Artigos de revistas sobre o tema "Haptic music"
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Kontogeorgakopoulos, Alexandros. "Music, Art Installations and Haptic Technology". Arts 12, n.º 4 (7 de julho de 2023): 142. http://dx.doi.org/10.3390/arts12040142.
Texto completo da fonteRemache-Vinueza, Byron, Andrés Trujillo-León, Mireya Zapata, Fabián Sarmiento-Ortiz e Fernando Vidal-Verdú. "Audio-Tactile Rendering: A Review on Technology and Methods to Convey Musical Information through the Sense of Touch". Sensors 21, n.º 19 (30 de setembro de 2021): 6575. http://dx.doi.org/10.3390/s21196575.
Texto completo da fonteFrisson, Christian, e Marcelo M. Wanderley. "Challenges and Opportunities of Force Feedback in Music". Arts 12, n.º 4 (10 de julho de 2023): 147. http://dx.doi.org/10.3390/arts12040147.
Texto completo da fonteYoung, Gareth W., Néill O’Dwyer, Mauricio Flores Vargas, Rachel Mc Donnell e Aljosa Smolic. "Feel the Music!—Audience Experiences of Audio–Tactile Feedback in a Novel Virtual Reality Volumetric Music Video". Arts 12, n.º 4 (13 de julho de 2023): 156. http://dx.doi.org/10.3390/arts12040156.
Texto completo da fonteVenkatesan, Tara, e Qian Janice Wang. "Feeling Connected: The Role of Haptic Feedback in VR Concerts and the Impact of Haptic Music Players on the Music Listening Experience". Arts 12, n.º 4 (10 de julho de 2023): 148. http://dx.doi.org/10.3390/arts12040148.
Texto completo da fonteDörr, Bianka, Farzaneh Norouzinia, Kristin Altmeyer e Dirk Werth. "Haptic Technology in Digital Music Learning Context: A State-of-the-Art Analysis". European Conference on e-Learning 21, n.º 1 (21 de outubro de 2022): 87–94. http://dx.doi.org/10.34190/ecel.21.1.529.
Texto completo da fonteAsakawa, Takashi, e Noriyuki Kawarazaki. "Communication Method of Time Synchronization and Strength Using Haptic Interface". Journal of Robotics and Mechatronics 26, n.º 6 (20 de dezembro de 2014): 772–79. http://dx.doi.org/10.20965/jrm.2014.p0772.
Texto completo da fonteLu, Leon. "Learning Music Blind: Understanding the Application of Technology to Support BLV Music Learning". ACM SIGACCESS Accessibility and Computing, n.º 135 (janeiro de 2023): 1. http://dx.doi.org/10.1145/3584732.3584737.
Texto completo da fonteRebelo, Pedro. "Haptic sensation and instrumental transgression". Contemporary Music Review 25, n.º 1-2 (fevereiro de 2006): 27–35. http://dx.doi.org/10.1080/07494460600647402.
Texto completo da fontePaterson, Justin, e Marcelo M. Wanderley. "Feeling the Future—Haptic Audio: Editorial". Arts 12, n.º 4 (7 de julho de 2023): 141. http://dx.doi.org/10.3390/arts12040141.
Texto completo da fonteJärveläinen, Hanna, Stefano Papetti e Eric Larrieux. "Exploring the Effects of Additional Vibration on the Perceived Quality of an Electric Cello". Vibration 7, n.º 2 (30 de abril de 2024): 407–18. http://dx.doi.org/10.3390/vibration7020021.
Texto completo da fonteMacDonald, Calum. "Haptic indeed: recent Wolfgang Rihm CDs". Tempo 57, n.º 225 (julho de 2003): 50–54. http://dx.doi.org/10.1017/s004029820327025x.
Texto completo da fonteHayes, Lauren. "Haptic Augmentation of the Hybrid Piano". Contemporary Music Review 32, n.º 5 (outubro de 2013): 499–509. http://dx.doi.org/10.1080/07494467.2013.849877.
