Teses / dissertações sobre o tema "Funeral memorials"
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Veja os 28 melhores trabalhos (teses / dissertações) para estudos sobre o assunto "Funeral memorials".
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Hainy, Joshua D. "Undying Glory: Preservation of Memory in Greek Athletics, War Memorials, and Funeral Orations". Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/10638.
Texto completo da fonteAncient Greek acts of commemoration aimed to preserve the memory of an event or an individual. By examining the commemoration of athletic victory, military success, and death in battle, with reliance upon theories ofmemory, this study examines how each form of commemoration offered immortality. A vital aspect was the way they joined word and material reminder. Athletes could maintain their glory by erecting statues or commissioning epinician odes, which often relied on image and words. The physical and ideological reconfiguration of the plain of Marathon linked the battle's memory to a location. Pericles' oration offered eternal praise to both the war dead and Athens, an Athens crafted as a monument by Pericles to remain for future generations. In different and complimentary ways, all of these forms of commemoration preserved the glory of a deed or an individual for posterity.
Committee in Charge: Dr. Mary Jaeger, Chair; Dr. Christopher Eckerman
Lee, Joon Seong. "Digital Spirituality and Governmentality: Contextualizing Cyber Memorial Zones in Korea". Ohio : Ohio University, 2006. http://www.ohiolink.edu/etd/view.cgi?ohiou1153929122.
Texto completo da fonteLenfesty, Corrine B. "Choices for the living, honour for the dead, a century of funeral and memorial practices in Lethbridge". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0005/MQ38430.pdf.
Texto completo da fonteLenfesty, Corrine B., e University of Lethbridge Faculty of Arts and Science. "Choices for the living, honour for the dead : a century of funeral and memorial practices in Lethbridge". Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 1998, 1998. http://hdl.handle.net/10133/66.
Texto completo da fonteviii, 197 leaves : ill. ; 28 cm.
Mowat, Fiona Anne. "Ritualising the dead : decorated marble cinerary memorials in the context of early Imperial culture and art". Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/28748.
Texto completo da fonteKhan, Abdul Jabbar <1977>. "Chaukhandi tombs: a peculiar funerary memorial architecture in Sindh and Baluchistan (Pakistan)". Doctoral thesis, Università Ca' Foscari Venezia, 2010. http://hdl.handle.net/10579/985.
Texto completo da fonteBaptista, Joaquim António Ramos. "O túmulo Medieval, uma memória na morte-algumas situações da iconografia funerária portuguesa, séc. XII - XVI". Master's thesis, Instituições portuguesas -- -Universidade Lusíada, 1997. http://dited.bn.pt:80/30036.
Texto completo da fonteDias, Paulo Jorge Monteiro Henriques da Silva. "Real Panteão dos Braganças-arte e memória". Master's thesis, Instituições portuguesas -- UL-Universidade de Lisboa -- -Faculdade de Letras, 2002. http://dited.bn.pt:80/30122.
Texto completo da fonteMantas, Helena Alexandra Jorge Soares. "O panteão nacional - memória e afirmação de um ideário em decadência-a intervenção da Direcção Geral dos edifícios e monumentos nacionais na igreja de Santa Engrácia (1956-1966)". Master's thesis, Instituições portuguesas -- UL-Universidade de Lisboa -- -Faculdade de Letras, 2002. http://dited.bn.pt:80/30161.
Texto completo da fonteVieira, Carlos Jorge Canto. "Capitéis de ara do Municipium Olisiponense". Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas -- -Departamento de História da Arte, 1998. http://dited.bn.pt:80/30318.
Texto completo da fontePortela, Maria Helena Teixeira Ribeiro. "Necrópoles romanas do concelho de Amarante". Master's thesis, Instituições portuguesas -- UP-Universidade do Porto -- -Faculdade de Letras, 1998. http://dited.bn.pt:80/30365.
Texto completo da fonteRamalho, Maria M. B. Magalhães. "O Convento de S. Francisco de Santarém". Master's thesis, Instituições portuguesas -- UP-Universidade do Porto -- -Faculdade de Letras, 1998. http://dited.bn.pt:80/30372.
Texto completo da fonteEMMERSON, ALLISON L. C. "Memoria et Monumenta: Local Identities and the Tombs of Roman Campania". University of Cincinnati / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1384333698.
Texto completo da fonteOkafor, Hyacinth C. "Perceptions of Loss and Grief Experiences within Religious Burial and Funeral". ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1657.
Texto completo da fonteDavid, Dionísio M. M. "Escultura funerária portuguesa do século XV". Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas -- -Departamento de História da Arte, 1990. http://dited.bn.pt:80/29760.
