Bibliografias temáticas / Gilles

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Literatura científica selecionada sobre o tema "Gilles"

Autor: Grafiati

Publicado: 4 de junho de 2021

Última modificação: 1 de agosto de 2024

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Artigos de revistas sobre o assunto "Gilles"

Aubron, Hervé, Jun Fujita e Cyril Neyrat. "« Tout de Gilles et rien de Gilles »". Vertigo 25, n.º 1 (2004): 89. http://dx.doi.org/10.3917/ver.025.0089.

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Cheval, Perrine, e Bernard Guzniczak. "Gilles Séraphin". Les Cahiers Dynamiques 65, n.º 3 (2015): 6. http://dx.doi.org/10.3917/lcd.065.0006.

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Vigarello, Georges. "Gilles Ferry". Esprit Décembre, n.º 12 (2007): 243. http://dx.doi.org/10.3917/espri.0712.0243.

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Brians, Ella. "Gilles Deleuze". Graduate Faculty Philosophy Journal 27, n.º 1 (2006): 214–17. http://dx.doi.org/10.5840/gfpj200627127.

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Justaert, Kristien. "Gilles Deleuze". Articles spéciaux 65, n.º 3 (24 de março de 2010): 531–44. http://dx.doi.org/10.7202/039049ar.

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L’interprétation de la philosophie de Gilles Deleuze comme « projet de rédemption » fait de lui un candidat propre à une évaluation théologique. Afin de révéler l’importance potentielle de Deleuze pour la théologie, je me concentre d’abord sur les caractéristiques mêmes de ce projet de rédemption. Dans la deuxième partie de cet article, je confronte les idées de Deleuze à la théologie de la libération. Est-ce que sa vision politique est assez forte pour pouvoir supporter une théologie de la libération ou offre-t-il plutôt une « ontologie pour le bouddhiste occidental » ? Je conclurai que la pensée de Deleuze tend vers cette deuxième option.

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Diniz, Claudio. "Gilles Lipovetsky". dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda 6, n.º 13 (24 de janeiro de 2013): 132. http://dx.doi.org/10.26563/dobras.v6i13.128.

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Gilles Lipovetsky nasceu em Millau, na França, em 1944. É filósofo, pesquisador e uma referência mundial no mercado do luxo. Seus livros já foram traduzidos em 18 idiomas e distribuídos em mais de 80 países. Ele foi condecorado com o título de Cavaleiro da Legião de Honra na França e eleito personalidade da década por várias revistas francesas. Atualmente, Gilles é uma das pessoas mais requisitadas para falar sobre luxo.

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Bécasse, Catherine. "Gilles Havard". Revue française d’études américaines N° 168, n.º 3 (27 de setembro de 2021): 107–8. http://dx.doi.org/10.3917/rfea.168.0107.

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Boundas, Constantin V. "Gilles Deleuze". Symposium 5, n.º 1 (2001): 126–32. http://dx.doi.org/10.5840/symposium20015110.

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Olkowski, Dorothea. "Gilles Deleuze". International Studies in Philosophy 29, n.º 1 (1997): 137–38. http://dx.doi.org/10.5840/intstudphil199729118.

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Donkel, Douglas L. "Gilles Deleuze". International Studies in Philosophy 33, n.º 4 (2001): 123–25. http://dx.doi.org/10.5840/intstudphil200133449.

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Teses / dissertações sobre o assunto "Gilles"

Vankeerberghen, Véronique. "L'ontologie de Gilles Deleuze". Paris 8, 2001. http://www.theses.fr/2001PA081904.

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L'objet du travail a pour visée d'interroger la politique de pensée de Deleuze, à savoir les réquisits et effets du choix de l'immanence, de l'univocité ontologique et d'une virtualisation de certains dispositifs philosophiques. Il s'agira de montrer que le choix politique de l'immannence véhicule des garanties (égalité ontologique) et des contraintes (différence asymétrique) et que, doublé du choix d'une concaténation de certains systèmes philosophiques (les Stoîciens, Hume, Leibniz, Spinoza, Kant, Nietzsche, Bergson), il oriente la saisie des problèmes de la différence pure et de la co-genèse de l'être et de la pensée. . .

