Teses / dissertações sobre o tema "Heaven – poetry"
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Butts, Anthony. "Little low heaven /". free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9962506.
Texto completo da fonteHuddleston, Clarity. "History, Power, and Meaning: Refusing Heaven and Jack Gilbert's Poetic Career". Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1117.
Texto completo da fonteKartsonis, Ariana-Sophia M. "Teatime in Heaven with the Crazy Ladies". University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1227275015.
Texto completo da fonteWilliams, Kirsty. "Structures of belonging : the poetry of Seamus Heaney". Thesis, University of Glasgow, 2003. http://theses.gla.ac.uk/1748/.
Texto completo da fonteTyler, Meg. "A singing contest : conventions of sound in the poetry of Seamus Heaney /". New York : Routledge, 2005. http://catalogue.bnf.fr/ark:/12148/cb40061119n.
Texto completo da fonteFulford, Sarah. "Gendered spaces in contemporary Irish poetry". Thesis, University of Kent, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298598.
Texto completo da fonteBroom, Sarah. "Inhabitable mythologies : myth in contemporary Irish poetry". Thesis, University of Oxford, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302587.
Texto completo da fonteJohnson, Don. "More Than Heavy Rain". Digital Commons @ East Tennessee State University, 2014. http://amzn.com/1937875571.
Texto completo da fontehttps://dc.etsu.edu/etsu_books/1044/thumbnail.jpg
Sinner, Alain Thomas Yvon. "'Protective colouring' : the political commitment in the poetry of Seamus Heaney". Thesis, University of Hull, 1988. http://hydra.hull.ac.uk/resources/hull:3154.
Texto completo da fonteMadden, P. S. "The Seamus Heaney Centre digital archive : the public performance of poetry". Thesis, Queen's University Belfast, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546384.
Texto completo da fonteRanne, Katriina. "Heavenly drops: the image of water in traditional Islamic Swahili poetry". Swahili Forum 17 (2010), S. 58-81, 2010. https://ul.qucosa.de/id/qucosa%3A11479.
Texto completo da fontePrince, Charles Weston. "Resonant forms, architecture in the poetry of Seamus Heaney and Derek Walcott". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ49886.pdf.
Texto completo da fonteNice, Laura. "Place and memory in the poetry of Michael Longley and Seamus Heaney". Thesis, University of York, 2005. http://etheses.whiterose.ac.uk/10962/.
Texto completo da fontePiavanini, Joanne Marie. "The Poetics of Memory – The Public Role of Seamus Heaney after 1995". Phd thesis, Canberra, ACT : The Australian National University, 2017. http://hdl.handle.net/1885/133755.
Texto completo da fonteDennison, John. "Seamus Heaney and the adequacy of poetry : a study of his prose poetics". Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/3026.
Texto completo da fonteBuxton, Rachel. "The influence of Robert Frost on Seamus Heaney and Paul Muldoon". Thesis, University of Oxford, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391013.
Texto completo da fonteLavan, Rosie. "Seamus Heaney and society, 1964-1994". Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:7b179e81-f84c-4f40-961a-ed06234b9e02.
Texto completo da fonteO'Donoghue, Josephine Sheila. "Communicating metaphors in Shakespeare, Dickinson and Heaney". Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/269792.
Texto completo da fonteBrazeau, Robert Joseph. ""Mired in attachment" : cultural politics and the poetry of Seamus Heaney and Thomas Kinsella /". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0030/NQ66194.pdf.
Texto completo da fonteVincent, Bridget Claire. "The example of poetry : moral authority and exemplarity in Seamus Heaney and Geoffrey Hill". Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609140.
Texto completo da fonteMoore, Sharon. "Early attachments and identification processes in the poetry of Seamus Heaney and Michael Hartnett". Thesis, Ulster University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.529580.
Texto completo da fonteSmith, Yvonne Joy. "Brightness Under Our Shoes: the Redress of the Poetic Imagination in the Poetry and Prose of David Malouf, 1960-1982". University of Sydney, 2009. http://hdl.handle.net/2123/5139.