Texto completo da fonteRamos, Francisco Nuno. "Os túmulos de D. Inês de Castro e D. Pedro I". Master's thesis, Instituições portuguesas -- UL-Universidade de Lisboa -- -Faculdade de Letras, 1993. http://dited.bn.pt:80/29796.
Texto completo da fonteSchell, Sarah. "The Office of the Dead in England : image and music in the Book of Hours and related texts, c. 1250-c. 1500". Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/2107.
Texto completo da fonteSilva, João Castro. "O túmulo de Góis". Master's thesis, Instituições portuguesas -- -Universidade Lusíada, 2001. http://dited.bn.pt:80/29365.
Texto completo da fonteFlor, Pedro 1972. "O túmulo de D. João de Noronha e de D. Isabel de Sousa na Igreja de Santa Maria de Óbidos-um exemplo da tumulária renascentista em Portugal". Master's thesis, Instituições portuguesas -- UL-Universidade de Lisboa -- -Faculdade de Letras, 1998. http://dited.bn.pt:80/29848.
Texto completo da fontePinho, Miriam Ximenes. "O rito (fúnebre) individual do neurótico em tempos de dessocialização da morte e do luto: uma leitura psicanalítica das tatuagens in memoriam". Pontifícia Universidade Católica de São Paulo, 2015. https://tede2.pucsp.br/handle/handle/17124.
Texto completo da fonteCoordenação de Aperfeiçoamento de Pessoal de Nível Superior
For centuries, the death was treated as a social and public event taking place accompanied by sacred rites. Right after the World War I, a precipitation of the dismantling of the traditional models of care for the dying and the bereaved just occurred. Death has become taboo and that same ban hit everything that it refers, including the mourning that has become an intimate and lonely experience. The desecration of death led to unritualized mourning, however, this did not imply neglect or abandonment of the Dead. Instead, we observe the emergence of new forms of relationship with the Dead in which the rites appear reconfigured, the manner of a bricolage. In order to study these new configurations we have chosen to investigate one of them that is called "in loving memory tattoos" produced due to a bereavement. This research suggests that in loving memory tattoos constitute an neurotic s individual (funeral) rite , that is, a private way of ritualizing mourning and paying funeral tribute in times of suppression of the death of social spaces and unritualized mourning. As we consider the making of a memorial tattoo a private rite, it was important to investigate the function of this rite that can both serve as a possible treatment of the real by the symbolic order in a kind of mourning written on the skin, as a rite that it aims to prolong the relationship with the departed one, producing an endless mourning in which the writing of the mourning never ends
Durante séculos, a morte foi tratada como um fato social e público que ocorria acompanhado por ritos sagrados. Logo após a Primeira Guerra, observou-se a precipitação do desmantelamento dos modelos tradicionais de cuidados aos agonizantes e amparo aos enlutados. A morte tornou-se tabu e essa mesma interdição atingiu tudo o que a ela se refere, incluindo o luto que se tornou uma experiência íntima e solitária. A dessacralização da morte levou à desritualização do luto, porém isso não implicou em abandono ou esquecimento dos mortos. Ao contrário, observamos a emergência de novas modalidades de relação com os mortos em que os ritos aparecem reconfigurados, ao modo de um bricolage. Com o intuito de estudar essas novas configurações, optamos por investigar uma delas, as chamadas tatuagens in memoriam produzidas em decorrência de um luto. Essa pesquisa sugere que as tatuagens in memoriam se constituem em um rito fúnebre individual do neurótico , isto é, um modo privado de ritualizar o luto e prestar tributo fúnebre em tempos de dessocialização da morte e desritualização do luto. Ao considerarmos a produção das tatuagens in memoriam um rito privado coube-nos investigar a função desse rito que pode tanto servir como tratamento possível do real pelo simbólico em forma de uma escrita do luto grafada no corpo, quanto um rito que visa prolongar a relação com o ser perdido, produzindo um luto interminável em que a escrita do luto não se conclui
Charréu, Leonardo. "O Mosteiro de S. Francisco de Santarém e o coro alto de D. Fernando-arquitectura, espaço e arte funerária no séc. XIV". Master's thesis, Instituições portuguesas -- UNL-Universidade Nova de Lisboa -- FCSH-Faculdade de Ciências Sociais e Humanas -- -Departamento de História da Arte, 1995. http://dited.bn.pt:80/29724.
Texto completo da fonteChaumeil, Jean-Pierre. "Entre la memoria y el olvido. Observaciones sobre los ritos funerarios en las tierras bajas de América del Sur". Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/113327.
