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Constantinou, Stavros T., Milton E. Harvey, and Karen H. Larwin. "Development and Validation of an Adult Greek-American Identity Scale." Journal of Methods and Measurement in the Social Sciences 8, no. 1 (2018): 20–57. http://dx.doi.org/10.2458/v8i1.22020.
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The current investigation demonstrates the development of an identity instrument, specifically for the measurement of Greek-American ethnic identity: the Adult Greek-American Identity Scale (AGIS). This scale construct validity was assessed with data collected from six Greek Orthodox parishes in northeastern Ohio. As an expansion of earlier research, this study demonstrates that the Greek-American Identity Scale successfully captures the salient elements of this complex and multifaceted phenomenon under four constructs: Ethos, Network, Diaspora, and Attitude. This study makes contributions to three areas of ethnic studies. First, it contributes to the literature on Greek-Americans, a small and understudied ethnic group. Second, this study provides an example of scale development which, although ethnic group specific, can be modified and applied to other ethnic groups. Third, this study makes a contribution to the growing literature that uses structural equation modeling (SEM) in the study of ethnic identity.
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Kellman, Steven. "Multilingual Literature of the United States." Polylinguality and Transcultural Practices 19, no. 1 (2022): 19–27. http://dx.doi.org/10.22363/2618-897x-2022-19-1-19-27.
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Like the Russian Federation, the United States is a multilingual, multicultural society. A nation of immigrants and indigenous peoples, it has produced a rich body of literature in dozens of languages in addition to English that scholars have only in recent decades begun to pay attention to. Of particular note are texts in Spanish, Yiddish, Chinese, French, Hebrew, German, Arabic, Norwegian, Welsh, Greek, Turkish, Italian, Korean, Polish, Portuguese, Russian, Vietnamese and numerous American Indian languages. In this paper we observe the most significant texts of multilingual American literature. The corpus of literary works shows us, that despite Americans pervasive and enduring xenolinguaphobia - aversion to other languages - the United States, like other large countries, is a heterogeneous amalgam. Ignoring the variety of works written in languages other than English impoverishes the national culture and handicaps serious readers.
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Cox, Jeremy. "American Philhellenes and the Poetics of War." Journal for the History of Rhetoric 23, no. 3 (2020): 253–86. http://dx.doi.org/10.5325/jhistrhetoric.23.3.0253.
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ABSTRACT Between 1821 and 1829, the Greek War for Independence attracted widespread and enthusiastic support in the United States. While most were content to simply follow along with the war’s proceedings, a small but vocal group of “philhellenes” took the remarkable step of making Greece’s cause their own. American philhellenes used nationalistic appeals couched in the language of an emergent middle-class sentimentality to raise funds for the Greeks while also lobbying for deeper American involvement in the conflict. Greece’s revolution, American philhellenes argued, was not a foreign war to be avoided; it was an occasion for reaffirming the nation’s moral and political commitments. By studying the poetical justifications for American involvement with the Greek Revolution, we are afforded a glimpse of an important development in popular perceptions of U.S. foreign policy. Philhellenic poetry presents a case study in how popular reading habits blended with nationalistic rhetoric to“sentimentalize” popular perceptions of America’s place in the world. Philhellenes used the nation’s expanding market for print material to forward normative claims about the nation’s responsibility toward the Greek revolutionaries, bringing into sharp relief the permeable boundaries between popular culture and public perceptions of foreign policy.
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Tsokanos, Dimitrios. "“The Black Cat” and Emmanuel Rhoides." Edgar Allan Poe Review 22, no. 2 (2021): 343–52. http://dx.doi.org/10.5325/edgallpoerev.22.2.0343.
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Abstract This essay explores the influence of Edgar Allan Poe on Emmanuel Rhoides, the Greek writer and translator who, in 1877, first introduced the American author to a Greek audience. Granting the lack of research into Poe's impact on the Hellenic literary world, the note discusses “Ἱστορία ἑνὸς σκύλου” (“The Story of a Dog”) published by Rhoides in 1893, which bears clear but unexplored similarities to Poe's “The Black Cat.” The Greek story was printed alongside “Η Ιστορία μιας Γάτας,” a tale that has already been linked to the same Poe story in terms of content and structure. This comparison makes clear the extensive interest that Rhoides had in “The Black Cat,” and argues that the writer who introduced the American author's work in Greece was influenced by and used Poe's satire techniques in this and other tales. Finally, the note calls for additional, broader study of Poe's impact on modern Greek writing.
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Pastourmatzi, Domna. "Researching and Teaching Science Fiction in Greece." PMLA/Publications of the Modern Language Association of America 119, no. 3 (2004): 530–34. http://dx.doi.org/10.1632/003081204x20613.
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In the dreams our stuff is made of, Thomas M. Disch talks about the influence and pervasiveness of science Fiction in American culture and asserts the genre's power in “such diverse realms as industrial design and marketing, military strategy, sexual mores, foreign policy, and practical epistemology” (11-12). A few years earlier, Sharona Ben-Tov described science fiction as “a peculiarly American dream”—that is, “a dream upon which, as a nation, we act” (2). Recently, Kim Stanley Robinson has claimed that “rapid technological development on all fronts combined to turn our entire social reality into one giant science fiction novel, which we are all writing together in the great collaboration called history” (1-2). While such diagnostic statements may ring true to American ears, they cannot be taken at face value in the context of Hellenic culture. Despite the unprecedented speed with which the Greeks absorb and consume both the latest technologies (like satellite TV, video, CD and DVD players, electronic games, mobile and cordless phones, PCs, and the Internet) and Hollywood's science fiction blockbuster films, neither technology per se nor science fiction has yet saturated the Greek mind-set to a degree that makes daily life a science-fictional reality. Greek politicians do not consult science fiction writers for military strategy and foreign policy decisions or depend on imaginary scenarios to shape their country's future. Contemporary Hellenic culture does not acquire its national pride from mechanical devices or space conquest. Contrary to the American popular belief that technology is the driving force of history, “a virtually autonomous agent of change” (Marx and Smith xi), the Greek view is that a complex interplay of political, economic, cultural, and technoscientific agencies alters the circumstances of daily life. No hostages to technological determinism, modern Greeks increasingly interface with high-tech inventions, but without locating earthly paradise in their geographic territory and without writing their history or shaping their social reality as “one giant science fiction novel.”
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Keller, Katherine Zepantis. "Gender, Myth, and Memory, Ethnic Continuity in Greek-American Narrative." MELUS 20, no. 3 (1995): 47. http://dx.doi.org/10.2307/467742.
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De Lucia, Francesca. "Return Narratives: Ethnic Space in Late-Twentieth-Century Greek American and Italian American Literature by Theodora D. Patrona." Journal of Modern Greek Studies 37, no. 1 (2019): 202–4. http://dx.doi.org/10.1353/mgs.2019.0013.
