Literatura científica selecionada sobre o tema "Gypsies, fiction"
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Artigos de revistas sobre o assunto "Gypsies, fiction"
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Fomin, Eduard Valentinovich, e Lilia Vladimirovna Illarionova. "The image of gypsies in the Chuvash linguistic culture". Ethnic Culture 5, n.º 1 (28 de março de 2023): 60–64. http://dx.doi.org/10.31483/r-105642.
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The work is devoted to the analysis of the image of gypsies in the Chuvash linguistic culture. In the message, linguoculture is understood as a phenomenon that summarizes all manifestations of culture reflected through language. The study is based on the Chuvash linguistic material, folklore and literary texts, as well as other information related to the gypsies. The study is based on a scientific analysis of the Chuvash speech products marked by the mention of gypsies and is generally retrospective in nature. Nevertheless, the conclusions are still relevant in today’s realities. Gypsies in Chuvashia are a newly-minted ethnic group, to a small extent introduced into its social reality and closed from the outside world. They are not included in the circle of peoples who are in close contact with the Chuvashs, however, they are often mentioned in folklore texts from the positions of ethnocentrism, most of which determine their negative perception. At the same time, the image of gypsies is reflected in Chuvash fiction, and here they are mainly described as positive characters, objectively requiring empathy, if only because they are part of the central characters. Chuvash ideas about gypsies largely correlate with their perception by Russians.
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Khan, Mir hazar. "گل بنگلزئی نا افسانہ غاتا کتاب، دڑد آتا گواچی؛ نا جاچ اس". Al-Burz 13, n.º 1 (23 de dezembro de 2021): 36–44. http://dx.doi.org/10.54781/abz.v13i1.271.
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When the industrial revolution and progressive tendencies in the nineteenth century influenced every sphere of life, literature could also not escape such trends. At that time, fiction (short story) was introduced as a new genre in literary world and soon it managed to generate a distinction. Like the other languages of the world, fiction writers of Brahui literature also effectively adopted this genre. Among the pioneer Brahui fiction writers, the name of Gul Bangulzai is also well known who initiated the fiction writing. The effects of the progressive literary movement can be seen in his fiction writings. Gul Bangulzai in his book of fiction, Darhd ata Guachi, centralized the topic on the problems of ordinary individuals and lower class of the region. The book was first published in 1984, thus, standing the second book in Brahui literature after Dr. Taj Raisani's book, Anjeer na Phul. In, Darhd ata Guachi, Gul Bangulzai mainly reflected the problems of village life in a unique manner. Gul Bangulzai skillfully identified the problems of farmers, laborers, women, shepherds, and gypsies. Additionally, the themes also include poverty, starvation, the hardships of weather, cruelties of higher class, the culture and traditions of people of Baluchistan, and their mentality. The fiction also depicted the stunning natural landscapes of this region. In the fictions of Gul Bangulzai frustration, deprivation, helplessness, cruelties, and poverty are observable. However, ultimately, the message it conveys that after the dark night there is a dawn of new morning and hope which is another distinguished beauty of the fictions of Gul Bangulzai, bestows him a unique status in Brahui literature wherein most fictions revolves around the complications of village life.
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Corporaal, Marguérite, e Tom Sintobin. "‘GEMEEN VOLK’". De Moderne Tijd 3, n.º 3 (1 de janeiro de 2019): 249–85. http://dx.doi.org/10.5117/dmt2019.3.005.sint.
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‘COMMON PEOPLE’ Gypsies in European regional fiction Regional fiction is a genre in which the tension between local and national cultures tends to play an important role. This article explores the representation of a category of characters that seems to escape that binary opposition: gipsies. More specifically, it analyzes six case studies from regional literature produced in Ireland and the Low Countries to find out whether we can speak of a transnational trope. Although the representation of gipsies in the case studies are different in several respects, there are also striking similarities. The most important one is that the gipsies are not just mere outsiders posing a threat to the regional community. Rather, paradoxically, they constitute a model for that local community regarding the preservation and regeneration of its own cultural values.
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Basu, Manisha. "Thick as Thieves: Mothers, Gypsies, & Criminals in Enola Holmes’ Victorian England". Victoriographies 14, n.º 1 (março de 2024): 1–19. http://dx.doi.org/10.3366/vic.2024.0515.
