Teses / dissertações sobre o tema "Histoire de l’exégèse moderne"
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Huiban, Arthur. "La claritas scripturae dans les espaces confessionnels de l'Europe moderne ( XVIe - XVIIe siècles)". Electronic Thesis or Diss., Paris 1, 2020. http://www.theses.fr/2020PA01H209.
Texto completo da fonteThe claritas Scripturae constitutes a fundamental dogma of Protestantism, common, at least in its essential principle, to both Lutheran and Reformed confessions, and very widely shared by most of the marginal or dissenting Protestant tendencies (arminian, socinian, baptist...) Attached to the general motive of the sola Scriptura, this Protestant proclamation of the clarity of the Bible has favored or accompanied, in modern times and in a context of religious controversies, the development of new theoretical arguments in fields of knowledge as diverse as theology, the arts of discourse, gnoseology or legal science. We endeavor here to retrace the history of the development and the evolutions of this dogma in the various confessional spaces of modern Europe, starting from the study of the intellectual and contextual conjunctures which motivated it. On this occasion, we try to pay particular attention to the figures and the motivations which led to this slow construction, as well as to the bursting of discursive genres within which it was able to find a privileged expression (controversies, apologetics, confessions of faith, theological systems, catechisms, philosophical treatises ...) Following the thread of this evolution, since the first Lutheran expressions of the principle of claritas scripturae in the 1520s until the twilight of Protestant ‘orthodoxies’ at the beginning of the 18th century, we then confront, from an original perspective, with some of the greatest debates – and perhaps the greatest myths – of Protestant historiography, from the point of view of of an history of ideas deployed both in its philosophical ramifications (the invention of hermeneutics and critical exegesis, the invention of modern subjectivity), whether in its theological (the doctrinal continuity of the First Reformation and orthodoxy, the emergence of rationalism and natural theology) or political aspects (the invention of freedom of conscience, the problem of confessionalization)
Rosanvallon, Pierre. "Guizot et la formation de l'intelligence politique moderne". Paris, EHESS, 1985. http://www.theses.fr/1985EHESA003.
Texto completo da fonteVitou, Elisabeth. "Gabriel Guevrekian, 1900-1970 : une autre architecture moderne". Paris, EHESS, 1985. http://www.theses.fr/1985EHESA017.
Texto completo da fonteRivard, Andrée. "L'enfantement dans un Québec moderne : générations, mémoires, histoire". Thesis, Université Laval, 2010. http://www.theses.ulaval.ca/2010/27368/27368.pdf.
Texto completo da fonteHotho-Jackson, Sabine. "Zwischen Tradition und Moderne : Geschichte bei Virginia Woolf /". Heidelberg : C. Winter, 1990. http://catalogue.bnf.fr/ark:/12148/cb355679021.
Texto completo da fonteLegill, Marianne. "Vers les débuts de l'oculistique moderne à Strasbourg : errance et sédentarité". Université Louis Pasteur (Strasbourg) (1971-2008), 1988. http://www.theses.fr/1988STR1M149.
Texto completo da fonteRoy, Émilie. "Les Médersas du Mali : l'influence arabe sur l'enseignement islamique moderne". Master's thesis, Université Laval, 2007. http://hdl.handle.net/20.500.11794/18783.
Texto completo da fonteShao, Baoqing. "La naissance du langage romanesque chinois moderne". Paris, INALCO, 2001. http://www.theses.fr/2001INAL0019.
Texto completo da fonteAkhavan, Bahram. "L'habitat rural et son architecture traditionnelle et moderne dans quelques regions iraniennes". Caen, 1987. http://www.theses.fr/1987CAEN1021.
Texto completo da fonteThis study is a detailed and global analysis of architectural trends and patterns in rural areas of iran. These trends and patterns vary essentially according to the physical environment, but also affected by socio-cultural, demographic and economic structures. After a general geographical overview of iran and of the main features of its rural settlements, three regions chosen on a climatic basis are successively analysed : - guilan, representative of the humid temperate zone; - yazd, representative of hot, arid or desert regions; - eastern azerbaidjan, representative of cold and mountainous regions. The study brings out the difficulties encountered during the field research phase of this work and then establishes a schematic comparison of rural architectural characteristics in the three selected regions. Finally, on the basis of the issues raised and remarks brought out in the work, concrete proposals for the development of rural settlements in iran are put forward
Rouffanche, Claudine. "L'avènement de la psychologie moderne : conditions epistémologiques et conséquences morales". Paris 4, 1986. http://www.theses.fr/1986PA040169.
Texto completo da fonteThis is a reflexive research by a practicing psychologist in the educational sphere, whose main care is to avert the dangers of both epistemological and technical alienation, and to be able to be answerable for what she is and what she does. Hence a questioning of modern psychology within its two major tendencies (called naturalistic and humanistic by D. Lagache) concerning : - the underlying epistemological conditions of its advent in the field of modern knowledge (section i) - the implicit philosophy of both tendencies and their limits from an epistemological point of view (sections ii et iii); a reflexion that enables us to define them in comparison with each other beyond superficial contradictions, and to conclude in favor of a radical alternative in both epistemological and metaphysical fields. - the meaning and implication of each with reference to the moral problem (section iv). The latter analysis leads us to conclude in favor of a certain unity in significance from an ethical point of view, which reminds us of the fact that both tendencies sprang from the Copernican revolution and broke off from traditional philosophy, in that each of them (although differently- establish the dissociation between the order of good and the order of truth. From this attempt to elucidate a misused concept, a chaotic discipline made of theories and practices that are not only distinct in their matter, method and purpose, but also sometimes irreconcilable and contradictory in their essence, it emerges that psychology - past or present - cannot be truly humanistic if aims at nothing but a mere phenomenist approach - whether objectivistic or subjectivistic - of its subject; that it must resume its connection with philosophy as a reflexive process so as to be able to come to self-awareness; that it must aim at coherence and re-establish the sense of wholeness, the sense of purpose, the sense of humanity not as a datum but as an aim. In short psychology must be restored to its metaphysical an ethical dimension, for neither metaphysics nor ethics can be avoided
Schlicklin, Alexandra. "Robert Joly (1928-2012) : urbaniste, moderne, intellectuel : les nouvelles figures de l'architecture". Thesis, Université de Lorraine, 2014. http://www.theses.fr/2014LORR0342/document.
