Teses / dissertações sobre o tema "Humanities -> art -> modern art survey"
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Veja os 31 melhores trabalhos (teses / dissertações) para estudos sobre o assunto "Humanities -> art -> modern art survey".
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Iqbal, Samina. "Modern Art of Pakistan: Lahore Art Circle 1947-1957". VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4359.
Texto completo da fonteAlvarez, Andrea. "Art Criticism, Scholarly Interpretation, and Curatorial Intent: A Reassessment of the 1998 Jackson Pollock Retrospective at the Museum of Modern Art". VCU Scholars Compass, 2012. http://scholarscompass.vcu.edu/etd/439.
Texto completo da fonteFox, Peter Holden. "Textual apparitions: power, language, and site in the work of Jenny Holzer". Pomona College, 2007. http://ccdl.libraries.claremont.edu/u?/stc,10.
Texto completo da fonteCoffey, Roland M. "Expressionism and Ethnography: Max Pechstein in Nidden and Palau". VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/4004.
Texto completo da fonteClement, Jennifer. "Reforming Dance Pedagogy: A Feminist Perspective on the Art of Performance and Dance Education". [Tampa, Fla] : University of South Florida, 2007. http://purl.fcla.edu/usf/dc/et/SFE0002197.
Texto completo da fonteRobson, Anne Deirdre. "The market for modern art in New York in the nineteen forties and nineteen fifties a structural and historical survey /". Thesis, Online version, 1988. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.324692.
Texto completo da fonteHutchins, Katharine. "Choreographing Modernity: Loïe Fuller and Her Influence on the Arts". Scholarship @ Claremont, 2012. http://scholarship.claremont.edu/scripps_theses/75.
Texto completo da fonteDrnek, Lindsey R. "Twentieth century Don Quizote : the character's modern pictorial representation and textual liberation". Honors in the Major Thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/1396.
Texto completo da fonteBachelors
Arts and Humanities
Spanish
Goodkin, Carly. "La Desnuda Rebelde y el Bodegón Subversivo: Una Reinterpretación del Arte de Olga Costa y María Izquierdo". Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/cmc_theses/759.
Texto completo da fonteChawaga, Mary. "The Cube^3: Three Case Studies of Contemporary Art vs. the White Cube". Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/scripps_theses/1066.
Texto completo da fonteRhodes, James W. Jr. "An Analysis of Visual and Verbal Appropriates in Mark Tansey's Philosophers Paintings". VCU Scholars Compass, 1997. http://scholarscompass.vcu.edu/etd_retro/37.
Texto completo da fonteLindley, Anne Hollinger. "Relating to relational aesthetics". Pomona College, 2009. http://ccdl.libraries.claremont.edu/u?/stc,74.
Texto completo da fonteWeiss, Katherine. "“Samuel Beckett and History,” “Samuel Beckett and the Art of Failure,” and “Modern American Drama and the Greeks”". Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/etsu-works/5596.
Texto completo da fonteJohnson, Perry Walter. "And This, Our Measure: Figurative Realism and Workaday Culture". Digital Commons @ East Tennessee State University, 2007. https://dc.etsu.edu/etd/2151.
Texto completo da fonteBaer, Kevin A. "Ritual Process". ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1606.
Texto completo da fonteIzzo, Francesca Caterina <1982>. "20th century artists' oil paints : a chemical-physical survey". Doctoral thesis, Università Ca' Foscari Venezia, 2011. http://hdl.handle.net/10579/1100.
Texto completo da fonteThe research project developes in PhD research in Chemical Sciences deals with the study of modern and contemporary works of art, focusing on materials and production techniques employed by artists. In this study innovative and specific analytical techniques have been optimised: the survey has been successful not only in detecting the nature of artistic materials used in the 20th century, but also in studying their behaviours over time. Thid PhD researc has been part of an international project concerning the Conservation of Contemporary Art and has lead to the improvement of new methodologies to study proteinaceous and lipidic binding media by using chromatographic techniques (GC-MS, Py-GC-MS, HPLC). These methods have also allowed for the identification and the role of industrial additives (such as aluminium and zinc stearates and hydrogenated castor oil), which had been not fully studied previously. This part of the PhD research has been developed in the Netherlands, in the laboratories of the ICN (The Netherlands Institute for Cultural Heritage, Amsterdam), under the supervision of Dr. Klaas Jan van den Berg and Mr. Ing. Henk van Keulen. The research has been part of the international project called "20th Century Oil Paint Project", carried out at ICN in collaboration with Courtauld Institute of Art, London, Tate, London and Getty Conservation Institute, Los Angeles. The research was initially focused on the study of laboratory-reconstructed oil films, which were prepared with lipidic binders, additives, pigments and driers used by modern oil manufacturers. The films were studied by using several analytical techniques: FT-IR, XRF, TG-DSC and GC-MS. This study has lead to an improvement of analytical methodologies for the study of manufactured oil samples. Furthermore, the research focused on real samples taken from important modern paintings by Lucio Fontana, Jasper Johns, Karel Appel, Willem de Kooning, Salvador Dalì, Henri Matisse, Isabel Lambert-Rawsthorne, Ethel Walker, etc. The obtained results are a further step in the knowledge of materials used in artistic and technological production in Contemporary Art.
