Teses / dissertações sobre o tema "Folkloristé"
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Roques, Évelyne. "Paul Delarue, instituteur, folkloriste et militant laïque". Paris, EHESS, 2009. http://www.theses.fr/2009EHES0388.
Texto completo da fonteComprehending Paul Delarue's work, the author of the French folktale catalogue, means considering the process that led to justify oral tradition in composition of tales. His carreer is based on three areas: education, through his work as teacher committed teacher trade unionism and public education, botany and the study of tales. His training as a folklorist comes from interaction of these three topics as well as in his work whenre "story", "childhood", "school" and "popular education" are closely linked. As tireless worker, he refined his knowledge of oral tale, from its collection to its transcription by his careful processing of Achille Milien's manuscripts. These documents forming the basis of popular French tale began in 1946 and has continued up to now. But it is while publishing two children books, L'Amour des trois oranges and Incarnat blanc et or and while studying oral sources of the Little Red Riding Hood by Charles Perrault, that the theoretical range of this work was revealed. It constitutes an epistemological break in tale study: since this publication the methodology has been consisting of considering all versions of a tale, oral or literary, to compare them and to underline changes. This allows achieving a deep knowledge of the story rather than seeking chimerical origins or imposing fanciful interpretations
Ishii, Yoko. "Kunio Yanagita, the life and times of a Japanese folklorist". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0006/MQ34894.pdf.
Texto completo da fonteVillalba, Arasa Laura. "Adelaida Ferré i Gomis, folklorista. Edició, catalogació i estudi del seu corpus rondallístic". Doctoral thesis, Universitat Rovira i Virgili, 2014. http://hdl.handle.net/10803/293910.
Texto completo da fonteEn esta tesis, inscrita en una doble línea de investigación: estudios de literatura oral popular y estudios de género y/o feministas, se estudia la figura de la folclorista Adelaida Ferré i Gomis (Barcelona 1881 – Barcelona 1955), de manera especial como recolectora de cuentos populares. El trabajo se estructura en dos partes: por un lado se presenta la biografía de la folclorista, su contexto familiar, su trayectoria profesional y su trabajo como cultivadora del folclore a través del análisis de distintos materiales, de fuentes orales fundamentales y a través de la correspondencia que mantuvo con su maestro Rossend Serra i Pagès. En esta primera parte también se expone la situación de las mujeres catalanas de finales del siglo XIX y principios del XX, el contexto general —durante los primeros treinta años del siglo XX— en que se produjo su incorporación al folclore y cuáles fueron las aportaciones que hicieron en este período. Además se estudia el papel que tuvo Rossend Serra i Pagès en la formación de jóvenes folcloristas y gracias al cual se inició y se afianzó el trabajo de estas mujeres en esta disciplina. La segunda parte del estudio se centra en la transcripción, edición, catalogación y análisis de un corpus de 96 cuentos populares en gran parte inéditos. Estos relatos se presentan clasificados en tres apartados distintos: (1) Narraciones catalogadas en el índice tipológico internacional [ATU]; (2) Narraciones catalogadas en la página web RondCat (i no en ATU), y (3) Versiones no catalogadas. Con esta tesis se pone de manifiesto el trabajo de las folkloristas catalanas de principios del siglo XX, se reivindica la figura y el trabajo —poco o nada conocido— de Adelaida Ferré i Gomis como folclorista, y se enriquece el panorama catalán de los cuentos de tradición folclórica con la incorporación de nuevas versiones de tipos ya existentes y de nuevos tipos.