Texto completo da fonteThe thesis draws up the portrait of Robert Joly (1928-2012), and through him one time of renewal of the trades and postures of the architect in the years 1960-1990 in France. Robert Joly crosses the major debates of the profession and often takes an even militant active part there, either by architectural construction, or by other media. The graduate architect of the Art schools is also town planner of formation. Between 1928 and 1957, it constitutes its personal luggage of references: the taste of the territory, the choice of L '' modern architecture Scandinavian and the heritage of French town planning. Between 1958 and 1969, it explores the place of town planning in practice architectural, since installation and territorial planning until the urban and landscape integration of the projects. But the architect builds also much during this decade, arriving at the end of the years 1960 at the synthesis of an architectural practice complexes, hybrid and rich. Its works are directed in the viable direction of modus operandi, making it possible architectural modernity to continue by acclimatizing it to geographical, human and cultural contexts. From the middle of the years 1960, he wonders with those of his generation on becoming to it modernity in crisis, and about the evolution of the roles of the architect. New practices open then, of which architectural assistance and research. The architect continues to build, being interested in the contribution of the social sciences in the buildings, in link with the claims carried per May 68. The commitment of the architect as intellectual still passes by the political militancy, and the writing and teaching
Poublanc, Sébastien. "Compter les arbres : une histoire des forêts méridionales à l'époque moderne". Thesis, Toulouse 2, 2015. http://www.theses.fr/2015TOU20009.
Texto completo da fonte1661: during the establishment of the "Paper Monarchy" (i.e. administrative monarchy), when most judicial texts were rewritten and the Royal administration rationalized, Louis XIV and Colbert launched a general reformation of the forestland in the Kingdom. For more than two decades, commissioners were sent to each forestall district in order to reform them, thus providing a "snapshot" of the forestall life of the time. In the southern area of the Kingdom, the main actor of the reformation (1665-1673) was Louis de Froidour. Within a few years, he had travelled all around the great mastery of Toulouse and made over 1,000 forest maps and surveying reports. The religions and secular communities, nobles and landlords who owned plants or forestlands under a co-seigneury with the King, were forced to provide the reformation Court with the supporting documents of their claims. Once the reports were made, the files were archived, indexed and recopied to form a database. Thus marked and centralized, they stood as a domination tool the State used to act upon the Southern populations: it was the beginning of an age of a staked-out, mapped and known space. Studying the archives of the period allows the historicization of the tripartite relationship between the southern populations, the forestlands and public power. Far from matching the traditional image of a space devoid of any administration whatsoever, the archives studied revealed such structures were not new and offered an opportunity to understand how the management of the silva was reorganized
Davila, Thierry. "De l'inframince : brève histoire de l'imperceptible dans l'art moderne et actuel". Paris, EHESS, 2008. http://www.theses.fr/2008EHES0082.
Texto completo da fonteArt history is generally supposed to be the history of shapes clearly and distinctly present in front of every potential viewer. Nevertheless, there're works which call into question the logic of the presence of the form because they're imperceptible. Another vision of art, of the work of art and of the sensible experience follows from these artistic creations. This Ph D tries to analyse this history in modern and contemporary art (from the beginning of the XX century to nowadays)
Klein, Richard. "Histoire d'une demeure moderne, la villa C, Robert Mallet-Stevens architecte". Paris 1, 2003. http://www.theses.fr/2003PA010598.
Texto completo da fonteJayot, Delphine. "Le bovarysme : histoire et interprétation d'une pathologie littéraire à l'âge moderne". Paris 8, 2007. http://www.theses.fr/2007PA082838.
Texto completo da fonteThe notion of Bovarysm was invented at the end of the 19th by philosopher Jules de Gaultier, and derived from a literary character in order to depict a psychological phenomenon, normal or pathological ; it later turned into a crucible of questions pertaining to two separate fields of knowledge : literary criticism and psychopathology. This study purports both to determine the epistemological outlines of Jules de Gaultier’s theory and to relate this dual destiny. Through the history of Bovarysm in the area of psychopathology, the history of psychiatry in France in the 20th begins to take shape : history of its various theoretical periods, as well as of its resistance to Freudianism, which will eventually signal, in the case of Bovarysm, the impossibility of its coming together with psychoanalysis. The history of Bovarysm in the area of literary criticism involves more than a century of critical reception of Madame Bovary and the works of Flaubert, a century that has witnessed the abrupt overthrow of its original set of values : at first caught in the nets of conservative morality, Bovarysm will later come to personify the positivity of redeeming desire, down to its power of subversion. This study also offers an interpretation of Bovarysm that stems from the tension between the knowledge within literary works and the effects of conceptualisation. Compared to other psycho-literary notions such as Quixotism and Oblomovism, Bovarysm will reveal the singularity of Flaubert’s poetics ; compared to other « reader » characters, Emma Bovary will be the embodiment of Flaubert’s assumption of a subject that can articulate the matter of femininity in unprecedented fashion
Jaume, Lucien. "Le discours jacobin et la politique moderne". Paris, Institut d'études politiques, 1987. http://www.theses.fr/1987IEPP0005.
