Teses / dissertações sobre o tema "Hong Kong fiction"
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Veja os 34 melhores trabalhos (teses / dissertações) para estudos sobre o assunto "Hong Kong fiction".
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Lam, Yat-lim, e 林逸濂. "The society of Hong Kong in Lilian Lee's fiction =". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B43208629.
Texto completo da fonteLau, Cheung-cheung, e 劉章璋. "A study of Manga and adolescent popular fiction in Hong Kong". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31221142.
Texto completo da fonteLau, Cheung-cheung. "A study of Manga and adolescent popular fiction in Hong Kong /". Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20354010.
Texto completo da fonteYeung, Mei-yee. "Searching for a cultural identity : Hong Kong fiction from the fifties to the nineties /". Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B19605389.
Texto completo da fonteMa, Guoming, e 馬國明. "Hong Kong martial art novels: the case of Louis Cha". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31212566.
Texto completo da fonteWong, Yee-ling, e 黃綺玲. "Cyborgs, capitalism, hope: a study of Hong Kong and Hollywood science fiction films". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50900146.
Texto completo da fontepublished_or_final_version
Comparative Literature
Master
Master of Philosophy
Lu, Pei'er. "Xu shu "jiu qi" : Xianggang xiao shuo zhong de shi jian yu xu shi = Narrating "1997" : time and narrative in Hong Kong novels /". click here to view the fulltext click here to view the abstract and table of contents, 2006. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisft.pl?pdf=b19843926f.pdf.
Texto completo da fonteChak, Winnie. "The Sixth Try". Chapman University Digital Commons, 2020. https://digitalcommons.chapman.edu/creative_writing_theses/5.
Texto completo da fonteYeung, Mei-yee, e 楊美儀. "Searching for a cultural identity: Hong Kong fiction from the fifties to the nineties". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31220216.
Texto completo da fonteChow, Chi-shing Jeffrey, e 鄒志誠. "Postcoloniality in Hong Kong Literature: withspecial reference to Xi Xi's and Ye Si's Fiction". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31950541.
Texto completo da fonteLam, Yat-lim. "The society of Hong Kong in Lilian Lee's fiction Li Bihua xiao shuo zhong de Xianggang she hui /". Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43208629.
Texto completo da fonteLo, Kwai-cheung, e 羅貴祥. "Crossing boundaries: a study of modern Hong Kong fiction from the fifties to the eighties". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1990. http://hub.hku.hk/bib/B3120935X.
Texto completo da fonteChow, Chi-shing Jeffrey. "Postcoloniality in Hong Kong Literature : with special reference to Xi Xi's and Ye Si's Fiction /". [Hong Kong : University of Hong Kong], 1994. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13793779.
Texto completo da fonteWong, Sau-ngan, e 王秀銀. "The effectiveness of unit design of teaching micro-novelsthrough genre theory". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50179366.
Texto completo da fontepublished_or_final_version
Education
Doctoral
Doctor of Education
李芷昕. "香港 : 小說「文革」 = Hong Kong : narrating "the Chinese Cultural Revolution"". HKBU Institutional Repository, 2007. http://repository.hkbu.edu.hk/etd_ra/801.
Texto completo da fonte陸✹而. "✹述「九七」 : 香港小說中的時間與✹事 = Narrating "1997" : time and narrative in Hong Kong novels". HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/688.
Texto completo da fonteFung, Yuk-ling, e 馮玉玲. "Junior secondary students' understanding of the nature of science through their study of science stories". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2003. http://hub.hku.hk/bib/B42576908.
Texto completo da fonteChan, Wai-ying, e 陳惠英. "Chinese lyrical fiction in the period 1919-1989". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1995. http://hub.hku.hk/bib/B31212864.
Texto completo da fonteNg, Hoi-shan Crystal, e 吳海珊. "Rewriting Louis Cha's classical characters in filmic representation inresponse to the political and cultural mutation of Hong Kong 90S -Wong Kar Wai and Tsui Hark". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951697.
Texto completo da fonteYau, Wai Ping. "A polysystemic study of the translations of modernist fiction in Literary current monthly magazine (1956-1959)". HKBU Institutional Repository, 2002. http://repository.hkbu.edu.hk/etd_ra/459.
Texto completo da fonteNg, Po-chu. "Writing about women and women's writing a study of Hong Kong feminine fiction in 80s and 90s = Shu xie nü xing yu nü xing shu xie : ba, jiu shi nian dai xiang gang nü xing xiao shuo yan jiu /". Click to view the E-thesis via HKUTO, 2006. http://sunzi.lib.hku.hk/hkuto/record/B36259019.