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In her 2006 Young Adult novel, The Case of the Missing Marquess, Nancy Springer narrativises Enola Holmes as Sherlock Holmes’ intrepid and extraordinarily intelligent sister, a young woman with the ability to challenge even that great detective's iconic deductive abilities. I suggest that this overtly feminist impulse in rewriting the Victorian world of Conan Doyle is supplemented in Springer's novel with a nod toward the politics of intersectionality which attends to the ways in which gendered, class-based, and racialised identities become relational in an axiomatics of capitalist-colonialism. Particularly in conversation with Conan Doyle's 1892 short story, ‘The Adventure of the Speckled Band’, Springer's narrative takes a meta-critical neo-Victorian stance in encouraging its young audience to do three important things: first, mine the subtext of Conan Doyle's detective fiction for the broad anxieties it points to in imperial Victorian culture; second, probe the conditions of colonial commerce under which identities based in gender, race, and class differentials intersect with one another; and third, ask how to develop a decolonial praxis that in exposing such intersections, can avoid isolationist critical proclivities, and embrace instead a transnational and comparative sensibility of reading that is alive to at once specific and interrelated disempowerments.
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Prylipko, Iryna. "Image of the Other in O. Honchar’s Fictional and Journalistic Discourse". Академічний журнал "Слово і Час", n.º 1 (20 de janeiro de 2019): 38–51. http://dx.doi.org/10.33608/0236-1477.2019.01.38-51.
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The paper deals with the representation of other nations in fiction and journalism by O. Honchar. The specificity of reception and representation of the ethnic characters and other-culture realities is considered in the context of the paradigms “Me – Other”, “Own – Alien”. The paper surveys creative transformation of O. Honchar’s impressions from his trips in different countries, resulted in literary embodiment of perceptive peculiarities noticed by the writer in Hungarians, Slovaks, Czechs, Japanese, Chinese, Indians, Portuguese, Americans, Germans, Gypsies and others. The representation of the Other’s ethnic mentality in fiction and journalistic publications by O. Honchar helps in understanding the range of the writer’s literary paradigms, reveals his ideological and creative accents and contributes to considering the author as a writer of European tradition. Different imagological aspects in the texts by O. Honchar were interpreted using the markers of ethnic identification: mental values, history, culture, science, economy, nature. In the context of the war theme O. Honchar depicted ethnic peculiarities of Hungarians (“Spring behind Morava”, “Foothold”) and Slovaks (“Modry Stone”). The other-culture realities in Czechoslovakia, China, Japan, and America were described in the genres of essay and sketch. In essays “On the Land of Camões” and “The Shore of His Childhood” the reception of the Other is given in the characters of glorious writers representing their nations. Based on the analysis of text it may be stated that fictional and journalistic discourse of O. Honchar has such special features as distinctive author’s voice, stereotype-free reception and interpretation of the ethnic images and other-culture realities, destructed opposition in representation of the paradigms “Me – Other”, “Own – Alien”, emphasis on the main human values.
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Schneeweis, Adina, e Katherine A. Foss. "“Gypsies, Tramps & Thieves”: Examining Representations of Roma Culture in 70 Years of American Television". Journalism & Mass Communication Quarterly 94, n.º 4 (9 de janeiro de 2017): 1146–71. http://dx.doi.org/10.1177/1077699016682723.
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Most Americans know little about the “Gypsies,” or Roma, other than what they learn in the media. Although research shows that media have perpetuated stereotypes, there is thin anthological attention to the representation of Gypsies in American media. This study examines portrayals of Gypsies in fictional and reality television programs 1953-2014, and reveals that American television has reinforced stereotypes, suggesting that Gypsies are consistently different, a closed ethnic community resistant to change. More recent representations convey that Gypsies may be misunderstood due to their cultural history, yet this considerably less visible depiction emerges as a mere nod toward tolerance.
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Hutchings, Stephen C. "The gypsy as vanishing mediator in Russian television coverage of interethnic tension". Nationalities Papers 41, n.º 6 (novembro de 2013): 1083–99. http://dx.doi.org/10.1080/00905992.2013.801417.
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The article addresses the representation of gypsies in Russian television news bulletins and popular drama series over a 15-month period. It seeks first to explain the prominence of the media image of the gypsy relative to the size of the Roma population and second to account for the relationship between fictional and non-fictional modes of representation. Situating itself within the broader field of post-Soviet Russian identity studies and applying qualitative tools differentiated according to the arena of analysis, it looks at questions of lexicon, voice and viewpoint in relation to news and issues of characterization, fictional space and plot with respect to drama. The two apparatuses are linked through a shared emphasis on narrative, and in particular on its dual orientation toward the exceptional (what makes a story worth telling and capable of embracing “difference”) and the typical (what enables it to represent and project “identity”). In its central argument it maps this dual “identity/difference” dynamic onto the gypsy's liminal status as both “of the self” and “of the other”, and its mediatory function: the ability to serve as a proxy for ethno-cultural difference more generally, and to negotiate the tensions between the cultural and racial aspects of ethnicity.
