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Livros sobre o tema "Groupe Signe (Group of artists)"

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Autor: Grafiati

Publicado: 26 de julho de 2024

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1

Murray, Joan. Masterpieces: Tom Thomson and the Group of Seven. Toronto: Prospero Books, 2004.

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2

Stöckl, A. Thomas. Künstlergruppe Die "Quelle" =: Groupe d'artistes Die "Quelle" = Artists' group Die "Quelle". 2^a ed. Freiburg: Jung-Verlag, 1989.

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3

Hirselj, Germain. Le groupe de Roubaix: Une aventure artistique, 1946-1975. Tourcoing]: Éditions Invenit, 2018.

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4

Parinaud, André. Groupe mémoires: Arickx, Diaz Gálvez, Hastaire, Kleinmann, Kuper, Vaughn-James, Zaborov. Paris: Guide Mayer, 2004.

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5

The Group of Seven and Tom Thomson: Tom Thomson, Lawren Harris, J.E.H. MacDonald ... [et al.]. Toronto, Ont: Firefly Books, 2003.

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6

Bonnet, Alain. Artistes en groupe: La représentation de la communauté des artistes dans la peinture du XIXe siècle. Rennes: Presses universitaires de Rennes, 2007.

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7

Derivery, François. Le Groupe DDP, 1971-1998: Pratiques collectives, pratiques artistiques. Paris: E.C., 1999.

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8

Reindl, Peter. Le groupe d'artistes Brücke: Gravures, dessins et aquarelles du Musée d'Oldenbourg. Oldenburg: Landesmuseum Oldenburg, 1990.

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9

Dramé, Barbara. Les linogravures du groupe Les Indélicats: 1932-1936 : supports artistiques d'une contestation politique et sociale. Bassac: Éditions Plein Chant, 2022.

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10

Musée national Fernand Léger (France). L'été 1954 à Biot: Architecture, formes, couleur : Biot, musée national Fernand Léger, 25 juin-26 septembre 2016. Paris: Réunion des musées nationaux-Grand Palais, 2016.

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11

Musées royaux des beaux-arts de Belgique., ed. Le Premier groupe de Laethem-Saint-Martin, 1899-1914 : Musées royaux des beaux-arts de Belgique, Bruxelles, 28 octobre-31 décembre 1988. Bruxelles: Les Musées royaux, 1988.

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12

Siddall, Catherine D. The prevailing influence: Hart House and the Group of Seven, 1919-1953 = Influence majeure : Hart House et le Groupe des sept, 1919-1953. Oakville, Ont: Oakville Galleries, 1987.

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13

Siddall, Catherine D. The prevailing influence: Hart House and the Group of Seven, 1919-1953 = L'influence majeure : Hart House et le Groupe des sept, 1919-1953. Oakville, Ont: Oakville Galleries, 1988.

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14

Boutilier, Alicia Anna. Inspirational: The collection of H.S. Southam. Editado por Art Gallery of Hamilton (Ont.). Hamilton: Art Gallery of Hamilton, 2009.

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15

Zell, Thekla, e Mattijs Visser. ZERO: Countdown to the future. Editado por Sakıp Sabancı Müzesi. İstanbul: AKBANK Sanat, 2015.

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16

Bradshaw, Tony. The Bloomsbury artists: Prints and book design. Aldershot: Scolar Press, 1999.

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17

Ferland, Jean-Pierre. Une chance qu'on s'a. Montréal: Éditions du Passage, 2011.

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18

Larsen, Wayne. A. Y. Jackson: The life of a landscape painter. Toronto: Dundurn Press, 2009.

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19

Javier, Arnaldo, Moeller Magdalena M e Museo Thyssen-Bornemisza, eds. Brücke: El nacimiento del expresionismo alemán : 1.2.02-15.5.05, Museo Thyssen-Bornemisza, Fundación Caja Madrid. Madrid: Fundación Colección Thyssen-Bornemisza, 2005.

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20

1944-, O'Brian John, e White Peter 1948-, eds. Beyond wilderness: The Group of Seven, Canadian identity and contemporary art. Montreal: McGill-Queen's University Press, 2007.

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21

Ellenwood, Ray, e Paul-Émile Borduas. Total refusal: Refus global : the manifesto of the Montréal Automatists. Holstein, Ont: Exile Editions, 2009.

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22

Renaud, Thérèse. Un passé recomposé: Deux automatistes à Paris : témoignagnes, 1946-1953. [Québec]: Nota Bene, 2004.

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23

Ooms, Saskia. Painters and cameras: Exploring new ways of looking around 1900. Amsterdam: Rijksmuseum, Manfred & Hanna Heiting Fund, 2011.

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24

Annette, Vezin, ed. Kandinsky und der Blaue Reiter. Paris: Terrail, 1991.

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25

1969-, Beechey James, Morphet Richard, Tate Gallery, Henry E. Huntington Library and Art Gallery. e Yale Center for British Art., eds. The art of Bloomsbury: Roger Fry, Vanessa Bell, and Duncan Grant. Princeton, NJ: Princeton University Press, 1999.