Texto completo da fonte王靖. "許地山香港時期創作論 = Studies of XuDishan's composition during the Hong Kong period". Thesis, University of Macau, 2011. http://umaclib3.umac.mo/record=b2485471.
Texto completo da fonte呂永佳. "西西小說中的「城市空間」 = "Urban space" in Xi Xi's novels". HKBU Institutional Repository, 2006. http://repository.hkbu.edu.hk/etd_ra/791.
Texto completo da fonteNg, Hoi-shan Crystal. "Rewriting Louis Cha's classical characters in filmic representation in response to the political and cultural mutation of Hong Kong 90S - Wong Kar Wai and Tsui Hark". Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20272662.
Texto completo da fonte鄭瑞琴. "西西《童話寫眞》小說硏究 = Research on the fairy realism in Xi Xi's writings". HKBU Institutional Repository, 2000. http://repository.hkbu.edu.hk/etd_ra/203.
Texto completo da fonteNg, Po-chu, e 伍寶珠. "Writing about women and women's writing". Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2006. http://hub.hku.hk/bib/B36259019.
Texto completo da fonteZhou, Hao. "Representations of Cities in Republican-era Chinese Literature". The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1281335246.
Texto completo da fonte"Histories in fictions: the configuration of Hong Kong in Xu Xi's History's fiction and David T.K. Wong's Hong Kong stories". 2007. http://library.cuhk.edu.hk/record=b5893117.
Texto completo da fonteThesis (M.Phil.)--Chinese University of Hong Kong, 2007.
Includes bibliographical references (leaves 131-136).
Abstracts in English and Chinese.
Chapter Chapter One: --- Contextualizing the Context: Reading Histories in Fictions --- p.1
Chapter Chapter Two : --- Rendezvous: an Alternative Discourse for Hong Kong histories --- p.37
Chapter Chapter Three --- Histories Cut and Pasted: --- p.54
Kaleidoscopic Writing of Hong Kong histories
in Xu Xi's History's Fiction
Chapter Chapter Four --- Histories that Live: --- p.99
David T.K. Wong's Hong Kong Stories
Conclusion --- p.127
List of Works Consulted --- p.131
Chung-HangChang e 張珺涵. "Time And Tide：A Study On Xu Xu’s Fiction of Shanghai , Chongqing and Hong Kong Period". Thesis, 2015. http://ndltd.ncl.edu.tw/handle/06943451869637033130.
Texto completo da fonte國立成功大學
中國文學系現代文學碩士班
103
SUMMARY This paper outlines the three periods of Xu Xu’ creative life , including the Shanghai period (1933-1941 , 1946-1950) ,the Chongqing period (1942-1944 ) and the Hong Kong period (1950-1980 ). Inspire by time and space ,this paper makes synchronic and diachronic study of Xu Xu’s fiction. Exploring differences and relevant points between three periods and contrasting with the early period and upper period of Xu Xu’s writing. Through three periods of this discussion, can be a clear thread of thought to grant Xu Xu an adequate position and an impartial evaluation in 20th century Chinese history of literature. Key words: Xu Xu, Ghost love , Rustling wind ,The wandering INTRODUCTION From 1930s to 1980s, Xu Xu’s writing career lasted almost fifty years who leaving voluminous bodies of work in fiction, poetry ,prose, drama and literary criticism. Lin Yutang had a very high opinion of Xu Xu’s fiction, he said ”Of the authors of short stories, the works of Lu Hsun, Shen Tsung-wen, Feng wen-ping(less well-known)and Hsu Yu are the best.” Generally speaking , the study in the past analyzes the structures and forms, background ,image of characters ,fine art skill and strategy use of Xu Xu’s fiction. The author outlines the three periods of XuXu’ creative life , the Shanghai period ,the Chongqing period and the Hong Kong period—in the context of the historical and geographical background of each period. Through connecting with his fiction which were written from the 1930s to 1950s, we can find how his texts construct the images of Shanghai in his latter writings such as “Ghost Love” and “Rustling wind”. “Rustling wind” created a great sensation, even made the year titled as “The Year of Xu Xu (1943).” “Rustling