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Adamik, Verena. "Making worlds from literature: W.E.B. Du Bois’s The Quest of the Silver Fleece and Dark Princess." Thesis Eleven 162, no. 1 (2021): 105–20. http://dx.doi.org/10.1177/0725513621993308.
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While W.E.B. Du Bois’s first novel, The Quest of the Silver Fleece (1911), is set squarely in the USA, his second work of fiction, Dark Princess: A Romance (1928), abandons this national framework, depicting the treatment of African Americans in the USA as embedded into an international system of economic exploitation based on racial categories. Ultimately, the political visions offered in the novels differ starkly, but both employ a Western literary canon – so-called ‘classics’ from Greek, German, English, French, and US American literature. With this, Du Bois attempts to create a new space for African Americans in the world (literature) of the 20th century. Weary of the traditions of this ‘world literature’, the novels complicate and begin to decenter the canon that they draw on. This reading traces what I interpret as subtle signs of frustration over the limits set by the literature that underlies Dark Princess, while its predecessor had been more optimistic in its appropriation of Eurocentric fiction for its propagandist aims.
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Daddario, Will. "«Lemma»: Jay Wright’s Idiorrhythmic American Theater." Pamiętnik Teatralny 70, no. 4 (2021): 121–40. http://dx.doi.org/10.36744/pt.985.
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This essay presents Jay Wright’s play Lemma as a historiographical challenge and also as a piece of idiorrhythmic American theater. Consonant with his life’s work of poetry, dramatic literature, and philosophical writing, Lemma showcases Wright’s expansive intellectual framework with which he constructs vivid, dynamic, and complex visions of American life. The “America” conjured here is steeped in many traditions, traditions typically kept distinct by academic discourse, such as West African cosmology, Enlightenment philosophy, jazz music theory, Ancient Greek theater, neo-Baroque modifications of Christian theology, pre-Columbian indigenous ways of knowing, etymological connections between Spanish and Gaelic, the materiality of John Donne’s poetry, and the lives of enslaved Africans in the New World. What is the purpose of Wright’s theatrical conjuration? How do we approach a text with such a diverse body of intellectual and literary sources? The author answers these questions and ends with a call to treat Lemma as a much needed point of view that opens lines of sight into Black and American theater far outside the well-worn territory of the Black Arts Movement.
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Balint, Adina. "MEMORY TRANSMISSION, SURVIVAL AND MULTICULTURALISM IN CONTEMPORARY CANADIAN LITERATURE." Alea : Estudos Neolatinos 18, no. 3 (2016): 422–34. http://dx.doi.org/10.1590/1517-106x/183-422.
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Abstract In 2014, the Quebecois writer Catherine Mavrikakis published Diamanda Galas, a tribute to the American artist performer of Greek origin, Diamanda Galas – at the Montreal Publishing House, Héliotrope, inaugurating a new collection, “Guerrières et Gorgones” (Warriors and Gorgons). At the same time and in the same collection, Martine Delvaux published a tribute to the American photographer Nan Goldin, in an eponymous essay. “What survives from/through artists who are prophets of the contemporary?”, inquires Mavrikakis. Acting on the tragedy of history and transgressing it, how can literature and art play with experiences of memory transmission and “survival” without necessarily working “to fix” them? What is at the heart of this link between history and creativity, reaffirmed by Georges Didi-Huberman in Survivance des lucioles? Through reflections on transcultural transference, multiculturalism and the power of women to transgress traumatic experiences, this article explores the question of memory transmission in two contemporary narratives on art and the AIDS period of the 1980s.
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Apene, Dickson N. "Intertextuality: Allusion, Convention and Transformation in The Oresteia and Mourning Becomes Electra." Global Academic Journal of Linguistics and Literature 4, no. 4 (2022): 97–104. http://dx.doi.org/10.36348/gajll.2022.v04i04.004.
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This article aims to show the relationship between the plays of O’Neill and his European counterpart, Aeschylus. O’Neill subscribes to Greek mythology but modifies or transforms it in the American scenario. Our study of the plays has considered the way meanings are constructed by a network of cultural and social discourses which embody distinct codes, expectations and assumptions. Besides, the thematic and linguistic similarities and differences between the works of the European and that of the American author selected have enabled the researcher to have an insight into literary influences and affinities. This article has demonstrated that there is no end in the making of texts, as O’Neill has revisited classical literature to write his play, Mourning Becomes Electra. This paper argues that intertextuality must not be limited to influences as Aeschylus had no direct influence on O’Neill though O’Neill rewrites his play The Oresteia. Both writers have no biographical similarities nor do they come from the same generations. O’Neill alludes to Aeschylus’s Greek mythological form of play writing but transforms it into the American scenario, through American Realism. To analyse these plays, the critical approach used was Postmodernism since interetxtuality is the major tenet of postmodernism. The paper concludes that, although O’Neill subscribes to Greek mythology, he deviates from European playwrights of this dramatic convention. His work has aspects of American Realism, and he is equally a social critic who writes about the ills that plague his society, in order to create awareness in his countrymen.
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Delwiche, Theodore. "“And why may not I go to college?” Alethea Stiles and Women’s Latin Learning in Early America." Humanistica Lovaniensia 70, no. 2 (2022): 305–18. http://dx.doi.org/10.30986/2021.305.
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Presented here for the first time are the letters of a young, little-known American woman, Alethea Stiles (1745-1784), to her learned cousin Ezra Stiles (1727-1795), the seventh president of Yale College. Brief and no doubt modest though these two English and one Latin letter may be, they provide an important point of entry into the women’s world of classical education in early America. Increasingly, American classical receptionists are trying to look beyond the “founding fathers” and consider what the classics meant in early America for men and women alike. We might do well, however, to reconsider one of the long-standing premises of reception research: that women interacted with the classical past largely outside of Latin and Greek texts and wrote little in the ancient languages. Leveraging both her knowledge of Roman history and the Latin language itself, Alethea advocated for admissions into Yale College over two centuries before the institution would welcome women. Though this attempt would not succeed, the presence of Alethea in the historical record demonstrates that even institutions that explicitly excluded precocious young women still include them in the archives.
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Turk, Diana. "Marianne R. Sanua. Going Greek: Jewish College Fraternities in the United States, 1895–1945. American Jewish Civilization Series. Detroit: Wayne State University Press, 2003. 446 pp." AJS Review 29, no. 2 (2005): 409–12. http://dx.doi.org/10.1017/s0364009405460171.