This dissertation, set within a twofold research line: popular oral literature studies and gender and/or feminist studies, analyzes the importance of the folklorist Adelaida Ferré i Gomis (Barcelona 1881 - Barcelona 1955), especially as a folktales collector. The work is structured into two parts: the first one presents the folklorist's biography, her family background, her career and her work as a folkloric scholar through the analysis of various materials, fundamental oral sources and her correspondence with her teacher Rossend Serra i Pagès. It also sets out the situation of Catalan women between late 19th and early 20th centuries, the general context -during the first thirty years of the 20th century- in which they joined the study of folklore, and which were their contributions to the discipline in this period. Moreover, it studies the role played by Rossend Serra i Pagès in teaching young female folklorists, thanks to which they could commence and consolidate their work in this discipline. The second part of this study focuses on the transcription, edition, cataloguing and analysis of a corpus of ninety-six mostly unpublished folktales. These tales are classified into three groups: (1) Folktales catalogued in the ATU international classification system; (2) Folktales catalogued in the web RondCat (and not in ATU), and (3) Folktales not catalogued. This doctoral thesis highlights the work of Catalan female folklorists at the beginning of the 20th century, calls deserved attention to Adelaida Ferré i Gomis's almost unknown contribution to the folkloric research, and enriches the Catalan folktales corpus with the addition of both new versions of already existing types and new types.
Starnes, Kathryn. "Fairy tales, textbooks and social science : a folklorist reading of international relations introductory textbooks". Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/fairy-tales-textbooks-and-social-science-a-folklorist-reading-of-international-relations-introductory-textbooks(4fc0195b-97db-4e48-9cc7-deb4b3c24e2f).html.
Texto completo da fonteOliva, Ramal Albert. "Eusebi Ribas Vallespinosa, prevere i folklorista. contribució a la història del folklore català (1874-1959)". Doctoral thesis, Universitat Rovira i Virgili, 2020. http://hdl.handle.net/10803/671352.
Texto completo da fonteEsta tesis doctoral reivindica la figura del padre Eusebi Ribas Vallespinosa como folklorista. La primera parte del trabajo se basa en la influencia que ha desarrollado la Iglesia institucional de Catalunya en la sociedad contemporánea en los diversos períodos históricos que han transcurrido entre la segunda mitad del siglo XIX y la primera del XX, como son la Renaixença, la dictadura de Primo de Rivera (1923-1930), la Segunda República (1931-1938), la Guerra Civil (1936-1939) y la primera etapa de la dictadura de Franco (1939 a 1951). En concreto, se fija cuál ha sido la contribución de la clerecía en la historia del folklore catalán en el período mencionado y se analiza la participación eclesiástica en algunos proyectos e iniciativas de investigación folklórica, como la Obra del Cançoner Popular. En este contexto, aparece la figura de Eusebi Ribas Vallespinosa, presbítero de Valls. La segunda parte de la tesis, pues, se centra en estudiar la tarea de mosén Ribas como folklorista, que se vertebra en tres ámbitos de actuación: canciones populares, juegos tradicionales y artículos costumbristas en la prensa local y comarcal. Para hacerlo, se parte de dos ejes de trabajo que se centran en dos de las obras más destacadas de la producción del autor en el terreno de la literatura oral popular y el folklore: el acopio de juegos tradicionales vallenses de 1951 y la recopilación de quinientas treinta canciones que envía a la Obra del Cançoner el 1932. En el primer caso se hace una contextualización, edición, estudio y clasificación de los juegos del manuscrito que el clérigo presenta en los Jocs Florals de las Fiestas Decenales de la Virgen de la Candela de Valls. En el caso del cancionero, se contextualiza el documento, se analizan las características de las informantes y se propone una clasificación y un comentario de las canciones.