wind” constructs the images of Shanghai period, makes the feeling of Intellectual in concession. At last went to religion to get the detachment of life and soul, so as to delves into philosophical and metaphysical thought of Xu Xu's fiction. MATERIALS AND METHODS In this study, the author uses the text analysis method to study and discuss Xu-Xu’s fiction.This research aims to detect how literature and regionalism influence each other in Xu Xu's fiction such as “Ghost love” , “Rustling wind’’ and “The wandering.” To emphasize on the vision of textual analysis of the Shanghai period , the Chongqing period and the Hong Kong period. Step by step ,through synchronic and diachronic study of Xu Xu’s fiction , which will re-locate Xu Xu's status in contemporary literature history. RESULTS AND DISCUSSION Chapter Two : The Shanghai Period (1933-1941 , 1946-1950) This chapter has three basic phases of XuXu’ Shanghai period, including fontiers of Shanghai period, Shanghai isolated-island period and late Shanghai period. I mainly focus on narrative style and characters shaping of The goddess of Arabian sea ,“Ghost love” , “Threnody of the psychiatric patient”, “Fantastic dream of English Channel” and “Gypsy enticement”. Research on Xu Xu’’s central idea about freedom and platonic love during the Shanghai period. Chapter Three : The Chongqing Period (1942-1944 ) First , this chapter focuses on the debate between eight-part essay and romantic literature in 1940s. Analyze of performed on the colors used in Rustling wind, especially in terms of the depictions of characters and scenes. Then research on the canonization of Rustling wind in 1990s.Finally, this chapter also delves into philosophical thoughts of Rustling wind . Chapter Four :The Hong Kong Period (1950-1980 ) Xu Xu's emigrating experience in 1950s that effects on his character and writing in Hong Kong period. Xu Xu had already changed love theoretical model. He used the image of dancer's walking stick ,which called love into question. His hope was so high he had been doomed to disappointment. Therefore his writing was trying to approach universe in harmony realm, such as The other side ,Time and tide and The wandering. CONCLUSION According to previous studies, which focused on discussion of Xu Xu’s fiction of the Shanghai period the Chongqing period and the Hong Kong period. The main purpose of this paper is not only to fill the vacancy of previous studies, but also to add in synchronic and diachronic study of Xu Xu’s fiction to discuss. The results is different from previous research. After analysis, the reader can understand that Xu Xu's central idea about platonic love of the Shanghai period. At last, his fiction creation changed from romance to “the other side”. His artistic creativity reached a peak by “The Wandering” in the Hong Kong period. Xu Xu extremely concern about the process of a religious conversion in his whole life. Finally he found inner peace through writing about life experience. Under the premise that the author combines with his creative process from the perspective of time, showing the conection and differences of each period.
"論香港五十年代至六十年代的小說實驗". 2008. http://library.cuhk.edu.hk/record=b5896786.
Texto completo da fonte"2008年9月".
"2008 nian 9 yue".
Thesis (M.Phil.)--Chinese University of Hong Kong, 2008.
Includes bibliographical references (leaves 98-102).
Abstracts in Chinese and English.
Yang Caijie.
Chapter 第一章 --- 緒論
Chapter 第一節 --- 硏究目的 --- p.1
Chapter 第二節 --- 硏究方法 --- p.3
Chapter 第三節 --- 前人硏究槪況 --- p.10
Chapter 第二章 --- 「小說實驗」釋義´ؤ´ؤ香港五、六十年代小說實驗的參照
Chapter 第一節 --- 文學雜誌對時代的詮釋 --- p.16
Chapter 第二節 --- _「政治」´ؤ´ؤ香港五、六十年代「政治介入文學」的文學景觀 --- p.21
Chapter 第三節 --- 「五四」´ؤ´ؤ早期香港文學接受「五四」小說的範式 --- p.26
Chapter 第四節 --- 「大眾文化」´ؤ´ؤ香港五、六十年代的通俗小說 --- p.29
Chapter 第五節 --- 小結 --- p.32
Chapter 第三章 --- 香港五、六十年代小說實驗的敘述形式
Chapter 第一節 --- 香港五、六十年代文學雜誌所載文章表現的敘述觀念 --- p.34
Chapter 第二節 --- 時間意識的改變 --- p.40
