Bibliografias temáticas / Giuseppe

Índice

  1. Artigos de revistas
  2. Teses / dissertações
  3. Livros
  4. Capítulos de livros
  5. Trabalhos de conferências
  6. Relatórios de organizações

Literatura científica selecionada sobre o tema "Giuseppe"

Autor: Grafiati
Publicado: 4 de junho de 2021
Última modificação: 29 de julho de 2024

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Artigos de revistas sobre o assunto "Giuseppe"

1

Seibt, Gustav. "Giuseppe Verdi". Kursbuch 57, n.º 205 (2021): 68–69. http://dx.doi.org/10.5771/0023-5652-2021-205-68.

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Bachmann, Ingeborg. "Giuseppe Ungaretti". Po&sie 130, n.º 4 (2009): 135. http://dx.doi.org/10.3917/poesi.130.0135.

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Valder-Knechtges, Claudia. "Giuseppe Saratelli". Die Musikforschung 37, n.º 2 (22 de setembro de 2021): 111–14. http://dx.doi.org/10.52412/mf.1984.h2.1514.

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Capperucci, Vera. "Giuseppe Dossetti". MONDO CONTEMPORANEO, n.º 2 (março de 2019): 115–26. http://dx.doi.org/10.3280/mon2018-002010.

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Balakrishnan, Vijay Shankar. "Giuseppe Cornaglia". Lancet Infectious Diseases 20, n.º 5 (maio de 2020): 550. http://dx.doi.org/10.1016/s1473-3099(20)30306-6.

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Benz, Walter. "Giuseppe Tallini". Results in Mathematics 32, n.º 3-4 (novembro de 1997): 197–201. http://dx.doi.org/10.1007/bf03322126.

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Ceccherini, Pier Vittorio. "Giuseppe Tallini". Results in Mathematics 32, n.º 3-4 (novembro de 1997): 234–40. http://dx.doi.org/10.1007/bf03322131.

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Ciliberto, C. "Giuseppe Tallini". Results in Mathematics 32, n.º 3-4 (novembro de 1997): 241–47. http://dx.doi.org/10.1007/bf03322132.

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Grassi, Giovanni B. "Giuseppe Grassi". Archives of Surgery 131, n.º 11 (1 de novembro de 1996): 1236. http://dx.doi.org/10.1001/archsurg.1996.01430230118027.

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Wulff, Hans J. "Giuseppe Becce". Kieler Beiträge zur Filmmusikforschung 1 (27 de julho de 2023): 178–82. http://dx.doi.org/10.59056/kbzf.2008.1.p178-182.

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Teses / dissertações sobre o assunto "Giuseppe"

1

Myřátská, Libuše. "Giuseppe Verdi: La Traviata". Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2009. http://www.nusl.cz/ntk/nusl-79117.

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The main chapter of this work is more detailed analysis of the Violetta´s part from the opera La Traviata by Giuseppa Verdi. The emphasis is put on the singing part, technical difficulty and the own view. The main topic is completed by the chapter describing composer´s about their creation. A big part is put in comparing diferent interpretations of the main part. A huge selection of the famous sopranos from the beginning of the 20th century to the presentis contained here.
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Hajtas, Franz. "Studien zur Frühen Verdi-Interpretation : Schalldokumente bis 1926 /". Frankfurt am Main ; Bern ; Paris : P. Lang, 1990. http://catalogue.bnf.fr/ark:/12148/cb35103694s.

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Görner, Elisabeth. "Ungarettis frühe Schriften zur Literatur /". Tübingen : Stauffenburg-Verl, 1996. http://catalogue.bnf.fr/ark:/12148/cb37054103n.

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Chytrová, Helena. "Giuseppe Tartini - houslista a pedagog". Master's thesis, Akademie múzických umění v Praze. Hudební fakulta AMU. Knihovna, 2006. http://www.nusl.cz/ntk/nusl-78742.