Texto completo da fonteSi se realiza un examen detenido de los datos empíricos sobre las formas de duelo en la Amazonía, se revelan finalmente dos tipos contrastados de tratamiento funerario. Mientras que por un lado varios grupos humanos se esfuerzan por borrar toda traza y memoria de los muertos, por otro se busca mantener una relación de continuidad con ellos. Las investigaciones realizadas invalidan en parte la tesis común aceptada según la cual la forma arquetípica del duelo en las tierras bajas pasaría por una ruptura radical con los muertos. La existencia de estos dos tipos de tratamiento invita, por otra parte, a reflexionar sobre la producción de formas diferenciadas de memoria histórica en esas sociedades.
Martínez, Rodríguez Pamela. "Duelo y creación artística. Propuestas de recuperación y continuidad de la memoria autobiográfica a través de la experimentación plástica". Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/374242.
Texto completo da fonteBarrand, Emam Hélène. "Les pratiques funéraires liées à la crémation dans les ensembles funéraires des capitales de cités du Haut Empire en Gaule Belgique : Metz-Divodurum, Bavay-Bagacum, Thérouanne-Tervanna". Thesis, Lyon 2, 2012. http://www.theses.fr/2012LYO20001/document.
Texto completo da fonteThis work is founded on the study of three funerary complexes of outlying suburbs located in the capital cities of Mediomatrici (Metz-Divodurum), Nervii (Bagay-Bagacum) and Morini (Thérouanne-Tervanna). Our study is based on a corpus composed of more than 480 funerary structures, which has been amended by the data issued from the other funerary discoveries carried out in these three cities, from the 18th century to nowadays. Based upon that documentation, we propose an analysis of funerary practices in use in the North of Gaul and more particularly in the province of Gallia Belgica and of their evolution in the first three centuries of our area. The first part of this work is related to the organization of the funerary areas in an urban context through the analysis of different parameters: places and settlement dynamic of funerary areas, internal organization and space structuring as well as the mode of distribution of the structures (functional, chronological and social). The following chapters are related to the understanding and interpretation of the different funerary practices and gestures, which may have been observed during the study of the structures of our corpus. To do that, we have tried to reconstruct the different steps of the funerary process and to replace the whole practices in the order in which they took place. First, we took an interest in the data connected with the stage of the body cremation, data observed during the excavation of the funerary pyres, through the examination of the pit structure, the methods of treatment of the body as well as the role and the origin of the grave goods used around the pyre. Then, we moved on to the place of final deposition of the remains by presenting the constituent elements of the grave, the different types of funerary structures we have been confronted with as well as the varied modes of deposition of the bones and their organization within the sepulchral pit. A specific attention has also been given to the steps which are relative to the transfer and to the modes of deposition of the bones of the deceased in the grave as well as the practices and body movements which follow that. Finally, in a last chapter, we have analyzed the different deposits of the funerary goods in order to define as well as possible the different gestures which were pointed out through the archaeological remains, and which were made at the time of the composition of the grave but also throughout the funeral or during the memorial feasts where respects to the deceased were paid. This overall study is based on a detailed catalogue of the tombs which is composed of two volumes (volume 1: Metz “Avenue André Malraux”, volume 2: Bavay “La Fache des Près Aulnoys” and Thérouanne “Les Oblets”) displaying by chronological phases the observations made during the excavation work, the inventory of the grave goods, as well as the results of the studies of animal and human bones rests
Diese Arbeit befasst sich mit drei am Stadtrand gelegenen Grabensembles, die in den civitates-Hauptstädten der Mediomatriker (Metz-Divodurum), Nervier (Bavay-Bagacum) und Moriner (Thérouanne-Tervanna) liegen. Unsere Untersuchungen beziehen sich auf eine Sammlung von mehr als 480 Grabstrukturen, ergänzt durch Grabungsdokumentationen früherer Entdeckungen, die von 18. Jh. bis heute in diesen drei Städten zu Tage gekommen sind. Anhand dieser Dokumentation, ist eine Analyse der im Nordgallien und besonders in Gallia Belgica üblichen Bestattungsbräuche und deren Entwicklung während der drei ersten Jahrhunderte nach Christus möglich. Der erste Teil dieser Arbeit ist den Grabbereichen im Stadtbereich gewidmet, wobei verschiedener Faktoren untersucht worden sind: Orte und Ansiedlungsdynamik der Grabareale, innere Organisation und Raumstrukturierung sowie Verbreitungsart der Befunde (funktional, chronologisch und gesellschaftlich). Die folgenden Kapitel sind dem Verständnis und der Interpretation der verschiedenen Bestattungsbräuche und –gesten, die während der Studie der Befunde unseres Corpus beachtet wurden, gewidmet. Dabei wurde versucht, die verschiedenen Etappen