Chapter 2.1 --- 時間中的空間
Chapter 2.2 --- 意識流技巧
Chapter 第三節 --- 共時性的敘述結構 --- p.54
Chapter 3.1 --- 「一天之內」的共時性結構
Chapter 3.2 --- 多角度敘述的共時性結構
Chapter 第四節 --- 小說敘述與現實經驗的關係 --- p.58
Chapter 4.1 --- 人物與場景的邏輯關係
Chapter 4.2 --- 後設敘述
Chapter 第五節 --- 小結
Chapter 5.1 --- 「敘述權威」 --- p.65
Chapter 5.2 --- 「現代主義思潮」的再思 --- p.67
Chapter 第四章 --- 另一個硏究面向´ؤ´ؤ香港五、六十年代小說的內容實驗
Chapter 第一節 --- 香港五、六十年代文學雜誌所載作品表現的政治意識形態 --- p.69
Chapter 1.1 --- 右翼文學
Chapter 1.2 --- 左翼文學
Chapter 第二節 --- 拆解政治論述的合法性 --- p.75
Chapter 2.1 --- 政治寓言
Chapter 2.2 --- 內心獨白的宣言
Chapter 2.3 --- 「對革命的革命」
Chapter 第三節 --- 淡化政治色彩 --- p.82
Chapter 3.1 --- 大時代下的小人物
Chapter 3.2 --- 私人領域的政治
Chapter 3.3 --- 紅白以外的本土關懷
Chapter 第四節 --- 女體與戰爭 --- p.86
Chapter 4.1 --- 女體與屍體
Chapter 4.2 --- 女體´ؤ´ؤ另一個自我的投射
Chapter 第五節 --- 小結 --- p.90
Chapter 第五章 --- 總結´ؤ´ؤ港五、六十年代小說實驗的意義探析
Chapter 第一節 --- 從「五四傳統」到「現代實驗性」 --- p.92
Chapter 第二節 --- 在地視野 --- p.95
參考書目 --- p.98
附錄:文學雜誌作品簡表 --- p.103
"The lore of childhood: subversion of gender socialization in certain examples of English and Hong Kong children's fiction since the 1860s". 1998. http://library.cuhk.edu.hk/record=b5896312.
Texto completo da fonteThesis (M.Phil.)--Chinese University of Hong Kong, 1998.
Includes bibliographical references (leaves 171-182).
Abstract also in Chinese.
Chapter Chapter One --- Introduction --- p.1
Chapter Chapter Two --- Historical Background --- p.17
Chapter 2.1: --- Whimsical Garden: A short Visit to the Realm of Children's Literature in the West
Chapter 2.2: --- Rejuvenated Roses: The Growth of Hong Kong Children's Literature and Its Tinge of Local Colors
Chapter 2.3: --- Magic Wand to the Future: Subversive Children's Literature
Chapter Chapter Three --- Undressing the Dressed: To Overturn Traditional Modes of Adornment --- p.68
Chapter Chapter Four --- "If Adults Are Not Always Right, Who Is?" --- p.93
Chapter Chapter Five --- Inverted Chalkboard: School of Subversion --- p.121
Chapter Chapter Six --- Conclusion: A New Chapter --- p.140
Appendix I´ؤBiographical Notes on Some HK Children's Writers --- p.147
Appendix II´ؤNewspaper cuttings --- p.149
Works Cited --- p.171
"邊緣與中心: 論香港左翼小說中的「香港(1950-1967)". 2001. http://library.cuhk.edu.hk/record=b6073825.
Texto completo da fonte論文(哲學博士)--香港中文大學, 2001.
參考文獻 (p. 235-273).
中英文摘要.
Available also through the Internet via Dissertations & theses @ Chinese University of Hong Kong.
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Mode of access: World Wide Web.
Zhang Yongmei.
Lun wen (Zhe xue bo shi)--Xianggang Zhong wen da xue, 2001.
Can kao wen xian (p. 235-273).
Zhong Ying wen zhai yao.
"1940-1950年代香港虛構文學中的文化身份". 2013. http://library.cuhk.edu.hk/record=b5549276.
Texto completo da fonte本文分為五個章節。概論章介紹了1940年代到1950年代香港文學的整體面貌，並討論了香港文學的定義以及現在的各種問題。第一章研究了相關後殖民理論，包括文化身份（認同），離散經驗，東方主義和混雜性等概念，以幫助下文的深入討論。第二章和第三章分別圍繞上文所述的兩種刻板印象的再書寫展開，以闡述所選作品中表現出來的區別於群體文化身份認同書寫的私人書寫方式，並由此得出相關結論。
This study purports to describe the transformation of cultural identities in the fictions written about Hong Kong in the 1940s and 1950s. As a critical period of transition, the 1940s and 1950s Hong Kong literature witnessed the emergence of a distinctive cultural awareness. Through the examination of two commonly used (abused) stereotypes, namely, Hong Kong as port and Hong Kong as female in the fictional writings of this period, this study aims at elaborating how writers from different cultural perspectives draw upon and undermine these stereotypes and bring out features that give rise to a distinctive Hong Kong cultural awareness. Taking the postcolonial theoretical approach, I examine five works of Hong Kong literature within the proposed timeframe, “Aloeswood Incense: The First Brazier“ (1943) and “Love in a Fallen City“ (1943) by Eileen Chang, A Many Splendoured Thing (1952) by Han Suyin, “Foggy Hong Kong“ (1956) by Shu Xiangcheng and The World of Suzie Wong (1957) by Richard Mason, in order to elaborate the distinctiveness of Hong Kong cultural awareness.