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The purpose of my diploma dissertation is Giuseppe Tartini - violinist and pedagogue. The work is divided into the five chapters. The first one is about Tartini´s life, the second chapter is about his work and the third one is anout the development of the bow and the bow technigue. The third part introduces Padovian school and famous Tartini´s pupils. The last chapter is a summary of his theoretical works.
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Linari, Franca <1958&gt. "Giuseppe Dessì: Diari 1949-1951". Doctoral thesis, Università Ca' Foscari Venezia, 2007. http://hdl.handle.net/10579/429.

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RAMO', MONICA. "L'universo poetico di Giuseppe Conte". Doctoral thesis, Università degli studi di Genova, 2022. http://hdl.handle.net/11567/1083499.

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Thesis title The poetic universe of Giuseppe Conte Abstract The main object of our research is the poetic work of Giuseppe Conte. His entire poetic production, although differentiated, reveals a continuity in stylistic research and philosophy of existence. Conte's poetry collections are an attempt to express in artistic form his personal vision of literature, the world, society, man and different cultures. Our study explores a poetics that expresses Conte's relationship with poets and writers of the past and present. For Conte, poetry is necessary and fundamental to contemporary civilisation, it is an essential nourishment of the human imagination and soul, it must be understood as fundamental to the aesthetic, moral and economic rebirth of the world. In our study, we first analyse Conte's distance from the neo-avant-garde: he has always considered himself an «outsider» in relation to the artistic and literary movements of the 20th and 21st centuries. His conception of myth and nature as an antidote to the materialism of Western society led him to be one of the founders of «Mythomodernism». We ask why the poet was interested in lost non-European civilizations and examine his reinterpretation of classical myths. We study the role that Conte attributes to poetry in bringing together Western and Eastern cultures; we also analyse the influence of Ligurian «culture» and landscape on Conte. Finally, we focus on the values of language, in particular the expressive value of metaphor (on which Conte wrote fundamental essays), on poetic form and the analysis of language. The techniques used by Conte allow poetry to become the bearer of a new energy and a renewed work of civilisation.
Titre L'univers poétique de Giuseppe Conte Résumé L'objet principal de notre recherche est l'œuvre poétique de Giuseppe Conte. Toute sa production poétique, bien que différenciée, révèle une continuité dans la recherche stylistique et la philosophie de l'existence. Les recueils de poésie de Conte sont une tentative d'exprimer sous forme artistique sa vision personnelle de la littérature, du monde, de la société, de l'homme et des différentes cultures. Notre étude explore une poétique qui exprime la relation de Conte avec les poètes et les écrivains du passé et du présent. Pour Conte, la poésie est nécessaire et fondamentale pour la civilisation contemporaine, elle est un aliment essentiel de l'imagination et de l'âme humaine, elle doit être comprise comme fondamentale pour la renaissance esthétique, morale et économique du monde. Dans notre étude, nous analysons d'abord l'éloignement de Conte de la néo-avant-garde: il s'est toujours considéré comme un «étranger» par rapport aux mouvements artistiques et littéraires des XXe et XXIe siècles. Sa conception du mythe et de la nature comme antidote au matérialisme de la société occidentale l'a conduit à être l'un des fondateurs du «Mythomodernisme». Nous nous interrogeons sur les raisons qui ont poussé le poète à s'intéresser aux civilisations non-européennes disparues et examinons sa réinterprétation des mythes classiques. Nous étudions le rôle que Conte attribue à la poésie dans le rapprochement entre les cultures occidentale et orientale; nous analysons également l'influence de la «culture» et du paysage ligurien sur Conte. Enfin, nous nous concentrons sur les valeurs du langage, en particulier la valeur expressive de la métaphore (sur laquelle Conte a écrit des essais fondamentaux), sur la forme poétique et l'analyse du langage. Les techniques utilisées par Conte permettent à la poésie de devenir le porteur d'une nouvelle énergie et d'une œuvre de civilisation renouvelée.
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Ramò, Monica. "L'univers poétique de Giuseppe Conte". Electronic Thesis or Diss., Université Côte d'Azur, 2022. http://www.theses.fr/2022COAZ2019.