des Bestattungsprozesses, in der Reihenfolge wie sie vollzogen wurden, zu rekonstruieren. Zuerst haben wir uns für die in den Grabungen beachteten Gegebenheiten der Kremationsetappen der Körper interessiert, durch Untersuchung der Scheiterhaufenstruktur, Behandlungsbedingungen der Körper sowie Rolle und Herkunft der Grabbeigaben, die um die Scheiterhaufen benutzt wurden. Dann haben wir die Stelle, die der endgültigen Deponierung des Leichenbrandes diente, angesprochen, durch Vorstellung der Grabgrundlagen, der verschiedenen Grabstrukturtypen mit welchen wir konfrontiert waren, sowie der diversen Formen der Knochendeponierungen und ihre Organisation innerhalb der Grabgrube. Ausserdem wurden die Etappen, die im Zusammenhang mit dem Transfer und den Deponierungsbedingungen des Knochenmaterials ins Grab stehen, sowie die Bräuche und Gesten die daraus folgen, besonders analysiert. Im letzten Kapitel wurden schließlich die verschiedenen Elemente des Grabmaterials untersucht, um die diversen durch archäologischen Gegebenheiten erkennbaren Gesten besser abgrenzen zu können, welche während der Komposition des Grabes, während des Begräbnisses selbst oder aber während der Gedenkfeiern, durchgeführt wurden. Diese zusammenfassende Arbeit stützt sich auf einem detaillierten Katalog der Gräber, eingeteilt in zwei Bände (Band 1: Metz « Avenue André Malraux », Band 2: Bavay « La Fache des Près Aulnoys » und Thérouanne « Les Oblets »), in welchem die Grabungsbeobachtungen, die Grabinventaren sowie die Ergebnisse des Studiums des menschlichen und tierischen Knochenmaterials in chronologischer Reihenfolge präsentiert sind
Pan, Hong-chuan, e 潘宏泉. "The Existence Meaning of Funeral Memorial DVD toward Important Family Members". Thesis, 2009. http://ndltd.ncl.edu.tw/handle/39633029199654618073.
Texto completo da fonte南華大學
生死學研究所
98
The study aims to investigate the existence meaning of funeral memorial DVD toward important family members, its use at the funeral, and the perspectives of its production process. Furthermore, it continues to understand the self-existence meaning of the DVD toward the family members, through which to probe into the importance of using the DVD at the funeral. The study employed qualitative research method through purpose sampling and in-depth interviews of three family members who had used funeral memorial DVDs. Data were collected and analyzed for the deeper existence meaning of funeral memorial DVD to important family members. Based on the analysis, findings were summarized as follows: 1. The motivation of making funeral memorial DVD varies individually. 2. The participation of the DVD production is the process of re-connection between the deceased and their family members. 3. Using the DVD enables the guests to understand why they are at the funeral. 4. The background music of the DVD creates different atmosphere at the funeral. 5. The major meaning of the DVD is its use and commemoration after the funeral. 6. There is connection between the life and the death through the DVD. 7. The DVD has the meaning of passing down the mission of the family. 8. The DVD helps the important family members to reflect on the self existence meaning for themselves. Finally, suggestions and recommendations were made for further research and those in the related work.
JHAN, BO-JYUN, e 詹博鈞. "Father’s nostalgia and memories : the creation of animation “My father at grandma’s funeral”". Thesis, 2019. http://ndltd.ncl.edu.tw/handle/s9fg9u.
Texto completo da fonte國立臺南藝術大學
動畫藝術與影像美學研究所
107
While studying at the graduate school and practicing the skills on animation creation, I discovered a hidden story, through describing my father’s nostalgia to the home village and his strong emotion for his mother, that my father never went back to his home village after the family house was gone due to relative’s gambling. I remember that my father only went back to his home village once, and that day was the funeral of my grandmother. The memory of that day records my first witness on my father’s wailing. The tears on my father’s face still leave a deep trace on my mind. The sorrow towards my father prompts me to create the animation “My father at grandma’s funeral” and “Teletopie”. At the meantime, by surveying and analyzing the content and scripts of several key animations that inspire me, I try to further explore how creators interpret and present the sentiment of father’s memories and nostalgia in video works. The first chapter of the essay reviews the context and concept of my video creation. By analyzing the components of various movies and animations, the second chapter investigates how to present father’s nostalgia and memories through video works.From “Teletopie”to “My father at grandma’s funeral”,the third chapter discuss how I extend my feelings toward my father and begin to the creation of animations. The final chapter concludes my creative practice and retrospection during the learning process at graduate school as well as my prospects for future creation.
Brown, Liam David Renshaw. "Death in the City: The St. Lawrence Funeral Centre". Thesis, 2012. http://hdl.handle.net/10012/6756.
Texto completo da fonteTRINCO, LETIZIA. "Hindu funerary stones. A study of their iconography, function and variety as from the context of South-Eastern Maharashtra". Doctoral thesis, 2015. http://hdl.handle.net/11573/924573.
Texto completo da fonte