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Livros sobre o tema "Humanities -> art -> popular culture"

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Autor: Grafiati

Publicado: 25 de julho de 2024

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1

Andrew, Buchwalter, ed. Culture and democracy: Social and ethical issues in public support for the arts and humanities. Boulder, Colo: Westview, 1992.

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2

DeMello, Margo. Teaching the animal: The humanities. New York: Lantern Books, 2010.

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3

Munson, Deats Sara, e Lenker Lagretta Tallent, eds. Aging and identity: A humanities perspective. Westport, Conn: Praeger, 1999.

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4

Williams, Bronwyn, e Amy A. Zenger. New media literacies and participatory popular culture across borders. New York, NY: Routledge, 2012.

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5

Williams, Bronwyn, e Amy A. Zenger. New media literacies and participatory popular culture across borders. New York, NY: Routledge, 2012.

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6

Funk, Clayton. Contemporary art culture. 2^a ed. Dubuque: Kendall Hunt Pub Co, 2009.

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7

Lewery, A. J. Popular art: Past & present. Newton Abbot: David & Charles, 1991.

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8

Dawson, Beverley. Ballet, popular culture and high art. [Guildford]: University of Surrey, 1998.

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9

Jane Voorhees Zimmerli Art Museum. Pop art & after: Prints+popular culture. New Brunswick, N.J: Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, 2008.

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10

Jane Voorhees Zimmerli Art Museum. Pop art & after: Prints+popular culture. New Brunswick, N.J: Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, 2008.

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11

Jane Voorhees Zimmerli Art Museum. Pop art & after: Prints+popular culture. New Brunswick, N.J: Jane Voorhees Zimmerli Art Museum, Rutgers, The State University of New Jersey, 2008.

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12

Kang, Kanwarjit Singh. Punjab, art and culture. Delhi: Atma Ram & Sons, 1988.

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13

Buszek, Maria Elena. Pin-up grrrls: Feminism, sexuality, popular culture. Durham, NC: Duke University Press, 2006.

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14

Broadus, Browne Ray, e Fishwick Marshall William, eds. Rejuvenating the humanities. Bowling Green, Ohio: Bowling Green State University Popular Press, 1992.

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15

Deborah, Cherry, ed. Art : history : visual : culture. Malden, MA: Blackwell Pub., 2005.

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16

Kharkrang, Roland. Theatre, art and life. New Delhi: Omsons Publications, 1994.

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17

Adam, T. R. The museum and popular culture. Ann Arbor, Mich: University Microfilms International, 1989.

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18

Bal, Mieke, e Miguel Á. Hernández-Navarro. Art and visibility in migratory culture: Conflict resistance, and agency. Amsterdam: Rodopi, 2011.

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19

Hundertmark, Christian. The art of rebellion: The world of street art. [Mainaschaff, Germany]: Publikat-Verl, 2005.

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20

Strychacki, Stanley. Life as art: The Club 57 story. Bloomington, Indiana: iUniverse, 2012.

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21

The bosom serpent: Folklore and popular art. Iowa City: University of Iowa Press, 1988.

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22

Schechter, Harold. The bosom serpent: Folklore and popular art. 2^a ed. New York: Peter Lang Pub., 2001.

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23

González, Claudio Malo. Arte y cultura popular. Cuenca, Ecuador: Universidad del Azuay, 1996.

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24

1943-, Jain Jyotindra, e Hospice Comtesse (Lille France), eds. Indomania: L'art populaire indien = Indian popular culture. Louvain: Snoeck, 2007.

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25

Docker, John. Postmodernism and popular culture: A cultural history. Cambridge: Cambridge University Press, 1994.

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26

Testa, Valentina. Kawaii art: Fiori, colori, palloncini (e manga) nel neo pop giapponese. Latina: Tunué, 2011.

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27

Testa, Valentina. Kawaii art: Fiori, colori, palloncini (e manga) nel neo pop giapponese. Latina: Tunué, 2011.

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28

1943-, Jain Jyotindra, e National Centre for the Performing Arts (India), eds. India's popular culture: Iconic spaces and fluid images. Mumbai: Marg Publications on behalf of National Centre for the Performing Arts, 2007.

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29

Aging and Identity: A Humanities Perspective. Praeger Publishers, 1999.

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30

Lenker, Lagretta Tallent, e Sara Munson Deats. Aging and Identity: A Humanities Perspective. ABC-CLIO, LLC, 1999.

