Bibliografias temáticas / Guillaume Van Der Graft

Literatura científica selecionada sobre o tema "Guillaume Van Der Graft"

Autor: Grafiati

Publicado: 26 de julho de 2024

Última modificação: 27 de julho de 2024

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Artigos de revistas sobre o assunto "Guillaume Van Der Graft"

Werkman, H. "‘Boer van het alfabet’: Guillaume van der Graft". Literator 15, n.º 1 (2 de maio de 1994): 159–74. http://dx.doi.org/10.4102/lit.v15i1.657.

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Werkman, H. "Christelijke literatuur in Nederland aan het einde van de 20e eeuw". Literator 17, n.º 1 (30 de abril de 1996): 5–26. http://dx.doi.org/10.4102/lit.v17i1.570.

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Christian literature in the Netherlands at the end of the 20th century Christian literature implicitly or explicitly incorporates the idea of hope in Christ. Literature has an inherent ethical element and this element can also bear a Christian character. Following upon the ergocentric literary approach of the sixties more room has recently been given to “moralizing the literary domain as a corrective of the aestheticising of literature” (J.J.A. Mooij). Despite this trend Christian literature has not flourished in secularized Dutch society. Internally, Christian literature is endangered by Christian readers expecting a one-dimensional message; externally Christian literature as such is not recognized sufficiently by literary critics having no ties with or knowledge of Christianity. The existence of Christian literature in the Netherlands is, however, evident at the end of the 20th century. Although narrative prose inspired by the Christian message has not produced remarkably many novels, the novels of Mance ter Andere have definitely attracted attention. Christian poetry, however, is flourishing (Inge Lievaart, Guillaume van der Graft, Koos Geerds). In this essay it is contended that Christian literary critics have the advantage of being able to interpret and fathom biblical elements in literature, thus adding an ethical dimension to the evaluation of literature.

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De Win, Thierry. "Guillaume Ancel. “Rwanda, het einde van de stilte getuigenis van een frans officier”". Témoigner. Entre histoire et mémoire, n.º 128 (2 de abril de 2019): 172–75. http://dx.doi.org/10.4000/temoigner.8440.

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Klijn, Annemieke. "Sjeng Tans: martelaar, held, heilige?" Studies over de sociaaleconomische geschiedenis van Limburg/Jaarboek van het Sociaal Historisch Centrum voor Limburg 42 (12 de janeiro de 2023): 91–104. http://dx.doi.org/10.58484/ssegl.v42i12582.

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De katholieke doorbraaksocialist Sjeng, voluit Jean Guillaume Hubert, Tans (1912-1993) was één van de belangrijkste exponenten van de doorbraak, het principiële uitgangspunt van de PvdA. Tegen het einde van zijn "aardse loopbaan" bekeek Tans zijn "zorgvuldig afgesloten prijzenkast": ridder in de orde van de Nederlandse Leeuw, erepenning in goud van de gemeente Maastricht en nog één van de provincie Limburg, de dr. Tans-penning, de dr. Tans-leerstoel en een eredoctoraat van de Rijksuniversiteit Limburg. Vooral de verheffing "tot de eer van het Maastrichtse altaar" deed hem goed, ook al besefte hij dat zelfs een "heilige maar een mens blijkt te zijn". Op 25 februari 1993 overleed Tans in zijn geboorteplaats Maastricht.

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Salát, Gergely. "Új válságok felé : Recenzió Guillaume Pitron: Ritkafémek háborúja. A tiszta energia és a digitális technológiák sötét oldala (Pallas Athéné Könyvkiadó Kft., Budapest, 2023, 288 oldal) című könyvéről". Külgazdaság 67, n.º 9-10 (2023): 80–86. http://dx.doi.org/10.47630/kulg.2023.67.9-10.80.