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Goudeau, Emilie. "Gilles le Muisit, Registre". Phd thesis, Clermont-Ferrand 2, 2009. https://tel.archives-ouvertes.fr/tel-00726027/document.

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Gilles Le Muisit, abbé au milieu du XIVème siècle du couvent de Saint-Martin de Tournai, a rassemblé entre 1349 et 1352, alors qu'il était aveugle, l'ensemble de son oeuvre en français dans un énorme volume réunissant des pièces en octosyllabes, quatrains d'alexandrins et prose. Le tout forme une oeuvre littéraire inclassable, mélange de chronique, d'entreprise didactique et de poésie, posant beaucoup de problèmes de compréhension littérale. Il existe une édition ancienne de ce texte (Joseph Kervyn de Lettenhove, Louvain, 1882) qui souffre de nombreuses erreurs de transcription et propose un texte brut, sans balisage interne ni structure, accompagné d'un glossaire lacunaire et fautif. Notre travail tente d'établir une seconde édition répondant aux exigences scientifiques actuelles et permettant l'accès à cette oeuvre d'un intérêt certain autant sur le plan littéraire que linguistique, en particulier lexicographique ; la langue de Gilles Le Muisit se signale par sa forte couleur régionale (picard, wallon) et une richesse de vocabulaire remarquable, le texte de son "Registre" présentant beaucoup de mots peu ou pas attestés avant 1350. L'édition se limite pour l'instant aux neuf premiers chapitres du texte ; la transcription s'accompagne d'une introduction (présentation de l'auteur et du manuscrit, étude linguistique, commentaire littéraire), d'un ensemble de notes critiques (tentatives d'élucidation des sources et références, remarques linguistiques et littéraires ponctuelles, leçons rejetées du manuscrit ou de l'édition ancienne), d'un important glossaire et d'un index des noms propres. Nous publions pour la première fois en annexes les pièces finales du "Registre"

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Karvelytė, Kristina. "Beprotybės interpretacija Gilles Deleuze'o filosofijoje". Master's thesis, Lithuanian Academic Libraries Network (LABT), 2005. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2005~D_20050523_154141-66502.

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The interpretation of unreason in Gilles Deleuze‘s philosophy Deleuze argues that all philosophy must originate itself from violence. The violence in thought is evoken by problems, which aren‘t given but constituted in mind. The fundamental problem of thought is incapacity to think itself, the malaise of mind, stupidity or madness. The dogmatical image of thought takes the common form of an 'Everybody knows . . .' , and in the following way disassociates itself from the problem - it merely dislodges madness from discourse of reason. Deleuze shows that the problem of madness should be included into image of thought, if transforming it simultaneously. The work points out, how Deleuze solves this properly transcendental qestion: how is unreason possibile? The thinker offers three perspectives, three points of view to reflect this problem. It can be seen from a point from highland or platonical tradicion, from a point of surface or virtual philosophy which Deleuze founds in the works of stoics, Leibniz, Nietzsche and Lewis Carrol and from a point of depths into which plunges Artaud. To each of these modes of mind thereby can be diagnosed distinct disease: maniac depresion or paranoia to idealism, active form of schizophrenia- to virtual philosophy and passive form of schizophrenia – to the thinking of depths. The research shows up how eventualy this triad turns to strict disjunction between traditional image of thought and the thought which is able to think of madness, becomings... [to full text]

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Vaillancourt, Eric. "L'atelier d'orfèvrerie de Gilles Beaugrand". Thesis, Université Laval, 2011. http://www.theses.ulaval.ca/2011/28399/28399.pdf.

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Salucci, Marco. "Gilles Deleuze, une inéfinition esthétique". Paris 8, 2014. http://www.theses.fr/2014PA084150.