Texto completo da fonteThis study involves both a political and a historical assessment of major Jacobin speeches, from the beginning of the French revolution up to Robespierre's fall from power -9 Thermidor, an II. I have reckoned that French jacobinism provided an appropriate observatory to examine the birth, basic assumptions and ambiguous character of modern democracy; indeed, the Jacobin movement should be replaced within the close bounds of the French political context, as is clearly shown in chapter number four by a comparison with the American federalist papers. All collected data have been processed according to three main headlines: individualism, sovereignty, and representation - a method derived from an earlier book on Hobbes (Hobbes et l'Etat representa- tif moderne, Paris, P. U. F. ,1986). Obviously the Jacobins, like most revolutionaries, did not propound a clear-cut, let alone a lasting concept of representation. This derives first and foremost from the French notion of sovereignty. I have equally checked the existence of a monist pattern of sovereignty, inherited from the role of the crown in an absolute monarchy and the roman catholic background. This explains the Jacobins' handling of political representation, in its multifarious aspects at the time. Moreover that process went through several stages. At first, while in opposition, the Jacobins dissociated genuine popular sovereignty from "alienation", a surrender of people's rights into the hands of their representatives. But once their Girondin opponents had been eliminated - June 2,1793 they came to adopt a concept of representation which emphasized their legitimacy and fully assimilated their power to that of the people. This might be related to Rousseau in the first case (sovereignty vs representation) and to Hobbes in the second (sovereignty equals representation), but still, the real issue hinged on the unity of the people. Modern democracy seems to foster doubts on the positive effects of representation for popular sovereignty, including the drift towards egalitarian "despotism". In fact, this statement should be modified by a revaluation of the liberal creed of 1789 (see Lally-Tollendal), and the comparison with the American constitution as analysed by Madison, Hamilton and Jay. Montesquieu and his followers may help solve the Jacobin contradiction between the two models from Rousseau and Hobbes
Soman, Alfred. "Sorcellerie, justice criminelle et société en France à l'époque moderne". Paris 4, 1993. http://www.theses.fr/1993PA040081.
Texto completo da fonteThe rediscovery of the prison records of the Conciergerie du Palais (at the archives of the prefecture of police) led to the first major piece of serial research in the criminal archives of the parliament of Paris, from 1565 to 1670. The original field of study was extended by samples to include the whole of the early-modern period (1540-1789). By focusing attention on the most serious crimes it was possible to replace the notorious witchcraft trials in their historical context, stripped of the legends which have surrounded them for more than three centuries. Certain key developments in criminal jurisprudence have also become clear, for example, the establishment of a system of automatic appeal long before it appeared for the first time in royal legislation in 1670. Likewise, it can be seen that torture lost its central role in judicial procedure as early as the beginning of the sixteenth century. We are therefore able to understand the evolution of a centralized administration of criminal justice: one of the most successful institutions of Ancien Regime France
Ruopoli-Cayet, Sylvaine. "Arnould Bonneville de Marsangy (1802-1894) : un précurseur de la Science criminelle moderne". Lille 2, 1999. http://www.theses.fr/1999LIL20023.
Texto completo da fontePicon, Antoine. "L'invention de l'ingénieur moderne : l'École des Ponts et Chaussées : 1747-1851". Paris, EHESS, 1991. http://www.theses.fr/1991EHES0033.
Texto completo da fonteCreated in 1747, the ecole des ponts et chaussees is in charge of the education of state engineers responsible for the construction and repair of transport substructures, roads, bridges, waterways and railways. The institution is reformed in 1851. From 1747 to 1851, its history is a good introduction to the evolution of the engineering profession in france on the border of classical age and industrial era. This evolution is studied in three different ways, in a social history point of view, in a scientific and technical point of view, on the ground of territorical and architectural planning at last. Those three approaches are considered as components of one single history of technical thinking. From 1750 to 1820, this history is dominated in france by the merging of an "analytical rationality"
Vidal, Laurent. "Un projet de ville : Brasília et la formation du "Brésil moderne" (1808-1960)". Paris 3, 1995. http://books.openedition.org/iheal/1463.
Texto completo da fonteThe issue of the transfer of the brazilian state capital has been a public one ever since the beginning of the xixth century. During each political or social crisis touching the foundations of the national identity and the basis of the brazilian society, when the idea of "modern brazil" was discussed, the proposition for transfer has been put forward. For each of these periods, and without continuity from one to the other, the project for transfer includes three complementary components : the project for a capital (a geopolitical and symbolic dimension), the project for a new society (which definition of the modern brazil ?), the project of a city (the building of a new town where the power will be located thus giving a tangible support to the prospect of a new society). Based on brasilia as an example, this theses offers a field for reflections on the role and function of the prospective town, on the planned city within a national society. The project of a city seems to be a very powerful catalyst of hopes and energies and act as a basis for a future society, or play this role, or hide the absence of such a prospect. This field has been little studied in urban history. As a dialog with specialists of art and architecture history, we hope that such exchanges will contribute to evaluating the richness of the city semantic field
Seitz, Frédéric. "Métal et architecture dans la France moderne et contemporaine ; dessins de l'auteur". Paris, EHESS, 1989. http://www.theses.fr/1989EHES0319.
Texto completo da fonteGardelle, Laure. "Le genre en anglais moderne (seizième siècle à nos jours) : le système des pronoms". Paris 4, 2006. http://www.theses.fr/2007PA040012.