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L'objet principal de notre recherche est l'œuvre poétique de Giuseppe Conte. Toute sa production poétique, bien que différenciée, révèle une continuité dans la recherche stylistique et la philosophie de l'existence. Les recueils de poésie de Conte sont une tentative d'exprimer sous forme artistique sa vision personnelle de la littérature, du monde, de la société, de l'homme et des différentes cultures. Notre étude explore une poétique qui exprime la relation de Conte avec les poètes et les écrivains du passé et du présent. Pour Conte, la poésie est nécessaire et fondamentale pour la civilisation contemporaine, elle est un aliment essentiel de l'imagination et de l'âme humaine, elle doit être comprise comme fondamentale pour la renaissance esthétique, morale et économique du monde. Dans notre étude, nous analysons d'abord l'éloignement de Conte de la néo-avant-garde : il s'est toujours considéré comme un «étranger» par rapport aux mouvements artistiques et littéraires des XXe et XXIe siècles. Sa conception du mythe et de la nature comme antidote au matérialisme de la société occidentale l'a conduit à être l'un des fondateurs du «Mythomodernisme». Nous nous interrogeons sur les raisons qui ont poussé le poète à s'intéresser aux civilisations non-européennes disparues et examinons sa réinterprétation des mythes classiques. Nous étudions le rôle que Conte attribue à la poésie dans le rapprochement entre les cultures occidentale et orientale ; nous analysons également l'influence de la «culture» et du paysage ligurien sur Conte. Enfin, nous nous concentrons sur les valeurs du langage, en particulier la valeur expressive de la métaphore (sur laquelle Conte a écrit des essais fondamentaux), sur la forme poétique et l'analyse du langage. Les techniques utilisées par Conte permettent à la poésie de devenir le porteur d'une nouvelle énergie et d'une œuvre de civilisation renouvelée
The main object of our research is the poetic work of Giuseppe Conte. His entire poetic production, although differentiated, reveals a continuity in stylistic research and philosophy of existence. Conte's poetry collections are an attempt to express in artistic form his personal vision of literature, the world, society, man and different cultures. Our study explores a poetics that expresses Conte's relationship with poets and writers of the past and present. For Conte, poetry is necessary and fundamental to contemporary civilisation, it is an essential nourishment of the human imagination and soul, it must be understood as fundamental to the aesthetic, moral and economic rebirth of the world. In our study, we first analyse Conte's distance from the neo-avant-garde : he has always considered himself an «outsider» in relation to the artistic and literary movements of the 20th and 21st centuries. His conception of myth and nature as an antidote to the materialism of Western society led him to be one of the founders of «Mythomodernism». We ask why the poet was interested in lost non-European civilizations and examine his reinterpretation of classical myths. We study the role that Conte attributes to poetry in bringing together Western and Eastern cultures ; we also analyse the influence of Ligurian «culture» and landscape on Conte. Finally, we focus on the values of language, in particular the expressive value of metaphor (on which Conte wrote fundamental essays), on poetic form and the analysis of language. The techniques used by Conte allow poetry to become the bearer of a new energy and a renewed work of civilisation
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Coduti, C. Leonard. "Giuseppe Verdi| The Paris Opera commissions". Thesis, California State University, Long Beach, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=1523336.

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This thesis examines the relationship between Giuseppe Verdi and the Paris Opera and the stage works that Verdi composed or reworked as a result of this business venture. Between 1847 and 1867, Verdi accepted four formal commissions for Paris: Jerusalem (1847), Les vêpres siciliennes (1855), Le trouvère (1857) and Don Carlos (1867). After a brief introduction discussing Verdi's career before Paris, each commission is discussed in detail from the genesis of the work through its premiere, and the eventual outcome of each opera. This study also evaluates the benefit of this collaboration to Verdi's international career given the requirements and time expended to produce each commission. It explores Verdi's adaptation to cultural differences, his handling of foreign business affairs, and his personal feelings toward French society. Much of the source material is drawn from Verdi's own writings and correspondence, as well as the writings of several Verdi scholars.