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A ritkafémeket és az azok egy alcsoportját képező ritkaföldfémeket sokan a jövő olajának nevezik, mivel a következő évek gazdaságának alapjait jelentő eszközökben nélkülözhetetlenek. Különösen a digitális és a zöldátálláshoz van szükség ezekre a különleges anyagokra. A ritka(föld)fémekkel kapcsolatban azonban van két probléma: egyrészt kitermelésük rendkívül környezetszennyező, másrészt néhány ország, elsősorban Kína, monopolizálta az előállításukat. Ez jelentős zavarokhoz, konfliktusokhoz, akár háborúkhoz vezethet. Guillaume Pitron francia újságíró-dokumentumfilmes meglehetősen aggasztó jövőt felfestő könyve a ritka(föld)fémekkel kapcsolatos veszélyeket járja körül.

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Letsch, M. T., A. Besselaar, H. L. de Boer e M. M. Hoogbergen. "Interpositie van dermis graft bij de behandeling van distale tibiofibulaire synostose". Nederlands Tijdschrift voor Traumachirurgie 23, n.º 6 (dezembro de 2015): 128–31. http://dx.doi.org/10.1007/s12506-015-0034-9.

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David, Anne-Lise. "Velasquez, l’illustre inconnu (1599-1660)". Études juillet-août, n.º 7 (23 de junho de 2015): 79–88. http://dx.doi.org/10.3917/etu.4218.0079.

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Peintre du siècle d’or espagnol par excellence, exact contemporain de Van Dyck, Rubens ou Zurbaran, Diego Rodriguez de Silva y Velasquez aura pourtant attendu longtemps sa première exposition monographique en France. Sous l’impulsion de Guillaume Kientz, la RMN 1 propose enfin au public un riche panorama de l’œuvre complexe de celui qui devint le peintre attitré de Philippe IV dès 1623 et qui fascina tant Manet, Picasso ou Francis Bacon.

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Wils, Lode. "Signalement van: Tweemaal de Guldensporenslag: Consciences “Leeuw van Vlaanderen” (1838) in het licht van Henri-Guillaume Mokes “Philippine de Flandre” (1830) / Karel Wauters". WT. Tijdschrift over de geschiedenis van de Vlaamse beweging 59, n.º 3 (1 de janeiro de 2000): 190. http://dx.doi.org/10.21825/wt.v59i3.12948.

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Wolfe, Stephen. "Christian Political Action in an Age of Revolution, written by Guillaume Groen van Prinsterer". Philosophia Reformata 81, n.º 2 (4 de outubro de 2016): 193–96. http://dx.doi.org/10.1163/23528230-08102005.

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Fábián, Apolka. "Analytical Aspects in Missa de Beata Virgine by Josquin des Prez". Studia Universitatis Babeş-Bolyai Musica 68, Sp.Iss. 2 (10 de agosto de 2023): 255–74. http://dx.doi.org/10.24193/subbmusica.2023.spiss2.16.

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"Josquin des Prez has composed at least 20 masses. This article focuses on the presentation and analysis of compositional techniques in Missa de Beata Virgine used by Josquin des Prez. He used different techniques from the XVI. century: paraphrased cantus firmus melody, tropus, imitative and polyphonic techniques. His early style testifies to the influence of Guillaume Dufay and Jan van Ockeghem. Following his Italian experience he mastered the homophonic compositional technique, which strengthened the text-music relationship in his works. Keyword: Renaissance music, Josquin des Prez, mass, church music, cantus firmus "

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Teses / dissertações sobre o assunto "Guillaume Van Der Graft"

Pfirrmann, Maria. "Freie Poesie und gottesdienstliche Lieder : zum Verhältnis von Bibel, Liturgie und Dichtung im frühen Werk von Willem Barnard (Guillaume van der Graft) /". Göttingen : Vandenhoeck & Ruprecht, 2001. http://catalogue.bnf.fr/ark:/12148/cb390889836.

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Vliet, W. G. F. van. "Groen van Prinsterers historische benadering van de politiek /". Hilversum : Verloren, 2008. http://catalogue.bnf.fr/ark:/12148/cb413383742.

