Artigos de revistas sobre o tema "History of the British photography"
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Thompson, Krista. "The Evidence of Things Not Photographed: Slavery and Historical Memory in the British West Indies". Representations 113, n.º 1 (2011): 39–71. http://dx.doi.org/10.1525/rep.2011.113.1.39.
Texto completo da fonteKoole, Simeon. "Photography as Event: Power, the Kodak Camera, and Territoriality in Early Twentieth-Century Tibet". Comparative Studies in Society and History 59, n.º 2 (abril de 2017): 310–45. http://dx.doi.org/10.1017/s0010417517000068.
Texto completo da fonteTom, Martin, e Balaji Ranganathan. "Beyond the Frame: Exploring Dimensions of Colonial Photography in India". Shanlax International Journal of Arts, Science and Humanities 11, n.º 3 (1 de janeiro de 2024): 91–97. http://dx.doi.org/10.34293/sijash.v11i3.6913.
Texto completo da fonteSeggerman, Alex Dika. "Scholarly Rigour in Gelatin Silver: K. A. C. Creswell’s Photographs of Islamic Architecture". International Journal of Islamic Architecture 13, n.º 1 (1 de janeiro de 2024): 41–73. http://dx.doi.org/10.1386/ijia_00129_1.
Texto completo da fonteSarsby, Jacqueline. "Exmoor Village Revisited: Mass-Observation's ‘Anthropology of Ourselves’, the ‘Feel Good Factor’ in Wartime Colour Photography and the Photograph as Art or Social Document". Rural History 9, n.º 1 (abril de 1998): 99–115. http://dx.doi.org/10.1017/s0956793300001461.
Texto completo da fonteBrown, Terry M. "Transcending the colonial gaze: Empathy, agency and community in the South Pacific photography of John Watt Beattie1". Journal of New Zealand & Pacific Studies 8, n.º 2 (1 de dezembro de 2020): 151–70. http://dx.doi.org/10.1386/nzps_00035_1.
Texto completo da fontevan Leeuwen, Theo, e Adam Jaworski. "The discourses of war photography". Journal of Language and Politics 1, n.º 2 (10 de julho de 2003): 255–75. http://dx.doi.org/10.1075/jlp.1.2.06lee.
Texto completo da fonteBrooke, Stephen. "Revisiting Southam Street: Class, Generation, Gender, and Race in the Photography of Roger Mayne". Journal of British Studies 53, n.º 2 (abril de 2014): 453–96. http://dx.doi.org/10.1017/jbr.2014.10.
Texto completo da fonteMandler, P. "Shadow Sites: Photography, Archaeology, and the British Landscape, 1927-1955". English Historical Review CXXIII, n.º 503 (1 de agosto de 2008): 1084–85. http://dx.doi.org/10.1093/ehr/cen216.
Texto completo da fonteAttewell, Nadine. "Looking in Stereo: School Photography, Interracial Intimacy, and the Pulse of the Archive". Asian Diasporic Visual Cultures and the Americas 4, n.º 1-2 (4 de março de 2018): 19–44. http://dx.doi.org/10.1163/23523085-00401002.
Texto completo da fonteZawojski, Piotr. "Fotografia i film w praktyce artystycznej oraz propozycjach teoretycznych Davida Hockneya". Artium Quaestiones 31, n.º 1 (20 de dezembro de 2020): 101–22. http://dx.doi.org/10.14746/aq.2020.31.4.
Texto completo da fonteAndersson, Peter K. "Projecting Citizenship: Photography and Belonging in the British Empire, by Gabrielle Moser". English Historical Review 136, n.º 579 (17 de fevereiro de 2021): 454–56. http://dx.doi.org/10.1093/ehr/ceab011.
Texto completo da fonteWright, P. "Shadow Sites: Photography, Archaeology & the British Landscape 1927-1955. By Kitty Hauser." Twentieth Century British History 19, n.º 2 (13 de dezembro de 2007): 239–42. http://dx.doi.org/10.1093/tcbh/hwn004.