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Păcurar-Leroux, Simona. "Giuseppe Berto et l'écriture de soi". Paris 3, 2003. http://www.theses.fr/2003PA030120.

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Dans l'Italie littéraire du deuxième après-guerre, le caractère personnel du discours autobiographique contrevient au climat d'engagement collectif de l'époque. Aussi, l'écrivain Giuseppe Berto doit-il développer de multiples formes d'expression personnelle (journal, roman autobiographique, autofiction) aptes à concilier son projet d'écrivain et les attentes du public. L'analyse textuelle de Il male oscuro en tant que récit d'analyse s'accompagne de l'étude des rapports objectifs de Berto à la psychanalyse (conditions de sa thérapie, état de ses lectures théoriques), et ce compte tenu de la place de Il male oscuro parmi les œuvres étayées par la psychanalyse (de Svevo à Camon). De nouvelles modalités scripturales - l'instance narrative, les conditions du pacte de lecture, la fonction des titres - réactualisent cette écriture de soi dans La cosa buffa. L'analyse diachronique du mouvement de l'écriture dans le texte et l'examen de documents para ou péritextuels montrent l'écriture de soi dans sa genèse et dans sa destination. Le passage de Berto de la phase initiale d'écriture " collective " (liée au projet néoréaliste, mais néanmoins très dense en biographèmes dans Le opere di Dio, Il cielo è rosso, Il brigante et Guerra in camicia nera) vers une écriture qu'il qualifie d'altruiste ou, tout du moins, d'humaniste dans Anonimo veneziano, Oh, Serafina ! et La gloria, permet de restituer le profil global de l'écriture de Berto et d'évaluer l'originalité de cet écrivain dans le panorama littéraire italien
After the Second World War, the commitment of Italian authors to the public good put at a disadvantage autobiography and its private nature. It explains why the writer Giuseppe Berto had to develop various ways of expressing himself (diary, autobiographical novel. . . ) in order to fulfil his own writing needs as well as audience expectations. The text analysis of Il male oscuro as an analytical account is coupled with the study of the links between Berto and psychoanalysis (his theorapeutical process, his theoretical readings on the subject) and the situation of Il male oscuro among works influenced by psychoanalysis, from Svevo to Camon. With La cosa buffa, Berto found other new ways of the self-reflexive writing (narrative voice, reading convention, titles' fonctions). The diachronic analysis of the movement of the writing in the text and the study of documents with respect to the novel illustrate the self-reflexive writing, its genesis and its aims. The way Berto went from a first period of "collective" writing, linked to realism but rich of personal elements, to a writing he calls altruistic or, at least, humanistic, leads to show the whole range of Berto's writing and his originality in Italian literature
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Picano, Jean. "Giuseppe Mazzini : de l'humanitarisme au nationalisme". Brest, 1991. http://www.theses.fr/1991BRES1003.