Texto completo da fonteWhile grammars of English today view gender as a category that can be easily accounted for, they fail to explain many of its uses. For example, why are there so many variations in discourse for a given referent ? Why use the feminine sometimes for a ship or a lawn, but the masculine for a fork or a spider ? This thesis explores the true foundations of the category of gender in modern English, by analyzing those pronouns on which gender is marked. After defining the notion of gender and reviewing existing theories, it offers a detailed analysis of an extensive corpus sampling language use from the 16th century to the present. It shows obvious evolutions in the use of gender in discourse ; the study seeks to determine whether they reflect systemic evolutions or whether they can be ascribed to other factors. Finally, a cognitive description of the category, enriched with a brief comparison with dialects, enables to look into the fundamental function of gender
Linte, Guillaume. "Médecine et santé des voyageurs transocéaniques français à l'époque moderne (XVIème-XVIIIème siècle)". Thesis, Paris Est, 2019. http://www.theses.fr/2019PESC0079.
Texto completo da fonteThe first French overseas maritime expeditions were part of a larger movement of European oceanic expansion. The new era which is opening for the history of the maritime fact in the West is marked by the appearance of a new experience : the transoceanic voyage.The purpose of this research is : (1) To establish the conditions under which transoceanic travel takes place during the early modern period, emphasizing the plural nature of this experience. (2) To understand the conditions that are leading to the emergence of a discourse on the health of transoceanic travellers in France, through its forms, influences and the ambitions it supports. In a modern Europe where ideas and knowledge circulate, the aim is to situate this movement within the emergence of a European literature dedicated to this issue. (3) In an analysis of the discourse on the health of transoceanic travellers, as well as its evolution during the early modern era. Based on a detailed reading of medical or technical sources, this research reveals how ideas and theories about diseases contracted during crossings or overseas stays are constructed. (4) To study the evolution of care and risk prevention practices. Assistance during overseas expeditions presents itself as a singularity during the early modern period, both by its actors and by its adaptations.Through a dialogue between the fields of the history of medicine and science, with those of the history of the maritime fact and the colonial worlds, this research attempts to reveal the conditions of the emergence of new medical knowledge
Buyck, Margaux. "Crimes de poison dans la Bologne médiévale et moderne (XIVe-XVIIe siècle)". Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100121.
Texto completo da fonteLong left in the shadow of History, poisoning is subject of a renewed interest byhistorians for the last few years. Following theirs latest researches, this thesis offers a study of poison crimes in Bologna between the XIV and XVII centuries. While many researchers stand for the idea of poison crime as an historical "trans-period" object, no study has yet explicitly faced the middle-age and the modern era often presented as antagonist. But the analysis over nearly four centuries of this criminal phenomenon is insightful on the evolution and especially the persistence of criminal poisoning, its ways and means, and the society reactions to it. The Bolognese archives proved to be a relatively dense research field, providing a corpus of nearly 180 cases, of which a large number of unprecedented/unknown judicial sources. Bologna thus constitutes a true crossroads of legal and medical History, due to its prestigious university, but also on study of urban society. This documentary wealth leads a questioning at the interface of History of crime and justice, History of medicine and social History. This multifaceted approach of the topic is an opportunity to expand the range of testimonies on poisoning and confronts, by turns, doctrine, cultural and mental perception of poisoning and the effectiveness of the crime, and practical consequences
Fleury, Benoît. "L'abdication dans le droit public européen de l'époque moderne : Etude comparative". Paris 2, 2006. http://www.theses.fr/2006PA020082.
Texto completo da fonteTimmermans, Benoît. "Les origines romantiques de la pensée abstraite: histoire et enjeux de l'algèbre moderne". Doctoral thesis, Universite Libre de Bruxelles, 2007. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210698.
Texto completo da fonteBrassart, Jacqueline. "L'abbaye de Corbie à l'époque moderne : histoire d'une renaissance au temps des Mauristes". Amiens, 2014. http://www.theses.fr/2014AMIE0006.
Texto completo da fonteCorbie Abbey is a Royal Foundation of the 7th century with a rich endowment. Its scriptorium made it famous in the Carolingian era. Then it has gone through difficult times and lost a lot of property in the feudal rivalries. Recurrent wars in the region have reduced its assets and Conventual life. Putting it in commendam generated many difficulties with the Abbots become simple Beneficed. In 1618, the congregation of Saint-Maur introduced reform ; It considers that the Abbey will be able to take its place in its network through its attractiveness and richness which is considerable. Reform is difficult because the former religious do not adhere and that wars continue to disrupt his organization. When the border back permanently and the King allows him a certain independence, reform really takes off. We then see the benedictine rule again successfully apply and religious progress study and spiritual research as recommended the Maurists. The jansenist crisis puts an end to the current which since the 17th century tried to impose religious life according to a strict observance of the rule. Now they accept accommodations : they have more comfort in the new buildings they do build and dedicate themselves more than ever to intellectual tasks. They are more locked in their Abbey as before and participate more widely in the social life. They are not restricted to investigations theological and philosophical ; they are also interested in social or economic innovations and eventually accompany them
Ould, Sidi Sidi Mohamed. "L'histoire du pouvoir politique mauritanien : à travers le conflit de Bebbe et l'émergence de l'État moderne". Bordeaux 4, 2005. http://www.theses.fr/2005BOR40001.
Texto completo da fonteHauger, Christian. "Précurseur de la chirurgie abdominale moderne : le professeur Eugène Koeberlé (1828-1915) : l'homme et son oeuvre". Université Louis Pasteur (Strasbourg) (1971-2008), 1986. http://www.theses.fr/1986STR1M069.
Texto completo da fonteTatoueix, Laura. "L'avortement en France à l'époque moderne. Entre normes et pratiques (mi-XVIe - 1791)". Thesis, Normandie, 2018. http://www.theses.fr/2018NORMR139/document.