Texto completo da fonteThis study investigates the poetic foundation of David Malouf’s poetry and prose published from 1960 to 1982. Its purpose is to extend reading strategies so that the nature of his poetic and its formative influence are more fully appreciated. Its thesis is that Malouf explores and tests with increasing confidence and daring a poetic imagination that he believes must meet the demands of the times. Malouf’s work is placed in relation to Wallace Stevens’ belief that the poetic imagination should “push back against the pressure of reality”, a view discussed by Seamus Heaney in “The Redress of Poetry”. The surprise of the poetic as “unpredicted aesthetic value” (García-Berrio, 1989) is significant to his purposes and techniques, as it creates idea-images and feeling-values (Jung, 1921) that bring together apparently opposite ways of knowing the world. In seeking to represent the meeting of inner and outer perceptions, Malouf’s work shows the influence not only of Stevens but also Rilke and contemporary American poetry of “deep image”. The Australian context of Malouf’s work is considered in relation to Judith Wright’s essay “The Writer and the Crisis” and the poetry of Malouf’s contemporaries. Details of the manuscript development of his first four novels show Malouf’s steps towards a clearer representation of his holistic, post-romantic vision. His correspondence with the poet Judith Rodriguez provides useful insights into his purposes. Theories and research about brain functions, the nature of intelligence and learning provide an important international context in the 1960s and 1970s, given Malouf’s interest in how meaning forms from perception and experience. Jean Piaget’s view of intelligence and David Kolb’s theory of experiential learning (1984) offer frameworks for reading Malouf that have not yet been considered. The thesis offers a model of poetic learning that highlights the interplay of dialectically opposed ways of forming meaning and points to the importance for Malouf of holding diverse states of mind together through the poetic imaginary.
Smith, Yvonne Joy. "Brightness Under Our Shoes: the Redress of the Poetic Imagination in the Poetry and Prose of David Malouf, 1960-1982". Thesis, The University of Sydney, 2008. http://hdl.handle.net/2123/5139.
Texto completo da fonteMoraes, Fabrício Tavares de. "Arando a linguagem: uma leitura comparada entre as poéticas de Salgado Maranhão e Seamus Heaney". Universidade Federal de Juiz de Fora, 2013. https://repositorio.ufjf.br/jspui/handle/ufjf/926.
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A presente dissertação busca traçar uma análise comparada entre a obra poética do poeta irlandês Seamus Heaney e a do brasileiro Salgado Maranhão no que tange à tensão indissolúvel entre a intuição e razão que estão no âmago do ato poético, especialmente durante o processo de composição. Tomando como pressupostos os conceitos de apolíneo e dionisíaco do filósofo alemão Friedrich Nietzsche, desenvolvidos na obra O Nascimento da Tragédia (1872), o presente trabalho busca justamente apontar esses elementos antitéticos na gênese da poesia, bem como as posturas poéticas neles baseadas (chamadas doravante de “poesia instintual” e “poesia cerebral”). Além disso, pretende-se compreender a forma como as obras de ambos os poetas analisados se inserem nas manifestações poéticas da contemporaneidade. Por último, partindo da simbologia da terra – ampla e constantemente abordada ao longo de todas as obras de Heaney e Salgado –, busca-se efetuar uma leitura dos possíveis desdobramentos literários, sociais, culturais e históricos de tal metáfora.
This dissertation aims to draw a comparative analysis between the poetical works of the Irish poet Seamus Heaney and the Brazilian poet Salgado Maranhão, regarding the indissoluble tension between intuition and reason that is at the core of the poetic act, especially during the composition writing process. Utilizing as presupposition the concepts of the “Apollonian” and “Dionysian” coined by the German philosopher Friedrich Nietzsche, both developed in the work The Birth of Tragedy (1872), the present study attempts to pinpoint these antithetical elements that are in the genesis of poetry, as well as the poetic postures based on them (hereinafter called “instinctual poetry” and “cerebral poetry”). Furthermore, we intend to comprise the way through which the poetical works of both poets are inserted in the contemporary poetic manifestations. Lastly, basing on the symbolism of the earth/soil – wide and constantly addressed throughout the works of Heaney and Salgado – we intend to interpret the feasible literary, social, cultural and historic meanings of such metaphor.
Angelopulo, Byron Dimitri. "The development of the poetry of Seamus Heaney From Death of a Naturalist to North". Thesis, University of Cape Town, 1987. http://hdl.handle.net/11427/23809.
Texto completo da fonteDimitri, Angelopulo_Byron. "The development of the poetry of Seamus Heaney From Death of a Naturalist to North". Master's thesis, University of Cape Town, 1987. http://hdl.handle.net/11427/23807.
Texto completo da fonteCreedon-Carey, Una A. "“The Whole Vexed Question”: Seamus Heaney, Old English and Language Troubles". Oberlin College Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1432295982.