This doctoral thesis vindicates the figure of the priest Eusebi Ribas Vallespinosa as a folklorist. The first part of the work is based on the influence that the institutional Church of Catalonia developed in the contemporary society during the different historical periods comprised between the second half of the nineteenth century and the first half of the twentieth, such as the Renaixença period, the dictatorship of Primo de Rivera (1923-1930), the Second Spanish Republic (1931-1938), the Spanish Civil War (1936-1939) and the first years of the Franco dictatorship (1939-1951). It specifically determines the contribution of the clergy to the history of Catalan folklore during that period and analyzes the ecclesiastical engagement in projects and initiatives of research in the folklore field, such as Obra del Cançoner Popular. In that given context, we encounter the figure of Eusebi Ribas Vallespinosa, presbyter of the city of Valls. The second part of the thesis is then focused on the study of the work of Father Ribas as a folklorist, structured in three areas of action: folk songs, traditional games and tradition-related articles found in local and regional press. To achieve that, two core fields of work are established, each focused on one of the most outstanding works of the author's production in the field of popular oral literature and folklore: on one side, the collection of traditional games from Valls dating back to 1951; on the other side, the collection of five hundred and thirty songs that he sent to Obra del Cançoner in 1932. The first case contains a contextualization, edition, study and classification of the games contained in the manuscript that the priest presented at the Floral Games held during the Decennial Celebrations in honor of Our Lady Verge de la Candela in Valls. In the second case, the songbook, the document is contextualized, the characteristics of the informants are analyzed and a classification and commentary on the songs is proposed.
Schram, Kristinn Helgi Magnusson. "Borealism : folkloristic perspectives on transnational performances and the exoticism of the North". Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5976.
Texto completo da fonteVan, de Water Wesley Colin. "The Bat and the Spider: A Folkloristic Analysis of Comic Book Narratives". DigitalCommons@USU, 2016. https://digitalcommons.usu.edu/etd/4870.
Texto completo da fonteOrtabasi, Melek. "Japanese cultural history as literary landscape : scholarship, authorship and language in Yanagita Kunio's native ethnology /". Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/6692.
Texto completo da fonteMangin, Alexandre. "宮本常一 : un ethnographe folkloriste, infatigable marcheur à la recherche de l'identité japonaiseMiyamoto Tsunéichi". Lyon 3, 2008. https://scd-resnum.univ-lyon3.fr/out/theses/2008_out_mangin_a.pdf.
Texto completo da fonteThis work intends to introduce the life and work of folklorist Miyamoto Tsuneichi thanks to whom the new science created by Yanagita Kunio (i. E. Minzokugaku) could enter modernity, especially insisting on fieldwork. Studying his path and his formative years, I will show how that science was academically constituted. This epistemological analysis is followed by an introduction to the major themes in miyamotian work, whose common point is to interrogate about what the Japanese are, especially the lower classes, first of all the rural ones. This author tries to show, particularly by using History as well as making sociological observations and doing researches about "patrimony", how rurality nourrished the identity and cultures of the Japanese, and he observes the decline of life in rural areas due to rural exodus. Among the aims of this discipline, the moral side could not stop a process that seems irreversible even today. However, the desciptive side, illustrated by the huge amount of books written by Miyamoto gives us today an unprecedented database about the folk cultures in Japan
Mercado, Guerra Javier. "Religiosidad y folklorismo en dos festividades patronales de los Andes : Potosí (Bolivia) y Ayquina (Chile)". Tesis, Universidad de Chile, 2012. http://www.repositorio.uchile.cl/handle/2250/116014.
Texto completo da fonteLatry, Guy. "Félix Arnaudin, un folkloriste gascon à travers sa correspondance : suivie de l'édition de la correspondance générale de F. Arnaudin". Montpellier 3, 2000. http://www.theses.fr/2000MON30065.
Texto completo da fonteThomas, Jeannie B. "Honoring the Farm: Identity and Meaning in Personal Narratives". DigitalCommons@USU, 1987. https://digitalcommons.usu.edu/etd/7379.
Texto completo da fonteMaixner, Miroslav. "Ambivalence identity: kulturní tradice jako téma v současném českém a slovenském umění". Doctoral thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2020. http://www.nusl.cz/ntk/nusl-432632.
Texto completo da fonteKoppe, Klaus. "Walravens, Hartmut (Hrsg.): Walther Heissig (1913–2005). Mongolist, Zentralasienwissenschaftler, Literaturwissenschaftler und Folklorist. Leben und Werk. Würdigungen, Dokumente, Forschungsberichte und Rundfunkprogramme auf Audio-CD. Wiesbaden (Rezension)". De Gruyter, 2018. https://ul.qucosa.de/id/qucosa%3A31860.