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Marianne R. Sanua offers a balanced examination of a largely unexplored topic, the Jewish Greek subsystem that developed on American college campuses in the late nineteenth and early twentieth centuries and thrived until the closure, merger, or reorientation of many of these organizations in the 1960s and early 1970s. One of the first studies to take the Greek system seriously and recognize it for the social and cultural force it was during its heyday in the early part of the twentieth century, Sanua's book provides readers with rare access to the aspirations, concerns, and ideals of a large segment—estimated between one fourth and one third—of the American Jewish college-going population of this time period.
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ΘΑΝΑΗΛΑΚΗ, ΠΟΛΛΗ. "ΟΙ ΠΡΟΤΕΣΤΑΝΤΙΚΕΣ ΙΔΕΕΣ, Ο MARK TWAIN ΚΑΙ ΤΟ ΠΡΟΤΥΠΟ TOΥ ΠΑΙΔΙΚΟΥ ΧΑΡΑΚΤΗΡΑ ΣΤΟ ΜΙΣΣΙΟΝΑΡΙΚΟ ΒΙΒΛΙΟ ΣΤΗΝ ΕΛΛΑΔΑ (19ΟΣ ΑΙ.)". Μνήμων 27 (1 січня 2005): 109. http://dx.doi.org/10.12681/mnimon.813.
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<p>Polly Thanailaki, The protestant ideas, Mark Twain and the model of the child's character in the missionary books in Greece in the 19th century</p><p>This essay explores the historical evolution which was observed in the shaping of the child's model of character in the American literature books of the 19th century within the frame of the protestant ideas and values. It also studies the impact of this development in the missionary books for children in Greece in the same century. We particularly focus on Mark Twain's revolutionary presence in the American children's literature by, firstly, placing emphasis on the change that the great American author made to the strict puritan model with the shaping of a more liberal and «innocent» children's character and, secondly, by analyzing the response which Twain's books met from the Greek 19th century readers. In this paper we argue that Twain's writing, known for realism, biting social satire and memorable children's characters, influenced the Greek children's literature in the end of the 19th century. The translations of his works started taking the lead in the end of this century in Greece. Moreover, this essay studies the re-shaping of the child's character in the missionary books published in Greece in the mid 19th century. The missionaries also followed the new trend for the children's character. The missionary stories appeared less didactic and strict.</p>
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Kalogeras, Yiorgos. "Disintegration and Integration: The Greek-American Ethos in Harry Mark Petrakis' Fiction." MELUS 13, no. 3/4 (1986): 27. http://dx.doi.org/10.2307/467179.
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CASE, SUE-ELLEN. "The Masked Activist: Greek Strategies for the Streets." Theatre Research International 32, no. 2 (2007): 119–29. http://dx.doi.org/10.1017/s0307883307002787.
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Greek tragedy served as a disciplinary state apparatus that displaced women's public performances of the lament. Yet, in spite of its displacements and regulatory structures, the tragedy has been adopted by Euro-American playwrights and performers for political and even feminist political purposes. From Heiner Müller's Medeamaterial to readings of the comedy of Lysistrata, the structures of the Greek stage are currently deployed to stage the relation of gender to state practices. While these examples may seem to be in contradiction to the Greek structures, they actually further the use of the classical dramaturgical devices for their purposes within the tradition. However, certain Arabic revisions of Lysistrata reveal the assumptions in the model that prevent its adoption.
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Crawford, Gregory A. "A Citation Analysis of the Classical Philology Literature: Implications for Collection Development." Evidence Based Library and Information Practice 8, no. 2 (2013): 214. http://dx.doi.org/10.18438/b8hp56.
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Objective – This study examined the literature of classical (Greek and Latin) philology, as represented by the journal Transactions of the American Philological Association (TAPA), to determine changes over time for the types of materials cited, the languages used, the age of items cited, and the specificity of the citations. The overall goal was to provide data which could then be used by librarians in collection development decisions.
 
 Methods – All citations included in the 1986 and 2006 volumes of the Transactions of the American Philological Association were examined and the type of material, the language, the age, and the specificity were noted. The results of analyses of these citations were then compared to the results of a study of two earlier volumes of TAPA to determine changes over time.
 
 Results – The analyses showed that the proportion of citations to monographs continued to grow over the period of the study and accounted for almost 70% of total citations in 2006. The use of foreign language materials changed dramatically over the time of the study, declining from slightly more than half the total citations to less than a quarter. The level of specificity of citations also changed with more citations to whole books and to book chapters, rather than to specific pages, becoming more prevalent over time. Finally, the age of citations remained remarkably stable at approximately 25 years old.
 
 Conclusion – For librarians who manage collections focused on Greek and Latin literature and language, the results can give guidance for collection development and maintenance. Of special concern is the continuing purchase of monographs to support research in classical philology, but the retention of materials is also important due to the age and languages of materials used by scholars in this discipline.
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Giazitzi, Katerina, George Palisidis, George Boskou, and Vassiliki Costarelli. "Traditional Greek vs conventional hotel breakfast: nutritional comparison." Nutrition & Food Science 50, no. 4 (2019): 711–23. http://dx.doi.org/10.1108/nfs-04-2019-0137.
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Purpose This study aims to assemble and nutritionally analyze three traditional Greek hotel breakfast meals (Chalkidiki, Cyclades and Crete) and compare them with the American, English and continental breakfast. Design/methodology/approach The traditional local breakfast foods and beverages for the breakfast compositions were selectively chosen predominantly from the website of the “Greek breakfast” initiative by Greek Chamber of Hotels and from other sources, following a thorough review of the literature. The breakfast meals were designed to be consumed by two people. The nutritional analysis of the meals was performed with the use of specially designed spreadsheets, the US Department of Agriculture Research Service and Greek food composition database. Findings The nutritional analysis of the English (45.9 g), American (41.6 g) and Cretan (38.8 g) breakfast meals revealed that these breakfast meals had the highest amount of total fat (per estimated portion) with the Cretan breakfast containing the largest amount of monounsaturated fatty acids (2.9 g/100 kcal). Moreover, the Cretan breakfast had also the lowest levels of sugars (2 g/100 kcal). The highest quantity of simple sugars was contained in the continental breakfast (7.2 g/100 kcal). The English breakfast had the highest sodium content (186.3 mg/100 kcal). Finally, the Cyclades breakfast had very high levels of potassium (184.4 mg/100 kcal) and Chalkidiki’s breakfast had the highest amount of calcium (65.2 mg/100 kcal). The three traditional Greek breakfasts and the three conventional breakfasts were grouped in two categories and compared nutritionally. The results show that the content of monounsaturated fats is significantly higher in Greek breakfast meals (p-value < 0.05) compared to the conventional ones. Originality/value This nutritional comparison could facilitate the promotion of traditional Greek breakfast meals in tourist destinations.
