Teses / dissertações sobre o tema "France – Descriptions et voyages"
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Hancock, Claire. "Les représentations de la ville en France et en Angleterre : les exemples de Paris et Londres dans les guides et récits de voyage du XIXe siècle (vers 1780 - vers 1870)". Paris 4, 1997. http://www.theses.fr/1997PA040170.
Texto completo da fonteThis dissertation is based on the study of guide and travels books and essays both French and English on Paris and London during the nineteenth century (c. 1780-c. 1870). These texts aim to describe and explain the patterns of cities, which makes them in many ways the forerunners of geographical knowledge. The approach of urban space they propound has much to do with the city as spectacle or as object for consumption, but also considers their national status as a determining factor: moral, social and political criticism is bound up with comments on habitat, townscape, monumentality and urban patterns, as well as the inhabitants’ spatial practices. The discourse on these capital cities therefore contributes to a discursive construction of national identities in relation to urban space, and of urban identities strongly influenced by outsiders' views
Gardes, Gilbert. "Le monument public français : l'exemple de Lyon". Paris 1, 1987. http://www.theses.fr/1987PA010659.
Texto completo da fonteThe french public monument, ephemeral (entries, feasts of the revolution, funerals) and permanent (fountains, crosses, statues of the virgin; honorific tombs and war memorials; representations of the monarchy, national & local worthies; abstract sculptures) is studied from the middle ages to 1986 through the example of lyon and other towns, troughout 7 volumes: 1 study (2 volumes), 871 pages; 2 documents: official papers, letters written by artists. . . , 409 pages; 3 catalogue of ephemeral monuments in lyon, 508 pages; 4 catalogue of permanent monuments, 623 pages; 5 album of 1125 photographs, 538 pages; 6 appendix (foot notes, additions bibliography, maps: churchyards & cemeteries, 14 historical town maps locating the position of the monuments, index), 435 pages. The public monument is first studied from its birth to its death: function, definition, cycle; promotion, legislation, financing; location, removals. Choice of artists and projects; construc tion. Life, protection & destruction. Mecanism of commemoration. Pantheon of worthies. A second part studies the materials & the technics, the architectural structures, the language of the monument: inscriptions, representation of the world, plants, animals (with a special study on the lion), gods, allegories, worthies from lyon; personnifications of love for the mother country; the art of representation. A third part replace the monument in the history of town & country: monuments of faith (middle ages to 16th century); ephemeral monuments of the king in visit (1548-1645); permanent figures of the established monarchy (1646-1738); monuments born from town planning & urbanity (1739-revolution); monuments for temporary liberty (revolution); uncompleted monuments for vanished victories (first empire); historical face of the monarchy (restauration); historical figure of fran ce (monarchy of july); temporary monuments of the revolution of 1848; the triumph of the empty figure (second empire); liberty, fight for mother country, progress, passion for statues of worthies (1871-1918); the scenographic monument (1919-1945); from the fall of the commemorative monument to the rise of the abstract sculpture (1945-1986). An essay on the public monument put an end to the book
Résumé français et analyse dans le vol. 8
Struck, Bernhard. "Nicht West - nicht Ost". Paris 1, 2003. http://www.theses.fr/2003PA010685.
Texto completo da fonteBrizay, François. "L'image de l'Italie dans les guides et les relations de voyage publiés en France au XVIIe siècle (1595-1713) : sa construction et son évolution". Tours, 1996. http://www.theses.fr/1996TOUR2036.
Texto completo da fonteA corpus of thirty-eight guides and travel books published in french during the seventeenth century permits the study of the image of Italy. Reading them gives informations about their material aspects, the authors and the reasons that led them to travel and to write, the italian space and especially the city, and finally the inhabitants of the peninsula. It also ables to point out that the authors were submitted to a sort of a literary style in which alternated commonplaces and personal remarks about history, cities, buildings, religion and political institutions. Far from staying unaltered, this literary style develops during the whole century: the impression becomes more critical and informs us about Italy as much as about travel books authors
Abdallah, Thouraya. "La découverte de l'Asie orientale par la France du XVIe siècle". Grenoble 2, 1994. http://www.theses.fr/1994GRE29023.
Texto completo da fonteThe specific aim of this study is to demonstrate the progress in knowledge of the far east among frenchmen in the sixteenth century : at the beginning of the century the french image of that part of the world was based on myth, which was itself inherited from mediaeval sources. Gradually knowledge became more empirical, based on travel literature written mainly by foreigners (spanish, italian or dutch), translated into french and published during the sixteenth century. The other main source for french knowledge of the far east was the accounts of jesuit missionaries which were based on years of scrupulous observation and experience of that region, as is shown by numerous collections of their letters translated and published in french. The other sources studied are the productions of the cartographers and the humanists which were published in french at the time. It is concluded that, by the end of the century, india remained more or less unknown to the french, whereas china and japan gained significantly more attention : china fascinated by virtue of the splendour of its civilization, and japan was seen as fertile terrain for new converts to christianity
Szász, Géza. "L' image de la Hongrie dans les récits de voyage et dans la presse en France, 1837-1847". Angers, 2002. http://www.theses.fr/2002ANGE0039.
Texto completo da fonteChaffray, Stéphanie. "Le corps amérindien dans les relations de voyage en Nouvelle-France au dix-huitième siècle". Paris 4, 2006. http://www.theses.fr/2006PA040071.
Texto completo da fonteEighteenth-century travel accounts in New France describe the Native body abundantly. By analyzing these documents – mostly created for colonial or ecclesiastical authorities – this study shows that the textual and iconographic representations of the body play an active role in France’s imperial project. Knowledge of the Amerindian body, made it possible to maintain French-Native alliances, which were essential to the empire, and to reinforce the colonial bond. These representations also aimed to position the ‘Other’ remotely, in order to contemplate the colonization process. It appears that the French images of Aboriginal bodies were rich and complex and were much more than simple metaphors, mirrors of oneself, or tools of propaganda; instead, they created the possibility to act out the French colonial reality
Shahadeh, Salman. "Méthode et moyens de l'écriture de l'histoire des pays de l'Orient méditerranéen (Turquie, Syrie, Terre sainte et Égypte) en France durant les XVIIe et XVIII siècles". Thesis, Université Grenoble Alpes (ComUE), 2016. http://www.theses.fr/2016GREAH004.
Texto completo da fonteThis thesis, which is a descriptive study, covers several French writers, mainly travelers, who write on different themes about the Eastern Mediterranean - Turkey, Syria, Egypt and the Holy Land - during the seventeenth and eighteenth centuries. In order to have a vision encompassing all aspects of human life in this region during these two centuries, we have selected a sample of 24 authors, representing various areas of knowledge: diplomats, merchants, religious adventurers. The works of these authors provide information on various topics of the eastern Mediterranean: the organization of different nations, religions, social life, and cities, economic, administrative, political and scientific fields. The study of these works allows us to highlight two major elements. On the one hand we discover how French readers of the seventeenth and eighteenth centuries have learned about this geographical area. On the other hand we have a vision of this space through the eyes of contemporary French authors. Three points are discussed in this thesis starting from the analysis of these works: the methods used by the authors in writing their accounts, the conditions in which these works were produced, and finally the content of these last with the study of the various topics covered by these authors. For each of these three points, the focus is on the differences between the authors of the seventeenth and eighteenth century ones, allowing the detection of changes experienced by their writings a century the other in how to deal with the themes of the Eastern Mediterranean
Liaroutzos, Chantal. "Chorologies de la Renaissance, didactique et poétique de l'espace français : l'exemple de Gilles Corrozet et de Charles Estienne". Paris 8, 1995. http://www.theses.fr/1995PA081154.