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Biesheuvel, Ingrid. "Die pelgrimage vander menscheliker creaturen : een studie naar overlevering en vertaal- en bewerkingstechniek van de Middelnederlandse vertalingen van de Pèlerinage de vie humaine (1330-1331) van Guillaume de Digulleville met een kritische editie van handschrift Utrecht, Museum Catharijneconvent BMH 93 /". Hilversum : Verloren, 2005. http://catalogue.bnf.fr/ark:/12148/cb401151110.

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Bostoen, Karel Johan Stephan. "Dichterschap en koopmanschap in de zestiende eeuw : omtrent de dichters Guillaume de Poetou en Jan vander Noot /". Deventer : Uitg. Sub Rosa, 1987. http://catalogue.bnf.fr/ark:/12148/cb34941123g.

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van, Buren Simon Hendrik [Verfasser], Wolfgang [Akademischer Betreuer] Polifke, Wolfgang [Gutachter] Polifke e Guillaume [Gutachter] Penelet. "Acoustic and Thermal Characterization of Quarter-Wave Resonators / Simon Hendrik van Buren ; Gutachter: Wolfgang Polifke, Guillaume Penelet ; Betreuer: Wolfgang Polifke". München : Universitätsbibliothek der TU München, 2021. http://nbn-resolving.de/urn:nbn:de:bvb:91-diss-20210629-1597610-1-7.

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Noteboom, Emilie Jeannette. "Critical analysis of Guillaume Groen van Prinsterer's Christian-historical principle, with a comparative critical analysis of his argument of 'history' with that of Edmund Burke's as used in their critique of the French Revolution". Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:6233d0bf-9fd2-4c4a-ad1c-9becb5cd514c.

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This thesis provides an analytical interpretation of the critique Dutch nineteenth-century statesman-cum-historian Guillaume Groen van Prinsterer (1801-1876) articulated of French revolutionary ideology. It achieves an original reading of Groen's thought as Protestant right-order theory. This reading achieves a clarification of the functions that Scripture, 'nature', and 'history' have in his thought, and connects his thinking to that of a small group of contemporary British-based political theologians, notably Oliver and Joan Lockwood O'Donovan, and their minority view on the ontological grounding of justice. Our comparison of Groen's argument of 'history' with that of Edmund Burke achieves original critical leverage on their concepts of 'history', and draws out that Burke's critique of the Revolution purposes to re-affirm English common law, while Groen's is an apologia for Christianity.

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Goldman, Noémie. "Un Monde pour les XX: Octave Maus et le groupe des XX :analyse d'un cercle artistique dans une perspective sociale, économique et politique". Doctoral thesis, Universite Libre de Bruxelles, 2012. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209691.

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Notre thèse se concentre sur la question des mécanismes de restructuration du système du monde de l’art à Bruxelles à la fin du XIXe siècle. Nous cherchons à démontrer comment une nouvelle scène artistique construite autour du cercle des XX à Bruxelles, dont l’épanouissement sera pris en charge par l’animateur d’art Octave Maus, produit un art qui est influencé par les enjeux sociaux et politiques portés par un milieu défini de manière sociale, culturelle et générationnelle.

Nous avons ainsi voulu replacer le groupe des XX dans son contexte économique, politique et social. La diversification des approches et des sources était donc un aspect essentiel de nos recherches. Plusieurs voies d’approche ont été empruntées, telles que l’histoire culturelle, la sociologie de l’art, l’histoire du marché de l’art, l’analyse politique ainsi que l’étude de la visual culture.

Dans un premier temps, nous analysons l’émergence de la nouvelle scène artistique construite autour du groupe des XX. Nous débutons par une analyse plus monographique du parcours de Maus afin de définir les qualités essentielles de l’animateur d’art qu’il incarne, ainsi que son rôle dans la reconfiguration du milieu culturel. Ensuite, notre étude se concentre sur la mobilisation d’un public autour des salons et la mise en place d’un nouveau marché de l’art aux XX.