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La biographie intellectuelle de mazzini est interessante et exemplaire. Elle est exemplaire parce qu'elle contraint le lecteur au decryptage d'une ecriture a la fois hardie et auto-censuree. L'avo cat genois a une part de son action largement ouverte sur le monde une autre part est clandestine, dans la sphere des societes secretes ses amis l'ont partout aide en europe et, l'un d'entre eux; pierre leroux a su conquerir son admiration puisque mazzini fut humanitariste jusqu'en 1850. L'humanitarisme n'etait pourtant pas le projet du chef de la jeune italie. En 1830, seule la revendication nationaliste l'occupait. Mais il se rallis a l'utopie leroussienne des qu'il vit en elle une possible auxiliaire de la "troisieme rome". Lorsqu'il subit l'echec humiliant de la republique romaine (1849) l'ex-triumvir jugeant que l'humanitarisme n'avait pas la force politique dont il avait besoin, fonda son nouveau systeme; le nationalisme mazzinien. Il s'agit d'une religion d'etat qui est organisee autour d'un chef et d'un parti. Une seule chambre des deputes traite. Les affaires de la nation qui sont elles-memes commandees par un ideal unique : la terza roma. . . Le pre-fascisme est ainsi mis en place
Mazzini's intellectual biography is intersting and revealing. Because it demands from the reader an effort at decyphering a writing both bold and self-censured. The genovese lawyer's action is partly largely apened on the world and partly clandestine in the sphere of secret societies. His friends all over europe helped him and one of them, pierre leroux, managed to win his admiration since mazzini vas a humanitarian until 1850. Yet, humanitarianism did not rank first among the objectives of the leader of the young italy movement. Butn he closed ranks with leroux's utopia as soon as he recognized in it a likely helo for his third ro me. Once he had suffered the humiliating failure of the republic, the former member of the triumvirate considering that humanitarianism was not endowed with the political clout that he neededfounded his new system : mazzinian nationalism, it is a state religion with a leader that is organized as a party. One house of representatives only deal with the affairs of the nationthat are motived by a single ideal : the third rome. The pre-fascist period has thus begun
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Livros sobre o assunto "Giuseppe"

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Specchia, Nelson Gustavo. Giuseppe. Córdoba, República Argentina: Ediciones del Copista, 2003.

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2

Benvenuto, Beppe. Giuseppe Prezzolini. Palermo: Sellerio, 2003.

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3

Giraldi, Massimo. Giuseppe Bertolucci. Milano: Il castoro, 2000.

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4

Altea, Giuliana. Giuseppe Biasi. Nuoro: Ilisso, 2004.

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5

Calvesi, Maurizio. Giuseppe Sciuti. Nuoro: Ilisso, 1989.

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6

Landini, Agnese, ed. Giuseppe Dessí. Florence: Firenze University Press, 2002. http://dx.doi.org/10.36253/978-88-6453-264-6.

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A venticinque anni dalla scomparsa di uno degli scrittori più raffinati e appartati del nostro secondo Novecento è disponibile, grazie al lavoro e alla competenza filologica di Agnese Landini, il catalogo completo delle opere e delle carte d'autore presenti nel Fondo Giuseppe Dessí. La schedatura del materiale, depositato all'Archivio Contemporaneo del Gabinetto Vieusseux di Firenze, consente di ricostruire la bibliografia completa degli editi e inediti dello scrittore sardo e, mentre racconta con i documenti la storia di un percorso narrativo, facilita l'accesso alla consultazione di appunti e abbozzi di romanzi, racconti, teatro, antologie, traduzioni, saggistica, poesia, interviste.
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Krumm, Ermanno. Giuseppe Capogrossi. Milano: Galleria d'arte "Il torchio,", 2000.

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Mula, Orazio. Giuseppe Verdi. Bologna: Il Mulino, 1999.

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Trini, Tommaso. Giuseppe Spagnulo. Costigliole d'Asti [Italy]: Brandstetter & Wyss, Castel Burio-Arte, 1994.

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Restano, Giuseppe. Giuseppe Restano. Lucca [Italy]: Art4Lab, 2009.

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Capítulos de livros sobre o assunto "Giuseppe"

1

Güntert, Georges. "Giuseppe Ungaretti". In Kindler Kompakt: Lyrik des 20. Jahrhunderts, 87–89. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04504-1_13.

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Kelly, Dorothy Pearl. "Fiorelli, Giuseppe". In Encyclopedia of Global Archaeology, 4232–33. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2488.

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Wild, Gerhard. "Berto, Giuseppe". In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_2732-1.

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Ruggeri, Tommaso, e Giuseppe Saccomandi. "Grioli, Giuseppe". In Encyclopedia of Continuum Mechanics, 1–2. Berlin, Heidelberg: Springer Berlin Heidelberg, 2019. http://dx.doi.org/10.1007/978-3-662-53605-6_303-1.