Texto completo da fonteWalls, E. "A Dialogue between Phenomenology and Poetry : Reading Heaney and Hopkins through Husserl, Heidegger and Merleau-Ponty". Thesis, Queen's University Belfast, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.517636.
Texto completo da fonteKelly, David Gibbons. ""Eolas to Ma:" Construction of Postnational Space in the Interstitial Visions of Heaney, Carson and Morrissey". OpenSIUC, 2014. https://opensiuc.lib.siu.edu/dissertations/898.
Texto completo da fonteAtfield, Joy Rosemary. "'The end of art is peace' : a study of creative tensions in the poetry of Seamus Heaney". Thesis, University of Sussex, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.305275.
Texto completo da fonteAnnunciação, Viviane Carvalho da. "Seamus Heaney: a polifonia (da) poética do exílio". Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-11092008-173942/.
Texto completo da fonteThe masters research entitled \"Seamus Heaney: Polyphonic Poetics of Exile\" enabled us to conclude that, as the poet distances himself from his native homeland, he de-constructs the notion of poetic subjectivity. Therefore, in order to display this feature, the persona embraces a catholic pilgrimage through which he reconstructs symbolically the fragmentations and divisions of his own community, whilst he himself creates imaginary dialogues between his past, present and future. Overcoming the traditional chronotope of linear time and space, Heaney gives rise to an exile poetics whose polyphonic consciousness stems from: 1. the personas (subaltern or literary) that have belonged to his artistic constitution; 2. the guilt of distancing himself from Northern Ireland in the middle of a civil war; and 3. the desire of liberty provided by the critical vision of James Joyce. As long as he performs circular movements around himself and his land, the author reproduces the Celtic symbol triskele through which he reflects about the implications of writing poetry in contemporary society.
Kennedy, David Gerard. "Ideas of community and nation in the poetry of the middle generation : Douglas Dunn, Tony Harrison and Seamus Heaney". Thesis, University of Sheffield, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299679.
Texto completo da fonteKellett, Lucy. ""Enough! or too much" : forms of textual excess in Blake, Wordsworth, Coleridge and De Quincey". Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:641b0fe2-3b07-46cf-94b6-7d27a2878686.
Texto completo da fonteFinn, Christine. "Fieldwork : archaeology and the poetic past of W.B. Yeats and Seamus Heaney". Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310520.
Texto completo da fonteDavis, Alexander Tyrrell. "An examination of the notions of #masculinity' and #femininity' in the poetry and prose of Ted Hughes and Seamus Heaney". Thesis, University of Sheffield, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.242469.
Texto completo da fonteBoast, Rachael. "Dark saying : a study of the Jobian dilemma in relation to contemporary ars poetica : Bedrock : poems". Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/906.
Texto completo da fontevan, Dyk Gerrit. "Translation as Katabasis and Nekyia in Seamus Heaney's "The Riverbank Field"". BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3473.
Texto completo da fonteQuément, Fanny. "« Mutable as sound » : mutations des influx sonores dans l’œuvre de Seamus Heaney". Thesis, Sorbonne Paris Cité, 2016. http://www.theses.fr/2016USPCA113.
Texto completo da fonteThis thesis questions the presence and metamorphoses of sound in the works of Seamus Heaney, ultimately bringing the experience of the printed text and that of audio recordings into comparison. Based on a study of the author’s essays, poems and commercialised recordings, it retraces the trajectory of sound influxes from the perception of soundwaves in the environment to the emission of the voice, via their recreation in writing. The phrase “sound influx” is meant to revive the aquatic metaphor in the catachretic compound “soundwave.” It also invites to detect undercurrents by ear and study them from the perspective of the listener, taking into account their reception and absoption as much as their broadcasting.In order to show that each poem is a sound event of its own kind, it analyses the process through which the sonic environment is turned into a poetic soundscape which then becomes part of other environments when orally performed. Borrowing concepts from Sound Studies, it highlights the dynamic but elusive nature of sound, identifies and questions the conductive properties of a writing that also makes room for silence, and reflects, along with Heaney, on listening as a notion.The close-readings developed here are also close-listenings that take into account the phonetic dimension of texts, the study of the poetic voice being completed by an analysis of the poet’s physical voice. Considering the graphotext, the phonotext and the audiotext as three equally significant incarnations of one poem, aims at bringing a nuanced perspective on Heaney’s prosody as it is too often reduced to formal – if not formalist – versification
Coyle, Derek. "'Out to an other side' : the poetry of Paul Celan and Seamus Heaney and the poetic challenge to post-modern discussions of absence and presence in the context of theological and philosophical conceptions of language and artistic production". Thesis, University of Glasgow, 2002. http://theses.gla.ac.uk/1765/.