Texto completo da fonteLes antiquites de paris by gilles corrozet (1550), la guide des chemins de france (1552) and l'agriculture et maison rustique (1564) by charles estienne, each propose, in common, a representation of french territory as the object to both a speech and a praxis. Studying the literary process employed in these representations allows us to see how the didactic thinking behind these two autors forges and constructs a poetic reasoning to this territory
Rege, Adeline. "Les voyages en Europe de l’architecte Simon-Louis Du Ry : Suède, France, Hollande, Italie (1746-1777)". Electronic Thesis or Diss., Paris 4, 2011. http://www.theses.fr/2011PA040173.
Texto completo da fonteFrom 1746 to 1756, Simon-Louis du Ry, the German architect with Huguenot roots, traveled to Sweden, Holland, France, and Italy to learn a trade. He returned to Italy from 1776 to 1777. During his travels, Simon-Louis du Ry maintained an intense correspondence with his family. He kept a diary of his second trip to Italy and these manuscripts are a very valuable source for the history of the mobility of artists in the Modern era. The purpose of this thesis is to analyse and edit Simon-Louis Du Ry’s travel writings. We consider travel an individual experience which is limited by material and social issues, and a way of understanding the world, others, knowledge and oneself. Our challenge is to take account of the traveler as a person, but also of the environment in which he organizes his travels. After describing these journeys (including routes, transport and accommodation, and traveler’s activities), we compare them with the travel patterns in vogue at that time: the Grand Tour, the scholar’s travel, and the artist’s travel. We aim to explore how Simon-Louis Du Ry has described his travels and the influence that his journeys have had, not only on his architectural career, but also on his cultural background, i.e. the landgraviate of Hesse-Kassel during the Enlightenment. The critical examination of Du Ry’s travel books that we offer is accompanied by a critical apparatus consisting of notes and of three indexes: geographical names, biographical names, and subjects
Chambrier, Pauline. "La réception de l'architecture française aux XVIe et XVIIe siècles par les contemporains : témoignages écrits et graphiques". Thesis, Tours, 2010. http://www.theses.fr/2010TOUR2028.
Texto completo da fonteThe reception of French architecture in the 16th and 17th centuries by French and foreign contemporaries is unquestionably lacking. Visitors remain unknown, even though they are the spectators of great architectural shows. Their descriptions and mental images of palaces and stately homes, and also of churches, bridges, fortifications, gardens and their like, however, once reassembled enable one, to define the architectural flavour of a period and of a nation. It was thus essential to build up a coprus of texts and images of the 16th and 17th centuries and to analyse them in detail. Handwritten texts, printed documents and graphic representations left behind by antique dealers and geographers as well as travel diaries and newspapers written by inquiring notaries, scholars or even anonymous people were all analysed in an attempt to answer three important questions, namely who are the people behind this reception? In which conditions did their vsits take place? And in their view, what are the most outstanding buildings in France? However self-evident these questions may seem, they have never been tackled. And yet they form the clues to our reading which must no longer be ignored, even more so as they conceal the details of architecture which transpires to be new, unique, and not to be missed
Ishibashi, Masataka. "Description de la Terre comme projet éditorial : "Voyages extraordinaires" de Jules Verne et système de l'éditeur Hetzel". Paris 8, 2007. http://octaviana.fr/document/143289594#?c=0&m=0&s=0&cv=0.
Texto completo da fonteIn the system of royalties, the author and publisher are mutually dependent. The royalties represent the right to love the author as incarnated in his work, and it is only this love which can give body to the dialectic between present and future publics: the autonomy of literary endeavour is based on this dialectic. The illustration has primary importance in this reconfiguration of literature in nineteenth century French literature. An editorial system that Hetzel institutes for the "Extraordinary Voyages" by combining the two editions, illustrated and unillustrated, enables him to increase this interdependence of author and publisher. The "Extraordinary Voyages" are the cause and the result of this "system". It is thanks to the success of the first novels of the series that Hetzel can install it. In these novels, the centripetal force of total knowledge is opposed to the centrifugal force of local knowledge and makes us feel a "whole" between the two. In parallel, by demystifying the negative side of the total knowledge revealed at the "supreme points" (North Pole, centre of the earth, etc. ), Verne banishes both his own anxiety about science and that of the public. To force the author to be dependent on the public, the "system" organizes this dynamism between France as absent centre and the presentation of the rest of the world. This culminates in the series as an attempt to describe the entire terrestrial surface
Heijmans, Marc. "Duplex Arelas : Topographie historique de la ville d'Arles et de ses faubourgs de la fin du IIIe siècle jusqu'au IXe siècle". Aix-Marseille 1, 1997. http://www.theses.fr/1997AIX10072.
Texto completo da fonteRege, Adeline. "Les voyages en Europe de l’architecte Simon-Louis Du Ry : Suède, France, Hollande, Italie (1746-1777)". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040173.
Texto completo da fonteFrom 1746 to 1756, Simon-Louis du Ry, the German architect with Huguenot roots, traveled to Sweden, Holland, France, and Italy to learn a trade. He returned to Italy from 1776 to 1777. During his travels, Simon-Louis du Ry maintained an intense correspondence with his family. He kept a diary of his second trip to Italy and these manuscripts are a very valuable source for the history of the mobility of artists in the Modern era. The purpose of this thesis is to analyse and edit Simon-Louis Du Ry’s travel writings. We consider travel an individual experience which is limited by material and social issues, and a way of understanding the world, others, knowledge and oneself. Our challenge is to take account of the traveler as a person, but also of the environment in which he organizes his travels. After describing these journeys (including routes, transport and accommodation, and traveler’s activities), we compare them with the travel patterns in vogue at that time: the Grand Tour, the scholar’s travel, and the artist’s travel. We aim to explore how Simon-Louis Du Ry has described his travels and the influence that his journeys have had, not only on his architectural career, but also on his cultural background, i.e. the landgraviate of Hesse-Kassel during the Enlightenment. The critical examination of Du Ry’s travel books that we offer is accompanied by a critical apparatus consisting of notes and of three indexes: geographical names, biographical names, and subjects
Kuo, Sheng-Lung. "La meilleure ennemie de la France : Guides, récits de voyage outre-Manche et considérations sur l'Angleterre pendant la monarchie de Juillet". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCC197.