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Emans, Reinmar. "Tartini, Giuseppe". In Metzler Komponisten Lexikon, 796–97. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_303.

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Emans, Reinmar. "Torelli, Giuseppe". In Metzler Komponisten Lexikon, 805–6. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_307.

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Marggraf, Wolfgang. "Giuseppe Verdi". In Kammermusikführer, 648–50. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03514-1_133.

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Abert, Anna Amalie. "Giuseppe Verdi". In Geschichte der Oper, 114–28. Stuttgart: J.B. Metzler, 1994. http://dx.doi.org/10.1007/978-3-476-03564-6_8.

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Emans, Reinmar. "Tartini, Giuseppe". In Komponisten Lexikon, 632–33. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_312.

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Kuhl, Adrian. "Torelli, Giuseppe". In Komponisten Lexikon, 638–40. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_316.

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Trabalhos de conferências sobre o assunto "Giuseppe"

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IASELLI, Giuseppe. "Remembering Giuseppe Belli". In XI Workshop on Resistive Plate Chambers and Related Detectors. Trieste, Italy: Sissa Medialab, 2012. http://dx.doi.org/10.22323/1.159.0002.

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Natowitz, Joseph B. "Giuseppe Viesti - An appreciation". In THERMOPHYSICS 2016: 21st International Meeting. Author(s), 2016. http://dx.doi.org/10.1063/1.4955341.

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CASCIATI, FABIO. "PRESENTATION FOR PROFESSOR GIUSEPPE GRANDORI". In Proceedings of the 3rd International Workshop on Structural Control. WORLD SCIENTIFIC, 2001. http://dx.doi.org/10.1142/9789812811707_0001.

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Ding, Mei. "Appreciation of Giuseppe Castiglione ‘s Baizi painting". In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.522.

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Nagakura, Takehiko. "Danteum of Giuseppe Terragni and Pietro Lingeri". In ACM SIGGRAPH 98 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1998. http://dx.doi.org/10.1145/281388.281846.

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Tahmasbi, Hamed, e Hadi Aliakbarian. "Miniaturized printed Giuseppe-Peano fractal monopole blade antenna". In 2016 International Symposium on Electromagnetic Compatibility - EMC EUROPE. IEEE, 2016. http://dx.doi.org/10.1109/emceurope.2016.7739299.

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PAGLIUCA, ANTONELLO, PIER PASQUALE TRAUSI e DONATO GALLO. "GIUSEPPE VACCARO: AN “EXPERIMENTER” OF A CONSTRUCTIONAL MODERNITY". In STREMAH 2021. Southampton UK: WIT Press, 2021. http://dx.doi.org/10.2495/str210011.

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8

Dooper, Marten. "Meet the Trialist: Prof. Giuseppe Curigliano on DESTINY-Breast06". In ASCO Annual Meeting 2024, editado por Stefan Rauh. Baarn, the Netherlands: Medicom Medical Publishers, 2024. http://dx.doi.org/10.55788/1acf12c7.

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Zhang, Zekui, Guanghui Xu, Zhi Zheng e Xing Chen. "A high gain array antenna using Giuseppe Peano Fractal Configuration". In 2014 3rd Asia-Pacific Conference on Antennas and Propagation. IEEE, 2014. http://dx.doi.org/10.1109/apcap.2014.6992549.

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Campos, Letícia Badan Palhares Knauer de. "Alcova Tragica de Giuseppe Amisani e a belle époque paulistana". In Encontro de História da Arte. Universidade Estadual de Campinas, 2011. http://dx.doi.org/10.20396/eha.7.2011.4088.