Texto completo da fonteKłudkiewicz, Kamila. "NON-COLLECTIONS? OLD COLLECTIONS OF REPRODUCTIONS AND DOCUMENTING PHOTOGRAPHS IN MUSEUMS: SELECTED EXAMPLES". Muzealnictwo 62 (29 de junho de 2021): 153–62. http://dx.doi.org/10.5604/01.3001.0015.0032.
Texto completo da fonteGorrara, Claire. "Fashion and the femmes tondues: Lee Miller, Vogue and representing Liberation France". French Cultural Studies 29, n.º 4 (28 de outubro de 2018): 330–44. http://dx.doi.org/10.1177/0957155818791889.
Texto completo da fonteHarris, David. "Review: Photography Takes Command: The Camera on British Architecture, 1890-1939". Journal of the Society of Architectural Historians 55, n.º 1 (1 de março de 1996): 81–83. http://dx.doi.org/10.2307/991058.
Texto completo da fonteAlves de Oliveira, Andreia, e Steve Edwards. "We Need More Documentary, and We Need More than Documentary: Interview with Art Historian Steve Edwards". Cabinet, Vol. 2, no. 2 (2017): 32–39. http://dx.doi.org/10.47659/m3.032.int.
Texto completo da fonteLevine, Philippa. "Naked Truths: Bodies, Knowledge, and the Erotics of Colonial Power". Journal of British Studies 52, n.º 1 (janeiro de 2013): 5–25. http://dx.doi.org/10.1017/jbr.2012.6.
Texto completo da fonteMelman, Billie. "Ur: Empire, Modernity, and the Visualization of Antiquity Between the Two World Wars". Representations 145, n.º 1 (2019): 129–51. http://dx.doi.org/10.1525/rep.2019.145.1.129.
Texto completo da fonteGorrara, Claire. "What the Liberator Saw: British War Photography, Picture Post and the Normandy Campaign". Journal of War & Culture Studies 9, n.º 4 (7 de abril de 2016): 303–18. http://dx.doi.org/10.1080/17526272.2016.1159003.
Texto completo da fonteHight, Eleanor M. "Picturing Empire: Photography and the Visualization of the British Empire (review)". Victorian Studies 42, n.º 3 (2000): 569–71. http://dx.doi.org/10.1353/vic.2000.0064.
Texto completo da fonteVandenbeusch, Marie. "Evidence of an Ancient Archive? The Papyrus British Museum EA 9961". Journal of Egyptian Archaeology 104, n.º 2 (dezembro de 2018): 177–94. http://dx.doi.org/10.1177/0307513319856861.
Texto completo da fonteBatchen, Geoffrey. "Projecting Citizenship: Photography and Belonging in the British Empire, by Gabrielle Moser". Art Bulletin 103, n.º 4 (2 de outubro de 2021): 147–49. http://dx.doi.org/10.1080/00043079.2021.1957386.
Texto completo da fonteDeazley, Ronan. "Struggling with authority: The Photograph in British legal history". History of Photography 27, n.º 3 (setembro de 2003): 236–46. http://dx.doi.org/10.1080/03087298.2003.10441249.
Texto completo da fonteHickin, Edward J., e Henry M. Sichingabula. "The geomorphic impact of the catastrophic October 1984 flood on the planform of Squamish River, southwestern British Columbia". Canadian Journal of Earth Sciences 25, n.º 7 (1 de julho de 1988): 1078–87. http://dx.doi.org/10.1139/e88-105.
Texto completo da fonteSadoff, Dianne F. "Fiction in the Age of Photography: The Legacy of British Realism (review)". Victorian Studies 44, n.º 1 (2001): 129–31. http://dx.doi.org/10.1353/vic.2001.0158.