Dans un second temps, notre étude se penche sur les œuvres créées par les XX et sélectionnées par le public d’amateurs fidèles au groupe. Nous éclairons cette production artistique en y décelant les influences des questionnements et des prises de position sociales et politiques du public des XX, défini précédemment. L’analyse iconographique et stylistique des œuvres s’accompagne d’un travail sur ce milieu culturel, et particulièrement sur ses positions face aux débats sociaux de l’époque. Cette étude aboutit, d’une part, à une description approfondie du public des XX, et, d’autre part, à une meilleure compréhension de l’originalité de la production esthétique des artistes du groupe. /

This PhD thesis concentrates on the mechanisms by which the artistic world in Brussels was reorganized at the end of the 19th century. The research focuses on the places, institutions, publics, art markets and aesthetic developments that characterized the new artistic scene constructed around the “Salon des XX”. The purpose of this study is to demonstrate that this artistic circle, led by Octave Maus, produced an art influenced by social, political and economic issues. Another aim has been to analyze the public that defended the artists by studying its social, cultural and generational nature.

This thesis, which is divided into two parts, for the first time explores the circle of the XX in its economic, political and social environment. The diversification of sources and scientific methods was therefore an essential aspect of the research. Different methods were applied such as, for example, the cultural history, the sociology of art, the history of the art market, political sciences and the visual culture.

The first part of this study is about the emergence of a new artistic scene founded around the “Groupe des XX”. The first objective was to investigate the personal and professional path followed by Octave Maus, the manager of the XX, who played a major role in the evolution of the cultural world. Subsequently the research focuses on the mobilization of a particular public and the creation of a new art market around the XX’s exhibitions.

The second part of this thesis considers the works of art created by the artists of the “Groupe des XX” and chosen by the public for private collections. New light is shed on this artistic production by the study of the social and political position of the XX’s public, considered as a social group. Hence the iconographic and stylistic analysis of the works goes together with a study of the XX’s milieu, and in particular with its political action. The present thesis, and the method that aims to study the works in parallel with the public’s social nature, lead to a better understanding of the cultural milieu and, at the same time, of the originality of the XX’s artistic creation.

Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished

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Livros sobre o assunto "Guillaume Van Der Graft"

Troost, A. F. Dichter bij het geheim: Leven en werk van Willem Barnard/Guillaume van der Graft. Zoetermeer: Boekencentrum, 1998.

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Gillaerts, P. Roepend om gehoor te vinden: Een semiotische studie over de poëtica van Willem Barnard/Guillaume van der Graft. Leuven: Universitaire Pers Leuven, 1987.

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Pfirrmann, Maria. Freie Poesie und gottesdienstliche Lieder: Zum Verhältnis von Bibel, Liturgie und Dichtung im frühen Werk von Willem Barnard (Guillaume van der Graft). Göttingen: Vandenhoeck & Ruprecht, 2001.

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Werkman, Hans. Bijeen met man en muis: Ervaringen met Ida Gerhardt, Gerrit Achterberg, Guillaume van der Graft, Jan Wolkers, Jan Siebelink, Oek de Jong en anderen. Amstelveen: EON Pers, 2009.

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Bijeen met man en muis: Ervaringen met Ida Gerhardt, Gerrit Achterberg, Guillaume van der Graft, Jan Wolkers, Jan Siebelink, Oek de Jong en anderen. Amstelveen: EON Pers, 2009.

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Langley, McKendree R. Guillaume Groen van Prinsterer (1801-1876): Vader van die antirevolusionêre reformatoriese politiek. Potchefstroom: Potchefstroomse Universiteit vir Christelike Hoër Onderwys, 1989.

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Hendrix, Guido. De Westmalse Acta sanctorum: Provenances van Pauscollege tot Guillaume Joseph de Boey. Leuven: Maurits Sabbebibliotheek, Faculteit Godgeleerdheid, 2010.

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Gogh--Arles, Fondation Vincent van, ed. Van Gogh live: Inauguration : Vincent Van Gogh, Thomas Hirschhorn, Elizabeth Peyton, Raphael Hefti, Gary Hume, Bertrand Lavier, Camille Henrot, Bethan Huws, Guillaume Bruère, Fritz Hauser. Arles: Analogues, 2014.