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Bidaud, Samuel. "Some Reflexions on Jan Čep’s Short Stories in Exile". Literatūra 63, n.º 4 (30 de dezembro de 2021): 8–24. http://dx.doi.org/10.15388/litera.2021.4.1.
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This article focuses on the six short stories that the Czech writer Jan Čep wrote during his exile in France, when he fled the new Czechoslovak communist regime after 1948. These texts are as follows: Les Tziganes [The Gypsies], which was written in French and published in the journal Terre humaine in 1952, Tajemství Kláry Bendové [The Secret of Klára Benda], Před zavřenými dveřmi [In Front of the Closed Door], Ostrov Ré [Ré Island], Květnové dni [Days of May], and Tři pocestní [Three Pilgrims]. These short stories are interesting for several reasons. First of all, they present a changing point in Čep’s themes, for they take place during the more recent events – the Second World War and the arrival to power of the communist regime, – and evoke a humanity who has been destroyed. The existential drama of the individual, which had previously been predominant in Čep’s work, is now extended to the entire human community. Fear has separated people from each other, and every genuine personal relation has become impossible. What’s more, language is incapable of bringing together human beings. True communication implies a form of silence, in which God can speak to the heart of man, and where the possibility of communion with the others still exists. At the same time, Čep’s characters have to face this recent history, which obliges them to make a choice, in particular as far as exile is concerned. As a consequence, a new form of anguish appears, and is superimposed on Čep’s original one. It gives rise to a feeling of guilt over those who stayed in Czechoslovakia, especially his mother, but also confronts Čep with the inability to write, since he doesn’t manage to find a publisher in France and can no longer write in Czech. As a “pilgrim on the earth”, he endures his suffering and the suffering of the world united to Christ, in communion with Him. Eventually, these later short stories represent a transition for Čep, and reveal that he accepts, as painful as this decision can be, to abandon fiction and to engage in the genre of essay, above all for Radio Free Europe. He will thus manage to give hope to people who suffer behind the Iron Curtain in Czechoslovakia, while expressing his intimate concerns in a very personal way.
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Borenstein, Eliot. "Our Borats, Our Selves: Yokels and Cosmopolitans on the Global Stage". Slavic Review 67, n.º 1 (2008): 1–7. http://dx.doi.org/10.2307/27652762.
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The comic figure of the yokel has undergone a resurgence in the past decade, culminating in Sacha Baron-Cohen's Borat. The yokel, whose predictable humor is based on his aggressive backwardness and persistent malapropisms, draws attention to the “foreignness” with which multiculturalism is uncomfortable, while also highlighting the economic and cultural dislocation of globalization. Cohen builds on the longstanding stereotypes about Jews and Gypsies (Roma), creating a persona who resembles the “vermin” of Nazi propaganda and manages to elicit racist responses from his unwitting audience. Borat functions within a fictional framework of racism and ethnic hostility, bringing to light barely concealed discomforts about border-crossings, cosmopolitanism, and global cultures.
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Mochi Sismondi, Andrea. "Theatrical language, narrative techniques and anti-anti-Gypsyism". Anuac 6, n.º 1 (17 de julho de 2017): 187–208. http://dx.doi.org/10.7340/anuac2239-625x-2931.
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With this article based on his fieldwork in Šuto Orizari, a Municipality in the suburbs of Skopje (Macedonia), the author analyses how theatrical language and narrative techniques can be used to oppose the strengthening of anti-gypsism in public opinion. Šuto Orizari is the only Municipality in the world where romanés is used as an official language, and the Mayor and the majority of the members of the assembly of the municipality come from the Roma community, thus enjoying a degree of effective self-government. Andrea Mochi Sismondi and Fiorenza Menni lived there for two years trying to understand the different visions of the world originating among Roma, while collecting dramaturgical materials later used in the production of two theatrical performances, a book and several public events where Roma and Gadžé can exchange their points of view on fundamental issues concerning political philosophy. Freedom, equality, the legitimate aspiration to a better life, freedom of movement: all values modern constitutions are based on, and on which the two artists focused their long interviews and conversations with Šuto Orizari citizens and Roma colleagues. The work has been presented all over Italy and its results reveal how literary non-fiction and performing arts can be successfully used to show the weakness of the arguments alleging the cultural distance that would make the dialogue between Roma and Gadžé impossible.
Livros sobre o assunto "Gypsies, fiction"
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Charles, Wilson Robert. Gypsies. New York: Doubleday, 1989.