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La notion de ressemblance, l’inconscient œdipien, l’ordre de la grammaire, sont respectivement trois manières finalisées à définir la sensibilité, le désir, l’écriture. Cependant, la philosophie de Deleuze fait dysfonctionner la ressemblance, délirer le désir, met sous tension la grammaire. Dans cette thèse, nous proposons une approche opératoire de la pensée de Deleuze afin de montrer par quels mouvements et par quels concepts, la définition atteint ses limites et la pensée retrouve le véritable étonnement philosophique. Lorsque désir et objet, Dire et Faire, corps et sensation, se retrouvent dans une zone indéfinie, la philosophie ne concerne plus la pensée, elle fait sensation. Cette thèse décompose et explicite les mouvements et les milieux où les concepts deleuziens se forment en partant de la destitution d’un objet clair, pensé et défini. Les vitesses qui parcourent sa philosophie seront mises en contrepoint avec des œuvres d’art qui permettront d’activer une sensation au delà de tout objet défini et en-deçà de tout sujet constitué. Nous verrons comment les trajets indéfinis de leur destitution parcourent une surface dans laquelle la notion de création rencontre, chez Deleuze, la vie
The concepts of similarity, unconscious Oedipal tendencies, and grammatical order are, respectively, three basic ways of framing sensibility, desire, and writing. Deleuze’s philosophy, however, dismisses this understanding; he renders similarities dysfunctional, while enflaming desire and energizing grammar. In this thesis, we propose an operative approach to Deleuze’s thought, in order to show how it has reclaimed the power of shocking philosophical insight. When desire and its object, or the declaration and its accomplishment, as well as the body and its capacities of sensation, are left in an indefinite area, philosophy is no longer confined to realm of thought; it creates a sensation. This thesis deconstructs and makes explicit those areas where Deleuzian concepts take on this matter of the removal of the certain object. The quick thinking that runs through his philosophy will be placed in counterpoint to those works of art that activate a sharp feeling beyond all defined objects and subject matter. We will see how such undefined paths give rise to a surface where the notion of creation is, according to Deleuze, life itself

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Vaillancourt, Éric. "L'atelier d'orfèvrerie de Gilles Beaugrand". Master's thesis, Université Laval, 2011. http://hdl.handle.net/20.500.11794/23728.

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Gilles Beaugrand-Champagne (1906-2005) a été connu dans toute l'Amérique du Nord pour ses vases sacrés et autres objets de culte, à une époque où le monde de l'art religieux a connu un profond renouveau. Beaugrand, par ses études à l'École des beaux-arts de Montréal, puis sa formation en ferronnerie d'art à Paris, connaissait les courants d'avant-garde du monde des arts décoratifs. À partir de 1935-1936, en s'appuyant sur les compétences d'orfèvres expérimentés, il met sur pied un atelier qui se fait rapidement remarquer par sa production d'objets de culte au langage art déco, et par sa capacité à réaliser une grande diversité d'objets métalliques de toutes catégories. Le fonctionnement de l'atelier de Gilles Beaugrand correspond à un modèle fidèle à sa formation académique où le maître d'atelier utilise son personnel pour réaliser de nombreuses oeuvres, tout en étant le seul créateur des objets produits.

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Petitjean, Vincent. "Vies de Gilles de Rais". Lille 3, 2011. http://www.theses.fr/2011LIL30045.

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Cette thèse vise à rendre compte de la postérité littéraire de Gilles de Rais, personnage historique qui vécut dans la France du XVe siècle. Compagnon de Jeanne d'Arc, il fut assimilé à Barbe-Bleue. Il s'agit ici de suivre le devenir littéraire de cette figure du XVe siècle à nos jours afin de déterminer le statut littéraire du maréchal de Charles VII. Ce faisant, cette étude envisage le problème du rapport entre Histoire et littérature ainsi que les conditions d'élaboration d'une figure héroïque, voire d'un mythe littéraire
This work tries to understand the literary becoming of Gilles de Rais, historical character who lived in France during the Fifteenth Century. Comrade-in-arms to Joan of Arc, he was assimilated to Bluebeard. It is about to following Gilles's progress in literature from the Fifteenth Century until these days to determinate what kind of character he really was. That's why the link between History and literature is considered as well as the process, which enables of a hero, or even a literary myth

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Raby, John. "Gilles Deleuze : musique, philosophie et devenir". Thesis, Rennes 2, 2015. http://www.theses.fr/2015REN20011/document.