Texto completo da fonteRedbo, Linnea. "Djuren i husen : Om spår av rituell praktik i profana byggnader". Thesis, Uppsala universitet, Arkeologi, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-446533.
Texto completo da fontede, Millo Cole. "Gaze not upon the * : Paganism and history use within digital games". Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-100115.
Texto completo da fonteLevin, Christoffer. "Från ett ord till en värld : Alver i klassrummet: etymologi, folktro och fiktion". Thesis, Högskolan i Gävle, Avdelningen för humaniora, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-24520.
Texto completo da fonteSamuelsson, Victoria. "What Manner of Man is This? The Depiction of Vampire Folklore in Dracula and Fangland". Thesis, Stockholms universitet, Engelska institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-77495.
Texto completo da fonteMiotto, Barbara <1968>. "L'étude du folklore à la fin du XIX siècle: la correspondence entre Giuseppe Pitre et les folkloristes français: Cola Pesce et Jean des Mervilles: analyse de deux contes". Doctoral thesis, Università Ca' Foscari Venezia, 2004. http://hdl.handle.net/10579/325.
Texto completo da fonteCarnevali, Flavia Guia. "\'A mineira ruidosa\' - Cultura popular e brasilidade na obra de Alexina de Magalhães Pinto (1870-1921)". Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-08022010-123212/.
Texto completo da fonteAgainst the background of the period of the late nineteenth century until the first two decades of the twentieth century and thematic construction of Brazilian national identity, this study aimed at examining how the popular culture collected in the form of songs, stories , proverbs and child´s play was treated by folk and professor of mineira Alexina Magalhães Pinto (1870-1921), considered a pioneer in the application of oral literature and other forms of popular culture on teaching. The intention to study the folklore and the works Alexina left in the field of folklore was seen, how the folk posed herself as intermediary in relation to popular practice, and from this point analyze the speech that she builds about these practices and these experiences. In examining how the folk Alexina handled popular culture, \"correcting\" the speech of the people, or the metric of the songs, highlighting the moral aspects of proverbs, creating and recreating popular stories, sweetened its end, so making use of this material to educate physically, morally and intellectually children, we can notice how these \"practices\" used by her were according to a civilizing mission that the literate elite of the time attributed to themselves.Thus, production of folk literature and history about her, helps to reveal and / or (re) build the conflicts, tensions and projects that historical juncture marked by concern with the construction of a Brazilian national identity.
Andersson, Marcus. "Mäster Tinglöf och djävulens urmakare : En studie i Tinglöf-mytens uppkomst och utveckling från åren 1751-2021". Thesis, Karlstads universitet, Institutionen för samhälls- och kulturvetenskap (from 2013), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-84065.
Texto completo da fonteKuße, Holger. "Новае слова ў беларусістыцы. Матэрыялы V Міжнароднага кангрэса беларусістаў". De Gruyter, 2014. https://tud.qucosa.de/id/qucosa%3A71373.
Texto completo da fontePerrin, Emmanuelle. "Folklore et ethnographie de l'Egypte contemporaine : le "Dictionnaire des coutumes, des traditions et des expressions égyptiennes" ("Qâmûs al-'âdât wa-l-taqâlîd wa-l-ta'âbîr al-misriyya") de Ahmad Amîn". Paris, INALCO, 2004. http://www.theses.fr/2004INAL0015.