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Biesheuvel, Ingrid. Die pelgrimage vander menscheliker creaturen: Een studie naar overlevering en vertaal- en bewerkingstechniek van Middelnederlandse vertalingen van de Pèlerinage de vie humaine (1330-1331) van Guillaume de Digulleville met kritische editie van handschrift Utrecht, Museum Catharijneconvent BMH 93. Hilversum: Verloren, 2005.

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Biesheuvel, Ingrid. Die pelgrimage vander menscheliker creaturen: Een studie naar overlevering en vertaal- en bewerkingstechniek van de Middelnederlandse vertalingen van de Pèlerinage de vie humaine (1330-1331) van Guillaume de Digulleville met een kritische editie van handschrift Utrecht, Museum Catharijneconvent BMH 93. Hilversum: Verloren, 2005.

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Capítulos de livros sobre o assunto "Guillaume Van Der Graft"

DiBernardo Jones, Jeannette. "Gaspar van Weerbeke and France: The Poetic Witness of Guillaume Crétin". In Epitome musical, 87–101. Turnhout: Brepols Publishers, 2019. http://dx.doi.org/10.1484/m.em-eb.4.2019028.

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Sap, Jan Willem. "Guillaume Groen van Prinsterer". In Great Christian Jurists in the Low Countries, 219–35. Cambridge University Press, 2021. http://dx.doi.org/10.1017/9781108555388.013.

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"Block, Graft, Star, and Gradient Copolymer Particles .......................... H. Matahwa, E. T. A. van den Dungen, J. B. McLeary, and". In Advanced Polymer Nanoparticles, 109–44. CRC Press, 2010. http://dx.doi.org/10.1201/ebk1439814437-8.

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Han, Chang Dae. "Rheology of Immiscible Polymer Blends". In Rheology and Processing of Polymeric Materials: Volume 1: Polymer Rheology. Oxford University Press, 2007. http://dx.doi.org/10.1093/oso/9780195187823.003.0017.

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The polymer industry has been challenged to produce new polymeric materials by blending two or more homopolymers or random copolymers or by synthesizing graft copolymers. To meet the challenge, various methods have been explored, namely, (1) by synthesizing a new monomer, polymerizing it, and then blending it with an existing homopolymer or random copolymer, (2) by copolymerizing existing monomers and then blending it with an existing homopolymer or random copolymer, (3) by chemically modifying an existing homopolymer or random copolymer and then blending it with other homopolymers or copolymers already available, or (4) by synthesizing new compatibilizer(s) to improve the mechanical properties of two immiscible homopolymers or random copolymers that otherwise have unacceptable mechanical properties. There are numerous monographs (Cooper and Estes 1979; Han 1984; Paul and Newman 1978; Platzer 1971, 1975; Sperling 1974; Utracki 1990) describing various aspects of polymer blends. In the 1970s, Han and coworkers (Han 1971, 1974; Han and Kim 1975; Han and Yu 1971a, 1971b, 1972; Han et al. 1973, 1975; Kim and Han 1976) conducted seminal experimental studies on the rheology of immiscible polymer blends and related the observed rheological behavior to blend morphology. Independently, in the same period, Vinogradov and coworkers (Ablazova et al. 1975; Brizitsky et al. 1978; Tsebrenko et al. 1974, 1976; Vinogradov et al. 1975) conducted a series of experimental studies relating the blend rheology to blend morphology. Van Oene (1972, 1978) also pursued, independently, experimental studies for a better understanding of rheology–morphology relationships in immiscible polymer blends. Since then, using different polymer pairs, numerous researchers have conducted experimental studies, which were essentially the same as, or very similar to, the previous experimental studies of Han and coworkers, Vinogradov and coworkers, and van Oene in the 1970s. It is fair to state that those studies in the 1980s and 1990s have not revealed any significant new findings.

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Trabalhos de conferências sobre o assunto "Guillaume Van Der Graft"

Xiaozhi Wang and Neil Pegg, ISSC 2022 Editors. "Proceedings of the 21st International Ship and Offshore Structures Congress VOLUME 1 Technical Committee Reports". In 21st International Ship and Offshore Structures Congress, Volume 1. SNAME, 2022. http://dx.doi.org/10.5957/issc-2022-committee-vol-1.