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D’après Deleuze, écrire sur la musique constituerait un « sommet » de la pensée, l’idée d’une « supériorité » du musical sur les autres formes d’art étant, par là même, affirmée. La relation entre musique et philosophie n’est pas, dans sa pensée, de l’ordre du commentaire mais du devenir. Autrement dit, la musique n’est pas un simple objet d’analyse puisqu’elle influence en retour le style de conceptualisation du philosophe. C’est pourquoi ce problème s’articule selon deux perspectives qui s’échangent sans se concilier tout à fait : un devenir-musical de la philosophie, un devenirconceptuelde la musique. On pense par exemple au concept décisif de ritournelle qui désigne à la fois une « petite musique » etl’éternel retour.Le devenir-musical de la philosophie correspond à une dimension « artiste » de la pensée, le style d’écriture devenant un enjeu majeur. Deleuze partage avec les romanciers la création d’une langue étrangère dans la langue courante – création qui tend vers une « musicalisation » du langage. Si l’écrivain invente une « petite musique » par une mise en variation continue de la langue, le devenir musical de la philosophie implique une variation continue du concept, notamment parl’usage de la métaphore. Le texte philosophique refuse alors toute approche interprétative pour intensifer la part affective du texte. Un tel devenir n’est pas sans produire une forme d’ambiguïté puisqu’il finit par rendre indiscernable poésie et philosophie. Comment assumer la part musicale de la pensée deleuzienne dans le champ de la philosophie ? Le devenir-conceptuel de la musique correspond à un aspect plus traditionnel de la pensée deleuzienne puisque la musique y est soumise à l’appareillage ontologique du philosophe. En toute logique, l’idéal esthétique vers lequel tend tout agencement musical s’avère être la variation continue. Reprenant à son compte les dualités bergsoniennes, Deleuze assimile lemusical au domaine de l’intensif et du différentiel contre ce qui touche à la représentation. Sur la question fondalementaledu temps musical, Deleuze s’inspire de Wagner Proust, Bergson et Boulez pour développer une métaphysique de la musique autour de deux notions : le passé pur comme Mémoire cosmique et la réminiscence comme moyen esthétique d’y accéder. Du fait de la nature idéaliste de cette conception, Deleuze s’oppose à l’esthétique nietzschéenne pour renouer avec le romantisme
According to Gilles Deleuze, writing about music would be a summit of thought, the idea of superiority of the music is even asserted. Deleuze doesn’t think the relationship between music and philosophy as a comment but as a becoming. Music is not just a subject of analysis since in turn influences the style of conceptualization of the philosopher. The musical question thus revolves around two perspectives : a becoming-music of philosophy, a becoming-conceptual of music. For example,the concept of refrain refers to both a "little song" and the eternal return of Nietzsche.Becoming-music of philosophy is an artistic dimension of thought, so the writing style became a major issue. Deleuze shares with writers the creation of a foreign language in everyday language - which tends to create a « musicalisation » of words. As the writer invents a word music with a continuously variable setting of the language, the music of philosophy implies a continuous variation of the concept, including the use of metaphor. The philosophical text then refuses any interpretative approach to concentrate the affective part of the text. Such becoming is not without producing a form of ambiguity since it ultimately makes indistinguishable poetry and philosophy. How to take music fot the deleuzian concept in the field of philosophy?The same continuous variation is seen under high aesthetic ideal within the becomingconceptual of music. This second perspective corresponds to a more traditional aspect of Deleuze's thought since music is subjected to the ontological apparatus of the philosopher. Inspired by Wagner, Proust, Bergson and Boulez, Deleuze develops a metaphysic ofmusic based on two notions : the pure past and reminiscence. Because of such an idealistic conception of music aspect, Deleuze opposes Nietzsche's aesthetics to revive the romantism

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Uhlig, Ingo. "Poetologien des Ereignisses bei Gilles Deleuze". Würzburg Königshausen und Neumann, 2005. http://d-nb.info/987933922/04.

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Rutigliano, Francisca Tania Soares. "Gilles Deleuze : o drama da diferença". [s.n.], 1998. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278830.

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Orientador: Luiz Benedicto Lacerda Orlandi
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-07-23T10:09:28Z (GMT). No. of bitstreams: 1 Rutigliano_FranciscaTaniaSoares_M.pdf: 3244934 bytes, checksum: 4ce07a723db1105aab31ba7ad45d0cdd (MD5) Previous issue date: 1998
Resumo: Não informado
Abstract: Not informed.
Mestrado
Mestre em Filosofia

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Mais fontes

Livros sobre o assunto "Gilles"

1947-, Duceppe Gilles, ed. Gilles Duceppe: Entretiens avec Gilles Toupin. [Québec]: R. Vézina éditeur, 2010.