Texto completo da fonteThis PhD thesis aims at filling an historiographical void by proposing an overview of abortion in early modern France. Though it is a secret and forbidden pratice, abortion appears in many sources. First, this work questions speeches about abortion in order to understand the conditions that enable its existence. At this time, abortion is a polysemous word that is used in a wide range of contexts. In the medical field the animation or viability of the fœtus generates multiple debates. Abortion is considered as a crime, but not separated from infanticide in the Law, which raises multiple questions. And for the first time in 1791, the penal code considers abortion as a specific crime. This work analyzes this evolution by questioning different speeches held about abortion in different but connected fields : medicine, theology, law. Consequently this thesis analyzes the criminalization of abortion as well as its punishment. As a matter of fact, abortion appears in judicial archives but is always associated with others crimes – in trials for « suppression de part et recel de grossesse », or in the context of the repression of poisoners led by the police in Paris since the end of the XVIIth century. The repression itself presents difficulties that this work analyzes, as well as the bias generated with its connection to other criminal categories. This study finally deals with the practices themselves and examines abortion as a social phenomenon. I mostly consider the actors and actresses of abortion and specifically the women who abort and their relatives (husband or lovers, parents, etc.,). I also pay special attention to secret, rumor and denunciation in the context of urban and rural communities, and finally to the persons women solicit to get an abortion, to knowledge, to access to this knowledge as well as its transmission
Fallahnejad, Naeimeh. "L'influence du théâtre français sur le théâtre moderne persan". Thesis, Université de Lorraine, 2016. http://www.theses.fr/2016LORR0218/document.
Texto completo da fonteThe modern Persian theatre was trully born in the nineteenth century, thank to the discovery of the western theatre. Enlightened politicians have tried to modernise Persia, students were to be send sent to France in order to learn modern science. When these students were coming home they had a lively interest for French culture including its theatre. Moreover, in Persia, we can notice the rise of a middle class where reformist and neo-religious ideas developed themselves. This background is where economical, political and social reforms and changes emerged to create a new literary genre that is to be found in modern Persian theatre. Thus, Le Misanthrope by Molière was traduced by Gozâreš-e mardom goriz by Mirzâ Habib Esfahâni who was in a political exile (in Instanbul in 1869). Nevertheless he took great liberties in the characters’names and their personalities so that the acting was more Persian than French. In addition to direct adaptations, Persian theatre was also influenced by the Classic French theatre with the work of Persian playwrights such as Mirzâ Aghâ Tabrizi. His comedies are mainly ironic and about political corruption and superstitions. These writers tried to compose or adapt modern plays –often in Molière’s way- bringing typical characters to life, describing scenes that are at the same time comical and satirical. It was a mean a means to address their works to every social group. Because of this obvious link between Persian and French theatre. I am considering doing a socio-historical analysis of Persian plays especially from the end of the nineteenth century because they put to light the relation with Molière’s work but also highlight the cultural issues
Lentin, Jérôme. "Recherches sur l'histoire de la langue arabe au Proche-Orient à l'époque moderne". Paris 3, 1997. http://www.theses.fr/1998PA030031.
Texto completo da fonteBased on the analysis of a large corpus (several ten thousands of pages) of published and manuscript texts (chronicles, travel accounts, correspondance. . . ) written between 1600 and 1860 in syria-lebanon-palestine and mixing, in various proportions, literary and colloquial arabic, the thesis makes its contribution to two little-investigated fields : the history of the arabic dialects of bilad al-sham, and of the linguistic continuum and of the written varieties it is composed of. In chapter 1 the aims, hypothesis and methods are put forward. In chapter 2 the sources used are presented in detail. Chapters 3 to 20 analyse, according to the main areas of linguistic structure (phonetics/phonology, nominal morphology, pronouns, prepositions, quantifiers, syntax of propositions, adverbs, verbal morphology, derived verbal stems and passive, preverbs, modal oppositions, auxiliary verbs, verbal function of the active participle, nominal inflexion, determination and definiteness, negation, concord, usual verbs) the singled out phenomena, illustrating them by numerous examples (9000 in arabic spelling with french translation, 10000 additional references). Besides dialectalisms, forms and constructions peculiar to the "mixed" language of the texts are listed. It is shown how this language uses classical and colloquial elements in its own way, and also how, combining elements borrowed from both polar varieties, it coins hitherto unattested forms and constructions which can be analysed as produced by a situation of languages in contact. Chapter 21 sums up the main results and comments on a synoptic table recording the occurrence of 120 features (out of the 800 studied) in 52 texts of the corpus. It is shown how diglossia was dealt with in the considered period. The intermediate varieties - a typology of which is suggested - were accepted in their written form. They altogether constituted a language in the full meaning of the word, ruled by an implicit norm and used, in certain situations of communication, by writers who were otherwise perfectly able to write standard literary arabic. A new approach to "middle arabic", as preserving ancient features as well as coining new forms and structures, is thus proposed; its study should hold, along with dialectology, a central position within arabic linguistic studies
Arango, López Diego. "Villes capitales en projet : histoire comparative de l'urbanisme moderne : Bogota Buenos Aires. 1920-1955". Paris, EHESS, 2015. http://www.theses.fr/2015EHES0058.
Texto completo da fonteThis research analyzes the simultaneous establishment of three urbanism projects in Bogota and three projects in Buenos Aires between 1920 and 1955. It explores the general characteristics of urbanism projects themselves and seeks primarily to understand the political and social transformations of both cities throughout the history of the projects within this time period. The comparative perspective used here required research in différent archives and libraries of Bogota, Buenos Aires and Paris. A diverse documentary corpus has been constituted with technical, administrative, political, personal, journalistic and other documents. This research allows us to understand how the establishment of similar projects triggers divergent social developments in two different societies. It also analyzes the power struggles between different social and political associations, with focus on the mechanisms used to reinforce their social standing and their action strategies. The research contributes to the reflection on the process of co-production of modem urbanism and proposes a new mode of analysis to understand the urban history of Latin America
Ruel, Robins Marianne. "Les chrétiens et la danse dans la France moderne : XVIe-XXVIIIe siècle". Paris 1, 1999. http://www.theses.fr/1999PA010560.