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Tziovas, Dimitris. "The study of modern Greece in a changing world: fading allure or potential for reinvention?" Byzantine and Modern Greek Studies 40, no. 1 (2016): 114–25. http://dx.doi.org/10.1017/byz.2015.12.
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Periodically reviewing developments in a subject area and reflecting on the past and future directions of a discipline can be useful and instructive. In the case of Modern Greek Studies, this has rarely been done, and most of the reviews of the field come from USA.1So I take this opportunity to offer some thoughts on what has propelled changes in the field over the last forty years, on the fruitful (and occasionally trenchant) dialogue between Neohellenists inside and outside Greece and on the future of modern Greek studies as an academic discipline. During this period modern Greek studies have flourished with a number of new trends, debates and scholarly preoccupations emerging. At the same time many research students received their doctorates from departments of Modern Greek Studies, particularly in the United Kingdom, and were subsequently appointed to teaching posts at Greek, Cypriot or other European, American and Australian universities. Modern Greek departments in the UK have often been the driving force behind the discipline since the early 1980s. New approaches were introduced, challenging ideas were debated and influential publications emerged from those departments, which shaped the agenda for the study of modern Greek language, literature and culture. It should be noted that the influence of those departments in shaping the direction of modern Greek Studies has been out of all proportion to the number of staff teaching in them.
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Wetmore, Jr., Kevin J. "Black Skin, Greek Masks: Classical Receptions, Race Reception, and African-American Identity on the Tragic Stage." Revue de littérature comparée 344, no. 4 (2012): 487. http://dx.doi.org/10.3917/rlc.344.0487.
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Zmarzlinski, Adam. "Łukasz Kamieński, Shooting Up: A Short History of Drugs and War." Open Cultural Studies 3, no. 1 (2019): 182–83. http://dx.doi.org/10.1515/culture-2019-0016.
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Abstract From alcohol to LSD, Łukasz Kamieński takes readers on a unique 300-page journey through the history of warfare as seen through the prism of drug use. Beginning with the Greek city-states and ending with the contemporary consumption in the American Armed Forces, the text overflows with witty anecdotes, eloquent prose, and heart-wrenching realities found on drug-fueled battlefields. Drawing on literature, unclassified military and pharmaceutical studies, and private accounts of soldiers, Shooting Up is brilliant work that needs to find itself on every political science and history undergraduate reading list.
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Cohen, Morris L. "An Historical Overview of American Law Publishing." International Journal of Legal Information 31, no. 2 (2003): 168–78. http://dx.doi.org/10.1017/s0731126500010544.
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Law publishing — that is, the reproduction and dissemination of statutes, judicial decisions, commentaries, legal forms and texts — is as old as writing and can be found in all literate societies. In the ancient world, written law was essential to political and social relations. That can be seen from the importance given to law codes in the Semitic, Greek and Roman societies. Over the centuries and in every medium from stone and clay, papyrus and parchment, to paper and the electronic media of our day — law has been a major component of literature. The very fact of publication is an essential requirement for the enactment and efficacy of laws in many societies. Publication of law was widespread before the invention of printing and was achieved by reproducing important texts in multiple manuscript copies which could then be disseminated to libraries, officials and others who needed them and could afford them. The printing of law depended not only on the invention of the press itself, but also on the acceptance of what more accessible law might mean to society. In England, for example this was a matter of considerable controversy for over a hundred years.
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Kheshti, Roshanak. "WHEN JAZZ BROKE OPERA: SOUND AND MYTH IN …(IPHIGENIA)." Ramus 52, no. 1 (2023): 45–49. http://dx.doi.org/10.1017/rmu.2023.8.
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As an anthropologist, I am no stranger to the importance of myth to both meaning-making and as connective tissue with ancestral forms of knowledge. Claude Levi-Strauss is synonymous with the study of myth in twentieth-century anthropology. Zora Neale Hurston, however, has only recently been reclaimed by the discipline of anthropology, even though she was both a student of Franz Boas—the so-called ‘father’ of American anthropology—and she conducted tireless ethnographic research in the US South and Caribbean for over forty years, focused on what she preferred to call folklore, or lies. Hurston is an important lens through which to interpret …(Iphigenia) because Hurston's corpus catalogues the mythocentrism of African American and African diasporic culture. She created a mind-bendingly prolific body of both fiction and non-fiction work centered on myth and provides an important context for the connections being drawn in this opera between jazz and Greek tragedy: that of sound.
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Herzfeld, Michael. "Social anthropology: openings and expansions in the age of exclusion." Byzantine and Modern Greek Studies 40, no. 1 (2016): 99–113. http://dx.doi.org/10.1017/byz.2015.11.
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A sign of anthropology's Greek coming-of-age is the inevitability of omitting significant contributions from this account. In the 1970s, omission would have been perceived as an insult. Today it is the happy effect of a proliferation that makes it impossible to represent the entire spectrum in one short overview. Anthropology's most substantive contributions to Greek studies, then as now, were detailed ethnographies, providing a counterweight to the generalizations of more top-down, model-building social sciences while constituting an important bridge between social-science and humanities disciplines. There has been less interest in meeting the challenge of the discipline's own commitment to cross-cultural comparison, although Danforth's comparison of firewalking rituals in Greece and the United States1was an early exception – subverted, as Bakalaki points out, by his Greek publisher's omission of the American material.2Internal comparison was present as soon as anthropologists themselves began to proliferate,3but few initially questioned the presupposition of a reified common national culture.
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Cowan, Bob. "Literature - (A.) Cameron Greek Mythography in the Roman World. (American Philological Association, American Classical Studies 48). New York: Oxford UP, 2004. Pp. xvi + 346. £35.99. 0195171217." Journal of Hellenic Studies 127 (November 2007): 172–73. http://dx.doi.org/10.1017/s0075426900001853.
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Bryant-Bertail, Sarah. "The Trojan Women a Love Story: A Postmodern Semiotics of the Tragic." Theatre Research International 25, no. 1 (2000): 40–52. http://dx.doi.org/10.1017/s0307883300013948.
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Charles Mee, before turning to playwriting, authored several well-known political histories. To the last of these, from 1993, he gave the ironically portentous title of Playing God: Seven Fateful Moments When Great Men Met to Change the World. With this deconstructive final word after two decades as a historian, he did not in fact abandon history, but began to write it in the medium of theatre. In doing so Mee has come to share a view articulated by Roland Barthes, who was once a university student of theatre and actor in Greek tragedies: the view that theatre, and Greek tragedy in particular, can illuminate our history as a story unfolding before us, allowing us to connect critically past with present as our best hope for the future. The American director Tina Landau, a frequent collaborator with Charles Mee, likewise believes that the ancient Greek tragedies helped constitute, articulate, and today still codify the structural base in myth and history of Western civilization. Accordingly, Mee and Landau have created a number of what they call ‘site-specific pieces’ adapted from Greek drama, site-specific in that they are created out of the specific material space and time at hand. One of these is The Trojan Women a Love Story which was developed and premiered at the University of Washington in Seattle in the spring of 1996. The production was based on Euripides' play The Trojan Women and Hector Berlioz's 1859 opera Les Troyens, which in turn retells the story of Aeneas and Queen Dido of Carthage from Virgil's epic, The Aeneid.