Texto completo da fonteThe most Anglophile French king, Louis-Philippe (1830-1848), commences his rule inan Anglomaniac atmosphere. Throughout his reign though, several conflicts opposing Parisand London are the cause of an unfolding Anglophobic spirit. Starting off from these three feelings that are both distinct and interdependent, and in the perspective of the main contemporary trends like romanticism, nationalism and socialism, this thesis aims at studyingthe various representations of England during the July Monarchy. A study of the evolving Franco-British relationship from the Age of Enlightenment until the fall of the last Frenchking, is the background to this work: it helps understanding the judgment that the French exercised on their English neighbors during this period. Guidebooks published during the“King of the French” regime and writings from French travelers who expand on their discoveries and experiences of the English life within a “commercial and industrial England”,are then an object of analysis. A final aspect of this study focuses on their considerations with respect to the social state of this “industrial England”, in a context when France is pursuing apath of industrialization. Those diverse images about Great Britain extracted from French travelers’ publications are all pointing to the true motive of their stay across the Channel: a circumspect study of England that can be used to educate their own country, France, or eventhe whole world
Reneteaud, Gaëlle. "Du merveilleux au scientifique. Évolution de la représentation de l’Islande en France entre le XVIe et le XIXe siècles". Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040198.
Texto completo da fonteThe Icelandic case it is about understanding how the image of a country can be shaped from elsewhere and by literary vectors. The image of Iceland in France has been shaped as a distant and mysterious country, a picture that still persists in the minds today, the island has preserved the element of the unknown and this enigmatic appearance, despite numerous contemporary sources. Cliches and stereotypes are still perpetuated today in the French collective imagination. The Iceland history remains relatively unknown, its artistic and cultural influence nevertheless confers a non-negligible presence on the international stage. This work not only intends to contribute to the construction of the history of the representations of Iceland, but it also aims to understand the political and economic conditions that allowed the spreading in Europe of the representations of this country, customs and culture of its inhabitants. This thesis also seeks to show how all collective image of Iceland have been interpreted in the history of representations. To meet the deficit of researches on Iceland and its representations, it will combine contextualized analysis of a literary corpus (travel stories and scientific articles) and an iconographic corpus (universal cosmographies) containing engravings and maps, to understand how it was possible to perceive a population and a territory that had long been designated as outside Europe
Sameshima, Maria Carolina Akemi. "Os primeiros contornos do Novo Mundo : os relatos sobre a França Antártica e sobre a Flórida Francesa /". Franca : [s.n.], 2008. http://hdl.handle.net/11449/93219.
Texto completo da fonteBanca: Ronald José Raminelli
Banca: Denise Aparecida Soares de Moura
Resumo: Apesar da parca documentação, é notável, no século XVI, o afluxo de franceses em terras americanas os quais partindo, principalmente, das regiões da Normandia e da Bretanha chegaram ao litoral norte ou navegavam rumo às terras do sul, onde poderiam carregar as suas embarcações com peles, pau-brasil, papagaios, macacos e outros animais exóticos bastante apreciados na França, bem como na Europa. Um prova da assiduidade desses navegadores é a festa brasileira em Rouen, organizada em 1550 para homenagear o novo monarca francês, Henrique II, e a sua esposa, Catarina de Médici. Rouen destacou-se entre as outras cidades que receberam o casal real, oferecendo um espetáculo que até então não havia sido assistido na Europa: o cotidiano dos nativos do Novo Mundo. Cinco anos após esse episódio curioso em Rouen, uma expedição deixa o porto de Le Havre com o claro objetivo de construir um estabelecimento francês no Brasil e comandado por Nicolas Durand de Villegagnon. Na Baía de Guanabara, os franceses, huguenotes e católicos, entraram em contato com indígenas tupinambás de quem conseguiram grande parte dos alimentos para sobreviverem na França Antártica. Mas, o estabelecimento não durou muito tempo, pois Portugal decide tomar conta de seu território expulsando os franceses em 1560, além dos conflitos políticos-religiosos que perturbavam a própria França. Não demorou muito e em 1562, Jean Ribaut navega para a Flórida, numa viagem de reconhecimento, para instalação de uma futura colônia na região. Mais uma vez a sorte não estava do lado dos franceses. Na falta de víveres e de comunicação com a metrópole, os conflitos internos começam a aparecer até que, em 1565, Filipe II, da Espanha, ordenou uma expedição, comandada por Pedro Menéndez de Avilés, para acabar com a ousadia francesa. Apesar do fracasso nas tentativas de colonização, alguns ... (Resumo completo, clicar acesso eletrônico abaixo)
Résumé: Malgré la faible documentation, est remarquable au XVIème siècle, l'afflux des français dans les terres américaines qui, partant surtout, des régions de Normandie et de Bretagne sont arrivés au litoral nord ou ont navigué vers les terres du sud, où ils pourraient charger leurs embarcations avec des peaux, "pau-brasil", perroquets, singes et d'autres animaux exotiques aussi bien appréciés en France qu'en Europe. Une preuve de l'assiduité de ces navigateurs est la fête brésilienne à Rouen, organisée en 1550 en commémoration au nouveau monarque français, Henri II et à son épouse Catherine de Médici. Pour se distinguer parmi les autres villes qui ont reçu le couple royal, Rouen a offert un spectacle qui, jusqu'alors n'avait pas été assité en Europe: le quotidien des natifs du Nouveau Monde. Cinq ans après cet épisode curieux à Rouen, une expédition laisse le port du Havre avec le clair objectif de construire un établissement français au Brésil comandé par Nicolas Durand de Villegagnon. Dans la Baie de Guanabara, les français huguenots et catholiques sont entrés en contact avec des indigènes tupinambás de qui ils ont obtenu une grande partie des aliments pour survivre en France Antarctique. Mais l'établissement n'a pas duré longtemps parce que Portugal a decidé de prendre en charge son territoire, en expulsant les français en 1560, sans compter les conflits politiques-religièuse qui perturbaient la prope France. Peu de temps après, en 1562, Jean Ribaut voyage en Floride dans un voyage de reconnaissance pour l'instalation d'une future colonie dans la région. Mais, encore une fois le sort n'etait pas du côté des français, le manque de vivres et de communication avec la métropole, les conflits internes commencent à apparaître jusqu'à ce que, en 1565, Philippe II d'Espagne, a ordonné une expédition, commandée par Pedro Menéndez de ... (Résumé complete accés électronique ci-dessous)
Mestre
Wang, Yan. "Les représentations de la Chine en France et en Grande Bretagne au XVIIIe siècle". Thesis, Bordeaux 3, 2015. http://www.theses.fr/2015BOR30069.