Texto completo da fonteDancing generated some important political and religious debates in the early modern France. This work analyzes those debates, beginning with their precedents in medieval sermons and in the danse macabre. During the sixteenth century, the quarrel became confessional in nature, as the rejection of dancing became a means to define the protestant community. Over the next two centuries, that confessional dimension of the debate intersected with complex social and cultural trajectories. Differing attitudes toward dance often reflected contrary understandings of the body. For the courtly tradition, the body offered the best means to literally incorporate signs of high birth and proper education and training. For many religious authorities, the body was a veil rather than a telling sign. While the debates about courtly or elite dancing raged, a movement to repress popular dancing swept across the kingdom. Authorities of both church and state argued that dancing was contrary to social and moral order. It was an occasion for unruly social gatherings, and therefore violence, as well as an occasion for sexual encounters, and therefore promiscuity. The repressive measures directed against dancing did not however succeed in ridding the French of their ingrained habits. Dancing continued to function as a ritual that reflected, enhanced and projected visions of the social order within rural communities. As a form of courtship, it also aided the social body in its need to reproduce itself. Finally, dancing as religious ritual expressed an inclusive understanding of the realms of the living and the dead, and a familiarity with god and the saints that opponents of dance read as irreverence. Indeed, it was on the latter front, the attempt to convince its flock that dancing was irreverent and inappropriate for worship, that the church was perhaps most successful. And that very success deprived the church from one its most significant religious rituals
Takashima, Tsutomu. "La défense des ports militaires français et japonais contre l'expansion maritime des puissances continentales- 1887-1909-". Montpellier 3, 1997. http://www.theses.fr/1997MON30025.
Texto completo da fonteEurope and japan are situated symmetrically at opposite ends of the eurasian continent. Although they are far from one another, their geopolitical situations are similar. Allying these two forces makes it possible to control a great imperialist power on this continent from east to west. In the beginning of the twentieth century, england allied with japan to prevent russian expansion in the far east. This is why the japanese, despite being an asian people, are proud to be able to identify with european civilization and mentalities. Furthermore, the coasts of japan, like those of france, are open to naval attack by continental powers seeking to develop in the direction of the ocean and to eliminate obstacles along their sea routes. For this reason coastal defense is an important element of national defense in japan. France has been a model in this area. Conversely, as much during the russo-japanese war (1904-1905) as during the first world war, the japanese and french coasts did not enter into the theater of operations. In contemporary history only the naval bases of continental powers have been attacked (sebastopol, port-arthur, the dardanelles). To investigate this question, one must not forget the particular characteristics of naval strategy in the continental states which involves conserving naval strength in the ports rather than exposing it at sea
Nguyen, Tri Christine. "L'Ecole publique de Nanyang : élite et éducation moderne à Shanghai͏̈, 1897-1937". Paris, EHESS, 1990. http://www.theses.fr/1990EHES0032.
Texto completo da fonteChantrelle, Laurent. "Émergence d'un théâtre pour enfants moderne dans l'entre-deux-guerres". Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080012.
Texto completo da fonteThat study about the history of drama for children makes its debuts during the medieval time and finishes at the end of the year 1939, with a specific emphasis during the interwar time. It is about studying the processus of creation of a modern drama dedicated to children while referring to old roots. In the years 1919 to 1939, a fondamental shit occurs in the field of French drama for children, with several attempts using exclusively adults actors on stage. The tendency in this artistic field, which up to that point consists in creating spectacles with children actors alone or combined with other older actors, is revolutionized. During this interval, we can distinguish two different forms of drama : the first one is more popular, and the other claims to be « a work of art ». Two theatres summarize those tendencies : « Le Théâtre du Petit Monde » (1919) of Pierre Humble, and « le Théâtre de l’Oncle Sébastien » (1935) of Léon Chancerel. The new experiments in the drama field for children and youth made between the two world wars, are not the result of a mere coincidence. They are the result of a long development of the society, more inclined now to attend to those modern plays. The third Republic brings a favorable environment, especially with its growing interest towards youth. That part of the population represents an important stake to consolidate or renew the religious or republican ideologies, which are at the heart of many rivalries. Knowledge, education and leisure times are the proof of a shift in society at that precise time
Hours, Bernard. "Le cloitre, enjeu de représentations et de pouvoirs à l'époque moderne : l'exemple des carmélites françaises". Paris, EPHE, 1991. http://www.theses.fr/1991EPHE5012.
Texto completo da fonteThe religious vocation in the modern age was founded on contempt for the world. This theme had appeared at the very beginnings of monachism in Egypt. For this reason, the monastic institution seams to have experienced permanent difficulty finding its place in society: the world which it rejected developed critical representations of it, which, through Luther and subsequently through 18th. Century philosophers influenced even the secular clergy itself. The interplay of these representations conditioned the way the monks and nuns talked about themselves. This interplay also shows that the notion of a decline which is, incidentally, not confirmed by an analysis of the recruitment of the French Carmelites, must be reviewed, because this decline concerned the social milieu from which the monks and nuns came, rather than the monastic institution itself. Finally, the latter was involved in three-corned power strategies in which it was alternatively allied with and opposed to the society and the state. Nevertheless, it appears that the power of the state always won, whereas the strategies employed by the monasteries faced repeated failures. Did not its contempt for the world lead the monastic institution into an insurmountable contradiction?
