Bibliografias temáticas / Gilles Saussier

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Literatura científica selecionada sobre o tema "Gilles Saussier"

Autor: Grafiati
Publicado: 7 de setembro de 2024

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Artigos de revistas sobre o assunto "Gilles Saussier"

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Saint-Gerand, Jacques-Philippe. "Gilles Siouffi (dir.), Le Sentiment linguistique chez Saussure". Questions de communication, n.º 43 (1 de outubro de 2023): 503–7. http://dx.doi.org/10.4000/questionsdecommunication.32458.

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Romand, David. "Siouffi, Gilles, ed. 2021. Le sentiment linguistique chez Saussure". Histoire Épistémologie Langage, n.º 44-2 (7 de novembro de 2022): 182–89. http://dx.doi.org/10.4000/hel.2874.

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Dalola, Amanda. "Le sentiment linguistique chez Saussure éd. par Gilles Siouffi (review)". French Review 97, n.º 1 (outubro de 2023): 266–67. http://dx.doi.org/10.1353/tfr.2023.a911362.

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Chiss, Jean-Louis. "Gilles SIOUFFI (éd.). Le Sentiment linguistique chez Saussure . Paris, ENS Éditions, 2021, coll. « Langage » (192 p., 23,00 euros)". Le français aujourd'hui N° 214, n.º 3 (6 de agosto de 2021): VI. http://dx.doi.org/10.3917/lfa.214.0136f.

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Gaybullaeva, Nafisa, e Muyassar Navruzova. "The developmental progress of the cognitive approach". E3S Web of Conferences 538 (2024): 02018. http://dx.doi.org/10.1051/e3sconf/202453802018.

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It is known that nowadays, in linguistics, the science of "cognitive linguistics" has already been used widely. This science is considered one of the most relevant areas of linguistics, which occupies a prominent place in modern linguistics. The study enumerates that cognitive linguistics is associated with various fields such as psycholinguistics, anthropological linguistics, ethnolinguistics, and sociolinguistics. Various meanings, and directions of the word Cognitive science, in foreign linguistics a lot of research carried out by George Lakoff, Johnson, Johnson-Laird, Gilles Fauconnier, Ronald Wayne Langacker, W. von Humboldt, Heymann Steinthal, A.A. Potebnya, F. de Saussure, E. Benveniste, and other scholars have given one-on-one emphasis. As the representatives of this direction in Uzbek linguistics, Sh.S. Safarov, D. U. Ashurova, A. E. Mamatov, and G.M. Hoshimov also presented a description of the subject. The task of cognitive linguistics is to acquire and preserve knowledge using language, practice, and transmit language, in general, is a deep scientific study, linking the language system and composition as a perception in the human brain, and is based on theoretical facts in the article.
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Quentel, Louise. "Gilles Saussier, Spolia". Critique d’art, 24 de junho de 2019. http://dx.doi.org/10.4000/critiquedart.47274.

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MÉAUX, Danièle. "Gilles Saussier’s Travels in Romania". Viatica, n.º 8 (1 de março de 2020). http://dx.doi.org/10.52497/viatica1697.

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Gilles Saussier has moved away from photojournalism to develop new documentary strategies which find their place in books or exhibition spaces. Among his works, Le Tableau de chasse (2010) and Spolia (2018) are presented as travel books to Romania. The first favors the deconstruction of photojournalism practices, when the second presents itself as a patient investigation carried out in the footsteps of La Colonne sans fin by Constantin Brancusi.
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Matthey, Marinette. "Gilles Siouffi (dir.), Le sentiment linguistique chez Saussure". Lidil, n.º 66 (31 de outubro de 2022). http://dx.doi.org/10.4000/lidil.11244.

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Beuchot Puente, Mauricio. "An analogical rationality for poststructuralism". Análisis 54, n.º 101 (1 de julho de 2022). http://dx.doi.org/10.15332/21459169.7926.