Austin, Travis R. "Laminated PAINT". VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5462.
Texto completo da fonteBendz, Hanna. "Att se igenom ögat, inte med. : Herrnhutisk bildkonst och visuella ideal i Västsverige 1740-1810". Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-411324.
Texto completo da fonteThe aim of this study is to examine the symbolism in art objects and visual culture belonging to the Moravian Church in western Sweden during the 18th century. The objects chosen are portraits from Gothenburg, church art from the countryside, as well as printed decorations in books and church service agendas. The Moravian church is one part of a general transition from an early modern society, through Enlightenment, towards romantiscism and secularization. The Moravian church was also to a high degree an international movement. Therefore the objects analyzed here have been related to examples from the international Moravian church, as well as to local examples without any obvious association to the community. One aspect of the determinant ideology of the Moravian church was their view of how practical life, the religious ideology and estetic ideals together formed aspects of a whole. Life was not seen as fragmented in parts. Instead its different forms of expression were all regarded as ways for the Divine to express itself, as well as ways for the people to experience and approach the Divine, an approach that goes within the frame of ”Ordo Salutis”. This ability to experience life as a whole is also a scientific approach used in the present study to interpret their art and symbolism. The study shows how a number of symbols (the eye, the star, the wound, the mandorla and the flower) all are aspects aiming to point towards the one main transition – the one between light and dark, life and death.
Hester, Zoe. "Storytelling through Movement: An Analysis of the Connections between Dance & Literature". Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/honors/470.
Texto completo da fonteSwanson, Joshua. "Talk This Way: A Look at the Historical Conversation Between Hip-Hop and Christianity". Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etd/3810.
Texto completo da fonteKinoshita, Harumi. "La diffusion culturelle internationale : les enjeux de la politique de prêts d'oeuvre et d'expositions du MNAM-CCI (Centre Georges Pompidou) pendant la période 2000-2007". Phd thesis, Université d'Avignon, 2011. http://tel.archives-ouvertes.fr/tel-00767576.
Texto completo da fonteImad, Fadel. "Green Relationship". VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3465.
Texto completo da fonteCosta, Beatriz de Alcantara. "Relatório de Estágio no Middlesbrough Institute of Modern Art". Master's thesis, 2019. https://hdl.handle.net/10216/123501.
Texto completo da fonteCosta, Beatriz de Alcantara. "Relatório de Estágio no Middlesbrough Institute of Modern Art". Dissertação, 2019. https://hdl.handle.net/10216/123501.
Texto completo da fonteAhmad, Izmer. "Tracing the mark of circumcision in modern Malay/sian art". Thesis, 2008. http://hdl.handle.net/1828/1211.
Texto completo da fonteMoreira, Jéssica Rafaela Correia. "'Thirdring-as-Othering': Modern and Postmodern Spaces of Art from Traditional to Critical Utopias". Master's thesis, 2019. https://hdl.handle.net/10216/125270.
Texto completo da fonteMoreira, Jéssica Rafaela Correia. "'Thirdring-as-Othering': Modern and Postmodern Spaces of Art from Traditional to Critical Utopias". Dissertação, 2019. https://hdl.handle.net/10216/125270.
Texto completo da fonteNutting, Catherine M. "Concrete insight: art, the unconscious and transformative spontaneity". Thesis, 2007. http://hdl.handle.net/1828/214.
Texto completo da fontePrior, Jonathan David. "Makers and their marks: the ancient function and modern usefulness of stamps on glass and ceramics". Thesis, 2010. http://hdl.handle.net/1828/3099.
Texto completo da fonteFanelli, Kathryn. "The Passing Show". 2021. https://scholarworks.umass.edu/masters_theses_2/1011.
Texto completo da fonteMarsters, Roger Sidney. "Approaches to Empire: Hydrographic Knowledge and British State Activity in Northeastern North America, 1711-1783". 2012. http://hdl.handle.net/10222/15823.
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