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Murray, Annie. Water gypsies. London: Macmillan, 2004.
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Frankel, Kristine Lombardi. The gypsies. Columbus, Ohio (4343 Equity Dr., Columbus 43228): Newfield Publications, 1997.
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ill, Kelly Laura, ed. The gypsies' tale. New York: Simon & Schuster Books for Young Readers, 1994.
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Silverberg, Robert. Star of Gypsies. New York: D.I. Fine, 1986.
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Smith, Noble Mason. Stolen from gypsies. Ashland, Or: RiverWood Books, 2003.
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Silverberg, Robert. Star of Gypsies. Amherst, N.Y: Pyr, 2005.
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ill, Hockerman Dennis, ed. The gypsies' secret. Chicago, Ill: Moody Press, 1992.
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Bemelmans, Ludwig. Madeline and the gypsies. New York: Puffin Books, 2000.
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Bemelmans, Ludwig. Madeline and the gypsies. London: André Deutsch Children's Books, 1996.
Encontre o texto completo da fonteCapítulos de livros sobre o assunto "Gypsies, fiction"
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Arnds, Peter. "Gypsies and Jews as Wolves in Realist Fiction". In Lycanthropy in German Literature, 69–96. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137541635_5.
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Rosenmeier, Christopher. "Boundaries of the Real in Xu Xu’s Fiction". In On the Margins of Modernism. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9780748696369.003.0004.
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This chapter focuses on Xu Xu’s fiction from the 1930s and 40s, providing analyses of his main short stories and novels from this period, demonstrating how Xu’s work transitioned from modernist experimentation to popular romances after his return from studies in France. Xu’s bestselling short stories and novels were often set abroad and featured exotic, otherworldly characters, such as ghosts, spies, pirates and gypsies. In many of these works, the cosmopolitan, rational and educated male protagonist encounters a mysterious, elusive, otherworldly woman. Eventually, the truth is revealed and the mysteries are uncovered, vindicating the modern outlook of the male narrator. With their references to traditional literature, abnormal psychology and sexual desire, such works frequently echo Shi Zhecun and Mu Shiying’s writings from a decade earlier, yet Xu’s writings are mainly escapist entertainment rather than an attack on rational modernity or the status of art in society.
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McDonagh, Josephine. "Walter Scott’s Long-Distance Fiction". In Literature in a Time of Migration, 39–69. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192895752.003.0002.
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Innovations in novelistic form that appear at the end of the Napoleonic Wars do so in the context of a national discussion about colonial emigration, and an uprooting and dispersing of British people on a profound scale, that provoked a reimagining of global space. Poverty, unemployment, and security, both domestically and in the colonies, were concerns about which emigration was proposed as a possible solution. This helps to explain two influential formal innovations made by Walter Scott in Guy Mannering (1815). The first is the invention of a new geographical imaginary. The novel is distinctive for its international backstory that takes place in India outside the main temporal and geographical frames of the novel, as well as a mode of calibrating distance in relation to details of size and scale, and through manipulating levels of readerly attention. The second innovation is its eccentric character, the gypsy, Meg Merrilies, who specifically derives from these spatial concerns. Her character is especially topical as it draws on contemporary beliefs about gypsies, a displaced people thought to have originated in India, but who are also identified with Scottish peasants displaced during the Highland Clearances, and other indigenous displaced people. Through the character of Meg, the novel examines contemporary questions about property, place, and belonging, as well as race and indigeneity. Meg’s persistence in print culture through the next several decades, reimagined in theatrical renditions, poems, print commodities, and travel writings, turns her into a celebrity character, and constituent element of a migratory British culture.
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Yazell, Bryan. "Steinbeck’s Migrants: Families on the Move and the Politics of Resource Management". In The American Vagrant in Literature, 123–50. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399506717.003.0005.
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This chapter offers new insight into John Steinbeck’s The Grapes of Wrath (1939), one of the most familiar depictions of migration in American literature. Steinbeck decries the institutions that prevent certain members of the population from fruitful labour in both his famous novel and The Harvest Gypsies (1936), its non-fiction predecessor. Like the tramp writers of the past, he tries to rehabilitate vagrants by stressing their close relation to mainstream values; unlike his predecessors, their whiteness is critical in this appeal. For Steinbeck, the model of the itinerant family, as opposed to the singular tramp, promises to transform the country so long as the federal government can provide the resources that facilitate their movement to where their labours (and cultural values) are most in need. As a result, this chapter claims, Steinbeck’s explicit push for greater governance of cultural, economic and demographic modes of production amplifies the more latent interest in social policy embedded in earlier vagrancy sources.