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Bailly, Jean-Christophe. Gilles Aillaud. Marseille: A. Dimanche, 2005.

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interviewer, Lhuillier Sophie, ed. Gilles Clément. Paris XIXe: Éditions du Seuil, 2020.

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1947-, Pisani Mario, ed. Gilles Perraudin. Melfi, Italia: Libria, 2002.

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architect, Perraudin Gilles 1949, ed. Gilles Perraudin. Dijon: Presses du réel, 2012.

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Henry, Alan. Gilles Villeneuve. London, England: Kimberley's, 1989.

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Larrain, Gilles. Gilles Larrain. [Dallas, Tex: Meadows Museum], 1990.

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Tournier, Michel. Gilles & Jeanne. New York: Grove Press, 1987.

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Sacksick, Gilles. Gilles Sacksick. Bruton: Bruton Gallery, 1986.

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Deleuze, Gilles. Gilles Deleuze. Paris: ADPF, 2003.

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Capítulos de livros sobre o assunto "Gilles"

Buchanan, Ian. "Gilles Deleuze". In The Wiley-Blackwell Companion to Major Social Theorists, 175–92. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444396621.ch26.

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de Freitas, Elizabeth. "Gilles Deleuze". In Alternative Theoretical Frameworks for Mathematics Education Research, 93–120. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-33961-0_5.

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Semetsky, Inna. "Gilles Deleuze". In Re-Symbolization of the Self, 61–71. Rotterdam: SensePublishers, 2011. http://dx.doi.org/10.1007/978-94-6091-421-8_6.

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Kocyba, Hermann. "Deleuze, Gilles". In Metzler Philosophen Lexikon, 200–203. Stuttgart: J.B. Metzler, 1995. http://dx.doi.org/10.1007/978-3-476-03642-1_73.

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Acosta, Emiliano. "Deleuze, Gilles". In Lexikon der Geisteswissenschaften, 1177–81. Wien: Böhlau Verlag, 2011. http://dx.doi.org/10.7767/boehlau.9783205790099.1177.

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Lynch, Heather. "Gilles Deleuze". In The Routledge Handbook of Critical Pedagogies for Social Work, 271–82. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781351002042-23.

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Widder, Nathan. "Gilles Deleuze". In Palgrave Advances in Continental Political Thought, 274–88. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230501676_19.

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Balke, Friedrich. "Gilles Deleuze". In Foucault-Handbuch, 219–22. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05717-4_35.

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Murphy, Timothy S. "Deleuze, Gilles". In Encyclopedia of Contemporary Literary Theory, editado por Irena Makaryk, 288–91. Toronto: University of Toronto Press, 1993. http://dx.doi.org/10.3138/9781442674417-082.

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Santos, Isabel Cristina dos, e Alexandre de Carvalho Castro. "Weil, Pierre Gilles". In The Palgrave Biographical Encyclopedia of Psychology in Latin America, 1–3. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-38726-6_250-2.

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Trabalhos de conferências sobre o assunto "Gilles"

Escola, Marc. "Commentaire de la proposition de Gilles Magniont". In Frontières de la fiction (décembre 1999). Fabula, 2021. http://dx.doi.org/10.58282/colloques.7457.

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GACHET, Gilles. "Carta do Dr. Gilles Gachet, Presidente do Club-mousse.com". In V International Phlebology Symposium. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/medpro-flebo-sif_6.

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Aloisi, Alessandra. "Leopardi, Gilles Deleuze, and the Art the Philosophical Portrait". In Le Corpus : corps à corps. Fabula, 2024. http://dx.doi.org/10.58282/colloques.12150.

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Janik, Jerzy A. "Pierre-Gilles de Gennes: the Nobel Prize in Physics 1991". In Liquid and Solid State Crystals: Physics, Technology, and Applications, editado por Jozef Zmija. SPIE, 1993. http://dx.doi.org/10.1117/12.156936.

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Cunha, Carlos Fernando Carrer da. "GILLES DELEUZE E O PENSAMENTO NÔMADE: A MÁQUINA DE GUERRA PRIMITIVA". In VIII Semana de Orientação Filosófica e Acadêmica. São Paulo: Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/phipro-sofia-008.