Texto completo da fonteThrough the representations of China in the writings of French and English authors during the eighteenth century, this thesis aims to study how that Far Eastern country participated in the intellectual movements taking place on the other hemisphere. The topic being the representations of China, our study is focused less on which is represented (China) than on those which make the representations (France and Great Britain). China is often only a pretext in the writings of that period, allowing the authors to satisfy their exotic taste, or to defend their theses. Therefore, it is not our aim to approve of or to criticize the representations made by the French and British authors. We do not seek to oppose the “true” image of China found in Chinese sources of that period to the “false” or “distorted” image in the writings of Europeans authors, but to show how French and British authors represent themselves so as to build and rebuild their identity, which characterizes the intellectual trend of the Enlightenment. Having no intention to confront the “China in the representations” with the “real China”, we nevertheless make a comparative study of the different representations of China provided by French and British authors, which highlights the different approaches to the Enlightenment in France and Great Britain
Galant, Ivanne. "Séville dans les guides de voyage français et espagnols (XIX-XXe siècles)". Thesis, Université Grenoble Alpes (ComUE), 2016. http://www.theses.fr/2016GREAL002.
Texto completo da fonteEntitled Séville dans les guides de voyage français et espagnols (XIX-XXe siècles) [Seville in French and Spanish Travel Guides (XIXth-XXth centuries)], this dissertation intends to analyze the image of the Andalusian capital in the barely studied corpus of travel guides, from their emergence in the modern times until the dawn of mass tourism. The first part is meant to study how Franco-Spanish political and cultural relations shaped one—or more—picture(s) of Spain that varied from the “Black Legend” (1700-1823) to the “Red Legend” (1823-1905)—when travel guides were established as a genre—to the “Pink Legend” (1905-1962). The second part shows that guides, as vehicles of various temporal, spatial, historical, artistic, social and human representations, are ideal sources for cultural historians. Contrary to common beliefs, there is no single pattern for travel guides and this work intends to classify them. In the third part, the richness of the sources enables us to show that by appropriating such concepts as the picturesque or the exotic for example, but mostly by taking up or refuting stereotypes such as that of Spain as all “fanfare and tambourine”—in poet Antonio Machado’s words—, the varied forms adopted by guides have an influence on our perception of reality and on our representations. Thus the examination of the intersecting perspectives provided by guides constitutes a new approach to the relations between France and Spain and a fruitful starting point to tackle the construction of a discourse on the dialectics of identity and alterity. These concepts are explored through the study of built and living heritages, of the relations between the guides’ authors and their readers but also through the reading of History in the studied corpus.Key words: Cultural history, Spain, XIXth and XXth centuries, travel, tourism, travel guide, Seville, stereotypes, image
Bajo el título Sevilla en las guías de viaje francesas y españolas (siglos XIX-XX), la tesis propone analizar la imagen de la capital de Andalucía en el corpus genérico poco estudiado de las guías de viaje, desde su emergencia moderna hasta el advenimiento del turismo de masas. La primera parte de la tesis muestra como las relaciones políticas y culturales franco-españolas crearon una o varias imágenes de España que variaron a lo largo del periodo estudiado, desde la « leyenda negra » (1700-1823) hasta la « leyenda rosa » (1905-1962), pasando por la « leyenda roja » (1823-1905), periodo durante el cual el género de la guía de viaje se afirma. La segunda parte considerará las guías como unas fuentes ideales para la historia cultural ya que se pueden apreciar como vectores de diversas representaciones temporales, espaciales, históricas, artísticas, sociales, humanas. En efecto, a pesar de las ideas preconcebidas al respecto, no existe un único modelo de guía: podemos establecer una clasificación. Por fin, la riqueza del corpus estudiado permite mostrar, en una tercera parte, que las diferentes formas que la guía puede adoptar actúan sobre la percepción de la realidad y sobre las representaciones, apropiándose conceptos como lo pintoresco y lo exótico, y sobre todo utilizando o desmintiendo las imágenes estereotipadas de una España « de charanga y pandereta », según la expresión del poeta Antonio Machado. Por este doble motivo, el examen de las miradas cruzadas constituye un acercamiento nuevo para explicar las relaciones entre Francia y España, y a la vez un punto de partida fecundo para abordar la construcción de un discurso acerca de la pareja nocional identidad/alteridad. Estos conceptos reivindican su presencia en la tesis mediante el tratamiento del patrimonio arquitectural y vivo, la relación entre autor y lector de guía, así como mediante la lectura de la Historia en nuestro corpus
Sameshima, Maria Carolina Akemi [UNESP]. "Os primeiros contornos do Novo Mundo: os relatos sobre a França Antártica e sobre a Flórida Francesa". Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/93219.
Texto completo da fonteCoordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Malgré la faible documentation, est remarquable au XVIème siècle, l'afflux des français dans les terres américaines qui, partant surtout, des régions de Normandie et de Bretagne sont arrivés au litoral nord ou ont navigué vers les terres du sud, où ils pourraient charger leurs embarcations avec des peaux, “pau-brasil”, perroquets, singes et d'autres animaux exotiques aussi bien appréciés en France qu'en Europe. Une preuve de l'assiduité de ces navigateurs est la fête brésilienne à Rouen, organisée en 1550 en commémoration au nouveau monarque français, Henri II et à son épouse Catherine de Médici. Pour se distinguer parmi les autres villes qui ont reçu le couple royal, Rouen a offert un spectacle qui, jusqu'alors n'avait pas été assité en Europe: le quotidien des natifs du Nouveau Monde. Cinq ans après cet épisode curieux à Rouen, une expédition laisse le port du Havre avec le clair objectif de construire un établissement français au Brésil comandé par Nicolas Durand de Villegagnon. Dans la Baie de Guanabara, les français huguenots et catholiques sont entrés en contact avec des indigènes tupinambás de qui ils ont obtenu une grande partie des aliments pour survivre en France Antarctique. Mais l'établissement n'a pas duré longtemps parce que Portugal a decidé de prendre en charge son territoire, en expulsant les français en 1560, sans compter les conflits politiques-religièuse qui perturbaient la prope France. Peu de temps après, en 1562, Jean Ribaut voyage en Floride dans un voyage de reconnaissance pour l'instalation d'une future colonie dans la région. Mais, encore une fois le sort n'etait pas du côté des français, le manque de vivres et de communication avec la métropole, les conflits internes commencent à apparaître jusqu'à ce que, en 1565, Philippe II d'Espagne, a ordonné une expédition, commandée par Pedro Menéndez de ... (Résumé complete accés électronique ci-dessous)
Apesar da parca documentação, é notável, no século XVI, o afluxo de franceses em terras americanas os quais partindo, principalmente, das regiões da Normandia e da Bretanha chegaram ao litoral norte ou navegavam rumo às terras do sul, onde poderiam carregar as suas embarcações com peles, pau-brasil, papagaios, macacos e outros animais exóticos bastante apreciados na França, bem como na Europa. Um prova da assiduidade desses navegadores é a festa brasileira em Rouen, organizada em 1550 para homenagear o novo monarca francês, Henrique II, e a sua esposa, Catarina de Médici. Rouen destacou-se entre as outras cidades que receberam o casal real, oferecendo um espetáculo que até então não havia sido assistido na Europa: o cotidiano dos nativos do Novo Mundo. Cinco anos após esse episódio curioso em Rouen, uma expedição deixa o porto de Le Havre com o claro objetivo de construir um estabelecimento francês no Brasil e comandado por Nicolas Durand de Villegagnon. Na Baía de Guanabara, os franceses, huguenotes e católicos, entraram em contato com indígenas tupinambás de quem conseguiram grande parte dos alimentos para sobreviverem na França Antártica. Mas, o estabelecimento não durou muito tempo, pois Portugal decide tomar conta de seu território expulsando os franceses em 1560, além dos conflitos políticos-religiosos que perturbavam a própria França. Não demorou muito e em 1562, Jean Ribaut navega para a Flórida, numa viagem de reconhecimento, para instalação de uma futura colônia na região. Mais uma vez a sorte não estava do lado dos franceses. Na falta de víveres e de comunicação com a metrópole, os conflitos internos começam a aparecer até que, em 1565, Filipe II, da Espanha, ordenou uma expedição, comandada por Pedro Menéndez de Avilés, para acabar com a ousadia francesa. Apesar do fracasso nas tentativas de colonização, alguns...