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Preface The first volume contains the eight Technical Committee reports, and the second volume contains the reports of the eight Specialist Committees, presented and discussed at the 21st International Ship and Offshore Structures Congress (ISSC 2022) in Vancouver (Canada), on September 11–15, 2022. The Official Discussers’ reports and all floor discussions, including the replies by the committees, will be published after the Congress in electronic form. Table of Contents Preface .............................................................................................................iii Committee I.1: Environment .........................................................................1 Alexander Babanin (Chair); Mariana Bernardino; Franz von Bock und Polach; Ricardo Campos,; Jun Ding; Sanne van Essen; Tomaso Gaggero; Maryam Haroutunian; Vanessa Katsardi; Alexander Nilva; Arttu Polojarvi; Erik Vanem; Jungyong Wang; Huidong Zhang; Tingyao Zhu Committee I.2: Loads ................................................................................125 Ole Andreas Hermundstad (Chair); Shuhong Chai; Guillaume de Hauteclocque; Sheng Dong; Chih-Chung Fang; Thomas B. Johannessen; Celso Morooka; Masayoshi Oka; Jasna Prpić-Oršić; Alessandro Sacchet; Mahmud Sazidy; Bahadir Ugurlu; Roberto Vettor; Peter Wellens Committee II-1: Quasi-Static Response ....................................................227 James Underwood (Chair); Erick Alley; Jerolim Andrić; Dario Boote; Zhen Gao; Ad Van Hoeve; Jasmin Jelovica; Yasumi Kawamura; Yooil Kim; Jianhu Liu; Sime Malenica; Heikki Remes; Asokendu Samanta; Krzysztof Woloszyk; Deqing Yang Committee II.2: Dynamic Response .........................................................301 Gaute Storhaug (Chair); Daniele Dessi; Sharad Dhavalikar; Ingo Drummen; Michael Holtmann; Young-Cheol Huh; Lorenzo Moro; Andre Paiva; Svein Sævik; Rong-Juin Shyu; Shan Wang; Sue Wang; WenWei Wu; Yasuhira Yamada; Guiyong Zhang Committee III.1: Ultimate Strength ...........................................................395 Paul E. Hess (Chair); Chen An; Lars Brubak; Xiao Chen; Jinn Tong Chiu; Jurek Czujko; Ionel Darie; Guoqing Feng; Marco Gaiotti; Beom Seon Jang; Adnan Kefal; Sukron Makmun; Jonas Ringsberg; Jani Romanoff; Saad Saad-Eldeen; Ingrid Schipperen; Kristjan Tabri; Yikun Wang; Daisuke Yanagihara Committee III.2: Fatigue and Fracture ......................................................501 Yordan Garbatov (Chair); Sigmund K Ås; Henk Den Besten; Philipp Haselbach; Adrian Kahl; Dale Karr; Myung Hyun Kim; Junjie Liu; Marcelo Igor Lourenço de Souza; Wengang Mao; Eeva Mikkola; Naoki Osawa; Fredhi Agung Prasetyo; Mauro Sicchiero; Suhas Vhanmane; Marta Vicente del Amo; Jingxia Yue Committee IV.1: Design Principles and Criteria .......................................643 Matthew Collette (Chair); Piero Caridis; Petar Georgiev; Torfinn Hørte; Han Koo Jeong; Rafet emek Kurt; Igor Ilnytskiy; Tetsuo Okada; Charles Randall; Zbigniew Sekulski; Matteo Sidari; Zhihu Zhan; Ling Zhu Committee IV.2: Design Methods .............................................................745 Andrea Ivaldi (Chair); Abbas Bayatfar; Jean-David Caprace; Gennadiy Egorov; Svein Erling Heggelund; Shinichi Hirakawa; Jung Min Kwon; Dan Mcgreer; Pero Prebeg; Robert Sielski; Mark Slagmolen; Adam Sobey; Wenyong Tang; Jiameng Wu Subject Index .............................................................................................815 Author Index ...............................................................................................817

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Xiaozhi Wang and Neil Pegg, ISSC 2022 Editors. "Proceedings of the 21st International Ship and Offshore Structures Congress VOLUME 3 Discussions". In 21st International Ship and Offshore Structures Congress Volume 3 Discussions. SNAME, 2022. http://dx.doi.org/10.5957/issc-2022-discussion-vol-3.