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Pereira, Caroliny. "A instauração de um acesso entre a memória da imagem e a fotografia futurista". In Encontro da História da Arte. Universidade Estadual de Campinas, 2014. http://dx.doi.org/10.20396/eha.10.2014.4122.

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Este artigo parte do ensejo de discutir a possibilidade de uma relação entre a fotografia futurista e a fotodinâmica, e a ideia de memória e em decorrência dela a de virtual, oriundas da filosofia bergsoniana e alguns filósofos contemporâneos a ele como Gilles Deleuze e José Gil.

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Durbin, Ashley B., Matthew R. Rodgers e James Robert Brašić. "Tic Reduction Following Heat-Induced Dehydration in Gilles de la Tourette Syndrome (TS)". In International Electronic Conference on Brain Sciences. Basel Switzerland: MDPI, 2022. http://dx.doi.org/10.3390/iecbs2022-13505.

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Medeiros, Alexsandro Melo, Dalila Araújo de Sousa e Amanda Mendes Soares. "A FILOSOFIA DA DIFERENÇA DE GILLES DELEUZE: breves considerações para se pensar uma filosofia inclusiva". In Anais do IV Congresso Nacional de Educação: Educação, Formação Docente e Direitos Humanos. Recife, Brasil: Even3, 2023. http://dx.doi.org/10.29327/1203631.4-13.

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Haryatmoko. "The Analogy of Game and Imagination in Art: Paul Ricoeur and Gilles Deleuze’s Philosophical Analyses". In 3rd International Conference on Arts and Arts Education (ICAAE 2019). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200703.067.

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Rullmann, M., D. Gkotsoulias, S. Schmitt, C. Fremer, C. Klages, K. Hartung, A. Bujanow et al. "Dopamine D1 receptor availability in Gilles de la Tourette syndrome (GTS): A C-11-SCH23390 PET study". In 61. Jahrestagung der Deutschen Gesellschaft für Nuklearmedizin. Georg Thieme Verlag, 2023. http://dx.doi.org/10.1055/s-0043-1766162.

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Relatórios de organizações sobre o assunto "Gilles"

Zeng, Yongjian, Zhiyi Guo, Kejia Yang, Jing Lei, Zhidong Guo e Xianjuan Sun. Deep brain stimulation in the treatment of Tourette's syndrome: a Meta analysis. INPLASY - International Platform of Registered Systematic Review and Meta-analysis Protocols, setembro de 2022. http://dx.doi.org/10.37766/inplasy2022.9.0065.

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Review question / Objective: Patients who meet the clinical diagnostic criteria of Gilles de la Tourette syndrome (DSM-IV/DSM-V) are included, regardless of race, sex, age, etc. Deep brain electrical stimulation for the treatment of Tourette's syndrome, with no limit on the specific procedure and duration of stimulation. Randomized controlled trials were selected, the language was limited to Chinese and English, and there were no restrictions on race, age, sex and so on. The main outcome indicators were the Yale Global tic severity scale score. Other outcome indicators included the Modified Rush Video Rating Scale score, Beck's Depression Inventory score, State-Trait Anxiety Inventory score, Gilles de la Tourette Syndrome-Quality of Life Scale score and Yale Brown Obsessive Compulsive Scale score. Information sources: The Cochrane Library, Embase, Web of Science, MEDLINE and four Chinese electronic databases: China Biomedical Literature Database (CBM), China knowledge Network (CNKI), VIP Chinese Technical Journals Database (VIP), Wanfang Digital Database.The search time limit is from the self-built database to July 03, 2022.

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Amalberti, René, Laurent Magne e Gilles Motet. Débats lors du forum IFIS 2008. Fondation pour une culture de sécurité industrielle, maio de 2009. http://dx.doi.org/10.57071/420ynp.

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Ce document retranscrit les grandes lignes de trois des interventions suivies de tables rondes organisées lors de la première édition du International Forum on Industrial Safety, qui s’est tenu à Toulouse en 2008: (1) «Quel équilibre entre sécurité contrainte et sécurité gérée?», animée par René Amalberti; (2) «Introduction à l’incertitude», animée par Laurent Magne; (3) «Introduction aux notions de risque au travers d’un conte de fées», animée par Gilles Motet.

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West, Megan, e Andrea Eklund. Gleaming Gills. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-743.

