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Bibliografias temáticas / Gerrit (Dutch painter)

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Literatura científica selecionada sobre o tema "Gerrit (Dutch painter)"

Autor: Grafiati

Publicado: 25 de julho de 2024

Última modificação: 31 de julho de 2025

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Artigos de revistas sobre o assunto "Gerrit (Dutch painter)"

1

De Vries, Lyckle. "Jan van Gool als geschiedschrijver." Oud Holland - Quarterly for Dutch Art History 99, no. 3 (1985): 165–90. http://dx.doi.org/10.1163/187501785x00080.

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AbstractJan van Gool's Nieuwe Schouburg, published in two volumes in 1750 and 1751 (Note 1), was meant as a sequel to Arnold Houbraken's Groote Schouburgh and it does, indeed, dovetail with that unfinished work. It brought its author much more renown than his work as an animal painter. Alongside the mainly factual information it contains there are also opinions, sometimes personal ones, which reveal him as a spokesman of his time. To extract the latter type of information it is necessary to read between the lines and be well aware of the purpose behind the book. The book and its objectives Vol

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2

Ekkart, Rudolf E. O. "De Rotterdamse portrettist Jan Daemen Cool (ca. 1589 -1660)." Oud Holland - Quarterly for Dutch Art History 111, no. 4 (1997): 201–20. http://dx.doi.org/10.1163/187501797x00230.

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AbstractUntil now, the Rotterdam portraitist Jan Daemen Cool was known in the literature only as the maker of a group portrait painted in 1653 of the governors and administrator of the Holy Ghost Hospital at Rotterdam, and of a portrait of Piet Hein, which is dated 1629. Closer scrutiny of his activities reveals that the artist, who never signed his work, was Rotterdam's leading portrait painter in the second quarter of the 17th century. Jan Daemen Cool was born in Rotterdam in 1589 or thereabouts. He may have studied with Michiel Jansz. van Mierevelt in Delft, where he married Agniesje Jasper

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3

Sijia, Liu. "Naturalism in the Painting of the Leiden School and its Chief Representatives." ICONI, no. 2 (2021): 41–47. http://dx.doi.org/10.33779/2658-4824.2021.2.041-047.

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The article is devoted to Dutch art — the Leiden School in Holland in the 17th century. The author analyzes the defi nition, particularities and the theoretic foundations of the characteristics and the artistic legacy of the painters — the representatives of the Leiden school and also demonstrates the close connection between naturalism and the particularities of the paintings of the school’s adherents and the uniqueness of the works by such masters as Rembrandt Harmenszoon van Rijn, Gerrit Dou and Frans van Mieris the Elder.

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Postma, Hugo J. "De Amsterdamse verzamelaar Herman Becker (ca. 1617-1678); Nieuwe gegevens over een geldschieter van Rembrandt." Oud Holland - Quarterly for Dutch Art History 102, no. 1 (1988): 1–19. http://dx.doi.org/10.1163/187501788x00546.

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AbstractUp to now Herman Becker, one of the people who lent Rembrandt money in the straitened circumstances of the last years of his life, has had a bad press as an art-dealer who owed his wealth and influence to the exploitation of artists (Notes 1, 2). It is now possible to correct this image on the basis of recent research in the Amsterdam archives. Becker was born around 1617 and the supposition that he came from Riga in Latvia is borne out by the facts that he had contacts there, that his father Willem certainly lived there between 1640 and 1650 and that the words 'of or 'to' Riga appear

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5

Ossenbach, Carlos. "The orchids of John Henry Lance (1793–1878)." Lankesteriana, April 15, 2020. http://dx.doi.org/10.15517/lank.v20i1.41397.

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John Henry Lance, a British barrister, spent a ten-year term in Surinam as Judge appointed to the ‘Mixed Court’ in Paramaribo, a post created to supervise the compliance of the Dutch authorities with a treaty signed between the Netherlands and England in 1818 prohibiting the slave trade in the Dutch colonies. During his term in Paramaribo, Lance, a friend of Bateman and Lindley, collected several new orchid species. However, his collection of watercolors depicting plants from Surinam, many of them orchids, would appear to be more important. Some of these were painted by himself, others by the

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Teses / dissertações sobre o assunto "Gerrit (Dutch painter)"

1

Baines, Lorena. "The artist's devices Illusionism and imagination in Gerrit Dou's 'Painter with a Pipe and Book' (Netherlands) /." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 1.90 Mb, 52 p, 2005. http://wwwlib.umi.com/dissertations/fullcit/1428198.

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Livros sobre o assunto "Gerrit (Dutch painter)"

1

Boersma, Annetje. Gerrit Dou: Master Painter in the Age of Rembrandt. National Gallery of Art, 2000.

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