Texto completo da fonteThe "Dictionary of Egyptian Customs, Traditions and Phrases", published in 1953 by the scholar Ahmad Amin (1886-1954), is considered as one of the first texts recording and describing the Egyptian folklore, therefore defined as a subject worth being studied and recorded. This work, written in Arabic, contributes to formalizing this folklore, its beliefs, practices and know-how coming from oral, uncodified traditions. Often used as an ethnographical source for Egypt contemporary history, it has never been presented in its whole form. From an indexation of the articles by themes, the analysis of this dictionary shows us how traditions and folklore become a subject of study, how the notion of tradition can be constructed and what it consists of. According to Ahmad Amin, traditions first express the Egyptian identity. The interest focused on these traditions is then justified by the national dimension of the habits and customs he describes, as well as their historical interest. By recording traditions about to vanish, this dictionary keeps up the memory of ancient way of lives, part of collective memory and identity, and integrates them into Egyptian history. Traditions are also considered with a critical point of view, in terms of cultural normalisation, which as well participates in the definition - or the invention- of the Egyptian folklore
Meyran, Régis. "Races, cultures et folklore : contribution à une histoire de l'anthropologie en France, 1928-1945". Paris, EHESS, 2005. http://www.theses.fr/2005EHES0189.
Texto completo da fonteMany folklorists and regionalists helped to shape the national revolution under the Vichy regime. This contribution was neither motivated by political views nor by opportunism, but rather by shared ideas, to which scientists and some politicians, higher officials and writers of the Vichy period appealed. In studying the formation of networks, analysing individual trajectories, this thesis establishes the existence of a group unified by similar beliefs, consistent with the idea that the culture of any region is determined, like the race of its inhabitants, by the landscape and the climate. These folklorists invented the theory of "natural culture", which draws them closer to the racial anthropologists of the Ecole d'Anthropologie or the Carrel's institute, than to the social anthropology introduced by Marcel Mauss. Their works, through impregnated with xenophobia or even racism, still have an influence because they were trying to surpass the opposition between nature and culture
Holmström, Ingela. "Seder och sägner av Leonard Rääf : en studie i bröllop och dop". Thesis, University of Gävle, Department of Humanities and Social Sciences, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-619.
Texto completo da fonteMitt syfte är att studera Leonard Rääfs nedskrivna sägner och kyrkliga kommentarer. Med detta arbete vill jag visa att många av sägner och seder har en kyrklig anknytning. Till hjälp har jag ställt några frågor som jag ska försöka att besvara:
* Vad säger sägnerna om frierier, fästning och bröllop?
* Hur förhåller sig kyrkan till sägnerna angående frierier, fästning och bröllop?
* Vad säger sägnerna om dop?
* Hur förhåller sig kyrkan till sägnerna angående dopet?
Tack vare Leonard Rääfs framsynthet att bevara de gamla sägnerna till eftervälden kan man få en inblick i den gamla svenska kulturen. Det är viktigt att veta sin historia för att få förståelse för sin egen tid. Många seder och bruk, men också många sägner lever kvar i dag, vissa av dem har förändrats till en modern och förändrad form. Skrocken om ringen finns kvar t ex genom att man trär upp en ring på ett hårstrå för att utröna när man ska gifta sig. Dessutom får man inte sätta någon annans vigselring på sitt finger för då blir det olycka. Sägnen förr i tiden upprätthöll en ordning i samhället. Genom sägnerna kunde folket komma ihåg regler för dop och bröllop.
Kyrkan har försökt att påverka folks vardag, detta har ibland lett till motsättningar och strider. En del av de folkliga sederna har kyrkan förbjudit t ex kakaltaret. Ibland har folkets riter förts in i kyrkan exempelvis ringen. Kyrkans heliga ritualer gjordes mystiska, vilket ledde till att sägnerna kom att få en magisk aura.
Bailey, Ebony Lynne. "Re(Making) the Folk: The Folk in Early African American Folklore Studies and Postbellum, Pre-Harlem Literature". The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1594919307993345.
Texto completo da fonteEriksson, Joakim. "Trädkult : en studie i Thede Palms efterföljd". Thesis, University of Gävle, Ämnesavdelningen för religionsvetenskap, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:hig:diva-3989.