Gallegos, Gabilondo Simon. "Les mondes du voyageur : une épistémologie de l'exploration (XVIème - XVIIIème siècles)". Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01H204.
Texto completo da fonteThis study examines the issue of exploration, as it stands in the travel chronicles that have forged modern world cartography between the Renaissance and the Enlightenment, favouring the analysis of epistemological questions between the new and the unknown. Through an examination of this corpus about America, and the geographical and political speculation about the Southern Land, it shows, on the one hand, that a regime of spatiality begins with these texts; on the other, that its history is also the history of philosophy, as far as it conceived itself on the model of exploration in the baconian tradition until D’Alembert in the 18th century. It identifies the historical foundation of geographical images used in the modern thought, as well as continuity among knowledge production and the production of a space to discover by exploration travels, about which, unlike Blumenberg’s metaphorology, Foucault’s archaeology founds a limit. Then, it questions the exploration’s anthropological horizon of meaning, particularly by the controversy of a giant human species in the New World, and examines the scientific appropriation of this literary figure in the natural history from Acosta to Buffon. Lastly, after a look on the ambiguous relation between the ageing world thesis and the epistemological openness of possible objects of exploration, it proposes an analysis of the importance of the gigantum demonstratio in Vico’s philosophical program
Chuzeville, Sylvain. "Vie, œuvre et carrière de Jean-Antoine Morand, peintre et architecte à Lyon au XVIIIe". Thesis, Lyon 2, 2012. http://www.theses.fr/2012LYO20076/document.
Texto completo da fonteBorn in 1727, Jean-Antoine Morand is 14 years old when he embraces an artistic career, following his father’s death. Having settled down in Lyon, he establishes his own painter’s workshop in 1748. Receiving public and private commissions and working for the theatre on a regular basis, he specializes in trompe l’œil painting and stage-setting, including machinery. In the late 1750s, spurred on by Soufflot, he turns to architecture and city-planning, as various aspects of his previous career could have prompted him to.As an autodidactic architect, Morand suffers from a lack of legitimacy against which he pursues public recognition. But his successes, which include the building of a privately-owned bridge across the Rhône, aren’t enough. Morand’s career is torn between entrepreneurial pride and his longing for tenure. His public image is marred by the alleged opposition between land speculation and the defense of public good. This concerns mostly his great work, a project for the extension of Lyon on the left bank of the Rhône, included in a circular general city plan.Morand hasn’t built much and very little remains of his pictorial work. This thesis is based on an extensive private archive that allows us to explore this otherwise unsung architect’s intentions, relations and psychology
Mizuma, Yoko. "Le parc public au Japon : une forme paysagère hybride -Les apports de l’école française de paysage-". Thesis, Paris, Institut agronomique, vétérinaire et forestier de France, 2017. http://www.theses.fr/2017IAVF0019.
Texto completo da fonteSubsequent to the 1868 Meiji revolution, the opening of the country was a time of great change in urban planning and in the art of the garden in Japan. Under influences from the West, the layout of towns and the model of the Japanese garden were both diversified and this development was reinforced and accelerated by a new element in the urban space, introduced from abroad, the « public park ».Two schools of landscaping were pioneers in this trend: the Seiroku Honda school, established at the Imperial University in Tokyo, and the Hayato Fukuba school based in the Shinjuku Gyoen Imperial Garden. The two founders did not share the same philosophy of landscaping: the former was founded on forestry and on town and country planning, inspired by theories developed in Germany, and the latter was based on examples of horticulture and garden design from France: the treatise by Edouard André, “General Treatise on the Composition of Parks and Gardens” (Traité général de la composition des parcs et jardins), published in 1879, in particular, exerted a clear influence.In the present thesis, I will defend the hypothesis that a new type of space appeared: the public park, evolving from the principle achievements of the two schools during the opening up of the country in 1868 and until the 1930s. Using the “comparatist” method, I retrace the traditions of garden design in Japan and in France informed by the study of projects for public parks and gardens in France during the Second Empire, where the French school of landscaping flourished (Parc des Buttes-Chaumont, Parc Montsouris, Square des Batignolles), and I analyse the characteristics of the parks and gardens laid out by the two pioneer landscape gardeners and their followers (Shinjuku Gyoen, Hibiya Park, Hamachô Park, Narita-san Park). I also research the training for landscape gardening and the formats used for transfer of knowledge among horticulturalists.My research covers both historical and practical aspects. I use the methods of the historian for the consultation of archives and for documentary research; the methods of a landscape gardener for the techniques of surveying and the interpretation of projects. Analysing both French and Japanese parks from various thematic standpoints (paths, planting, water features, project management and layout), I demonstrate the influence of the French school of landscaping on the development of the public park in Japan. I reserve an important place to iconography and to graphics analysis, often hitherto unpublished. Finally, my thesis presents new elements concerning the effects in Japan, in this largely unexplored domain, of the art of gardening in its relation to the public park
Missouri, Moftah. "La Libye des voyages : 1812-1912". Paris 4, 1997. http://www.theses.fr/1997PA040242.
Texto completo da fonteBruguier, Nathalie. "D'une France l'autre : voyage et écriture à la Renaissance (1550-1598)". Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33273.
Texto completo da fonteFirst of all, the South legislates as a land of industrious administrators. However, even if it shows a claim for independence---a secularly evidenced fact---it nevertheless remains subject to the French Crown. Southerners, with identical customs as those of the French, are already part of this political entity. Schismatic area par excellence that tears the State apart, shown by numerous Huguenot patches in the Languedoc region, it is about to embrace the faith of the Same. This tendency occurs together with the linguistic phenomenon: the use of the French language develops at the same time as the practice of Law. The various parameters that distinguish the Other from the Same tend to converge to make the Southerner a subject per se of the Kingdom of the Valois. Far from questioning the foundation of the modern French identity, the people of Languedoc and other Southerners, with a rich distinct set of customs, contribute to it in several ways.
Ahmadomar, Mohsen. "Les voyageurs français au Kurdistan XVIIe, XVIIIe et XIXe siècles". Paris 3, 1996. http://www.theses.fr/1996PA030107.
