Artigos de revistas sobre o tema "Humanities -> art -> photography"
Crie uma referência precisa em APA, MLA, Chicago, Harvard, e outros estilos
Veja os 50 melhores artigos de revistas para estudos sobre o assunto "Humanities -> art -> photography".
Ao lado de cada fonte na lista de referências, há um botão "Adicionar à bibliografia". Clique e geraremos automaticamente a citação bibliográfica do trabalho escolhido no estilo de citação de que você precisa: APA, MLA, Harvard, Chicago, Vancouver, etc.
Você também pode baixar o texto completo da publicação científica em formato .pdf e ler o resumo do trabalho online se estiver presente nos metadados.
Veja os artigos de revistas das mais diversas áreas científicas e compile uma bibliografia correta.
Vellanki, Vivek. "Shifting the Frame: Theoretical and Methodological Explorations of Photography in Educational Research". Cultural Studies ↔ Critical Methodologies 22, n.º 2 (28 de dezembro de 2021): 132–42. http://dx.doi.org/10.1177/15327086211045976.
Texto completo da fonteRissanen, Mari-Jatta. "Entangled photographers: Agents and actants in preschoolers’ photography talk". International Journal of Education Through Art 16, n.º 2 (1 de junho de 2020): 271–86. http://dx.doi.org/10.1386/eta_00031_1.
Texto completo da fonteOkpoko, Chinwe, e Mpho Chaka. "Exploratory view of the synergy between photojournalism and fine-art photography". IKENGA International Journal of Institute of African Studies 23, n.º 2 (30 de junho de 2022): 1–23. http://dx.doi.org/10.53836/ijia/2022/23/2/003.
Texto completo da fonteGlebova, Aglaya. "Elements of Photography". Representations 142, n.º 1 (2018): 56–90. http://dx.doi.org/10.1525/rep.2018.142.1.56.
Texto completo da fonteSarsby, Jacqueline. "Exmoor Village Revisited: Mass-Observation's ‘Anthropology of Ourselves’, the ‘Feel Good Factor’ in Wartime Colour Photography and the Photograph as Art or Social Document". Rural History 9, n.º 1 (abril de 1998): 99–115. http://dx.doi.org/10.1017/s0956793300001461.
Texto completo da fonteFox, Paul. "An unprecedented wartime practice: Kodaking the Egyptian Sudan". Media, War & Conflict 11, n.º 3 (13 de julho de 2017): 309–35. http://dx.doi.org/10.1177/1750635217710676.
Texto completo da fonteMountfort, Paul. "Dérives: Street photography as post-/Situationist practice". Australasian Journal of Popular Culture 10, n.º 1 (1 de dezembro de 2021): 21–38. http://dx.doi.org/10.1386/ajpc_00036_1.
Texto completo da fonteMassarente, Martina. "The Digital Platform of D.I.R.A.A.S. (UNIGE)". Studies in Digital Heritage 3, n.º 2 (13 de junho de 2020): 156–69. http://dx.doi.org/10.14434/sdh.v3i2.27441.
Texto completo da fonteMiller, Melissa. "British Theatre Collections in the Harry Ransom Humanities Research Center". Theatre Survey 39, n.º 1 (maio de 1998): 63–72. http://dx.doi.org/10.1017/s0040557400003021.
Texto completo da fonteZambenedetti, Alberto. "Emplacing Time: Photography, Location, and the Cinematic Pilgrimage". Space and Culture 23, n.º 4 (15 de outubro de 2018): 548–60. http://dx.doi.org/10.1177/1206331218805381.
Texto completo da fonteSchaefer, William. "Poor and Blank: History's Marks and the Photographies of Displacement". Representations 109, n.º 1 (2010): 1–34. http://dx.doi.org/10.1525/rep.2010.109.1.1.
Texto completo da fonteCannon, Ingrid M., e Karl Gernot Kuehn. "Caught: The Art of Photography in the German Democratic Republic". German Studies Review 23, n.º 1 (fevereiro de 2000): 221. http://dx.doi.org/10.2307/1431512.
Texto completo da fonteCruickshank, Iona, e Rachel Mason. "Using Photography in Art Education Research: A Reflexive Inquiry". International Journal of Art & Design Education 22, n.º 1 (fevereiro de 2003): 5–22. http://dx.doi.org/10.1111/1468-5949.00335.
Texto completo da fonteNordström, Paulina. "Glass Architecture as a Site for Encountering the Surface Aesthetics of Urban Photography". Space and Culture 20, n.º 3 (11 de maio de 2017): 271–86. http://dx.doi.org/10.1177/1206331217707475.
Texto completo da fonteGonzalez, J. A. "A Contemporary Look at Pierre Bourdieu's Photography: a Middle-Brow Art". Visual Anthropology Review 8, n.º 1 (março de 1992): 126–31. http://dx.doi.org/10.1525/var.1992.8.1.126.
Texto completo da fonteParker, Jan. "Stories, narratives, scenarios in Medicine". Arts and Humanities in Higher Education 17, n.º 1 (12 de janeiro de 2018): 3–19. http://dx.doi.org/10.1177/1474022217740300.