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Nazemi, Zahra, and Gabriel Laguna Mariscal. "From Hatred to Love: Development of a Literary Topos in Eugene O’Neill’s Mourning Becomes Electra (1931)." Archivum 72 (December 7, 2022): 399–416. http://dx.doi.org/10.17811/arc.72.1.2022.399-416.
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In the present study, two literary topics of love are introduced and its historical development is traced from the classical tradition to the modern culture. Also being studied is Eugene O'Neill's modern American tragedy, Electra Is Good for Mourning (1931). These topics consist of 'love for hate' and 'jealousy in love'. It is argued that both topics comprise four stages, originate in ancient Greek and Roman literature and evolve into modern culture, as in O'Neill's work, following tradition. Also, despite critics' belief that Electra is fine with mourningO'Neill's is based on the versions of Euripides, Sophocles and Aeschylus on the history of Orestes and Electra, the contextualization of these two topics follows the tradition of Homer's Iliad and Ovid 's Metamorphoses. Finally, this article studies the appearance of each mole on television and in contemporary world cinema, such as the British La Joven Jane Austen (2007), the Iranian Shahrzad Series (2015) and the American La La Land (2016).
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Pileva, Maria. "Provocations Against the Cultural Mission of Dr. Albert Long." Balkanistic Forum 33, no. 2 (2024): 42–58. http://dx.doi.org/10.37708/bf.swu.v33i2.4.
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The paper, on one hand, outlines Dr. Long's contribution to Bulgarian culture – sup-port for the Сhurch issue, translation and editing of literature, including the Bible in the New Bulgarian language, support of Bulgarian students for their studies at Robert College, defense of the National cause after the suppression of the April Uprising. On the other hand, it pays special attention to the obstacles to his mission and the provo-cations by the Greek Patriarchate, the Russian Vice-Consulate, the Constantinople censorship and the later attempts to ignore what he achieved. Such actions distort the image of the American missionary's educational efforts, and the paper presents ar-chival materials and publications revealing the motivations and intentions behind them.
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Karanafti, A., K. Tsikaloudaki, and T. Theodosiou. "Assessing the construction and demolition waste volume for a typical Mediterranean residential building." IOP Conference Series: Earth and Environmental Science 1123, no. 1 (2022): 012024. http://dx.doi.org/10.1088/1755-1315/1123/1/012024.
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Abstract Construction and Demolition Waste (CDW) effective management is of vital importance, especially regarding the climate-neutral economy target set for 2050. The common practice of landfilling them during the past decades and ignoring the environmental impacts is now obsolete, with countries around the world adopting national regulations for their proper treatment. The lack of data on the CDW volume produced every year both in the European region and at the Greek national level is evident, in contrast with Asian or American regions, and introduces a great uncertainty in the field. This study aims at estimating the CDW quantities produced by a typical multi-storey residential building in Greece, built in the mid-20th century, made of reinforced concrete and filling masonry walls. The subsidized renovation programs by the European Union, which have a great impact on the Greek domain, are also considered, so two renovation procedures are considered during the building’s lifespan, resulting in an extended lifetime of the building along with additional CDW quantities produced on each renovation procedure. Challenges regarding the disposal, recycling and reuse potential and alternatives of the distinct CDW types produced are presented, based on the international literature available data.
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Anisimova, Olga Vladimirovna, and Inna Makarova. "Mythopoetic Images of Irish Mythology in American Fantasy (the Case of Roger Zelazny's "Chronicles of Amber" - Corwin Cycle)." Litera, no. 4 (April 2023): 92–101. http://dx.doi.org/10.25136/2409-8698.2023.4.39999.
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The article is devoted to the study of key images of Irish mythology, widely used in fantasy literature, in particular, in American novels written in the second half of XX-th century. The paper considers the images of ship, tree and raven. Special attention is paid to their artistic interpretation in the novels of a famous American science fiction writer, the representative of New Wave - Roger Zelazny. The paper examines the etymology of these images, their origins in Sumero-Akkadian, Jewish and Greek mythologies, their main symbolic meanings and further interpretation in Zelazny's key novel - "The Chronicles of Amber". As a result, the complex characteristics of the three images both in the ancient mythologies and in the context of first five parts of the novel by the American science fiction writer, namely in the Corwin Cycle, have been provided. The findings achieved show that ship turns out to be connected with the key image of the novel - the Pattern, among other things symbolizing the process of initiation of the main characters. The tree, in its turn, acts as the primary basis of the Amber universe, its multilevel structure. Finally, the raven, the alter ego of the main character - Prince Corwin - stands for his destiny, filled with contradictions and relentless battles.
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Kenna, Margaret. "Theodora D. Patrona, Return Narratives: Ethnic Space in Late-Twentieth-Century Greek American and Italian American Literature. Madison: Farleigh Dickinson University Press/ Rowman & Littlefield, 2017. Pp. xxxi, 173." Byzantine and Modern Greek Studies 43, no. 02 (2019): 328–32. http://dx.doi.org/10.1017/byz.2019.7.
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Sabr, Rozhgar M., Osman H. Dashty, and Jihad Sh Rashid. "The Romantic Self in The Poetry of Piramerd and Mirzada Ashqe." Koya University Journal of Humanities and Social Sciences 7, no. 1 (2024): 1–8. http://dx.doi.org/10.14500/kujhss.v7n1y2024.pp1-8.
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The notion creativity in the Western civilization has a long history. It has influenced various aspects of human life since Greek and Roman times. Western thinkers have significantly contributed to literary growth in art and literature. Western intellectuals have also led literary research and developed theoretical approaches to literature. After their development, the western literary traditions were imported to other countries for various reasons. Thus, the non-Western writers adapted several aspects of Western literary movements including romanticism. Romanticism, a literary and artistic movement that emerged in late 18th-century Europe, opposed the basic tenant of classicism. The movement introduced new literary forms and radical ideas. Influenced by Western romanticism, Kurdish and Persian romantic literature evolved and reached its peak. The term “romantic self” is used to describe how a poet reveals his hidden and spontaneous feelings, desires and anguish using various romantic features. Drawing from American Romanticism, this comparative study explores how both Piramerd and Mirzada Ashqe emphasize the romantic self in their poems. This helps to understand the similarities and differences in the poets’ approaches to the notion of romantic self in their works.