Texto completo da fonteClougherty, Robert James. "The historiography of three Irish poets W.B. Yeats, Seamus Heaney, and Richard Murphy /". Access abstract and link to full text, 1991. http://0-wwwlib.umi.com.library.utulsa.edu/dissertations/fullcit/9123419.
Texto completo da fonteMcAllister, Daniel. "The Influence of American Poets on John Montague, Seamus Heaney, Derek Mahon and Paul Muldoon". Thesis, Ulster University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.487661.
Texto completo da fonteLe, Ven Pauline. "Les nouveaux visages de la muse au IVe siècle av. J.-C. = The Many-Headed Muse : tradition And Innovation in Fourth-Century B.C. Greek Lyric Poetry". Thesis, Paris 4, 2008. http://www.theses.fr/2008PA040234/document.
Texto completo da fonteThis dissertation gives an overview of the extant 800 lines of lyric poetry composed between 425 and 323 B.C. and tackles the question of the demise of mousikê in the late classical period. A first part collects the evidence for lyric composition and practice during that period, deconstructs the "death of lyric" fiction that the major litterary sources (Athenaeus and the De musica) present, and studies the evolution of the image of the lyric poet between archaic and late-classical times as reflected in anectotes. A second part focuses on the texts (dythrambs nomes hymns and paeans) and explores the dynamics between tradition and innovation in the production, performance, and reception of these lyric poems. By combining a close reading of the texts with attention to their intellectual and cultural context, I argue that our evidence suggests a tradition of lyric poetry that continuallya adapts to the new performance contexts and modes of transmission of the late classical period
Guibert, Pascale. "L'ecriture du paysage chez quatre poetes irlandais contemporains : patrick kavanagh, richard murphy, brendan kennelly et seamus heaney". Paris 7, 1997. http://www.theses.fr/1997PA070046.
Texto completo da fonteBy the careful study of the poems of four irish poets - seamus heaney, patrick kavanagh, brendan kennelly and richard murphy - we try to specify what their landscapes express so that we can then determine what landscape, as a genre, actually represents. This is no presentation of their poetry since we focus on one of its aspects : what work is expressed through landscape. This leads us to concentrate more intently on the role of writing in the creation of landscape. Thus have we not made a list of the typically irish landscapes. We have tried to go beyond what is just depicted in order to show how and why this depiction was done. We do not so much consider either the visual aspect of the written place or its original geographic situation as what, as a particular landscape, it reveals about the idea of landscape, to which it gives a form. There are four stages to our progression towards what is seemingly expressed through a landscape. At first, the parts played by the poet in the building of society, and by man in the building of landscape are presented. These we have been able to define through the study of the way some exterior scenes were represented. In the second part, we try to determine which living conditions and human feelings are betrayed by such or such landscape. In the third part, we continue our search beyond the description of the exterior world and discover what a particular landscape reveals about man as a doer and as a creator. We then concentrate on his precise work, which we see expressed by some landscapes, and even stressed by the way they are written. We finally reach the very first moments of this work of creation, also represented by some landscapes and their writing. These landscapes can be considered as attempts at making explicit - thanks to images from the exterior world - the principle of artistic creation. So, a landscape should not be thought of as a mere description of nature but as an expression of our function as creators
Pettersson, Olof. "A Multiform Desire : A Study of Appetite in Plato’s Timaeus, Republic and Phaedrus". Doctoral thesis, Uppsala universitet, Avdelningen för teoretisk filosofi, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-186130.
Texto completo da fonteArnold, Amanda Suzanne. "Shift". Digital Archive @ GSU, 2007. http://digitalarchive.gsu.edu/english_theses/26.
Texto completo da fonteTseng, Shou-Jen, e 曾守仁. "Reconstructing Wang Fu-Chih’s poetry theory :An exploration of Confucianism’s poetic concept based on the correlation between philosophy and poetry / darkness and brightness / heaven and human". Thesis, 2008. http://ndltd.ncl.edu.tw/handle/32968157581527191719.