Texto completo da fonteArbetets syfte är att göra en aktualiserad framställning av ämnet trädkult. En viktig del av syftet har också varit att göra en mera heltäckande materialgenomgång än tidigare studier. Framställningen kommer huvudsakligen att beröra den fornskandinaviska religionen men utblickar kommer att bli nödvändiga för att komplettera materialet. Således kommer även kontinentalgermanska och samiska områden att beröras, kontinentalgermanskt område något utförligare, samiskt område i form av ett exempel. Visserligen kommer arbetet i mycket att ha karaktären av en betraktelse. Som sådan blir den resonerande såtillvida att då någon källa har redovisats och/eller den i respektive fall eventuelle forskaren har fått lägga dit sina aspekter kommer jag att i vissa fall ha små reflektioner att tillägga. Trots detta vill jag ändå som tillägg sätta en traditionell frågeställning eftersom inget uppsatsarbete borde undvika att söka besvara åtminstone någon eller några frågor. De frågor den här uppsatsen kommer att söka besvara blir:
- Kan en koppling mellan myt och rit påvisas?
- Finns det möjlighet att påvisa ett mikro-, makrokosmiskt förhållande?
- Fanns det maktlegitimerande skäl för kultplatsen?
Набок, Марина Миколаївна, Марина Николаевна Набок, Maryna Mykolaivna Nabok e Каяпинар Гьокальп. "Архетипна основа поняття "рід" в українській та турецькій усній народній творчості". Thesis, Сумський державний університет, 2021. https://essuir.sumdu.edu.ua/handle/123456789/84531.
Texto completo da fonteFloirat, Anetta. "Le Roi Roger de Karol Szymanowski, chef-d’œuvre de diversité unifiée". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040090.
Texto completo da fonteKing Roger, a masterpiece of the Polish composer Karol Szymanowski (1882-1937) is a key-work to the development of his author. Taking place in the medieval Sicily, setting for the confrontation of many civilisations (in particular Greek, Byzantine, Arabic and Norman), the opera presents itself as a mosaic of cultures (interculturality) and of varied artistic sources (pluridisciplinarity). Extending from the Bacchae of Euripides to nietzschean philosophy and from the music of the Tatra Mountains to the wagnerian drama, this kaleidoscope of sources is articulated by a few fundamental ideas. The present study considers the opera, according to the words of the composer himself, in the binary opposition between « great contrasts and riches » and the « united worlds » by means of particular methods of integration which rise this mosaic to the status of a Work of Art.The present study gives a series of insights into the opera, the only way of considering a work of such complexity in its entirety. Confronting the projects and the result, it is organized by the rhythm of the oppositions in presence, approaching different arts by their multiple layers (through the study of varied sources) and their part in the final work
Seay, Nancy Parker. "Elderly African American Clergywomen as Community and Educational Resources". Connect to full text in OhioLINK ETD Center, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=toledo1262958506.
Texto completo da fonteTypescript. "Submitted as partial fulfillment of the requirements for The Master of Education in Educational Theory and Social Foundations." "A thesis entitled"--at head of title. Bibliography: leaves 97-104.
Sousa, José Josberto Montenegro. "Culturas tradicionais no Ceará: nas dobras de narrativas em contendas sertanejas". Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/13150.
Texto completo da fonteConselho Nacional de Desenvolvimento Científico e Tecnológico
This work aimed to study traditional cultures of Ceará State, Brazil, with emphasis on the experiences and the way of being and living of poor backwoodsmen population. We agreed to discuss conceptions about the backwoods and backwoodsmen, disseminated by folklorits´ onset, the instance of literacy, of sciences, and public power, that reproduce equivocate apprehension about backwoodsmen s culture which its origin forwards significantly to indigenous and African cultural heritage. These affirmations are marked by persistent strategies kept as expressions of popular culture. We analyzed the dimension of their argument and point of views, giving privilege to the narratives produced about and by backwoodsmen, with the objective to evidence distinct perspectives of its statement s content
Neste estudo tratamos de culturas tradicionais no Ceará, com ênfase às experiências e modos de ser e viver de populações pobres sertanejas. Procuramos problematizar abordagens e concepções sobre o sertão e sertanejos, disseminadas por investidas de folcloristas, de instâncias do letramento, das ciências, e de poderes públicos, que reproduzem apreensões equivocadas acerca de culturas sertanejas cujas origens remetem, significativamente, a heranças culturais de povos indígenas e africanos. Estas asserções estão marcadas por persistentes estratégias de enfrentamento mantidas como expressões da chamada cultura popular. Analisamos pontos de vista e dimensões de seus argumentos, privilegiando narrativas produzidas sobre e por sertanejos, com o intuito de evidenciar distintas perspectivas quanto ao conteúdo de seus enunciados
Agostini, Agostinho Luís. "O pampa na cidade : o imaginário social da música popular gaúcha". reponame:Repositório Institucional da UCS, 2005. https://repositorio.ucs.br/handle/11338/272.
