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1

Ward, Barbara E. Chinese festivals in Hong Kong. [Hong Kong?]: The Guide Book Co., 1995.

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2

Ward, Barbara E. Chinese festivals in Hong Kong. [S.l.]: Guidebook Co. Limited, 1993.

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3

Ward, Barbara E. Chinese festivals in Hong Kong. [Hong Kong?]: The Guide Book Co., 1995.

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4

Hong Kong International Film Festival (21st 1997). Fifty years of electric shadows: Hong Kong cinema retrospective. [Hong Kong: Urban Council], 1997.

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5

Days, ISCM World Music. ISCM World Music Days 2002 Hong Kong: 11-19/10/2002. Hong Kong: ISCM World Music Days, 2002.

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6

China) Microwave International New Media Arts Festival (2006 Hong Kong. Microwave International New Media Arts Festival: 4-15 nov, 2006, hong kong. Hong Kong: Microwave, 2006.

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7

Stella, Arthur, Wu Thomas e University Education in Toronto, eds. Bridge across the Pacific: Festival Hong Kong 92. Hong Kong: Institute of International Programs, 1993.

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8

The economic growth of Hong Kong. Westport, Conn: Greenwood Press, 1986.

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9

Festival Hong Kong (1992 Toronto, Ont.). Bridge across the Pacific: Festival Hong Kong 92 = Yüeh yang lien hsi Kang Chia ch'ing. Editado por Wu Thomas e Arthur Stella. [Hong Kong]: Institute for International Programs, 1993.

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10

1941-, Lee A. Robert, ed. Old worlds, new worlds: Incorporating the edited papers from the Hong Kong Arts Festival International Symposium, March 1996. Reading: Harwood Academic Publishers, 1999.

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11

Zao, Benye. Taoist ritual music of the Yu-Lan Pen-Hui (Feeding the Hungry Ghost Festival) in a Hong Kong Taoist temple. Hong Kong: Hai Feng Pub. Co., 1989.

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12

Ward, Barbara E., e Joan Law. Chinese Festivals in Hong Kong. China Books & Periodicals, 1999.

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13

Ward, Barbara E. Chinese Festivals in Hong Kong. 2a ed. MCCM Creations, 2005.

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14

Council, HK Urban. 19th Hong Kong International Film Festival (1995). Urban Council of Hong Kong, 1995.

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15

Tsi, Peter, e Li Cheuk-to. The 28th Hong Kong International Film Festival. 6-21.4.2004. Cathay Pacific, 2004.

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16

Lee, Sangjoon. Cinema and the Cultural Cold War. Cornell University Press, 2020. http://dx.doi.org/10.7591/cornell/9781501752315.001.0001.

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This book explores the ways in which postwar Asian cinema was shaped by transnational collaborations and competitions between newly independent and colonial states at the height of Cold War politics. The book adopts a simultaneously global and regional approach when analyzing the region's film cultures and industries. New economic conditions in the Asian region and shared postwar experiences among the early cinema entrepreneurs were influenced by Cold War politics, US cultural diplomacy, and intensified cultural flows during the 1950s and 1960s. The book reconstructs Asian film history in light of the international relationships forged, broken, and re-established as the influence of the non-aligned movement grew across the Cold War. The book elucidates how motion picture executives, creative personnel, policy makers, and intellectuals in East and Southeast Asia aspired to industrialize their Hollywood-inspired system in order to expand the market and raise the competitiveness of their cultural products. They did this by forming the Federation of Motion Picture Producers in Asia, co-hosting the Asian Film Festival, and co-producing films. The book demonstrates that the emergence of the first intensive postwar film producers' network in Asia was, in large part, the offspring of Cold War cultural politics and the product of American hegemony. Film festivals that took place in cities as diverse as Tokyo, Singapore, Hong Kong, and Kuala Lumpur were annual showcases of cinematic talent as well as opportunities for the Central Intelligence Agency to establish and maintain cultural, political, and institutional linkages between the United States and Asia during the Cold War. This book reanimates this almost-forgotten history of cinema and the film industry in Asia.
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17

Vittachi. Dimsum a Journal of Good Reading (The Hong Kong International Literary Festival, Volume 7). Chameleon Pres Ltd, 2003.

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18

Urban Council of Hong Kong. The Sixth Hong Kong International Film Festival (Revised Edition): Cantonese Cinema Retrospective (1960-69). Urban Council of Hong Kong, 1996.

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19

Hampton, Kevin. 100 MUST DO Hong Kong: Outdoor Adventures, Fun Things to Do, Festival Calendar, Local Food, Historical Sights, Non-Touristy Places, Unusual Hotels Hostels. CreateSpace Independent Publishing Platform, 2018.

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20

Patino, Maricruz Vega. 2023 Calendario Hong Kong: 12 Meses, Tamaño 21,5x21,5 Cm, con Festivos en España, Ideas de Regalo de Aniversario para Hombre, Mujer, Madre, Padre. Independently Published, 2022.

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