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A presente comunicação é um recorte da pesquisa de iniciação científica “Acerca de La Culla Tragica – Giuseppe Amisani no Brasil”, que encontra-se ainda em andamento e desenvolvida sob orientação do Prof. Dr. Jorge Coli, no Departamento de História do IFCH/UNICAMP. Como principal objetivo visa-se abordar a passagem de Giuseppe Amisani (1881-1941) pelo Brasil, durante a belle époque – entre os anos de 1912 e 1913 – quando o pintor monta seu atelier na cidade de São Paulo. Este artista, originário de Mede Lomellina, pequena cidade italiana localizada na província de Pavia, trabalhou principalmente como retratista dentro e fora da Itália. Passou pela Inglaterra, pela América do Sul e foi no Cairo onde conseguiu sua maior fama, ao imortalizar em suas pinceladas ágeis e coloridas o rosto juvenil e vivaz do príncipe herdeiro, Farouk I (Ritratto di Farouk bambino, 1924 – Coleção privada). Na América do Sul passou por Buenos Aires e fez sua passagem pelo Brasil em duas datas até hoje conhecidas – 1912 e 1913. Nesta comunicação trataremos sobre sua segunda viagem. Apresentando algumas das obras trazidas, das realizadas aqui, bem como sua relação com algumas importantes figuras políticas nacionais.
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Relatórios de organizações sobre o assunto "Giuseppe"

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P., DALLA VILLA. Overcoming the impact of COVID-19 on animal welfare: COVID-19 Thematic Platform on Animal Welfare. O.I.E (World Organisation for Animal Health), outubro de 2020. http://dx.doi.org/10.20506/bull.2020.nf.3137.

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The World Organisation for Animal Health (OIE) represents 182 countries with a focus on animal health, animal welfare and veterinary public health. The OIE has several Collaborating Centres that support the work of the organisation. The Istituto Zooprofilattico Sperimentale dell’Abruzzo e del Molise ‘Giuseppe Caporale’ (IZSAM) is the Secretariat for the OIE Collaborating Centre Network on Veterinary Emergencies (EmVetNet). In April 2020, the IZSAM initiated a COVID-19 Thematic Platform on Animal Welfare. The working group represented the EmVetNet Collaborating Centres, international institutions, veterinary associations, authorities and animal welfare organisations. Lincoln Memorial University College of Veterinary Medicine recruited summer research students whom catalogued over 1,200 animal welfare related reports and provided 64 report narratives for the working group. IZSAM launched the EmVetNet website (https://emvetnet.izs.it) for public and private exchange of information, materials, and guidelines related to veterinary emergencies. The EmVetNet COVID-19 Thematic Platform on Animal Welfare continues to meet to address emerging issues, strengthen the network for future emergencies, and share information with stakeholders including national Veterinary Services responding to the epidemic.
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P., DALLA VILLA. Overcoming the impact of COVID-19 on animal welfare: COVID-19 Thematic Platform on Animal Welfare. O.I.E (World Organisation for Animal Health), outubro de 2020. http://dx.doi.org/10.20506/bull.2020.nf.3137.

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The World Organisation for Animal Health (OIE) represents 182 countries with a focus on animal health, animal welfare and veterinary public health. The OIE has several Collaborating Centres that support the work of the organisation. The Istituto Zooprofilattico Sperimentale dell’Abruzzo e del Molise ‘Giuseppe Caporale’ (IZSAM) is the Secretariat for the OIE Collaborating Centre Network on Veterinary Emergencies (EmVetNet). In April 2020, the IZSAM initiated a COVID-19 Thematic Platform on Animal Welfare. The working group represented the EmVetNet Collaborating Centres, international institutions, veterinary associations, authorities and animal welfare organisations. Lincoln Memorial University College of Veterinary Medicine recruited summer research students whom catalogued over 1,200 animal welfare related reports and provided 64 report narratives for the working group. IZSAM launched the EmVetNet website (https://emvetnet.izs.it) for public and private exchange of information, materials, and guidelines related to veterinary emergencies. The EmVetNet COVID-19 Thematic Platform on Animal Welfare continues to meet to address emerging issues, strengthen the network for future emergencies, and share information with stakeholders including national Veterinary Services responding to the epidemic.
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