Texto completo da fonte國立臺灣大學
中國文學研究所
96
This dissertation aims to reconstruct the poetic theory of Wang Fu-chih. First of all, it discusses Wang’s misery poetry, from which the author also tries to review topics like “stimulating observing express fellowship show resentment”, “Fusion between emotion and scene”, “Theory of poetry and lyrics” and” concept and dynamic structure” to demonstrate that “affection” is the prerequisite of poetry. Furthermore, how Wang re-shapes the above-mentioned topics through “proper affections” and how he reflects poetry are also observed in the dissertation. Poetry was not dominated by affection only when developed in Ming and Chin dynasties. At that time, it was overtaken by styles like “Shishi” and “Prose as poetry” . Concept was the dominant factor in composing poetry and narration and comment also appeared. Simplicity and elegance in poetry were severely challenged when novels became popular, and this also led to a conflict between affection and narration. Moreover, poets’ original voice was further refrained by principles and formats. Under this situation, poetry was no more a reflection of poets’ affection; rather, it became a writing style for poets to follow, and its simplicity was questioned. Therefore, Wang believed that poetry lost its purity. He proclaimed the integration of “stimulating observing express fellowship show resentment”, and turned affection into insight and enlighten in the hope that human affection can observe the nature of the universe. His view about affections was different from other poets in the late Ming dynasty. He also believed that lyrics must be combined with poetry. In other words, lyrics should be the base for affection to further illuminate human emotion and poetry also needs to combine with morality to lead human beings to the original state of Grand Harmony where order and ethnics are still intact. Inspired by the combination of affection and lyrics, poets were able to reach the state of Grand harmony; poetry therefore served as a medium for their elevation and enlighten. “Concept is the dominant factor in poetry” proclaimed by Wang then demonstrated that a good concept is a process of thinking and reflection neither just a quotation of others’ works nor imagination. Wang’s poetry theory actually is not an isolated territory. Judging from its consistency of thoughts, it is indeed the study of Heaven and Human Nature, also an extension of Theory of Human Nature. For folks living in the change of Ming and Chin dynasties, Wang’s affection-oriented poetry appropriately served as their response to the chaotic political environment. Wang could also attached his loyalty to Ming and found his redeem and a peaceful final settlement in his own poetry.
Yeh, Ying-Chen, e 葉映辰. "Jong Zhis “Mountain and Stream Poetry”and the Concept of the Unity of Heaven and Human Beings in It". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/43144978661852710895.
Texto completo da fonte淡江大學
中國文學系碩士在職專班
97
Poem is the crystal of Jong Zhis’s soul; Jong Zhis''s soul is inlaid in the poem. From the expression of poetry, we realize the wise life thinking and the soul boundary of Jong Zhis after reading her ” Mountain and Stream Poetry”. The “ Mountain and Stream Poetry “that Jong Zhis created in 50~60 era appears lofty admiration to the sentiment of the scenery. Therefore, she often praises and admires the nature by her poems. The style of her poems is chaste, lyric and graceful; so, usually her poem make the readers mind pure and bright filled with delight. After 70 era, the poem of Jong Zhis is to get rid of the troubled fetters in the modern life, achieves the free mind and pursue the confines of the whole creation co-existence and unified universe. Because Jong Zhis corresponded with nature in person and the mutual conversation is filled with real feeling,so her poetry combining with perception and rationality often gives the surmounting strength to people, makes people’s mind steady and comforts people''s mind, arouses people''s sympathy, cultivates people’s compassion to life, arouses people''s esthetic appeal and influences subtly people to accept the education of the true, the good and the beautiful consciousness. In my opinion, I think that Jong Zhis has really achieved the ideal confines that “ Mountain and Stream Poetry “ intends to express and pursue -- “Unity of Heaven and Human Beings ”. There are totally five chapters in this thesis. The first section of the first chapter cites the comment from domestic and foreign scholars, the poet and poem reviewers on Jong Zhis and her poem to expound the significant importance of Jong Zhis and her poem in the new poetry history in Taiwan and its value in the academic research.The second section analyzes the research results about Jong Zhis''s dissertation and explains the reason to have further discussion on this topic in the thesis. The third section explains the research method for this thesis. The second chapter introduces the biography, the poetry creation and the poem view of Jong Zhis. The poem view of Jong Zhis is also the presentation of her view of life in the poetry art; however, the development of Jong Zhis style in the poetry art is also deeply influenced by her view of life. The first section of the third chapter starts from sorting out Jong Zhis’s 374 poems by theme, and analyzes the trend of Jong Zhis’s poetry creation according to the results of theme classification, and uses it as the theory basis to expound Jong Zhis’s “ Mountain and Stream Poetry ”. As for Jong Zhis’s “ Mountain and Stream Poetry “ in the second section, it describes Jong Zhis, scholars and my definition to Jong Zhis’s “ Mountain and Stream Poetry “ separately and expounds again how I recognize Jong Zhis’s “ Mountain and Stream Poetry “. The third section elaborates the artistic performance of Jong Zhis’s “ Mountain and Stream Poetry “ by three artistic innate nature from “music”, “light shade” and “color” separately. The fourth chapter has further discussion about the concept of “ Unity of Heaven and Human Beings “ in Jong Zhis’s “ Mountain and Stream Poetry “. The first section analyzes the concept of Jong Zhis‘s “ Unity of Heaven and Human Beings “ and its origin. The second section elaborates the concrete manifestation of “ Unity of Heaven and Human Beings “ in Jong Zhis’s “ Mountain and Stream Poetry “. The fifth chapter concludes and generalizes the elaboration contents from the previous four chapters. According to the conclusions, I, therefore, proposed my comments on Jong Zhis’s “ Mountain and Stream Poetry “ as well as the direction of further research in the future.
