Literatura científica selecionada sobre o tema "Haute-Vienne (France) – 20e siècle"
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Artigos de revistas sobre o assunto "Haute-Vienne (France) – 20e siècle"
Ros, Nathalie. "¿Compartir o repartir? Retos de delimitación marítima en el Mediterráneo oriental". Revista Estudios Jurídicos. Segunda Época, n.º 23 (25 de setembro de 2023): e7888. http://dx.doi.org/10.17561/rej.n23.7888.
Texto completo da fonteMac Con Iomaire, Máirtín. "Towards a Structured Approach to Reading Historic Cookbooks". M/C Journal 16, n.º 3 (23 de junho de 2013). http://dx.doi.org/10.5204/mcj.649.
Texto completo da fonteTeses / dissertações sobre o assunto "Haute-Vienne (France) – 20e siècle"
Tabutaud, Amandine. "Les genres à l'épreuve de la désindustrialisation : ouvrières de Seine-Saint-Denis et de Haute-Vienne (années 1950-2000)". Electronic Thesis or Diss., université Paris-Saclay, 2023. http://www.theses.fr/2023UPASK012.
Texto completo da fonteThe aim of this thesis is to examine the representations of deindustrialization through conflicts, public policies, and the experiences of women workers, based on gender.Ile-de-France and Limousin offer a new perspective to understand the process from a gender perspective, alongside the emblematic industrial basins hit by deindustrialization. By leaving the geographical areas usually studied which are characterized by their mono-industry and their male workforce, and by adopting a comparative approach, the plurality of the modes of deindustrialization is highlighted. They disrupt the industrial life of the spaces studied and clash with the lives of workers in general, and female workers in particular.Through the examination of the process of deindustrialization through female, mixed, and male factories linked to diversified sectors, both traditional and emerging in the early 1950s, a new reading grid was established. It is a complex phenomenon in its form, its temporality, its degree of visibility, the actors involved and the genre, which puts at a distance the representations generally show on the media or artistic scene of factory closures accompanied by their lot of layoffs.As a source of tension between employees, employers and intermediary bodies, deindustrialization is then systematically evoked as a sustainable economic process for some, as a temporary phenomenon for others, or even as a pretext. Thus, the use that is made of it by the actors and the ways in which it models the career paths reflect the changes of times.The thesis is interested in the effects that it has on workers' trajectories and what it creates as disorder in the professional and personal lives of these women. Feminized branches from the 1950s onwards were affected by the destruction of jobs in Seine-Saint-Denis and Haute-Vienne.If the State does not seem indifferent to the fate of women in society and at work, its position is weakened by economic degradation.The organization and sexual structuring between the industrial sectors is detrimental to them and persists during periods of unemployment. Gender inequalities are exacerbated by deindustrialization.In addition to job loss, dismissal also has repercussions on the intimate life and destabilizes workers
Clérivet, Marc. "La danse de tradition populaire dans les milieux ruraux de Haute-Bretagne : 19e-20e siècles". Rennes 2, 2010. http://www.theses.fr/2010REN20042.
Texto completo da fontePopular arts and traditions are subject to studies in some european regions, especially in Brittany. Moreover has traditional dancing in western Brittanny been the research purpose of Jean-Michel Guilcher. This area is nowadays considered as ethnochoreology’s birth-place, since the publication of his thesis “La Tradition populaire de danse en Basse-Bretagne” in 1963. However, only traditional dancing in the Breton speaking area of Brittany is depicted. Thus was the present work carried out with this state of mind in this part of Brittany. Without the same ambitions regarding to the methodological and conceptual aspects, we tried to understand the nature of the practices, contexts, and social representations in line with the traditional dance in this gallo speaking area, from diachronic and geographic points of view. The nature of the catalogs indeed appear to be very heterogeneous, depending on the areas of this region, on the social structure of the rural environments that have been carrying them for the whole 19th and the beginning of the 20th century
Madurell, François. "L'ensemble Ars nova : une contribution au pluralisme esthétique dans la musique du XXe siècle". Paris 4, 2000. http://www.theses.fr/1999PA040250.
Texto completo da fonteSaint-Jean, Dominique. "Intégration ou assimilation des immigrés italiens dans les campagnes toulousaines au vingtième siècle". Toulouse 2, 1999. http://www.theses.fr/1999TOU20102.
Texto completo da fonteVinel, Sophie. "Les ébénistes toulousains de 1890 à 1960". Toulouse 2, 2004. http://www.theses.fr/2004TOU20011.
Texto completo da fonteThe cabinet makers of Toulouse, remarkable theoreticians, such as Alet, Fauré, Soutiras or Arbus, straightened out a precarious situation by reforming the Fine Arts School and by creating the S. A. M. , a provincial society especially active, just like the S. A. D. In Paris. They advocated two successive sources of inspiration. First prevailed southern roots and the notion of the land, both connected to the concepts of modernity and originality : their inspiration had to be local, stemming from the Oc culture. But, as soon as 1925, they returned to an art that referred to neo-classicism, participating in their way in the development of the french style. If, at first, there was a school of Toulouse, recognizable by specific features, later the production merged into the traditionalistic movement. Toulouse furniture, even if it didn't benefit from the inovations of the avant-garde, deserves to be recognize for its real qualities of careful workmanship, true harmony and sober elegance
Dubois, Sébastien. "Emergence et développement de l'archéologie préhistorique en Midi Toulousain entre 19e et 20e siècle". Phd thesis, Université Toulouse le Mirail - Toulouse II, 2011. http://tel.archives-ouvertes.fr/tel-00690340.