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Committee I.1: Environment Alexander Babanin (Chair); Mariana Bernardino; Franz von Bock und Polach; Ricardo Campos,; Jun Ding; Sanne van Essen; Tomaso Gaggero; Maryam Haroutunian; Vanessa Katsardi; Alexander Nilva; Arttu Polojarvi; Erik Vanem; Jungyong Wang; Huidong Zhang; Tingyao Zhu Floor Discussers: Florian Sprenger; Carlos Guedes Soares; Henk den Besten Committee I.2: Loads Ole Andreas Hermundstad (Chair); Shuhong Chai; Guillaume de Hauteclocque; Sheng Dong; Chih-Chung Fang; Thomas B. Johannessen; Celso Morooka; Masayoshi Oka; Jasna Prpić-Oršić; Alessandro Sacchet; Mahmud Sazidy; Bahadir Ugurlu; Roberto Vettor; Peter Wellens Official Discusser: Hayden Marcollo Committee II-1: Quasi-Static Response James Underwood (Chair); Erick Alley; Jerolim Andrić Dario Boote; Zhen Gao; Ad Van Hoeve; Jasmin Jelovica; Yasumi Kawamura; Yooil Kim; Jian Hu Liu; Sime Malenica; Heikki Remes; Asokendu Samanta; Krzysztof Woloszyk; Deqing Yang Official Discusser: Prof. T. Yoshikwa Committee II.2: Dynamic Response Gaute Storhaug (Chair); Daniele Dessi; Sharad Dhavalikar; Ingo Drummen; Michael Holtmann; Young-Cheol Huh; Lorenzo Moro; Andre Paiva; Svein Sævik; Rong-Juin Shyu; Shan Wang; Sue Wang; WenWei Wu; Yasuhira Yamada; Guiyong Zhang Floor Discussers: Ling Zhu; Tomoki Takami; Anriette (Annie) Bekker; Bruce Quinton; Robert Sielski Committee III.1: Ultimate Strength Paul E. Hess (Chair); Chen An; Lars Brubak; Xiao Chen; Jinn Tong Chiu; Jurek Czujko; Ionel Darie; Guoqing Feng; Marco Gaiotti; Beom Seon Jang; Adnan Kefal; Sukron Makmun; Jonas Ringsberg; Jani Romanoff; Saad Saad-Eldeen; Ingrid Schipperen; Kristjan Tabri; Yikun Wang; Daisuke Yanagihara Official Discusser: Jørgen Amdahl Committee III.2: Fatigue and Fracture Yordan Garbatov (Chair); Sigmund K Ås; Henk Den Besten; Philipp Haselbach; Adrian Kahl; Dale Karr; Myung Hyun Kim; Junjie Liu; Marcelo Igor Lourenço de Souza; Wengang Mao; Eeva Mikkola; Naoki Osawa; Fredhi Agung Prasetyo; Mauro Sicchiero; Suhas Vhanmane; Marta Vicente del Amo; Jingxia Yue Official Discusser Weicheng Cui Floor Discussers: Robert Sielski; Sören Ehlers; Stephane Paboeuf; Teresa Magoga Committee IV.1: Design Principles and Criteria Matthew Collette (Chair); Piero Caridis; Petar Georgiev; Torfinn Hørte; Han Koo Jeong; Rafet emek Kurt; Igor Ilnytskiy; Tetsuo Okada; Charles Randall; Zbigniew Sekulski; Matteo Sidari; Zhihu Zhan; Ling Zhu Official Discusser: Enrico Rizzuto Committee IV.2: Design Methods Andrea Ivaldi (Chair); Abbas Bayatfar; Jean-David Caprace; Gennadiy Egorov; Svein Erling Heggelund; Shinichi Hirakawa; Jung Min Kwon; Dan Mcgreer; Pero Prebeg; Robert Sielski; Mark Slagmolen; Adam Sobey; Wenyong Tang; Jiameng Wu Official