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The following writing intends to show the need for an analogical rationality in the so-called post-structuralist authors such as the French Michel Foucault and Gilles Deleuze together with the Algerian Jacques Derrida. The text will show why, beyond being neo-structuralists, these authors are poststructuralists, and in this sense, it will reflect on a possible way out for this philosophical current. One cannot lose sight of the influence of those considered to be structuralist authors, such as: Saussure, Chomsky, Piaget, Lévi-Strauss or Barthes, since in them is found the origin of the critical project that the post-structuralists continued.
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Marques Granato, Fernanda, e Vera Bastazin. "On the edge of sense: nonsense and paradox in Edward Lear’s and Qorpo Santo’s selected works". Ilha do Desterro A Journal of English Language, Literatures in English and Cultural Studies 74, n.º 1 (28 de janeiro de 2021). http://dx.doi.org/10.5007/2175-8026.2021.e71878.

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In this article, we delineate the relationship between nonsense, opposition and paradox in selected excerpts of the works of Edward Lear (1812-1888) and Qorpo Santo (1829-1883), considering nonsense and paradox in the light of the theories proposed mainly by Gilles Deleuze and Charles Ogden and secondarily by Jean Jacques Lecercle, Wim Tigges and Ferdinand Saussure. This article seeks to understand the relationship between sense and nonsense in relation to the way these theorists articulate the productive tension that exists between other kinds of binary relationships. Research carried out about the relationship between nonsense theories and the binary opposites delineated by pairs and more precisely about Edward Lear and Qorpo Santo has been extremely scarce, and this article seeks to contribute to the related literary scholarship.
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Teses / dissertações sobre o assunto "Gilles Saussier"

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Turri, Hoelken Amandine. "La photographie dialogique : entre démarches artistique, politique et anthropologique". Electronic Thesis or Diss., Strasbourg, 2024. http://www.theses.fr/2024STRAG009.

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La dialogie a été développée dans les années 1920 par Mikhaïl Bakhtine, théoricien russe de la littérature. Il a développé ce concept afin d’étudier les oeuvres de Dostoïevski, avant de l’étendre plus généralement à la communication. Dans le contexte artistique, la dialogie se manifeste à travers la représentation de dialogues, favorisant une description dense et des réponses non totalisantes. Dans la photographie documentaire, l’auteur.e adopte une approche dialogique, en reconnaissant l'autre comme un sujet autonome. L'oeuvre résulte d'une interaction constante avec les interlocuteur.ice.s du terrain. Cette thèse explore l'approche dialogique dans la photographie documentaire à travers une perspective ethnographique, méthodologique et épistémologique. La première partie se concentre sur mon terrain de 2012 à 2017 avec un groupe de "zonard.e.s" : le projet ZONE 54. La seconde partie établit des liens entre les principes de la dialogie, le projet ZONE 54, et d'autres documentaires dialogiques de photographes tels qu’Allan Sekula, Susan Meiselas, Marc Pataut et Gilles Saussier
Dialogy was developed in the 1920s by the Russian literary theorist Mikhail Bakhtin. He developed the concept in order to study the works of Dostoyevsky, before extending it more generally to communication. In the artistic context, dialogy entails the representation of dialogues, favoring thick description and non-totalizing responses. In documentary photography, the author adopts a dialogic approach, recognizing the other as an autonomous subject. Dialogic works promote sustained interaction with the interlocutors in the field.This thesis explores the dialogic approach in documentary photography from an ethnographic, methodological and epistemological perspective. The first part focuses on my own fieldwork from 2012 to 2017 with a group of "zonard.e.s": the ZONE 54 project. The second part links the fundamental principles of dialogy, the ZONE 54 project, and other dialogic documentary works by such photographers as Allan Sekula, Susan Meiselas, Marc Pataut and Gilles Saussier
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Oliveira, Rita de Cassia. "A construção do objeto das ciencias humanas segundo a epistemologia da linguagem de Gilles - Gaston Granger (a linguistica de Saussure como paradigma de ciencias humanas)". [s.n.], 2003. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281496.