The study is divided into five chapters. It begins with an overview of Hong Kong literature in the 1940s and 1950s, its nomenclature and problematics. Then in the second chapter, an analysis of postcolonial theories is provided in order to facilitate the discussion. Concepts like cultural identity, diaspora, Orientalism and hybridity are discussed in relation to the selected works of Hong Kong literature. Chapter two and chapter three focus on the reinscriptions of the two aforementioned stereotypes in which features of Hong Kong cultural identities are perceivable. These two chapters elaborate the individual renderings of cultural identities in the selected stories as against the collective identity representation, thus leading to the concluding chapter.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
Gao, Yunwen.
Thesis (M.Phil.)--Chinese University of Hong Kong, 2013.
Includes bibliographical references (leaves 96-102).
Abstracts and appendix also in Chinese.
Introduction --- p.1
Chapter Chapter One --- Cultural Identity and Hong Kong Literature --- p.15
Chapter 1. --- Hong Kong in the 1940s and 1950s --- p.15
Chapter 2. --- Cultural Identity and Postcolonial Studies --- p.18
Chapter 2.1 --- Imagining Hong Kong: Diaspora and Cultural Identity in the 1940s and 1950s --- p.20
Chapter 2.2 --- Feminizing Hong Kong: Orientalism and Hybridity --- p.24
Chapter Chapter Two --- Hong Kong as Port --- p.33
Chapter 1. --- Hong Kong as Port in the 1940s and 1950s Hong Kong Fiction --- p.34
Chapter 2. --- “Love in a Fallen City“: Hong Kong in the Eyes of Shanghainese --- p.39
Chapter 2.1 --- A Tale of Two Cities: Time and Space in Shanghai and Hong Kong --- p.41
Chapter 2.2 --- Chineseness in Different Contexts --- p.44
Chapter 2.3 --- Hong Kong Reconsidered --- p.48
Chapter 3. --- A Many Splendoured Thing: Eurasian Perspective on Hong Kong --- p.51
Chapter 3.1 --- Hybridity of Eurasians and Hong Kong Society --- p.52
Chapter 3.2 --- Borrowed Time and Borrowed Space: The Ship that is Hong Kong --- p.55
Chapter 3.3 --- Plurality: Cultural Identities in the Post-1949 Hong Kong --- p.58
Conclusion --- p.60
Chapter Chapter Three --- Hong Kong as Female --- p.61
Chapter 1. --- The World of Suzie Wong: British Colonial Perspective on Hong Kong --- p.63
Chapter 1.1 --- The Gaze at the Orient --- p.65
Chapter 1.2 --- The Ambivalence of the Oriental Female --- p.70
Chapter 1.3 --- Stereotype Reinscribed --- p.73
Chapter 2. --- “Aloeswood Incense: The First Brazier“ --- p.75
Chapter 2.1 --- Beyond the East and the West: Hybrid Social Environment --- p.76
Chapter 2.2 --- The Individual Over the Collective: Female Desire --- p.79
Chapter 2.3 --- Out of the Fairyland: Male-Female Relationship as a Prison House --- p.83
Chapter 3. --- “Foggy Hong Kong --- p.85
Chapter 3.1 --- Hong Kong Skies, Hong Kong Girls --- p.86
Chapter 3.2 --- Corruption in Two Ways --- p.88
Conclusion --- p.90
Conclusion --- p.91
WorksCited --- p.96
Chapter Appendix I --- Translation of Chinese Names --- p.103
"複調的藝術: 黃碧雲(1961-)小說研究". 2004. http://library.cuhk.edu.hk/record=b6073879.
Texto completo da fonte論文(哲學博士)--香港中文大學, 2004.
參考文獻 (p. 354-462).
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Electronic reproduction. Ann Arbor, MI : ProQuest Information and Learning Company, [200-] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Mode of access: World Wide Web.
Abstracts in Chinese and English.
Huang Nianxin.
Lun wen (Zhe xue bo shi)--Xianggang Zhong wen da xue, 2004.
Can kao wen xian (p. 354-462).