Texto completo da fontePala, Ferhat Kadir, e Pınar Mıhcı Türker. "Developing a haptic glove for basic piano education". World Journal on Educational Technology: Current Issues 11, n.º 1 (11 de fevereiro de 2019): 38–47. http://dx.doi.org/10.18844/wjet.v11i1.4008.
Texto completo da fonteHaynes, Alice, Jonathan Lawry, Christopher Kent e Jonathan Rossiter. "FeelMusic: Enriching Our Emotive Experience of Music through Audio-Tactile Mappings". Multimodal Technologies and Interaction 5, n.º 6 (31 de maio de 2021): 29. http://dx.doi.org/10.3390/mti5060029.
Texto completo da fonteKarpodini, Christina. "Evaluating Haptic Technology in Accessibility of Digital Audio Workstations for Visually Impaired Creatives". ACM SIGACCESS Accessibility and Computing, n.º 135 (janeiro de 2023): 1. http://dx.doi.org/10.1145/3584732.3584738.
Texto completo da fontePala, Ferhat Kadir, e Pınar Mihci Turker. "Developing a haptic glove for basic piano education". World Journal on Educational Technology: Current Issues 11, n.º 1 (6 de fevereiro de 2019): 38–47. http://dx.doi.org/10.18844/wjet.v11i1.3985.
Texto completo da fonteSatz, Aura. "Music of Its Own Accord". Leonardo Music Journal 20 (dezembro de 2010): 73–78. http://dx.doi.org/10.1162/lmj_a_00015.
Texto completo da fonteSchmücker, Vanessa, Rebekka Jakob, Rainer Brück, Tanja Eiler e Florian Grensing. "Extension of an Existing VR Memory Training with Haptic Impressions due to a Haptic Vest". Current Directions in Biomedical Engineering 9, n.º 1 (1 de setembro de 2023): 186–89. http://dx.doi.org/10.1515/cdbme-2023-1047.
Texto completo da fonteMcCormick, John, Mohammed Hossny, Michael Fielding, James Mullins, Jordan Beth Vincent, Mostafa Hossny, Kim Vincs et al. "Feels Like Dancing: Motion Capture-Driven Haptic Interface as an Added Sensory Experience for Dance Viewing". Leonardo 53, n.º 1 (fevereiro de 2020): 45–49. http://dx.doi.org/10.1162/leon_a_01689.
Texto completo da fontePeters, Deniz. "Haptic Illusions and Imagined Agency: Felt Resistances in Sonic Experience". Contemporary Music Review 32, n.º 2-03 (junho de 2013): 151–64. http://dx.doi.org/10.1080/07494467.2013.775815.
Texto completo da fonteHwang, Inwook, Hyeseon Lee e Seungmoon Choi. "Real-Time Dual-Band Haptic Music Player for Mobile Devices". IEEE Transactions on Haptics 6, n.º 3 (julho de 2013): 340–51. http://dx.doi.org/10.1109/toh.2013.7.
Texto completo da fonteHarrison, Jacob, Alex Lucas, James Cunningham, Andrew P. McPherson e Franziska Schroeder. "Exploring the Opportunities of Haptic Technology in the Practice of Visually Impaired and Blind Sound Creatives". Arts 12, n.º 4 (13 de julho de 2023): 154. http://dx.doi.org/10.3390/arts12040154.
Texto completo da fonteImschloss, Monika, e Christina Kuehnl. "Feel the Music! Exploring the Cross-modal Correspondence between Music and Haptic Perceptions of Softness". Journal of Retailing 95, n.º 4 (dezembro de 2019): 158–69. http://dx.doi.org/10.1016/j.jretai.2019.10.004.
Texto completo da fonteGoldray, Martin, Joji Yuasa e Toshi Ichiyanagi. "Cosmos Haptic II-Transfiguration-; For Piano". Notes 47, n.º 1 (setembro de 1990): 225. http://dx.doi.org/10.2307/940567.
Texto completo da fonteTurchet, Luca, e Mathieu Barthet. "Co-Design of Musical Haptic Wearables for Electronic Music Performer's Communication". IEEE Transactions on Human-Machine Systems 49, n.º 2 (abril de 2019): 183–93. http://dx.doi.org/10.1109/thms.2018.2885408.