Texto completo da fonteThe travel's acount is the production of the sensibility and the preoccupation of man and his civilisation. At the begining, the aim of travelling towards orient was the holly-land and the country of mongols discoverd by marco polo who gave the first classical western travel's account. With the renaissance and during the following centuries, by their material and socio-political evolution. Europ, particularly france, knew a true age of travelling (golden age). Since the end of sixteenth century to the end of nineteenth century, period when travelling to orient lost its vivacity, kurdistan, being the essentiel party of asia-minor, had been visited by a big number of travellers. During this long period, we have a rich and divers corpus, around thirty two travel's account. Kurdistan, the kurdish man and society had been seen and descripted in different manners : aspect of towns and villages, socio-political organization, the principauty and the political events of nineteenth century, tax, product and commerce, physical and psychological protrait of kurdish man and women, their costumes, their customs, their religion etc. The french travelle's who had visited kurdistan in seventeenth and nineteenth century are : sieur cesar lambert, sr. Poullet, philipe avril, volney, etc. But, the nineteenth century possess the travelle's account were rich realised by travellers like : jaubert, texier, drouville, binder, mers. Chantre, etc
Konaté, Diola. "Réflexions poétiques de l'Afrique dans l'oeuvre d'un écrivain ethnologue surréaliste : Michel Leiris". Clermont-Ferrand 2, 1993. http://www.theses.fr/1993CLF20048.
Texto completo da fonteThe narrator-poet and ethnographer at the same time-in his literary creations and ther works structures around the theme about africa a theory giving a new dynamic value to the authentic reflections expresin, the spiritual and cultural values and the africa heritage-a theory doubly throun into relief in our study on account of michel leiris' double vocation. According to the ethngrapher all aspects described in his travel book as manners and customs, rites and apparent sources of beliefs, exploitation of magic knouledges and resorts to mythical survivals deserve to be taken into account, for they represent basis from which the africa black explains and integrates his naturel environment but also throngh which be states his attachment to his origins. According to the poet the travel throngh the complex circonvolutions of these irrational wealths, beyond the passion for myths and cultures unknoun of that time, becomes a means of being objective towards the rational logic and to reach a better acquaintance of oneself and the then - a poetic experimentation that he carries on even in his dreams (image of the ethnographe
Elfagui, Nasser. "Images de la Tripolitaine à travers les écrits des voyageurs musulmans et européens aux XVIIIe et XIXe siècles". Paris 4, 1998. http://www.theses.fr/1998PA040310.
Texto completo da fonteBonnin, Jean-Paul. "Les villes du Grand Voyage : espaces et représentations à partir des récits de pélerinage à Jérusalem (1480-1700)". Paris 1, 2001. http://www.theses.fr/2001PA010638.
Texto completo da fonteBoivin, Jeanne-Marie. "Giraud de barri et la topographia hibernica (1188)". Paris 3, 1990. http://www.theses.fr/1990PA030106.
Texto completo da fonteThe thesis is divided into three parts. Part 1. Study : giraldus cambrensis, the topographia hibernica and the representation of ireland in medieval litterature (203 p. ). First chapter deals with giraldus cambresis' life and works, complex relationship with wales, ecclesiastical and political career, personality and originality as a writer. Second chapter propounds an analysis of the topographia hibernica essentially of its documentary value. The outstanding representation of medieval ireland's reality must not hide another fictitious representation, the emergence of an "irish myth" wich had a fine future. Third chapter points out the metamorphoses of this myth in different fields of medieval literature - fiction, hagiography and history. Part 2. French translation of the topographia hibernica - of the whole text edited by j. F. Dimock in the rolls series - and indices (196 p. ). Part 3. Notes on the topographia hibernica - maps and bibliography (217 p. ). Notes are not only intended to point out the the text's difficulties, quotations of ancient and medieval authors, etc. . . , but also to provide, thanks to contemporary documents, or at least modern studies, an elucidation and an evaluation of the work
Michou, Vassiliki. "L' image de la Grèce "moderne" dans les récits des voyageurs français à l'aube des Lumières". Paris 4, 2005. http://www.theses.fr/2005PA040011.
Texto completo da fonteThe aim of this doctoral work is to depict an image of “modern” Greece. We study the accounts by the French travellers who visited the East at the dawn of the Enlightenment (1665 – 1750). An analysis of the travels accounts allows us to observe the direct link existing between this literature and the cultural evolution of the French society. The political ambitions of France in the Orient and the diplomatic agreements established with the Sultan, such as the Capitulations that grant to the French important privileges, all these factors encourage several travellers to wander the eastern part of the Mediterranean Sea, and to visit Greece- then part of the Ottoman Empire. Though conceived as reference texts, the travel accounts speak of the authors themselves, of their personal history, of their erudition. An analysis of the various intertextual practices that can be found in these texts confirm their subjective nature. Often written in the first person, they are the personal achievements of the travellers, actors, authors and narrators. Acute or myopic observers as they may be, the travellers visit the Greek territory reporting information of paramount value for a sociological analysis of the life of the Greek people. The political administration and economy of the Empire is observed, as well as the commercial exchanges and the taxation system. Several aspects and episodes of the Greek reality capture the interest of the visitors. The people's activities, the orthodox Church and its ministers, the rites and the ceremonies, the songs and dances, the myths and superstitions, the customs of the locals, their domiciles and their language, all this is studied and offers us an clear vision. The vision of “modern” Greece by the French travellers in this dawn of the Enlightenment
Kim, Young-Sook. "Paul Morand et les portraits de ville". Paris 3, 2001. http://www.theses.fr/2001PA030012.
Texto completo da fonteSchneider, Pierre. "La confusion entre l'Inde et l'Ethiopie (VIIIème s. Av. J. -C. - VIème s. Ap. J. -C. )". Paris 4, 1998. http://www.theses.fr/1997PA040254.
Texto completo da fonteThe ancient texts, either geographical or not, offer us many cases of confusions between India and Ethiopia i. E. Anything relating to Africa is often named Indian and inversely. These many confusions whose a systematic inventory has been established appear in different fields: geography, history, mythology, fauna, flora and mineralogy. A careful study of all these texts allows us to understand much better the nature of this phenomenon. There is not a simple kind of confusion and the confusion is rarely a simple error. Particularly, it seems that Greek and roman people, contrary to the moderns, did not feel the confusion between India and Ethiopia as a problem. In others respects, this is not an uniform phenomenon. It has developed during the antiquity different evolutions, but it has been never really flagged. This analysis is completed with a thorough study of the texts written by authors who were inclined, more than others, to make confusions. The research of the causes of this phenomenon leads us to several directions. The Mesopotamian influence (the two meluhha) does not seem to be proved, but the Greek and roman way of thinking has led an important part. The geographical knowledge during the antiquity is a cause of confusion as well as the Indian Ocean trade which has fostered it. Finally, in certain cases, this phenomenon does not find its explanation in general causes but in individual causes which originates often in literature
Douaihy-Hatem, Thérèse. "La Montagne libanaise à travers les récits des voyageurs français du XIXe siècle entre 1830 et 1862". Paris 3, 1985. http://www.theses.fr/1985PA03A101.