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Study of the Folkloristic Gaucha Music as a characteristic event in the 80 s. It includes a study of FGM s structure by selecting thirty representative lyrics. Approaching of the cultural and native traditions, searching to find the gaucho characteristics idealized in the folkloristic music s lyrics. Social reality faced as na imaginary construction in which the significative actions of the social actors, such as language and speech, characterize its components.
Carolinski, Flavia Cristina Moino. "Aleksandr Nikoláevitch Afanássiev e o conto popular russo". Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/8/8155/tde-12092008-170622/.
Texto completo da fonteThe collection Russian folktales, brought out from 1855 to 1863 in eight volumes, was the result of the careful work by Aleksandr N. Afanássiev (1826-1871), responsible for the gathering and publishing of around 600 texts in this work. Afanássiev´s work was the first Russian folktales collection with a scientific approach, it became a fundamental study material, besides presenting the tales inherent poetry and humour. This dissertation has the objective to introduce Afanássiev´s path, who devoted himself not only to the tale but also to other folklorist expressions, as well as to outline the evolution of the folktale presence in the literary and scientific Russian life, making possible the appearance of many folklorist studies. Another purpose of this work is to present some recurring traits from the tales of magic. For this intention, Vladimir Propp´s works, who dedicated a lot of his time to the popular culture, and in particular, to the tales of magic, were extremely important to us. This dissertation also presents the translation into Portuguese of eleven tales of magic, in which the selection criteria was the presence of different representations of the folktale character Baba-Iagá, of which a short assessment is made of its traits, in accordance with Propp´s theories.
Yashkina, Svetlana. "Modern Fairy Tales: The New Existence of an Old Genre : Exemplified by the Books of Alan A. Milne, Tove Jansson and Eno Raud". Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-151238.
Texto completo da fonteVimont, Michael. "The anthropological construction of Czech identity : academic and popular discourses of identity in 20th century Bohemia". Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:bb316968-60a1-472c-bee4-b8de3af5ebbd.
Texto completo da fonteKukharenko, Svitlana P. "Abnormal Death Memorials in Ukraine: the Folkloristic Perspective". Phd thesis, 2010. http://hdl.handle.net/10048/1355.
Texto completo da fonteUkrainian Folklore
Mische, James J. "Upper midwestern singer/composers : an ethnographic, folkloristic study /". 2005. http://catalog.hathitrust.org/api/volumes/oclc/70808572.html.
Texto completo da fonteLilja, Agneta. "Föreställningen om den ideala uppteckningen : En studie av idé och praktik vid traditionssamlande arkiv - ett exempel från Uppsala 1914-1945". Doctoral thesis, 1996. http://urn.kb.se/resolve?urn=urn:nbn:se:sprakochfolkminnen:diva-379.
Texto completo da fonteDoktorsavhandling för filosofie doktorsexamen i etnologi framlagd vid Uppsala universitet 1996.
ŘEDINA, Patrik. "Dudáci a dudácké muziky jižních až jihozápadních Čech v 2. pol. 20. století". Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-253976.
