu. Romantyzm w tradycjach europejskiej Nowoczesności – na przykładzie Niemiec i Polski". In Recepcja i oddziaływanie Marka Siemka w Europie. University of Warsaw Press, 2019. http://dx.doi.org/10.31338/uw.9788323536765.pp.365-392.
Texto completo da fonte"romantism, n." In Oxford English Dictionary. 3a ed. Oxford University Press, 2023. http://dx.doi.org/10.1093/oed/9170723580.
Texto completo da fonteTrabalhos de conferências sobre o assunto "I romantyzm"
Kos, Koraljka. "Hrvatska glazba i književnost u razdoblju romantizma". In Međunarodni i interdisciplinarni simpozij Glazba, umjetnosti i politika: revolucije i restau- racije u Europi i Hrvatskoj 1815.-1860. (14 ; 2019 ; Zagreb). Hrvatska akademija znanosti i umjetnosti, 2021. http://dx.doi.org/10.21857/yl4okfl319.
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