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Al-Zubbaidi, Asst Prof Dr Haitham K. Eidan. "Dramatizing Modern American and Arabic Poetry A Study in Selected Poems by Kenneth Koch and Yousif Al-Sayegh." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 58, no. 4 (2019): 95–118. http://dx.doi.org/10.36473/ujhss.v58i4.1021.
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The interrelatedness of drama and poetry introduces one of the most exceptionally robust examples of trans-genre literature. It is further characterized by a deep-rooted tradition that dates back to ancient Greek and Roman drama, as well as a sense of circumstantial and ad hoc necessity-driven, age-oriented adaptability. The present paper assumes that this well-established sensitive relation of poetry and drama rests upon some circumstantial time-specific cultural forces or motivators that impact the ebb and flow, the expansion-contraction movements which are directly related to the temporal necessities and requirements of the textual and contextual poetic discourse. To this end, and to verify the accuracy of these assumptions, the paper limits itself to some representative examples from the oeuvres of two representative poets of the dramatic poetic tradition in modern American and Arabic poetry, namely Kenneth Koch (1925-2002) and Yousif al-Sayegh (1933-2006).
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Hassan, Zena D. Mohammed, and Dheyaa K. Nayel. "The Evolution of Female Characters From Antiquity to Modernity: An Examination of Marinna Carr's and Carol Lashof's Adaptations of Classical Mythology." Journal of Language Teaching and Research 15, no. 2 (2024): 374–82. http://dx.doi.org/10.17507/jltr.1502.06.
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Literature relies heavily on mythology. Myths are stories of deities, monsters or immortals which are transformed from one generation to the other. In addition to documenting the religious and cultural experiences of a specific community, myths also outline the consequent literary, artistic and dramatic customs. Some Greek myths have survived for thousands of years because they accurately depict historical events, cultural values, and trends. Among the most famous classical myths are the myths of Medusa and Medea. As for the myth of Medusa, the earliest known record was found in Theogony (700BC) by Hesiod (8 th-7th century BC). A later version of the Medusa myth was made by the Roman poet Ovid (43BC –17/18AD), in his “Metamorphoses” (3-8 AD). Then again, Medea is a tragedy produced in 431 BC by the Greek playwright Euripides(480–406BC) based on the myth of Jason and Medea. Both Medusa and Medea are among the most fascinating and complex female protagonists in Greek mythology which have captivated many writers and playwrights for ages. In the twentieth century, there were many adaptations of both mythological figures; among these adaptations were those made by contemporary American and Irish women playwrights like Carol Lashof (1956-) and Marinna Carr (1964-). This paper examines the myths of Medusa and Medea and analyses the ways these myths are borrowed, refashioned and exploited in Lashof’s Medusa’s Tale (1991) and Carr’s By the Bog of Cats (1998). Both playwrights explore hidden dimensions of the traditional myths, combining elements from the old and modern worlds.
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Gutman Mušič, Maja. "Last Sanctum of Archetypes." Poligrafi 28, no. 109/110 (2023): 221–39. http://dx.doi.org/10.35469/poligrafi.2023.411.
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Despite numerous attempts to integrate dream research into a vast array of scientific disciplines, there appears to be no consensus on why and how we dream. This millennia-old universal human phenomenon appears to be too elusive to be thoroughly understood by a single scientific discipline and too complex and data-rich to be studied only theoretically. However, another dimension to dreams and dreaming could promise an integrative approach: the culture-historical component that merges with recent advances in Artificial Intelligence. This paper briefly examines conceptual understandings of dreams before the dawn of modern science – specifically, the Native American, Mesopotamian, ancient Greek, and Hippocratic principles of dream practices and knowledge – in an attempt to understand the contemporary dream research field better and to outline future avenues for a data-driven approach while remaining grounded in its epistemological foundation.
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Chianese, Francesco. "Theodora D. Patrona, Return Narratives. Ethnic Space in Late-Twentieth-Century Greek American and Italian American Literature | Michela Baldo, Italian-Canadian Narratives of Return. Analysing Cultural Translation in Diasporic Writing." Altreitalie, no. 63 (July 15, 2021): 139–42. http://dx.doi.org/10.4000/altreitalie.404.
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Herber, Franz-Rudolf. "Comparative Analysis of the Treatment of the Alcestis-Stuff by Euripides and by Wilder." European Scientific Journal, ESJ 20, no. 8 (2024): 1. http://dx.doi.org/10.19044/esj.2024.v20n8p1.
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This is the starting point of the following analysis: Life and death belong indissolubly together, but nobody of us knows what is waiting for us when we will have died. According to Christian religion the dead shall resurrect again and start immediately into an eternal life full of happiness in an unknown atmosphere without any sorrows and any problems to overcome. The ancient writers, that lived before Jesus Christ, had at hand an underworld as the realm of that god that is responsible for death. In very rare and exceptional cases a very deserved dead is given the allowance to enter again into his former earthen life. This procedure of bringing a dead person back to life might be a kind of deal between deities and mankind in this way that another person had to die and then to live in the underworld instead of the doomed person. This stuff is a subject-matter of legends, fairy tales and finally of classical drama. The heroes of the drama are Admetus and Alcestis – a royal couple; Admetus is doomed to death and his wife Alcestis wants to die instead of her husband. This treatise is written by an author who is as well a lawyer as a philologist. The treatise uses modern methods of literary comparison, that the author did learn at the examples of ancient texts and modern texts at the Faculty of Philosophy of the University of Saarland (Germany). The comparison between the Euripides-version and the Wilder-version is not an end in itself, the comparison aims to show the given literary differences based on the history of the development of the Alcestis-stuff in the light of the fact that the ancient text is the source for the modern text. Thus it becomes once more clear that the texts of old Greek authors do live on in a figurative sense until modern times. Wilder himself is a modern American author who consciously sought connection to antiquity, also because he did go through very intensive university courses in archaeology. This connection to ancient Greek literature, of course, makes modern American literature very attractive for European readers and for readers from other areas of the world.
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Mohini, Kuchekar, Upadhye Mohini, Kulkarni Amrita, Zambare Aishwarya, Shirke Disha, and Kore Padmaja. "Verbena officinalis (Verbenaceae): Pharmacology, Toxicology and role in female health." International Journal of Ayurvedic Medicine 13, no. 2 (2022): 296–304. http://dx.doi.org/10.47552/ijam.v13i2.2748.