Texto completo da fonteShoked, Noam. "Hanging Out with Cyclists". Boom 6, n.º 3 (2016): 84–88. http://dx.doi.org/10.1525/boom.2016.6.3.84.
Texto completo da fonteХохлова, С. П. "Photos by Eugène Atget as expression of objectivity of architecture: Hôtel de Beauvais". Shagi / Steps 10, n.º 1 (2024): 297–323. http://dx.doi.org/10.22394/2412-9410-2024-10-1-297-323.
Texto completo da fontePEARISO, CRAIG J. "Styleless Style? What Photorealism Can Tell Us about “the Sixties”". Journal of American Studies 47, n.º 3 (18 de fevereiro de 2013): 743–57. http://dx.doi.org/10.1017/s0021875812002071.
Texto completo da fonteLAVRENOVA, OLGA A. "The Geography of Art IX International Scientific Conference". Art and Science of Television 19, n.º 2 (2023): 245–58. http://dx.doi.org/10.30628/1994-9529-2023-19.2-245-258.
Texto completo da fontePapargyriou, Eleni. "Mia ‘Yperochos Nothos’ Techni: Poiitikes tis Fotografias (Teli 19ou‐Arches 20ou Aiona) (A ‘Majestically Counterfeit Art’: Poetics of Photography [End of 19th‐Beginning of 20th Centuries]), Kostas Ioannidis (2019)". Journal of Greek Media & Culture 7, n.º 1 (1 de abril de 2021): 121–24. http://dx.doi.org/10.1386/jgmc_00032_5.
Texto completo da fonteBishop, Paul. "Book Review: Christopher Webster (ed.): Photography in the Third Reich: Art, Physiognomy and Propaganda". Journal of European Studies 51, n.º 2 (31 de maio de 2021): 173–74. http://dx.doi.org/10.1177/00472441211013111n.
Texto completo da fonteRutherford, Emer Forde, Jacqueline Priego-Hernandez, Aurelia Butcher e Clare Wedderburn. "Using photography to enhance GP trainees’ reflective practice and professional development". Medical Humanities 44, n.º 3 (8 de fevereiro de 2018): 158–64. http://dx.doi.org/10.1136/medhum-2017-011203.
Texto completo da fonteRöller, Nils. "Image Protocol – A Tool for the Philosophy of Art". Cubic Journal 5, n.º 5 (17 de dezembro de 2022): 86–93. http://dx.doi.org/10.31182/cubic.2022.5.52.
Texto completo da fonteAcharya, Bipin. "Applicability of Visual Arts in the Age of Globalization". Cognition 5, n.º 1 (12 de junho de 2023): 6–10. http://dx.doi.org/10.3126/cognition.v5i1.55356.
Texto completo da fonteMancic, Ivana. "Outside of Memories We Belong, Women of Yugoslavia". Identities: Journal for Politics, Gender and Culture 17, n.º 2-3 (30 de dezembro de 2020): 82–88. http://dx.doi.org/10.51151/identities.v17i2-3.460.
Texto completo da fonteKea, Pamela. "Photography, care and the visual economy of Gambian transatlantic kinship relations". Journal of Material Culture 22, n.º 1 (14 de dezembro de 2016): 51–71. http://dx.doi.org/10.1177/1359183516679188.
Texto completo da fonteSile, Agnese. "Mental illness within family context: Visual dialogues in Joshua Lutz’s photographic essay Hesitating beauty". Arts and Humanities in Higher Education 17, n.º 1 (12 de janeiro de 2018): 84–103. http://dx.doi.org/10.1177/1474022216684635.
Texto completo da fonteJust, Daniel. "Art and everydayness: Popular culture and daily life in the communist Czechoslovakia". European Journal of Cultural Studies 15, n.º 6 (30 de novembro de 2012): 703–20. http://dx.doi.org/10.1177/1367549412450637.
Texto completo da fonteBrand, Gabrielle, Ashlee Osborne, Steve Wise, Collette Isaac e Christopher Etherton-Beer. "Using MRI art, poetry, photography and patient narratives to bridge clinical and human experiences of stroke recovery". Medical Humanities 46, n.º 3 (6 de junho de 2019): 243–49. http://dx.doi.org/10.1136/medhum-2018-011623.
Texto completo da fonteVanover, Charles. "The Magic of Theater: Photographing a Performative Academic Career". Cultural Studies ↔ Critical Methodologies 21, n.º 1 (26 de junho de 2020): 41–55. http://dx.doi.org/10.1177/1532708620931136.
Texto completo da fonteAfanaseva, I. A. "The linguistic generation: Logocentric practices in the works of contemporary Russian artists (2010–2022)". Shagi / Steps 9, n.º 3 (2023): 218–38. http://dx.doi.org/10.22394/2412-9410-2023-9-3-218-238.
Texto completo da fonteLee, A. Robert. "Shooting America: “ American Images: Photography 1945–1980 ” Barbican Art Gallery, 10 May to 30 June 1985". Journal of American Studies 20, n.º 2 (agosto de 1986): 294–98. http://dx.doi.org/10.1017/s0021875800015085.