Discusser: Mario Dogliani Committee V.1: Accidental Limit States Bruce Quinton; Gaetano De Luca; Topan Firmandha; Mihkel Körgesaar; Hervé Le Sourne; Ken Nahshon; Gabriele Notaro; Kourosh Parsa; Smiljko Rudan; Katsuyuki Suzuki; Osiris Valdez Banda; CareyWalters; Deyu Wang; Zhaolong Yu Official Discusser: Manolis Samuelides Committee V.2: Experimental Methods Sören Ehlers (Chair); Nagi Abdussamie; Kim Branner; ShiXiao Fu; Martijn Hoogeland; Kari Kolari; Paul Lara; Constantine Michailides; Hideaki Murayama; Cesare Rizzo; Jung Kwan Seo; Patrick Kaeding Official Discusser: Giles Thomas Committee V.3: Materials and Fabrication Technology Lennart Josefson (Chair); Konstantinos Anyfantis; Bianca de Carvalho Pinheiro; Bai-Qiao Chen; Pingsha Dong; Nicole Ferrari; Koji Gotoh; James Huang; Matthias Krause; Kun Liu; Stephane Paboeuf; Stephen van Duin; Fang Wang; Albert Zamarin Official Discusser: Frank Roland Floor Discussers Alessandro Caleo; Agnes Marie Horn; Krzysztof Woloszyk; Robert Sielski Committee V.4: Offshore Renewable Energy Atanasios Kolios (Chair); Kyong-Hwan Kim; Chen Hsing Cheng; Elif Oguz; Pablo Morato; Freeman Ralph; Chuang Fang; Chunyan Ji; Marc Le Boulluec; Thomas Choisnet; Luca Greco; Tomoaki Utsunomiya; Kourosh Rezanejad; Charles Rawson; Jose Miguel Rodrigues Official Discusser: Amy Robertson Committee V.5: Special Vessels Darren Truelock (Chair); Jason Lavroff; Dustin Pearson; Zbigniew (Jan) Czaban; Hanbing Luo; Fuhua Wang; Ivan Catipovic; Ermina Begovic; Yukichi Takaoka; Claudia Loureiro; Chang Yong Song; Esther Garcia; Alexander Egorov; Jean-Baptiste Souppez; Pradeep Sensharma; Rachel Nicholls-Lee Official Discusser: Jaye Falls Floor Discussers: Jasmin Jelovica; Stephane Paboeuf; Sören Ehlers Committee V.6: Ocean Space Utilization Sebastian Schreier (Chair); Felice Arena; Harry Bingham; Nuno Fonseca; Zhiqiang Hu; Debabrata Karmakar; Ekaterina Kim; Hui Li; Pengfei Liu; Motohiko Murai; Spiro J Pahos; Chao Tian; George Wang Official Discusser: Hideyuki Suzuki Floor Discussers: Robert Sielski; Sue Wang; Sarat Mohapatra; Gaute Storhaug; Henk den Besten Committee V.7: Structural Longevity Iraklis Lazakis (Chair); Bernt Leira; Nianzhong Chen; Geovana Drumond; Chi-Fang Lee; Paul Jurisic; Bin Liu; Alysson Mondoro; Pooria Pahlavan; Xinghua Shi; Ha Cheol Song; Tadashi Sugimura; Christian Jochum; Tommaso Coppola Official Discusser: Timo de Beer Floor Discusser: Krzysztof Woloszyk Committee V.8: Subsea Technology Agnes Marie Horn (Chair); Tauhid Rahman; Ilson Pasqualino; Menglan Duan; Zhuang Kang; Michael Rye Andersen; Yoshihiro Konno; Chunsik Shim; Angelo Teixeira; Selda Oterkus; Blair Thornton; Brajendra Mishra Official Discusser: Segen F. Estefen

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