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Verbena officinalis Linn (Verbenaceae), the common verbena or vervain, a traditional herb with immense cultural and medicinal significance in the European, Greek, American, Roman and Egyptian countries. Phytochemical analysis suggests the presence of iridoid glycosides, secoiridoid glycosides, phenylethanoid glycosides, flavones, pentacyclic triterpenoids, monoterpenes, sterols and their derivatives. Owing to the presence of these phytochemicals, wide range of pharmacological activities such as antibacterial, antiviral, antifungal, antidiarrheal, antitumour, antidepressant, anxiolytic, gastroprotective and hepatoprotective, etc are reported. Literature survey highlights the distinct role of Verbena officinalis in treating dysmenorrhoea, vaginitis, endometriosis, premenopausal night sweating, herbal tonic for pregnant women and lactating mothers and its use as emmenagogue. The review aims to promote studies on Verbena officinalis for its therapeutic role in female reproductive health and other ailments. The scientific databases used for compilation of the data were Google scholar, Pubmed the data made available specifically from 2010 to 2022.
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Kinzl, K. H. "The Organization of Greek States - Nicholas F. Jones: Public Organization in Ancient Greece: a Documentary Study. (Memoirs of the American Philosophical Society, 176.) Pp. xxiv + 403; 2 maps. Philadelphia: American Philosophical Society, 1987. $35." Classical Review 40, no. 1 (1990): 95–96. http://dx.doi.org/10.1017/s0009840x00252311.
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Tomlinson, R. A. "The Stadion - D. G. Romano: Athletics and Mathematics in Archaic Corinth: The Origins of the Greek Stadion. (Memoirs of the American Philosophical Society, 206.) Pp. xiv+117, 53 figs. Philadelphia: American Philosophical Society, 1993. Paper." Classical Review 45, no. 2 (1995): 372–73. http://dx.doi.org/10.1017/s0009840x00294298.
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Greene, Roland. "Nation-Building by Anthology." Diaspora: A Journal of Transnational Studies 4, no. 1 (1995): 105–19. http://dx.doi.org/10.3138/diaspora.4.1.105.
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In a short space of years, nation and nationality have lost their position as ever-present but unquestioned markers in literary and cultural study. In the play of argument, they have become movable pieces. In particular, a wide array of books and essays has intensively pursued the relations of literature and national identity in the wake of Benedict Anderson’s Imagined Communities (1983)— most notable among them, the essays collected by Homi Bhabha in Nation and Narration , Doris Sommer’s Foundational Fictions , and the volume Nationalisms and Sexualities , edited by Andrew Parker and others after a Harvard conference of the same name. Among these, Gregory Jusdanis’s Belated Modernity and Aesthetic Culture: Inventing National Literature has received less attention than it deserves. The book’s diminished visibility follows from the same source as its value: it comes to the discussion with a stake neither in western Europe and the Americas nor in what for scholars in the humanities have become the fashionable parts of the developing world, but in a country whose present few of us can see for its past, namely modern Greece. Jusdanis’s subject in this discussion is one that not many seem prepared to take up—the “minor” literature and culture that nonetheless struggles with its own adaptations of those problems of modernity and identity that have been chronicled elsewhere. And yet societies such as Greece can contribute urgently to the discussion because of the density of what might be called the middle stratum of their modernizing experience—the stratum between an adopted paradigm of national identity and a complex, often ambivalent social reality. This middle stratum is the site of a multitude of local interpretations that mediate between the other two layers and produce astonishing concatenations of classical Greek, European, and American cultural forms. With its particular siting and its arguably “minor” urge to measure modern Greece against more internationally prominent countries (an impulse that seldom runs in the opposite direction), Jusdanis’s book is one of the most useful recent additions to the broad field of books that treat the making of nationhood.
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Anisimova, Olga Vladimirovna. "Portrait of the writer: the peculiarities of literary technique of Roger Zelazny." Litera, no. 4 (April 2021): 145–53. http://dx.doi.org/10.25136/2409-8698.2021.4.35298.
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The subject of this research is the unique literary technique of the prominent American fantasy and science fiction writer Roger Zelazny, the author of the world-renowned novels, such as &ldquo;The Chronicles of Amber&rdquo;, &ldquo;This Immortal&rdquo;, "The Lord of Light&rdquo;, etc. The article is dedicated namely to determination of the key peculiarities of the poetics of his works. Special attention is given to characterization of his literary path, its periodization, the impact of Zelazny's predecessors &ndash; the authors of science fiction and classical world literature &ndash; upon his prose. It is noted that R. Zelazny was fascinated with various mythological systems, such as Egyptian, Greek, Norse, Celtic, and Christian. The scientific novelty of this article lies in the attempt to reveal and systematize the most remarkable features of the works of the American fantasy and science fiction writer, whose impact upon the modern fantasy literature can hardly be overestimated; however it has been poorly studied within the Russian literary studies. The conducted analysis of the poetics Roger Zelazny&rsquo;s iconic novels, created within the framework of the four main stages, indicates the use such postmodernist literary technique as intertextuality. The matter of R. Zelazny is also characterized by psychologism, interpreted as the author's attention to the meticulous reconstruction of the inner cosmos of the hero, which resembles the result of the writer's passion for the ideas of psychoanalysis. Along with the other representatives of the New Wave, Zelazny was prone to the experiment with forms, as well as to the synthesis of the various fantasy genres. Therefore, many of his novels demonstrate the fusion of science fiction, fantasy, space opera, mystery, and detective fiction.
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Perry, Rachel E. "Jean Fautrier's Jolies Juives." October 108 (April 2004): 51–72. http://dx.doi.org/10.1162/016228704774115717.
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There is in the words “a beautiful Jewess” a very special sexual signification, one quite different from that contained in the words “beautiful Rumanian,” “beautiful Greek,” or “beautiful American,” for example. This phrase carries an aura of rape and massacre with it. The “beautiful Jewess” is she whom the cossacks under the czars dragged by her hair through the streets of her burning village. And the special works which are given over to accounts of flagellation reserve a place of honor for the Jewess. But it is not necessary to look into esoteric literature. From the Rebecca of Ivanhoe up to the Jewess of “Gilles” … the Jewess has a well-defined function in even the most serious novels. Frequently violated or beaten, she sometimes succeeds in escaping dishonor by means of death, but that is a form of justice; and those who keep their virtue are docile servants or humiliated women in love with indifferent Christians who marry Aryan women. I think nothing more is needed to indicate the place the Jewess holds as a sexual symbol in folklore.
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Cawkwell, G. L. "The Greek Historians of the West - Lionel Pearson: The Greek Historians of the West. Timaeus and his Predecessors. (Philological Monographs of the American Philological Association, 35.) Pp. xi + 305. Atlanta, Georgia: Scholars Press, 1987. $41.95 (members $30), Paper $21.95 (members $15)." Classical Review 39, no. 2 (1989): 244–45. http://dx.doi.org/10.1017/s0009840x00271588.