Texto completo da fonteRochester, Katherine. "Visual Music and Kinetic Ornaments". Feminist Media Histories 7, n.º 1 (1 de janeiro de 2021): 115–46. http://dx.doi.org/10.1525/fmh.2021.7.1.115.
Texto completo da fonteBerdahl, Edgar, e Alexandros Kontogeorgakopoulos. "The FireFader: Simple, Open-Source, and Reconfigurable Haptic Force Feedback for Musicians". Computer Music Journal 37, n.º 1 (março de 2013): 23–34. http://dx.doi.org/10.1162/comj_a_00166.
Texto completo da fonteOnofrei, Marius George, Federico Fontana e Stefania Serafin. "Perceptual Relevance of Haptic Feedback during Virtual Plucking, Bowing and Rubbing of Physically-Based Musical Resonators". Arts 12, n.º 4 (7 de julho de 2023): 144. http://dx.doi.org/10.3390/arts12040144.
Texto completo da fonteFrid, Emma. "Accessible Digital Musical Instruments—A Review of Musical Interfaces in Inclusive Music Practice". Multimodal Technologies and Interaction 3, n.º 3 (26 de julho de 2019): 57. http://dx.doi.org/10.3390/mti3030057.
Texto completo da fonteHwang, Inwook, Hyeseon Lee e Seungmoon Choi. "Erratum to "Real-time dual-band haptic music player for mobile devices"". IEEE Transactions on Haptics 7, n.º 3 (1 de julho de 2014): 411. http://dx.doi.org/10.1109/toh.2014.2355694.
Texto completo da fonteHe, Yan, George Chernyshov, Jiawen Han, Dingding Zheng, Ragnar Thomsen, Danny Hynds, Muyu Liu et al. "Frisson Waves". Proceedings of the ACM on Interactive, Mobile, Wearable and Ubiquitous Technologies 6, n.º 3 (6 de setembro de 2022): 1–23. http://dx.doi.org/10.1145/3550324.
Texto completo da fonteBlewett, Devon John, e David Gerhard. "Brass Haptics: Comparing Virtual and Physical Trumpets in Extended Realities". Arts 12, n.º 4 (10 de julho de 2023): 145. http://dx.doi.org/10.3390/arts12040145.
Texto completo da fonteAker, Scott C., Hamish Innes-Brown, Kathleen F. Faulkner, Marianna Vatti e Jeremy Marozeau. "Effect of audio-tactile congruence on vibrotactile music enhancement". Journal of the Acoustical Society of America 152, n.º 6 (dezembro de 2022): 3396–409. http://dx.doi.org/10.1121/10.0016444.
Texto completo da fonteTUNBRIDGE, LAURA. "Scarlett Johansson's Body and the Materialization of Voice". Twentieth-Century Music 13, n.º 1 (março de 2016): 139–52. http://dx.doi.org/10.1017/s1478572215000201.
Texto completo da fonteLim, Taehyeong, Sungwoong Lee e Fengfeng Ke. "Integrating Music into Math in a Virtual Reality Game". International Journal of Game-Based Learning 7, n.º 1 (janeiro de 2017): 57–73. http://dx.doi.org/10.4018/ijgbl.2017010104.
Texto completo da fonteMazzoni, Antonella, e Nick Bryan-Kinns. "Mood Glove: A haptic wearable prototype system to enhance mood music in film". Entertainment Computing 17 (novembro de 2016): 9–17. http://dx.doi.org/10.1016/j.entcom.2016.06.002.
Texto completo da fonteAker, Scott C., Kathleen F. Faulkner, Hamish Innes-Brown, Marianna Vatti e Jeremy Marozeau. "Some, but not all, cochlear implant users prefer music stimuli with congruent haptic stimulation". Journal of the Acoustical Society of America 155, n.º 5 (1 de maio de 2024): 3101–17. http://dx.doi.org/10.1121/10.0025854.