Texto completo da fonteSeree, de Roch Ludovic. "La modernisation de la fiscalite en france (1914-1926), l'exemple du midi toulousain". Toulouse 1, 1999. http://www.theses.fr/1999TOU10033.
Texto completo da fonteUpdating a financial system is one of the most important economic, financial, and political problems a government may have to face. The law passed on july 15, 1914, laid the fundamental principle of an income tax. In spite of innumerable difficulties, w. W. I made this inevitable change possible, a change which was accepted and applied. Thus an ancient tax system which, for more than a century, had been the financial foundation of a country, was completely transformed, and the most profound fiscal reform since the revolution was implemented. New direct taxes, based on modern principles were instituted : a general income tax, scheduled taxes, a tax on war benefits. The reform also included indirect taxes imposed on transactions, luxury goods, wines and spirits, a turn-over tax, to which will be added taxes on the production of coal, fertilizers, coffee and tea, on the slaughtering of animals, on entertainments, gambling. . . Over the years, the turn-over tax, which was originally +subsidiary; to the reform, turned out to be a step at least as important as the creation of an income tax. This dissertation deals with the national and local aspects of this updating through the example of the toulouse area. These synthetic taxes are the fruit of a social and cultural determinism, linked to considerations relating to the administration, book-keeping, politics, finances, the budget and money. Economic conditions, the evolution of the role of the state, the changes in mental habits, play an essential part. The analysis ends with the poincare reforms of august 1926 which settled war-debts. While stressing the break with the past, the dissertation brings forth many examples showing that there is however a continuity between old and new taxes
Weirich, Armelle. "Berta Zuckerkandl (1864 -1945) salonnière, journaliste et critique d'art, entre Vienne et Paris (1871-1918)". Thesis, Dijon, 2014. http://www.theses.fr/2014DIJOL037.
Texto completo da fonteAt the end of the 19th and beginning of the 20th century, Berta Zuckerkandl (1864-1945), Austrian salonnière and journalist, engaged actively in artistic, cultural and political exchanges between France and the Austro-Hungarian Empire. Being on familiar terms with Georges Clemenceau gave her the opportunity to exchange ideas with artists and intellectuals in Paris, including Rodin, Carriere, Raffaelli, and Geffroy. Her salon in Vienna gathered some of the most pioneering personalities of the Wiener Moderne...- Bahr, Klimt, Wagner, Mahler...- and thus formed the centre of a vast social network within Europe. Being a spokeswoman of the Vienna Secession, Zuckerkandl established herself as one of the most active contemporary art critics. She guided artists and introduced the public into modern art by drawing on French initiatives to influence the art's development. The present study thus aims at highlighting her role in the dynamic artistic exchange between Vienna and Paris. It will first present Zuckerkandl's biography in order to draw attention to her privileged position in the exchange of the French and Austrian cultures. Secondly, it will show her impact on artistic Austrian groups and provide a detailed analysis of a corpus of selected documents dealing with modern art. It will finally discuss her interventions in favour of French artists and the reception of their works in Austria by highlighting the artistic, cultural and political aims pursued by Zuckerkandl, who was determined to preserve the Austrian culture despite the war and the collapse of the Austro-Hungarian Empire
Michalak, Thomas. "Les Assemblées parlementaires, juge pénal : analyse d’un paradigme irréalisable : (1789-1918)". Electronic Thesis or Diss., Paris 2, 2020. https://buadistant.univ-angers.fr/login?url=https://bibliotheque.lefebvre-dalloz.fr/secure/isbn/9782247218530.
Texto completo da fonteAt first glance, the title refers to the judicial activity of the Cour des pairs (1814-1848) and the Senate of the Third Republic (1875-1940). These are the most striking involvements of French legislative bodies in rendering justice. The trials of the ending Restauration ministers, and the one of Louis Malvy seem to be well known, but in reality these are only imperfectly so. In both cases, the upper house has turned away from its initial mission of legislator and supervisor of the government to transform itself, in a very incomplete way, into criminal courts. However, study only these two cases is not enough to define the mission of a parliamentary jurisdiction. The concept of Haute Cour de justice must therefore be understood in its entirety and in its history. A history which, like many others, is marked by the Revolution, which will influence the 19th and 20th centuries, and set a French prototype of political court. These Hautes Cours possess special competencies: ratione personae et ratione materiae. They judge politicians, but since the Revolution one foresees the difficulty of doing so with criminal law, which is hardly suited to the resolution of political disputes. Finally, the French Haute Cour is also a tribunal for major political crimes, namely, serious attacks on sovereignty. It is thereforce a question of recount the history of the “Tribunal supreme” in order to reveal the concept of political justice as an aporia
Dréan, Hervé. "L’environnement sonore en Haute-Bretagne (1880-1950) : l’exemple de la région de La Roche-Bernard". Thesis, Rennes 2, 2018. http://www.theses.fr/2018REN20054/document.
Texto completo da fonteAt the end of the 19th century, the sonic environment of the region of La Roche-Bernard in Upper Brittany was affected by a period of important modifications which accompanied the decline of traditional rural society. A reconstitution of this disappearing environment is necessarily complex, partial and subjective with regard to the disparity of the available resources. This study, principally based on oral interviews supplemented by archive research, rather than establishing the exact relationships between sounds, opens up reflection around a possible categorization which principally considers their perception and emission, or more precisely their functions, usage and interpretations. In addition, the resulting classification takes into account the folklore or traditional character of the sounds studied. This manner of inventory, which is non exhaustive, does however reveal, on closer inspection, the periods of change where one type of sonic environment gives place to another. Lastly, a general chronology establishes possible links between the disappearance and the evolution of the sonic environment in the traditional rural society studied