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Prus, Robert. "Influence Work, Resistance, and Educational Life-Worlds: Quintilian’s [Marcus Fabius Quintilianus] (35-95 CE) Analysis of Roman Oratory as an Instructive Ethnohistorical Resource and Conceptual Precursor of Symbolic Interactionist Scholarship." Qualitative Sociology Review 18, no. 3 (2022): 6–52. http://dx.doi.org/10.18778/1733-8077.18.3.01.
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Despite the striking affinities of classical Greek and Latin rhetoric with the pragmatist/interactionist analysis of the situated negotiation of reality and its profound relevance for the analysis of human group life more generally, few contemporary social scientists are aware of the exceptionally astute analyses of persuasive interchange developed by Aristotle, Cicero, and Quintilian.
 Having considered the analyses of rhetoric developed by Aristotle (384-322 BCE) and Cicero (106-43 BCE) in interactionist terms (Prus 2007a; 2010), the present paper examines Quintilian’s (35-95 CE) contributions to the study of persuasive interchange more specifically and the nature of human knowing and acting more generally.
 Focusing on the education and practices of orators (rhetoricians), Quintilian (a practitioner as well as a distinctively thorough instructor of the craft) provides one of the most sustained, most systematic analyses of influence work and resistance to be found in the literature.
 Following an overview of Quintilian’s “ethnohistorical” account of Roman oratory, this paper concludes by drawing conceptual parallels between Quintilian’s analysis of influence work and the broader, transcontextual features of symbolic interactionist scholarship (Mead 1934; Blumer 1969; Prus 1996; 1997; 1999; Prus and Grills 2003). This includes “generic social processes” such as: acquiring perspectives, attending to identity, being involved, doing activity, engaging in persuasive interchange, developing relationships, experiencing emotionality, attaining linguistic fluency, and participating in collective events. Offering a great many departure points for comparative analysis, as well as ethnographic examinations of the influence process, Quintilian’s analysis is particularly instructive as he addresses these and related aspects of human knowing, acting, and interchange in highly direct, articulate, and detailed ways.
 Acknowledging the conceptual, methodological, and analytic affinities of The Institutio Oratoria of Quintilian with symbolic interactionism, an epilogue, Quintilian as an Intellectual Precursor to American Pragmatist Thought and the Interactionist Study of Human Group Life, addresses the relative lack of attention given to classical Greek and Latin scholarship by the American pragmatists and their intellectual progeny, as well as the importance of maintaining a more sustained transcontextual and transhistorical focus on the study of human knowing, acting, and interchange.
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Sourvinou-Inwood, Christiane. "Xoanon - A. A. Donohue: Xoana and the Origins of Greek Sculpture. (American Classical Studies, 15.) Pp. xxii + 509. Atlanta, GA: Scholars Press, 1988. $24.95 (paper, $15.95)." Classical Review 40, no. 1 (1990): 129–31. http://dx.doi.org/10.1017/s0009840x00252499.
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Birdsall, J. Neville. "A New Edition of Luke's Gospel - The American and British Committees of the International Greek New Testament Project: The New Testament in Greek, 3: The Gospel according to St. Luke, Part Two, Chapters 13–24. Pp. 262. Oxford: Clarendon Press, 1987. £65.00." Classical Review 39, no. 2 (1989): 198–200. http://dx.doi.org/10.1017/s0009840x00271369.
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Sarhan, Qassim Salman, and Marwa Ali Al-Shara. "John Barth's "Dunyazadiad": A Postmodern Reading of an Eastern Frame." Kufa Journal of Arts 1, no. 32 (2017): 25–36. http://dx.doi.org/10.36317/kaj/2017/v1.i32.6037.
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The frame-tale technique is one of the most ancient narrative techniques, its roots go back to the oral tradition. It refers to a set of embedded stories which are encircled by a larger framework, hence creating a hierarchical pattern of stories within stories,and highlighting the relation between the storyteller and the audience. The most famous example of the frame-tale is The Thousand Nights and One Nightin which Scheherazade, who represents the ideal storyteller narrates stories for the king Shahryar to save her life.Most of postmodernist writers admired such stories and one of them is John Barth (1930- ), an American novelist whose fascination with the frame-tale tradition such as Decameron, The Canterbury Tales, and The Arabian Nights appears clearly in his novels. Barth recycles stories by using the idea of 'arranging literature', the stories that are recycled are taken from the Bible, The Arabian Nights (Barth's favorite frame-tale), and the heroic myths of the ancient Greek. He fully exploits the cultural relevance and perseverance when he chooses a text for his work. So, hepresentsthe frame-tale in a way that helps to develop the manner of narration, i.e. to lead narrative from exhaustion to replenishment. According to him, one can revive literature by returning to the past and the origin of fiction. This paper is an attempt to explore the structure of the frame-tale inBarth's novella "Dunyazadiad", the first story in his collection,Chimera.
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Sarhan, Qassim Salman, and Marwa Ali Al-Shara. "John Barth's "Dunyazadiad": A Postmodern Reading of an Eastern Frame." Kufa Journal of Arts 1, no. 32 (2017): 25–36. http://dx.doi.org/10.36317/kaj/2017/v1.i32.6037.
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The frame-tale technique is one of the most ancient narrative techniques, its roots go back to the oral tradition. It refers to a set of embedded stories which are encircled by a larger framework, hence creating a hierarchical pattern of stories within stories,and highlighting the relation between the storyteller and the audience. The most famous example of the frame-tale is The Thousand Nights and One Nightin which Scheherazade, who represents the ideal storyteller narrates stories for the king Shahryar to save her life.Most of postmodernist writers admired such stories and one of them is John Barth (1930- ), an American novelist whose fascination with the frame-tale tradition such as Decameron, The Canterbury Tales, and The Arabian Nights appears clearly in his novels. Barth recycles stories by using the idea of 'arranging literature', the stories that are recycled are taken from the Bible, The Arabian Nights (Barth's favorite frame-tale), and the heroic myths of the ancient Greek. He fully exploits the cultural relevance and perseverance when he chooses a text for his work. So, hepresentsthe frame-tale in a way that helps to develop the manner of narration, i.e. to lead narrative from exhaustion to replenishment. According to him, one can revive literature by returning to the past and the origin of fiction. This paper is an attempt to explore the structure of the frame-tale inBarth's novella "Dunyazadiad", the first story in his collection,Chimera.
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Sidwell, Keith. "Beyond Old Comedy - G. W. Dobrov (ed.): Beyond Aristophanes: Transition and Diversity in Greek Comedy. (American Philological Association: American Classical Studies, 38.) Pp. xvi + 209. Atlanta, GA: Scholars Press, 1995. ISBN: 0-7885-0139-9 (0-7885-0140-2 pbk)." Classical Review 47, no. 2 (1997): 255–57. http://dx.doi.org/10.1017/s0009840x00250531.
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