Texto completo da fonteARENSON, ADAM. "Anglo-Saxonism in the Yukon: The Klondike Nugget and American-British Relations in the ““Two Wests,”” 1898––1901". Pacific Historical Review 76, n.º 3 (1 de agosto de 2007): 373–404. http://dx.doi.org/10.1525/phr.2007.76.3.373.
Texto completo da fonteGier-Viskovatoff, Jaclyn J., e Abigail Porter. "Women of the British Coalfields on Strike in 1926 and 1984: Documenting Lives Using Oral History and Photography". Frontiers: A Journal of Women Studies 19, n.º 2 (1998): 199. http://dx.doi.org/10.2307/3347166.
Texto completo da fonteDatta, Ann. "Beasts, birds and bees: visual resources for Africa in the Libraries of the British Museum (Natural History)". African Research & Documentation 48 (1988): 1–22. http://dx.doi.org/10.1017/s0305862x00009067.
Texto completo da fonteWei, Louisa, e Phil M. F. Shek. "An Encounter in Hong Kong Streets, 60 Years Apart". Cubic Journal 5, n.º 5 (17 de dezembro de 2022): 110–23. http://dx.doi.org/10.31182/cubic.2022.5.54.
Texto completo da fonteHanna, Erika. "Photographs and “Truth” during the Northern Ireland Troubles, 1969–72". Journal of British Studies 54, n.º 2 (abril de 2015): 457–80. http://dx.doi.org/10.1017/jbr.2015.6.
Texto completo da fonteLi, Kin Sum (Sammy), Quanyu Wang, J. Keith Wilson, Fan Jeremy Zhang, Jody Ho Yee Cheung, Tsz Hin Chun, Sum Lam et al. "DECORATED MODELS, REPLICATION, AND ASSEMBLY LINES FOR BRONZE INDUSTRIAL PRODUCTION IN 500 b.c.e. CHINA". Early China 44 (setembro de 2021): 109–42. http://dx.doi.org/10.1017/eac.2021.9.
Texto completo da fonteJanes, Phoebe. "BRITISH PHOTOGRAPHY IN THE NINETEENTH CENTURY: THE FINE ART TRADITION. Mike WeaverTHE PHOTOGRAPHIC IMPRESSIONISTS OF SPAIN: A HISTORY OF THE AESTHETICS AND TECHNIQUE OF PICTORIAL PHOTOGRAPHY (Studies in Art and Religious Interpretation, v. 12). S. Carl King". Art Documentation: Journal of the Art Libraries Society of North America 9, n.º 2 (julho de 1990): 119–21. http://dx.doi.org/10.1086/adx.9.2.27948229.
Texto completo da fonteSummers, G. D. "Metalwork in Gaziantep Museum said to be a Hoard from the Region of Sakçagözü". Anatolian Studies 41 (dezembro de 1991): 173–95. http://dx.doi.org/10.2307/3642939.
Texto completo da fonteAdriaens, Pieter R. "Disputing Darwin: On Piloerection and Mental Illness". Perspectives in Biology and Medicine 66, n.º 4 (setembro de 2023): 503–19. http://dx.doi.org/10.1353/pbm.2023.a909723.
Texto completo da fonteVicente, Filipa Lowndes. "A Photograph of Four Orientalists (Bombay, 1885): Knowledge Production, Religious Identities, and the Negotiation of Invisible Conflicts". Journal of the Economic and Social History of the Orient 55, n.º 2-3 (2012): 603–36. http://dx.doi.org/10.1163/15685209-12341247.
Texto completo da fonteFabbricotti, Emanuela. "Thomas Ashby e la Libia". Libyan Studies 32 (2001): 115–31. http://dx.doi.org/10.1017/s0263718900005811.
Texto completo da fonteGoetzmann, William H. "Picturing Empire: Photography and the Visualization of the British Empire. James R. RyanDrawing Shadows to Stone: The Photography of the Jesup North Pacific Expedition, 1897-1902. Laurel Kendall , Barbara Mathe , Thomas Ross Miller". Isis 90, n.º 2 (junho de 1999): 370–71. http://dx.doi.org/10.1086/384363.