Texto completo da fonteVauloup, Jeanne. "D’une Grèce l’autre : l’écriture de l’histoire dans les récits de voyage en Grèce de Chateaubriand et Edgar Quinet". Thesis, Université Clermont Auvergne (2017-2020), 2017. http://www.theses.fr/2017CLFAL013/document.
Texto completo da fonteEarly after the fall of the ottoman domination, the French travelers went to Greece in order to wander through a land full of history, with a glorious past but a deceiving present. Chateaubriand and Quinet were writers and travelers who reported the crisis lived at the turning point of the Hellenic war of independence (1821-1830). Through their gaze of “borders-men” – both writers and historians – these French painters of the Greek landscape described a plurivocal Hellade, at the beginning and the end of the war of national uprising. This study question the intrusion of history in their fictional travel narratives and report the making of their Greek thought situated at the heart of their respective career. The romantic historiography was just at its premises because history as a scientific discipline was barely emerging. Thus, through the prism of literature and imagination, travel narrative was a fitting genre for writing history, propitious to the fragmentation of speeches by the work of palimpsest. As Januses with their eyes turned to the past as well as to the future, in Greece, Chateaubriand and Quinet inscribed themselves in the history of their time, at the turning point of the European Revolutions, through a writing of the immediate history while painting landscapes with historical dimension
Ponnou, Marcelle. "Évolution de l'image de l'Inde dans la littérature géographique de l'Antiquité à la Renaissance". Paris 12, 1988. http://www.theses.fr/1988PA120057.
Texto completo da fonteThe relations existing between india and europe during the period of antiquity disappeared almost completly during the middle age and revived during the renaissance period, thanks to the travels. The travellers brought up the knowledge about india. Researches are made in different type of geographical literatures, which are : travellers' tales, cosmographic studies and the missionaries' letters
Manca, Tania. "Voyages européens en Afrique Subsaharienne (XVIIIe et XIXe siècles) : poétique d'un genre, variantes et évolutions d'un discours : François Le Vaillant, Carlo Piaggia et Mary Kingsley". Paris 4, 2005. http://www.theses.fr/2005PA040116.
Texto completo da fonteThis research is aimed by the project of defining the poetic of the literary genre of travel account, between the end of eighteenth century and the end of nineteenth century. This work stands at the crossing between literature, anthropology and history of ideas. It shows the existence of travel discourses on Subsaharian Africa, which inscribes against the stream in relation to the majority of the other discourses produced and diffused in Europe during the analysed period. This thesis is focused on the different phases of writing, publication and reception of François Le Vaillant, Carlo Piaggia and Mary Kingsley's works. Coming from different European countries, according to their pluridisciplinary formation, these tree travellers' works represent a subject of research which proves extremely pertinent in a interdisciplinary analysis, and which underlines a new approach of a kind of discourse often neglected
Orlandini, Carcreff Alessandra. "Au pays des vendeurs de vent : voyage et voyageurs en Laponie et en Finlande du XVème au XIX ème siècle : l'invention du récit de voyage aux terres boréales". Paris 4, 2008. http://www.theses.fr/2008PA040138.
Texto completo da fonteThe thesis studies the journeys and travel relations of Italian, French and English travellers, visiting Lapland and Finland from the 15th to the 19th century. It aims to classify the various typologies of travellers and travel relations to northern countries. After an introduction on the geo-historical context, on problems concerning bibliographical research and on the knowledge of northern Europe during the Antiquity and the Middle Age, the thesis is divided into three chapters. The first chapter focuses on travellers and their journeys (organisation and development of the journey - guides, companions, itineraries, transports, accommodation, accidents). The second analyses travel relations (their typologies and structures as well as the peculiarities of northern-European cultures that triggered the curiosity of travellers). The third deals with a choice of seven texts that acquired particular importance in travel literature as models, becoming reference texts for subsequent travellers. The thesis also includes an appendix, featuring short biographies of all the travellers that were taken into account in the course of the research (about seventy), as well as a photographical and cartographical dossier
Girault-Fruet, Arlette. "La topique de l'île dans les récits de voyages anciens sur la route française des Indes, notamment aux Mascareignes, aux XVIIème et XVIIIème siècles". La Réunion, 2009. http://elgebar.univ-reunion.fr/login?url=http://thesesenligne.univ.run/09_07_fruet.pdf.
Texto completo da fonteEarly modern travel narratives endlessly put to the fore recurring narrative or descriptive configurations. The “Topic of the island” - that is, the whole system of commonplaces or topoï consistently and predictably present in these texts - neither determines perceptive or cognitive uniformity, nor prompts the reader's boredom, despite the lasting prejudice that it does so. In truth, a commonplace is a joint treasure, which each traveller appropriates by modifying any of its constitutive topical elements. The island thus described is “never quite the same, nor someone else”. This study of the “Topic of the island” demonstrates that insular representations partly relate to utopia, that referential reality is progressively invested with cultural meanings through the successive and various uses of topoï, and that these commonplaces are flexible material – they sometimes degrade into legendary, but they rarely disappear
Berenger, Yves. "Voyages, voyageurs et récits imprimés de voyages français dans le Nord scandinave au dix-septième et dix-huitième siècle". Paris 4, 2003. http://www.theses.fr/2003PA040202.
Texto completo da fonteThis thesis presents in its first part 42 French travellers coming from different social spheres, endowed with various educating levels, who travelled in the Scandinavian countries during the 17th and 18th centuries. They have left printed traces of their travels that were done for different purposes such as diplomacy, business, religion, tourism and, particularly in the 18th century, sciences. Influenced by the spirit of the great discovery travels, minded-educated and motivated by the growing teaching of geography, even practised at the highest levels of the kingdom, these travellers describe their itinerary, their way of living, the people they met, the diplomatic circles, the landscapes, the climate, the languages they spoke, the culture and leisure life, the importance of the Sund strait, and also the typically exotic matter of the time, Lapland that some travellers visited. The travellers came back home, feeling themselves like "citizens of the world". The thesis describes also how these relations were written, then printed, quotes which works were translated and how many editions they got, and brings an undeniable contribution to the history of travel literature. The second part gives for each traveller some biographical data, the list of his works and the different French and foreign bibliographical comments that the publication brought about. Finally more than a thousand archives and bibliographical data and 15 attached documents complete and finish off the thesis
Hirzy, Jacques. "Le père Isidro de La Asuncion, visiteur de la province carmélitaine de Nouvelle-Espagne, et son "Itinerario a Indias" (1673-1679) : édition critique et traduction". Paris, EHESS, 1988. http://www.theses.fr/1988EHES0335.
Texto completo da fonteCabrera, Delgadillo Adriana. "Aspects mythiques et historiques des récits de voyage sur l'Amazone entre le XVIIe et le XVIIIe siècle". Paris 4, 2005. http://www.theses.fr/2005PA040112.