Licoppe, Christian. "Éprouver, rapporter et convaincre : une étude du compte-rendu expérimental à l'époque moderne". Paris 7, 1994. http://www.theses.fr/1994PA070048.
Texto completo da fonteThis work, based on a large sample of experimental accounts from the modern period, snows the appearance of three types of proof in chronological sequence 1)the curious proof with its emphasis on sense-data and spectacle 2) the proof based on the utility of phenomena and its emphasis on replication outside the laboratory 3) the exact proof, appearing in France at the end of the eighteenth century which posits universal laws built on precise measurements. Each argumentative strategy is related to the complex space which provides it with meaning and efficiency, that is : the rhetorical conventions governing the experimental account, the emphasis on witnessing and for replication in the production of robust empirical matter-of-facts, the organization of the community of practitioners and of learned audiences, the ways natural philosophy was inscribed in society at large, and its dependence on sovereign powers
Debaisieux, Renée-Paule. "Aliénation et liberté dans la prose néo-hellénique 1880-1922". Paris, INALCO, 1989. http://www.theses.fr/1989INAL0005.
Texto completo da fonteNovels belonging to the ithografia literary current (1880-1922 approximately) are marked with the recurrent topic of alienation, whether it applies to individuals or to social group. Writers develop two kinds of attitudes towards this problem in a 1st period (up to 1897). Some depict village life, underlining here and there a few aspects of unjust treatments, in such a way as to move the reader on behalf of the victims (victims of the Turkish oppression, of parental authority, of emigration). But on the whole, they celebrate simple country life, landmark of genuine traditional popular Greek ways of life (1st part of the thesis). Others adopt a more critical outlook, expounding the fate of women, the alienating character of customs and superstitions, as well as social injustice (the 2nd part of the thesis deals with the crisis of traditional values). The moral dismay caused by the Turkish victory (1897) is emphasized by the discovery of philosophical, literary or political theories coming from the western world (Nietzsche, Marx. . . ). Writers then explore various paths. Some of then follow the aesthetic trend, others fall for the morale of the Uebermensch, others still follow nationalist theories or feel for socialism or new utopias, but all of them are indeed trying to encompass the possible means of freeing the individual in a mutating world
Vaucelle, Serge. ""L'art de jouer à la Cour" : transformation des jeux d'exercice dans l'éducation de la noblesse française, au début de l'ère moderne (XIIIe-XVIIe siècles)". Paris, EHESS, 2004. http://www.theses.fr/2004EHES0064.
Texto completo da fonteGames of Nobility were deeply transformed during the Early Modern Period in France. Sports for gentlemen became the basic content of the education in the first Academies of the new Court society. The three "arts" (horse riding, fencing and dancing) that were taught throughout the Middle Age tented to differ from medieval chivalry training ways, thus creating a new form of activities. A new form of literature appeared as well during the Classic Age : treatises for the education of courtiers. The incipient basis of this new pedagogical thought invented a new "way to learn", that monarchy changed into a "necessity to play" for gentlement and courtiers
Martel, Fanny. "Adrien Dufresne et l'émergence de l'architecture religieuse moderne au Québec (1936-1964)". Thesis, Université Laval, 2011. http://www.theses.ulaval.ca/2011/28622/28622.pdf.
Texto completo da fonteSuk, Jun. "La réception du symbolisme dans la poésie coréenne moderne". Paris 4, 1987. http://www.theses.fr/1987PA040047.
Texto completo da fonteThis thesis consists by explaining how happened the reception of symbolism in the modern Korean poetry at the first half of twentieth century. In the first chapter entitled "historic study", we establish a chronology of publications of symbolists poems in Korean between eighteen eighty-five to nineteen forty-five. In the second chapter entitled "morphological study", we deal with the problems of poetry translation, with several comparisons of translated poems. In the next chapter entitled "poetic study", we try to find the influence of French symbolism in the Korean poetry. Ten poems are analyzed so as to recapitulate several aspects of this influence
Meffre, Liliane. "Carl Einstein (1885-1940) : itinéraires d'une pensée moderne". Paris 4, 1996. http://www.theses.fr/1996PA040158.
Texto completo da fonteCarl Einstein was a model cultural mediator between France, the country of his choice, and Germany, the country of his birth. He was a poet, writer, essayist, theorist of art and an intellectual who took part in the struggles of his time, who both heralded and interpreted the avant-gardes of the beginning of the 20th century and acted as a pioneer in different fields of action. This work intends to reconstruct the manifold routes followed by Carl Einstein’s thought in order to explore and enrich numerous scopes of the human knowledge. In Bébuquin or The dilettantes of wonder published in 1912 but written in 1906-1909, Einstein lay the path for a more modern form of writing which influenced such of his contemporaries as G. Benn, R. Hausmann and the Dadaists as well as later generations of writers. As the discoverer of African art which he was the first to analyze and value in Negrosculpture (1915) he removed the barriers then existing between history of art and ethnology. In his fundamental work art in the 20th century (1926, 1928, 1931), he drew of the living art of his time an early as well as final sum which was to reveal him as one of the greatest theorists of modern art and therefore making him part of the Germanic tradition of "kunstwissenschaft". He vehemently criticized the Weimar republic on the social and cultural plans in his contributions to reviews as well as in his play Bad tidings. His political action within the Spartacus league (1919) and on the side of CNT-FAI during the Spanish civil war (1936-39), witnesses to his unflagging intellectual commitment to the quest for an adequation between ideas and reality, for him between existence and art, an art which meant to transform man and the world
Broussy, Charlotte. "Histoire du contrat d'assurance (XVIe-XXe siècles)". Electronic Thesis or Diss., Montpellier, 2016. http://www.theses.fr/2016MONTD045.
