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Bibliografias temáticas / Greek and foreign cinema

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Artigos de revistas

Literatura científica selecionada sobre o tema "Greek and foreign cinema"

Autor: Grafiati

Publicado: 19 de abril de 2025

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Artigos de revistas sobre o assunto "Greek and foreign cinema"

1

Gourgouris, Stathis. "Xenia – Debt at home, debt is always foreign." Social Science Information 58, no. 3 (2019): 521–35. http://dx.doi.org/10.1177/0539018419863294.

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The concerns of this article are twofold: first, it examines the nature of debt as a social and economic force that fosters conditions of alienation in persons and institutions. Debt is also considered ontologically to be pertinent to the institution of the family as well as general conditions of kinship, of what determines what is ancestral and what is foreign. Second, it examines the conditions of financial and cultural crisis in Greece in recent years, where debt emerges as a prominent force that works not only at a geopolitical level but on the micro level of society as well. This inquiry

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2

WALLIS, RODNEY. "John Wayne's World: Israel as Vietnam in Cast a Giant Shadow (1966)." Journal of American Studies 53, no. 3 (2019): 725–43. http://dx.doi.org/10.1017/s0021875819000124.

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Melville Shavelson's Cast a Giant Shadow (1966) stands alongside Otto Preminger's Exodus (1960) as one of the most notable Hollywood films to center on the founding of Israel. In this paper I argue that Cast a Giant Shadow is less concerned with the peculiarities of the nascent stages of the Arab–Israeli conflict, and instead functions as an unabashed endorsement of American military interventionism in foreign conflicts at a time in which the United States was dramatically escalating its military presence in Vietnam. The film is positioned as the second installment in an unofficial trilogy of

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3

Quinlan, David, Martyn Auty, Nick Roddick, et al. "Foreign Cinema." Communication Booknotes 16, no. 12 (1985): 138–40. http://dx.doi.org/10.1080/10948008509488357.

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4

Milonaki, Angeliki. "A History of Greek Cinema." Historical Journal of Film, Radio and Television 33, no. 2 (2013): 340–43. http://dx.doi.org/10.1080/01439685.2013.793013.

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5

Kropova, Daria Sergeevna. "From Greek Tragedy To Opera-Film." Journal of Flm Arts and Film Studies 7, no. 2 (2015): 62–72. http://dx.doi.org/10.17816/vgik7262-72.

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There are some common features between opera (film-opera and theater-opera) and the Greek tragedy. Hereafter a question arises: why theoreticians and artists try to revive tragedy - what is so important in ancient drama that remains actual up to date? The author argues, that musical drama (opera) is the successor to the Greek tragedy, whereas cinema exposes musical and ancient nature of the opera clearer, than theater. The author dwells upon new possibilities of opera: different ways ofcooperation between musical and visual constituents, differences between stage and screen operas; advantages

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6

Varmazi, Eleni. "The Weirdness of Contemporary Greek Cinema." Film International 17, no. 1 (2019): 40–49. http://dx.doi.org/10.1386/fiin.17.1.40_1.

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7

Zhang, Weixiao. "The Life and Times of Lilian Lee: An Analysis of Lee's Screenplays From Psychological and Stylistic Perspectives." Asian Journal of Social Science Studies 5, no. 1 (2020): 32. http://dx.doi.org/10.20849/ajsss.v5i1.728.

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Lilian Lee, a novelist and screenwriter, is a prominent figure in the Hong Kong film industry and literary circles. Her unique writing style has earned her wide acclaim. Most of her works feature romances, fantasies or mysteries, showing her creative imagination. However, she didn't let love stories and supernatural elements overshadow the full picture she depicted. Instead, she further explored themes such as gender identity, sexual orientation and feminism, and dug deeper into a broad range of topics including mortality, fatality, history and patriotism. She revealed the complexity of human

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8

Papanikolaou, Dimitris. "‘The Lost Highway of Greek Cinema’, cinema screenings and events (2016‐2020)." Journal of Greek Media & Culture 7, no. 1 (2021): 105–12. http://dx.doi.org/10.1386/jgmc_00029_4.

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9

Rosalind Galt. "The Animal Logic of Contemporary Greek Cinema." Framework: The Journal of Cinema and Media 58, no. 1-2 (2017): 7. http://dx.doi.org/10.13110/framework.58.1-2.0007.

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10

Lykidis, Alex. "Crisis of sovereignty in recent Greek cinema." Journal of Greek Media & Culture 1, no. 1 (2015): 9–27. http://dx.doi.org/10.1386/jgmc.1.1.9_1.

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