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Orientador: Arley Ramos Moreno
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-03T15:49:14Z (GMT). No. of bitstreams: 1 Oliveira_RitadeCassia_M.pdf: 10310934 bytes, checksum: de16e77e1046f8bcc05f0214d9fa8e73 (MD5) Previous issue date: 2003
Resumo: O presente trabalho tem por objetivo expor e comentar os principais aspectos da proposta de uma epistemologia da linguagem conforme concebida pelo filósofo contemporâneo GILLES-GASTON GRANGER no seu programa de epistemologia comparada, bem como ilustrar esta proposta com sua aplicação à teoria lingüística de FERDINAND DE SAUSSURE. A idéia de GRANGER de uma epistemologia da linguagem se sustenta no pressuposto de que o objeto cientifico é uma construção lingüística resultante de um processo do pensamento formal. Este último se insere na filosofia transcendental, não propriamente nos mesmos moldes da concepção kantiana, mas considerando as condições a priori e os princípios transcendentais de fundamental importância para uma epistemologia, quando deslocados do sujeito para a linguagem
Abstract: The present work has the aim to explain and to comment the principal aspects of the proposition of an epistemology of language according the contemporary philosopher GILLES-GASTON GRANGER in his epistemology compared program as well to ilustrate this proposal with its application to the linguistic theory of FERDINAND SAUSSURE. Granger's idea of an epistomology of language supports itself in the purpose that the scientific object is a linguistic construction resultant of a process of the formal thought. This last one inserts itself in the transcendental philosophy, but not in the same patterns of Kant conception, but considering the a priori conditions and the transcendental principles of fundamental importance for an epistemology, when transferred from the subject to the language
Mestrado
Mestre em Filosofia
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"A construção do objeto das ciencias humanas segundo a epistemologia da linguagem de Gilles - Gaston Granger (a linguistica de Saussure como paradigma de ciencias humanas)". Tese, Biblioteca Digital da Unicamp, 2003. http://libdigi.unicamp.br/document/?code=vtls000298912.

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Capítulos de livros sobre o assunto "Gilles Saussier"

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"Pefanis, Julian 88 Smith, Graham 10 Pétillon, Pierre-Yves 32, 34, 36 Starobinski, Jean 80 Picard, Raymond 23 Steiner, George 78 Piemme, Jean-Marie 45 Stock, Brian 34 Poe, Edgar Alan 9, 27 Stourdzé, Yves 45–6 Pompidou, Georges 47 Pontaut, Alain 5 Poole, Roger 40–1 Takemura, Kenichi 1, 16 Pound, Ezra 56 Tassart, Maurice 105 Texier, Jean 38 Theall, Donald 12, 68, 81, 107–8 Reagan, Ronald 79, 116 Thenot, Jean-Paul 74 Resnais, Alain 87 Thibau, Jacques 46 Rickels, Lawrence 53 Todorov, Tzvetan 50 Riesman, Paul 18–19, 22 Torgovnic, M. 106, 108 Rigby, Brian 6, 17, 33, 60 Trudeau, Pierre 5, 46–7, 91, Robbe-Grillet, Alain 87 103–4 Robert, Gilles 118 Rokeby, David 10 Rosenthal, Raymond 2 Vermillac, Michel 25, 27 Vernay, Alain 50 Virilio, Paul 4, 16, 89, 95–7 Said, Edward 22 Sarick, Lila 14 Sarrazin, Jean 105 Watson, Wilfred 119–20 Sartre, Jean-Paul 26 Weinstein, M. A. 12 de Saussure, Ferdinand 80, 90 Weiss, Peter 83 Schaeffer, Pierre 56–8, 60 Williams, Raymond 34 Schafer, R. Murray 83 Wolf, Gary 13 Schwartz, Eugene 15 Wolfe, Tom 104 Sevette, Christian 11 Wolton, Dominique 47 Smart, Barry 94 Zingrone, Frank 9 ŽiŽek, Slavoj 59, 62". In McLuhan and Baudrillard, 146. Routledge, 2002. http://dx.doi.org/10.4324/9780203005217-16.

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