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26

Shone, Richard. The art of Bloomsbury: Roger Fry, Vanessa Bell, and Duncan Grant. London: Tate Gallery, 1999.

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27

Québec, Musée du, ed. Le paysage au Québec 1910-1930. [Québec]: Musée du Québec, 1997.

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28

Henry, Pierre. Les Impatients de Montréal: Artistes excentriques. Montréal: Éditions Les Impatients, 2003.

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29

Stansky, Peter. On or about December 1910: Early Bloomsbury and its intimate world. Cambridge, Mass: Harvard University Press, 1996.

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30

García de Germenos, Pilar, writer of added text, Wyman Lance 1937-, Wyman Lance 1937- e Universidad Nacional Autónoma de México. Museo Universitario Arte Contemporáneo, eds. Lance Wyman: De ida y vuelta : íconos urbanos = Coming and going : urban icons. México, D.F: MUAC, Museo Universitario Arte Contemporáneo, Universidad Nacional Autónoma de México, 2014.

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31

La peinture collective du Groupe DDP. Paris]: E.C., 2005.

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32

Le groupe témoignage de Lyon, 1936-1940. Lyon: Editions Mémoire des Arts, 2001.

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33

Water: Lawren Harris and the Group of Seven. McArthur & Company Publishing, Ltd., 2005.

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34

Silcox, David. The Group of Seven and Tom Thomson. Firefly Books, 2011.

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35

The Group of Seven and Tom Thomson. Firefly Books, 2006.

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36

Faisant, groupe d'artistes, 1983-2036: Philippe Charvolin, Claude Gagean, Didier Guth, Patrick Kochhersperger, Germain Roesz, Sylvie Villaume. Paris, France: Harmattan, 1999.

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37

Defiant Spirits: The Modernist Revolution of the Group of Seven. D & M Publishers, 2010.

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38

Murray, Joan. The Best of the Group of Seven. McClelland & Stewart, 1999.

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39

King, Ross. Defiant Spirits: The Modernist Revolution of the Group of Seven. Douglas & McIntyre Ltd, 2010.

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40

McKinley, Kelly, Art Gallery of Ontario e David Wistow. Meet the Group of Seven (Snapshots: Images of People and Places in History). Kids Can Press, Ltd., 1999.

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41

Nathalie, Bondil, Sicotte Hélène, Trépanier Esther 1951-, Huneault Kristina, Lebeau, Justine, writer of supplementary textual content, Beaver Hall Group (Group of artists), Musée des beaux-arts de Montréal, Art Gallery of Hamilton (Ont.), Art Gallery of Windsor e Glenbow Museum, eds. 1920s modernism in Montreal: The Beaver Hall Group. Black Dog Publishing Limited, 2015.

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42

Passion over Reason / la passion avant la raison: Tom Thomson & Joyce Wieland. McMichael Canadian Art Collection, 2018.

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43

Les Nabis. Flammarion, 2002.

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44

Dejardin, Ian A. C. Painting Canada: Tom Thomson and the Group of Seven (Dulwich Picture Gallery: Exhibition Catalogues). Philip Wilson Publishers, 2011.

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45

Jules-Rosette, Bennetta, e J. R. Osborn. African Art Reframed. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043277.001.0001.

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Resumo:

This book approaches the reframing of African art through dialogues with collectors, curators, and artists on three continents. It explores museum exhibitions, storerooms, artists’ studios, and venues for community outreach. Part One (Chapters 1-3) addresses the history of ethnographic and art museums, ranging from curiosity cabinets to modernist edifices and virtual websites. Museums are considered in terms of five transformational nodes, which contrast ways in which museums are organized and reach out to their audiences. Diverse groups of artists interact with museums at each node. Part Two (Chapters 4-5) addresses museum practices and art worlds through dialogues with curators and artists examining museums as ecosystems and communities within communities. Processes of display and memory work used by curators and artists are analyzed with semiotic methods to investigate images, signs, and symbols drawn from curating the curators and exploring artists’ experiences. Part Three (Chapters 6-8) introduces new strategies for displaying, disseminating, and reclaiming African art. Approaches include the innovative technology of unmixing and the reframing of art for museums of the future. The book addresses building exchanges through studies of curatorial networks, south-north connections, genre classifications, archives, collections, databases, and learning strategies. These discussions open up new avenues of connectivity that range from local museums to global art markets and environments. In conclusion, the book proposes new methods for interpreting African art inside and outside of museums and remixing the results.

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46

Tom Thomson Artist Of The North. Dundurn Group, 2011.

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47

Gonithellis, Olga E. Counseling for Artists Performers and Creative Individuals. Taylor & Francis Group, 2018.

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48

Gonithellis, Olga E. Counseling for Artists Performers and Creative Individuals. Taylor & Francis Group, 2018.

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49

Lucky kunst: The rise and fall of Young British Art. London: Aurum, 2009.

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50

Muir, Gregor. Lucky Kunst: The Rise and Fall of Young British Art. Quarto Publishing Group UK, 2012.

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