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31

The Body Aesthetic: From Fine Art to Body Modification (RATIO: Institute for the Humanities). University of Michigan Press, 2000.

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32

Siebers, Tobin Anthony. The Body Aesthetic: From Fine Art to Body Modification (RATIO: Institute for the Humanities). University of Michigan Press, 2000.

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33

Williams, Bronwyn, e Amy A. Zenger. New Media Literacies and Participatory Popular Culture Across Borders. Taylor & Francis Group, 2012.

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34

Williams, Bronwyn, e Amy A. Zenger. New Media Literacies and Participatory Popular Culture Across Borders. Taylor & Francis Group, 2012.

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35

Williams, Bronwyn, e Amy A. Zenger. New Media Literacies and Participatory Popular Culture Across Borders. Taylor & Francis Group, 2012.

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36

Williams, Bronwyn, e Amy A. Zenger. New Media Literacies and Participatory Popular Culture Across Borders. Routledge, 2012.

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37

Williams, Bronwyn, e Amy A. Zenger. New Media Literacies and Participatory Popular Culture Across Borders. Taylor & Francis Group, 2012.

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38

Williams, Bronwyn, e Amy A. Zenger. New Media Literacies and Participatory Popular Culture Across Borders. Taylor & Francis Group, 2012.

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39

Transnational Stardom: International Celebrity in Film and Popular Culture. Palgrave Macmillan, 2013.

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40

Coovadia, I., A. Dodd e C. Parsons. Relocations: Reading Culture in South Africa. University of Cape Town Press, 2016.

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41

Can Pop Culture and Shakespeare Exist in the Same Classroom?: Using Student Interest to Bring Complex Texts to Life. Routledge, 2014.

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42

Gritter, Kristine, Kathryn Schoon-Tanis e Matthew Althoff. Can Pop Culture and Shakespeare Exist in the Same Classroom?: Using Student Interest to Bring Complex Texts to Life. Taylor & Francis Group, 2014.

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43

de Groot, Kees, ed. Comics, Culture, and Religion. Bloomsbury Publishing Plc, 2023. http://dx.doi.org/10.5040/9781350321618.

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Resumo:

This open access book offers a systematic overview of the relations between comics and religion from the perspective of cultural sociology. How do comics function in religions? How does religion appear in comics? How does the reading of comics relate to rituals, ethics, and worldviews? And how do graphic narratives inform us about contemporary society and the changing role of religion? Contributing authors, use examples from across the globe to explore a diversity of religions, spirituality and dispersed notions of the sacred – including Christianity, Judaism, Islam, Zoroastrianism, Indian and Japanese religions, Anthroposophy, Hinduism and Norse religion – but also the rituals, ethics, and worldviews that pop up in the comics milieu itself. In the burgeoning field of comics studies, research on the religious aspects from a sociological point of view is missing, a gap filled by the current contributors, making this volume as relevant to students of religion in popular culture, cultural sociologists and students of comics. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 license on www.bloomsburycollections.com. Open access was funded by The Faculty for Humanities and Education and the University Library at the University of Agder, Norway.

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44

(Contributor), Christine Mullen Kreamer, Ciraj Rassool (Contributor), Cuahtemoc Camarena (Contributor), David Bunn (Contributor), Fath Davis Ruffins (Contributor), Gustavo Buntinx (Contributor), Howard Morphy (Contributor) et al., eds. Museum Frictions: Public Cultures/Global Transformations. Duke University Press, 2006.

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45

The Laws of Cool: Knowledge Work and the Culture of Information. University Of Chicago Press, 2004.

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46

Liu, Alan. The Laws of Cool: Knowledge Work and the Culture of Information. University Of Chicago Press, 2004.

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47

Funk, Clayton. Contemporary Art Culture. Kendall Hunt Publishing Company, 2007.

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48

Kluveld, Amanda, Aagje Swinnen e Renée van de Vall. Engaged Humanities: Rethinking Art, Culture and Public Life. Amsterdam University Press, 2022.

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49

Engaged Humanities: Rethinking Art, Culture, and Public Life. Amsterdam University Press, 2022.

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50

Thissen, Judith, Robert Zwijnenberg e Kitty Zijlmans. Contemporary Culture: New Directions in Art and Humanities Research. Amsterdam University Press, 2013.

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