Texto completo da fonteGrossmann, Rebekka. "Image Transfer and Visual Friction: Staging Palestine in the National Socialist Spectacle". Leo Baeck Institute Year Book 64, n.º 1 (2019): 19–45. http://dx.doi.org/10.1093/leobaeck/yby022.
Texto completo da fonteBernier, Celeste-Marie. "“The Slave Ship Imprint”: Representing the Body, Memory, and History in Contemporary African American and Black British Painting, Photography, and Installation Art". Callaloo 37, n.º 4 (2014): 990–1022. http://dx.doi.org/10.1353/cal.2014.0181.
Texto completo da fonteDevoy, Louise E. "Lunar Crater Models". Nuncius 35, n.º 2 (10 de setembro de 2020): 300–332. http://dx.doi.org/10.1163/18253911-03502006.
Texto completo da fonteHope, T. "TP3-11 Sir geoffrey jefferson, a father of the SBNS, a remarkable life". Journal of Neurology, Neurosurgery & Psychiatry 90, n.º 3 (14 de fevereiro de 2019): e21.1-e21. http://dx.doi.org/10.1136/jnnp-2019-abn.65.
Texto completo da fonteRyder, J. M. "Neoglacial history of the Stikine–Iskut area, northern Coast Mountains, British Columbia". Canadian Journal of Earth Sciences 24, n.º 7 (1 de julho de 1987): 1294–301. http://dx.doi.org/10.1139/e87-125.
Texto completo da fontePevec, Iza, e Robbie Cooper. "Staring at the Screen: Interview with Photographer Robbie Cooper". Grimace, Vol. 2, no. 1 (2017): 14–19. http://dx.doi.org/10.47659/m2.014.int.
Texto completo da fonteCoates, Oliver. "Between Image and Erasure". Radical History Review 2018, n.º 132 (1 de outubro de 2018): 200–207. http://dx.doi.org/10.1215/01636545-6942513.
Texto completo da fonteOrlova, E. V. "Из истории Людвиг Музеум – от коллекции к музею". Iskusstvo Evrazii [The Art of Eurasia], n.º 1(20) (31 de março de 2021): 164–75. http://dx.doi.org/10.46748/arteuras.2021.01.012.
Texto completo da fonteScheper Hughes, Jennifer. "God-Bearers on Pilgrimage to Tepeyac: A Scholar of Religion Encounters the Material Dimension of Marian Devotion in Mexico". Religion and the Arts 18, n.º 1-2 (2014): 156–83. http://dx.doi.org/10.1163/15685292-01801009.
Texto completo da fonteSavage, Norman M., e Risa M. Corlett. "The internal features of the Rhynchonellid brachiopod Propriopugnus Brunton, 1984, from the lower Carboniferous of England". Journal of Paleontology 70, n.º 3 (maio de 1996): 530–31. http://dx.doi.org/10.1017/s0022336000038476.
Texto completo da fonteHight, Eleanor M. "BOOK REVIEW: James R. Ryan.PICTURING EMPIRE: PHOTOGRAPHY AND THE VISUALIZATION OF THE BRITISH EMPIRE.Chicago: University of Chicago Press, 1997." Victorian Studies 42, n.º 3 (abril de 1999): 569–71. http://dx.doi.org/10.2979/vic.1999.42.3.569.
Texto completo da fonteEarley, Nathan, Ian Walker e John Woods. "Mallard (<i>Anas platyrhynchos</i>) drake observed consuming an adult Western Tiger Salamander (<i>Ambystoma mavortium</i>)". Canadian Field-Naturalist 136, n.º 2 (7 de novembro de 2022): 153–55. http://dx.doi.org/10.22621/cfn.v136i2.2911.
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