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EMC ENGINEERS INC MARIETTA GA. Energy Savings Opportunity Survey, Fort Gillem, Georgia. Volume 1. Fort Belvoir, VA: Defense Technical Information Center, setembro de 1992. http://dx.doi.org/10.21236/ada330560.

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EMC ENGINEERS INC MARIETTA GA. Energy Savings Opportunity Survey, Fort Gillem, Georgia; Executive Summary. Fort Belvoir, VA: Defense Technical Information Center, setembro de 1992. http://dx.doi.org/10.21236/ada330612.

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Svahn, Emma. Faktablad – Resultat från övervakningen av kustfisk – Kvädöfjärden (Egentliga Östersjön) 1989‒2022. Institutionen för akvatiska resurser, Sveriges lantbruksuniversitet, 2024. http://dx.doi.org/10.54612/a.4e98k7nsrq.

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Coastal fish monitoring in the autumn has been conducted in Kvädöfjärden using the gear net series since 1989. The fishing methodology was revised in 2018 and resulted in only one night of fishing per station in contrast to six consecutive nights. Only the first night of fishing over all years has hence been included in the analysis in this report. A survey with Nordic coastal multimesh gillnets was performed for the first time in autumn the same year as the revision and has been executed annually since then. The methodologies are not fully comparable, and has thus been analysed separately in this report. The fish community is described using a set of indicators. Out of the environmental factors measured during monitoring, the water temperature has fluctuated over the years but without any directional trend. There is a decreasing trend in secchi depth in the short time series using Nordic coastal multimesh gillnets but no such trend is seen in the longer time series using the net series. In total, 20 species was caught in the survey using net series and 19 species in the Nordic coastal multimesh gillnet survey. Some species are caught using both gear types but some are unique to the respective method. The results show that there are no trends over time in the coastal fish community regarding the indicators total catch, abundance of mesopredators, abundance of piscivores, abundance of large fish, the number of species caught, diversity index and the mean trophic level of the monitoring catch. Some species in the catches (cod, whiting and burbot) are classified as vulnerable (VU) in the Swedish Red List of species 2020 by the Swedish Species Information Centre at the Swedish University of Agriculture. Vimba bream that also occurs in the catches is classified as near threatened (NT). The most common species in the survey with net series were roach and perch, but in the past few years, ruffe made up a substantial proportion of the catches. Herring is dominating the catch in the surveys with Nordic coastal multimesh gillnets, but roach and perch also constitutes a large proportion of the total catch. European smelt is the only species with an increasing trend over time while perch, white bream, pike and European flounder all have decreasing trends in the net series survey. In the survey with Nordic coastal multimesh gillnets, herring and sprat showed increasing trends over time. The catch of large fish over 30 cm was in general small and mostly comprised of whitefish in both surveys. In the net series survey, roach was also a substantial part of the large fish. European flounder had condition index over the threshold value for good condition in Kvädöfjärden and no trend over time was observed for the index. In conclusion, it can be noted that the coastal fish community in Kvädöfjärden has been relatively stable during the assessed time series, with a few exceptions. In the long time series, European smelt has increased over time and perch, white bream, pike, and European flounder have decreased over time. In the survey with the gear Nordic coastal multimesh gillnets with a considerably shorter time series, sprat and herring showed increasing trends. It can also be noted that whilst there are similarities in catches and indicators between the two fishing gears, the differences in the methodologies is also a factor that most likely can explain a large part of the dissimilarities in results between the gears.

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Emily Yeager, Emily Yeager. How does urea loss through gills vary by shark species? Experiment, agosto de 2022. http://dx.doi.org/10.18258/28759.

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Rockoff, Hugh. Great Fortunes of the Gilded Age. Cambridge, MA: National Bureau of Economic Research, dezembro de 2008. http://dx.doi.org/10.3386/w14555.

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Irwin, Douglas. Tariff Incidence in America's Gilded Age. Cambridge, MA: National Bureau of Economic Research, abril de 2006. http://dx.doi.org/10.3386/w12162.

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EMC ENGINEERS INC DENVER CO. Energy Savings Opportunity Survey Fort Gillem, Georgia Volume 2, Appendices E and F. Fort Belvoir, VA: Defense Technical Information Center, setembro de 1992. http://dx.doi.org/10.21236/ada330265.

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