Texto completo da fonteWexler, David, Joanne Yip, Ka-Po Lee, Xiaolu Li e Yiu-Hong Wong. "A Touch on Musical Innovation: Exploring Wearables and Their Impact on New Interfaces for Musical Expression". Sensors 24, n.º 1 (31 de dezembro de 2023): 250. http://dx.doi.org/10.3390/s24010250.
Texto completo da fonteMihelj, Matjaž, Domen Novak, Maja Milavec, Jaka Ziherl, Andrej Olenšek e Marko Munih. "Virtual Rehabilitation Environment Using Principles of Intrinsic Motivation and Game Design". Presence: Teleoperators and Virtual Environments 21, n.º 1 (fevereiro de 2012): 1–15. http://dx.doi.org/10.1162/pres_a_00078.
Texto completo da fonteKawarazaki, Noriyuki, Yuhei Kaneishi, Nobuyuki Saito e Takashi Asakawa. "A Supporting System of Choral Singing for Visually Impaired Persons Using Depth Image Sensor". Journal of Robotics and Mechatronics 26, n.º 6 (20 de dezembro de 2014): 735–42. http://dx.doi.org/10.20965/jrm.2014.p0735.
Texto completo da fonteBalandra, Alfonso, Hironori Mitake, Takako Yoshida e Shoichi Hasegawa. "Selective listening attention enhancement, using a simultaneous visual and haptic stimuli". Journal of New Music Research 48, n.º 3 (março de 2019): 294–308. http://dx.doi.org/10.1080/09298215.2019.1575424.
Texto completo da fontePasiecznik, Monika. "Nowa Muzyka i przyjemność w serii utworów audiowizualnych ASMR Neo Hülckera". Res Facta Nova. Teksty o muzyce współczesnej, n.º 21 (30) (15 de dezembro de 2020): 69–77. http://dx.doi.org/10.14746/rfn.2020.21.5.
Texto completo da fonteKINOSHITA, Kaoru, Hisashi TASAKA e Takashi ASAKAWA. "Information Presentation Method of 4-Beat using Haptic Stimulation Music Performance Support for Visually Impaired Person". Proceedings of JSME annual Conference on Robotics and Mechatronics (Robomec) 2018 (2018): 1A1—G08. http://dx.doi.org/10.1299/jsmermd.2018.1a1-g08.
Texto completo da fonteNichols, Charles. "The vBow: a virtual violin bow controller for mapping gesture to synthesis with haptic feedback". Organised Sound 7, n.º 2 (agosto de 2002): 215–20. http://dx.doi.org/10.1017/s135577180200211x.
Texto completo da fonteNIEDUZIAK, EDYTA. "Towards a radical life. The social and aesthetic themes in Helen Keller’s activity in defence of humanity". Interdyscyplinarne Konteksty Pedagogiki Specjalnej, n.º 25 (15 de junho de 2019): 229–54. http://dx.doi.org/10.14746/ikps.2019.25.10.
Texto completo da fonteBerdahl, Edgar, Gunter Niemeyer e Julius O. Smith. "Haptic interaction for music with unrestricted freedom of the musician’s motion: Promoting augmented interaction with physical tools." Journal of the Acoustical Society of America 127, n.º 3 (março de 2010): 1733. http://dx.doi.org/10.1121/1.3383460.
Texto completo da fonteHayes, Lauren, e Christos Michalakos. "Imposing a Networked Vibrotactile Communication System for Improvisational Suggestion". Organised Sound 17, n.º 1 (14 de fevereiro de 2012): 36–44. http://dx.doi.org/10.1017/s1355771811000495.
Texto completo da fonteCasini, Silvia. "Sensing Nanotechnologies through the Arts: Seeing and Making on the Surface of Things". Leonardo 47, n.º 1 (fevereiro de 2014): 36–42. http://dx.doi.org/10.1162/leon_a_00699.
Texto completo da fonteKaptan Siray, Basak. "Concrete Abstract: Exploring Tactility in Abstract Animations from Early Avant-garde Films to Contemporary Artworks". International Journal of Film and Media Arts 6, n.º 2 (17 de dezembro de 2021): 28–41. http://dx.doi.org/10.24140/ijfma.v6.n2.02.
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