Texto completo da fonteThrough the narratives of French travelers in the Amazon region, a mythical world reappears, inspired by a collective cultural heritage. One century after the discovery of the Amazon region, the French travelers and chroniclers offer their visions of the Spanish and Portuguese conquests. Thus, they expose the resurrection of two principal myths that they associate with the exploration of the Amazon: the Amazones, women warriors, and El Dorado. Superimposing the travelers' narratives and their recourse to myths allows us to realize their classical predispositions and their desire to encourage the exploration with an imaginary lure. Constrained to apply their own realities to the unknown, the chroniclers transform the objective realities into imagination. This text addresses the imagination that arises from the confrontation between the unknown and the cultural background of the travelers in the Amazon region. The link between myth and reality is dissolved. It is progressively substituted, initially by a demystifying scientific approach, and then by romanticism in the form of an exalted attitude towards the other which marks the beginning of the era of Enlightenment
Aubry, Marie-Christine. "Les visages de Djibouti à travers les récits de voyage". Paris 4, 1986. http://www.theses.fr/1986PA040170.
Texto completo da fonteThis former french colony, called the Republic of Djibouti since 1977, has long been a foot note to history, and remains unrecognized : it was first mentionned by a foreigner in 1708, and then not, until 1841 by Charles Rochet d'Hericourt. The travellers - nearly all of them french-speaking people - explorers, tradesmen,civil servants or ordinary tourists, who have been more and more numerous to come in Djibouti for a century and a half, have left several hundred varied pieces of work, oftendifficult to find (articles, accounts or chronicles, anecdotical memories, a few novels) presenting common features : very few are solely devoted to Djibouti, which remains a place of transit towards Ethiopia, Arabia or the harbours of the Indian ocean ;on the other hand, they are quite a lot of works, sometimes only fragments, in which Djibouti is depicted as a land of barrenness, death and barbarity (part I - travels and travellers). The very hazardous travelling conditions of the XIXth century may partly account for this grim outlook on the landscapes, the populations and the ways of living (part II - sights). But, very soon, these descriptions congealed into cliches. Often depreciated to the point of being considered as the antichamber of hell ; sometimes idealized by adventurers, nature lovers and mystics ; always distorted by the wellknown processes of caricature (excess, schematization and assimilation) Djibouti feeds the foreigner's fantasms : against their will, the travellers create and spread mythical interpetations and his true face is concealed (part III - myth and reality). The Djiboutians are, no doubt, the only ones able to define and unveil their authenticity, if they want to do. Neverthe less, the foreigner's opinion, however partial and onesided, can't be deliberately ignored
Sommerlat, Anne. "Le duché de Courlande et l'Aufklärung dans la seconde moitié du XVIIIe siècle : interactions et représentations". Toulouse 2, 2005. http://www.theses.fr/2005TOU20062.
Texto completo da fonteOwing to its localization at the periphery of Poland, Russian and the Holy Roman Empire, the function of the duchy of Courland in the second part of the 18th century was more important than its real political and economic signification, on the one hand because the Aufklärer saw it as a place where one could strive for putting the ideas of Enlightenment to the test, and try to exercice a cultural influence, and on the other hand because the journalists, travellers and writers considered it as an observation post of their epoch. Its functioning allows to look into some of the main questions of the time of the Spätaufklärung. Several types of inner and outer interactions between different constellations of actors can be registered, including especially duke Peter Biron (1724-1800), the courlandic nobility, protestant German-speaking intellectual circles, the latvian population, and european courts
Laurent, du Tertre Marie-Pierre. "Les navigations atlantiques du vénitien Alvise da Mosto et la navigation du portugais De Sintra écrites par Alvise da Mosto : traduction, édition critique, annotations et commentaires des éditions". Paris 1, 1987. http://www.theses.fr/1987PA010526.
Texto completo da fonteBogojević, Dragan. "L'imaginaire du Monténégro dans la littérature de voyage au XIXème siècle et au début du XXème siècle". Tours, 2005. http://www.theses.fr/2005TOUR2031.
Texto completo da fonteChouaa, Mohamed. "L'Espagne et le Maroc dans le Voyage pittoresque du Baron Taylor". Paris 3, 1993. http://www.theses.fr/1994PA030001.
Texto completo da fonteThe intention of this study is to carry into the imagery of the baron Taylor’s voyage pittoresque. Painter, writer, traveler and great figure of XIXth century, Taylor was also an enterprising man, a kindly person, a protector, but also stern and uncompromising. He was a government commissioner of the theatre francais, the author of a monumental work (voyages pittoresques dans l'ancienne France), the representative of France to collect the Spanish gallery of the Louvre’s museum, to bring back the Louqsor's obelisk, the patron of numerous associations and mutual benefit societies in favor of artists, men of letters, etc. Interrogating baron Taylor about his reactions, about his spanish and moroccan vision, about the quality of this one, and about his predecessors part in all his works, constitutes the main interest of this study. So, Spain which has provoked outrage and indignation or derision during XVIIth and XVIIIth centuries, arouses interest in the Taylor’s conscience but critic also. As regards morocco, this country means, for him, several things at the same time or many outlines: the arabic orient (but an uncertain and arbitrary orient opposite an economically and scientifically powerful occident), Islam, Africa (particularly white regard to his strange and unusual appearance). We did not omit to treat, in this study, the problem of exotism and orientalism which had in Taylor’s mind political, religious and ideological implications
Siripaphanh, Bounthieng. "Luang Prabang et son art". Paris 7, 1994. http://www.theses.fr/1994PA070020.
Texto completo da fonteThe objective of this thesis is to compare muang prabang's architectural and religious art to that of other areas of laos, as well as to that of its neighbours (burma, thailand, calbodia and china), in order to stress its specificity and originality. This work is composed of two volumes. The first volume is reserved for a general presentation of the geography and history of laos and luang prabang (in its historical, religious and architectural context), followed by a detailed study of luang prabang's temples (their history, their general characters) and the decorative art of these buddhist buildings. The volume closes with a comparison between luang prabang's art and the art of the other areas of laos, and with a further comparison between that art and the art of neighbouring countries (burma, thailand, cambodia and china). The second volume is constitued of drawing and plates, and photographs of the sutided monuments, either no longer extant or still on existence
Panagiotaki, Kalliopi. "Evolution et métamorphose du regard des voyageurs et écrivains français en Crète, de la Révoltion de 1789 à la Révolution crétoise de 1898". Bordeaux 3, 2001. http://www.theses.fr/2001BOR30034.
Texto completo da fonteThe island of Crete, formely one of the most attractive centres of the Eastern Mediterranean, became progressively so misknown that when some French travelers Savary in 788 and Raulin in 1845, visited it, they experienced real exploration travels. The uprising occured in 1866 and in 1897 attracted the interest of the French and resulted in their involvement in the Cretan question. Their travel reports composed between 1788 and 1898 show a keen interest for Crete during the whole 19th century. These texts help detecting the evolution and the transformation of the attitude of the French travellers and writers, as well as the evolution of different literary, political, and social ideas in France
Handy, Simon-Pierre. "Le tourisme au Cameroun : réalités et rôle dans le développement économique et régional". Aix-Marseille 1, 1992. http://www.theses.fr/1992AIX23002.
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