Texto completo da fonteJerrentrup, Maja Tabea. "I’m bad: The fascination of embodying the evil in a virtual world". Virtual Creativity 12, n.º 2 (13 de abril de 2023): 155–79. http://dx.doi.org/10.1386/vcr_00066_1.
Texto completo da fonteLavrenova, Olga A. "VISUAL IMAGES OF SPACE. REVIEW OF THE GEOGRAPHY OF ART VII INTERNATIONAL CONFERENCE". Art and Science of Television 17, n.º 3 (2021): 211–29. http://dx.doi.org/10.30628/1994-9529-17.3-211-229.
Texto completo da fonteLAVRENOVA, OLGA A. "Digital and Analog Spaces: the Geography of Art VIII International Conference". Art and Science of Television 18, n.º 4 (2022): 173–85. http://dx.doi.org/10.30628/1994-9529-2022-18.4-173-185.
Texto completo da fonteSiemens, Elena. "Death in Vienna". Space and Culture 17, n.º 4 (30 de setembro de 2014): 336–45. http://dx.doi.org/10.1177/1206331214543865.
Texto completo da fonteNjirić, Diana, e Ivica Miloslavić. "Semiotic Effect in Visual Communication". European Journal of Multidisciplinary Studies 1, n.º 2 (30 de abril de 2016): 308. http://dx.doi.org/10.26417/ejms.v1i2.p308-316.
Texto completo da fonteJerrentrup, Maja Tabea. "A Liberating Experience. On Becoming a Work of Art". Creativity. Theories – Research - Applications 7, n.º 2 (1 de dezembro de 2020): 411–30. http://dx.doi.org/10.2478/ctra-2020-0020.
Texto completo da fonteThompson, Krista. "The Evidence of Things Not Photographed: Slavery and Historical Memory in the British West Indies". Representations 113, n.º 1 (2011): 39–71. http://dx.doi.org/10.1525/rep.2011.113.1.39.
Texto completo da fonteGil, Tali. "Meaningful Learning through Art: Nature Photography, Haiku Writing, Mobile Technologies and Social Media as a Path to Oneself". International Journal of Art & Design Education 38, n.º 2 (25 de setembro de 2018): 360–75. http://dx.doi.org/10.1111/jade.12192.
Texto completo da fonteBalčus, Zane. "OF STILL AND MOVING IMAGES: STYLISTICS OF HERCS FRANKS’ EARLY DOCUMENTARIES". Culture Crossroads 23 (10 de janeiro de 2024): 216–25. http://dx.doi.org/10.55877/cc.vol23.377.
Texto completo da fonteOlin, Margaret. "Touching Photographs: Roland Barthes's ''Mistaken'' Identification". Representations 80, n.º 1 (2002): 99–118. http://dx.doi.org/10.1525/rep.2002.80.1.99.
Texto completo da fonteAgbo, George Emeka. "Challenging the frivolities of power: the ubiquitous camera and Nigerian political elites". Africa 89, n.º 2 (maio de 2019): 286–302. http://dx.doi.org/10.1017/s0001972019000068.
Texto completo da fonteSarkar, Asmita, e Aileen Blaney. "Material Metaphor and Reflexivity in Contemporary Painting: A Practice-based Investigation". Journal of Aesthetic Education 57, n.º 1 (1 de abril de 2023): 98–119. http://dx.doi.org/10.5406/15437809.57.1.07.
Texto completo da fonteHandler Spitz, Ellen. "Book Review: MIRRORS OF MEMORY: FREUD, PHOTOGRAPHY, AND THE HISTORY OF ART. By Mary Bergstein. Ithaca: Cornell University Press, 2010, 335 pp., $29.96". Journal of the American Psychoanalytic Association 58, n.º 6 (dezembro de 2010): 1220–25. http://dx.doi.org/10.1177/0003065110392035.
Texto completo da fonteCURRELL, SUE. "You Haven't Seen Their Faces: Eugenic National Housekeeping and Documentary Photography in 1930s America". Journal of American Studies 51, n.º 2 (maio de 2017): 481–511. http://dx.doi.org/10.1017/s0021875817000366.
Texto completo da fonteHuerta, Ricard, e Ricardo Domínguez. "La educación artística de la era digital: investigar en escenarios tecnológicos". eari. educación artística. revista de investigación, n.º 10 (20 de dezembro de 2019): 9. http://dx.doi.org/10.7203/eari.10.16111.
Texto completo da fonteKratz, Corinne A. "Afterword Uncertain trajectories and refigured social worlds: the image entourage and other practices of digital and social media photography". Africa 89, n.º 2 (maio de 2019): 323–28. http://dx.doi.org/10.1017/s0001972019000032.
Texto completo da fonteKorola, Katerina. "The Air of Objectvity". Representations 157, n.º 1 (2022): 90–114. http://dx.doi.org/10.1525/rep.2022.157.5.90.
Texto completo da fonte