Texto completo da fonteLooking back through history, the very nature of the insurance contract has often been questioned. Indeed, although it started off its career with, and was developed by, the merchant shipping industry ; today it is used as a consumer product contract, strongly anchored into terrestrial reality. In order to apprehend this evolution, it would be interesting to look into what defines the criteria of an insurance contract since the 16th Century right through to 1930. During the 16th Century, the insurance contract started to be used in the terrestrial world and was drafted by the authors of the profession, and in doing so, interested the French legislators. This phase was a theoretical construction and a legislative phase for the insurance contract, which was based on the merchant shipping activity, in spite of applying to a growing number of terrestrial concerns. The next period starts in the middle of the 19th Century, whereby we start to see the first major changes to the insurance contract with the increase in industrial activities and the emergence of socialist ideas and a welfare state. At this point in time, the profession and jurisprudence adapt the insurance contract to the increasing security needs of the population. We can refer to this as a real terrestrial implantation of the insurance contract as the shipping and naval basis takes a back seat. These adaptations and new additions to the legal system make the legislators, judges and other professions concerned ; re-assess the contents of the insurance contract. In 1930, the first French law on the terrestrial insurance contract crystallizes a certain number of their conclusions and positions, without however, giving a strict definition of what an insurance contract is. It still doesn’t exist today
Horikoshi, Koichi. "L'industrie du fer dans la Lorraine pré-moderne". Nancy 2, 1992. http://www.theses.fr/1992NAN21010.
Texto completo da fonteThe aim of the thesis is to grasp the iron production in Lorraine until 1630', that is to say, until the rupture of the Thirty Years' War. Above all, the author confirms that after the diffusion of the indirect process in the fifteenth century, the three humans factors - the lord, the ironmaster, the merchant - constitute the social and economic foundation on the iron industry. Particularly, the development in the second half of the sixteeth century consolidates this base. The lord supplies the raw materials (wood, ore, stream) and leases the forges to the ironmaster who manages them for the various terms. The latter is not a simple technical expert. He manages the whole of the establishment. The merchant participates also in the management of forges. The term of "marchand-maître de forges" indicates this new type of ironmaster who symbolizes the change of the iron industry in this period
Napoli, Paolo. "La "police" en France à l'âge moderne (XVIIIe-XIXe siècle) : histoire d'un mode de normativité". Paris, EHESS, 2000. http://www.theses.fr/2000EHESA066.
Texto completo da fonteAracil, Adrien. "Histoire d'une liberté dans la France moderne. Protestants, politique et monarchie (vers 1598 - vers 1629)". Electronic Thesis or Diss., Sorbonne université, 2022. http://www.theses.fr/2022SORUL071.
Texto completo da fonteThis thesis questions the political history of the French Reformers at the beginning of the seventeenth century through the prism of the notion of freedom : freedom as a defense of the legal gains conferred by the Nantes edict regime, but also as a capacity for action. Far from considering the Huguenots as the passive victims of an «all Catholic France», it considers them as political actors. This capacity to act is analysed in two stages: first, we examine the characteristics underlying this freedom of action in the context of the seventeenth century, through a study of the place given to institutions, memory, union and language in Reformed practices. We then study the «implementation» of this political freedom, questioning the evolutions of the Huguenot party, from the relationship to the institutions, to the nobility, to the language strategies following the death of Henri IV. Finally, we dedicate a last part to the «killing» of this political culture: the end of the Huguenot party, widely documented, is not the result of internal dissension, but of a political will that seeks to attack this freedom
Giroud-Fliegner, Olivier. "La peinture moderne et contemporaine : propositions pour une esthétique de l'erreur". Paris 4, 1993. http://www.theses.fr/1993PA040198.
Texto completo da fonteThe first part of our problematics explains the philosophical context of an esthetics of error; indeed, most of the pictorial movements of this century has been criticized as a danger of non-sense in painting. The common point of the critics is also the question of death of art, as a danger to overcome by finding a concept able to establish a logic of modernity in art. We find in Gombrich's and Nietzsche’s texts already a statute of error which confirms our purpose, and makes us enable to build a concept of error, in the second part of our purpose. Thus, error is determined by Kant’s analyses of temporality and perception. And we can define error as a function of an almost "false" perception. As a function, error creates a dialectics of liberty in painting. In the last part of our purpose, we analyze Adorno's esthetics as the loss of the sense of error and modernity, as well as the postmodernist orientation of art, which opens our problem on the question of the sense of modernity in art
Maurus, Patrick. "Nationalismes et modernités : la mutation de la poésie coréenne moderne, 1894-1908-1927 : recherches sociocritiques". Paris 7, 1994. http://www.theses.fr/1994PA070089.
Texto completo da fonteThe aim of this thesis is the study of modern korean literature, and the conditions of its birth. The works of ch'oe namson, a well know historian and poet, are the most important part of the research. Ch'oe namson was the first to try to break away from traditional formal poetry, mostly written in chinese, or with many chinese characters, following tight rules, based on syllabic groups, and stuck into repetitive symbolism. Using the modernist trend, publishing his own reviews, using modern korean language, advocating free verse, ch'oe made the xxth century korean poetry possible. As all other discoverers, ch'oe was caught between the fascination of modernity and the security of tradition. His words irresistibly destroyed "aura" (benjamin), but, in the same time, because of the lack of backing by a large and efficient middle class, ch'oe couldn't completly get rid of the elements of the past. For that reason, he resorted to a-historical themes like "strength", ideologicaly dangerous during the colonial days. Some attention is given to the poetical heirs, like chu yohan, kim tonghwan and kim sowol