Huang, Chia-chi, e 黃家琪. "Controlled Language Writing and Machine Translation:The Use of Oracle Poetry for the Empress of Heaven at the Penghu Temple as Samples". Thesis, 2013. http://ndltd.ncl.edu.tw/handle/y422hf.
Texto completo da fonte國立高雄第一科技大學
口筆譯研究所
101
This research aims to investigate the strategies for editing oracle poems from classical Chinese into vernacular controlled Chinese to improve its performance of machine translation (MT). The controlled language (CL), restricted in the scope of vocabulary and sentence structure, is used to edit oracle poems and Google Translate, a corpus/statistics-based MT tool, is used to test the quality of the MT output. The finding indicates that some strategies can be used to edit oracle poems, including: 1) explicitation strategies such as adding words, adding a transitional, and rewriting the Chengyu; 2) normalization strategies such as adding a preposition, and adding an article or/and a quantifier, and 3) simplification strategies such as using dual-syllable Chinese words, adding comma or semicolon to divide one sentence into two clauses, rewriting classical diction, and rewriting four-character phrases into common expressions. The controlled poems after pre-MT editing did highly improve the grammatical accuracy, semantic clarity and pragmatic appropriateness of MT outputs based on the reading feedbacks from some students who major in translation and interpreting, some native English speakers teaching at HESS cram school and one English professor. Above all, this research takes on some significance, suggesting that the use of controlled language for better MT performance supports Gutt’s relevance theory that translation must seek contextual and cultural relevance to the target audience by modifying the SL-specific linguistic features and source-culture-specific idiomatic expressions. Due to the effectiveness of pre-MT editing with a host of strategies, this research model can be replicated in the future researches on editing other genres of texts for effective MT application.
Leclerc, Philippe. "Le traitement de l’espace dans Badlands et Days of Heaven, de Terrence Malick". Thèse, 2011. http://hdl.handle.net/1866/5338.
Texto completo da fonteThis Master’s thesis studies the treatment of space in Terrence Malick’s films Badlands (1973) and Days of Heaven (1978). First I apply myself to show how the treatment of space in these films distinguishes itself from classical cinematographic conventions, developing on the multitude of strategies used by Malick to make space (both visual and sound) sensitive and reflexive in the two films. Space here is created to be literally «inhabited» by the characters as well as the spectators. I then observe and comment on the implications (esthetical, narrative, iconological, philosophical, poetical, etc.) of this peculiar treatment of film space by showing how the filmmaker creates different types of sensations and constructs his discourse with and through space of his films. The thesis pays special attention to the concept of «film landscape» and structures itself in three chapters, which respectively study space in Malick’s work in terms of «sensation» (space sensitivity, «mise en vue» of the landscape in both films studied), of «relationship» (relationships between the different spaces and relationships between characters and space), and of «memory» («iconological» density of the landscape). In the project I also touch other important questions, coming back several times on the «poetical» dimension of Malick’s cinema and on the «space reflexivity» of his films (reflexivity and «attractional» aspect of the landscape, reflexivity of the voice-over, reflexivity of the organization and space structure of the story, iconological reflexivity). Finally, throughout the thesis I try to show that through filmmaking, and therefore through space and landscape, Malick creates a true space of thoughts that goes «beyond» his films.
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Smith, Lenore. "An exhumation : poetry of Seamus Heaney and Ted Hughes: disinterred ancient texts". Thesis, 2005. https://researchonline.jcu.edu.au/15404/1/01front.pdf.
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