Texto completo da fonte"The impact of the Indo-Arabic fable tradition on the "Esope" of Marie de France: A literary, historical, and folkloristic study". Tulane University, 1998.
Encontre o texto completo da fonteacase@tulane.edu
Kearney, Guigné Anna. "Kenneth Peacock's Songs of the Newfoundland outports : the cultural politics of a Newfoundland song collection /". 2004.
Encontre o texto completo da fonteGholson, Martha Rachel. "Folklore of Southern literature as folkloristic process : portrayals of the Cane River region in the short stories of Louisiana's Ada Jack Carver /". 2001.
Encontre o texto completo da fontePoppová, Anna. "Faktory ovlivňující zájem o folklor u členů folklorního souboru v Praze". Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-344144.
Texto completo da fonteFijałkowski, Michał. "Pieśń ludowa u Johanna Gottfrieda Herdera. Impulsy, źródła, recepcja". Doctoral thesis, 2013. https://depotuw.ceon.pl/handle/item/363.
Texto completo da fonteZainteresowanie tematyką ludową splata się pod koniec XVIII wieku z poszukiwaniem eposów narodowych, a to za sprawą wydanych w 1760 Pieśni Osjana. Osjanizm, który ogarnął europejską literaturę, rozbudził zainteresowanie dawną, prostą, nieskomplikowaną poezją o surowym, "barbarzyńskim" języku, formie, która sprzeciwiała się panującym dotychczas klasycystycznym trendom. Pięć lat po pierwszym wydaniu Osjana pojawia się obszerny zbiór starych ballad angielskich i szkockich Thomasa Percy'ego, również zabytku odnalezionego "przez przypadek". Zbiór robi niesamowitą karierę w Europie, a przede wszystkim w Niemczech, gdzie naśladowanie jego anonimowych pieśni przez poetów takich jak Hölty czy Bürger prowadzi do powstania najwcześniejszych ballad artystycznych, gatunku recypowanego przez nadchodzący pre- i romantyzm. Johann Gottfried Herder, pod wpływem lektury Osjana jak i badań Anglików nad ich "dawnościami", na początku lat 70-tych XVIII wieku formułuje w swoich pismach postulaty dotyczące nowej literatury, jaką chciałby widzieć w Niemczech. Na tle bogatej recepcji "Osjana" w swoim kraju Herder przygotowuje wydanie zbioru europejskich pieśni ludowych, do czego dochodzi w latach 1778-1779. Interesujące są okoliczności, w jakich w ciągu kilku lat zmienia się jego spojrzenie na sprawę wydawania pieśni ludowych, jak duży wpływ na ostateczny kształt zbioru mają krytycy i oczekiwania czytelników. W swojej pracy poddaję analizie przede wszystkim zbiór Volkslieder Herdera zarówno na płaszczyźnie inspiracji utworami angielskimi (Osjan, Percy), zarówno jeśli chodzi o treść jak i formę zbioru, przyglądam się szczegółowo źródłom, z jakich częstokroć bardzo nowatorsko czerpał Herder dostępne mu pieśni ludowe różnych narodów, ponadto lekturą towarzyszącą analizie jest wydane później opis vitae Herdera, Myśli o filozofii dziejów, w której formułuje często stereotypowe postrzeganie większości narodów europejskich, czyniąc to na bazie dostępnej mu literatury i dawnej poezji tych narodów. Ostatnim etapem pracy jest pokazanie rozległej, choć obecnie niedocenianej, recepcji zbioru Herderowskiego, zarówno w rodzimych Niemczech, jak i w krajach słowiańskich, w których zbiór pieśni ludowych Herdera posłużył za impuls do powstania literatur narodowych: bliżej przyglądam się Czeskiemu Odrodzeniu Narodowemu, w szczególności dwóm mistyfikacjom literackim na miarę Pieśni Osjana, czyli Rękopisom królodworskiemu i zielonogórskiemu, a także działalności Vuka Stepanovicia Karadžića, który na terenie krajów południowosłowiańskich zbierał i wydawał pieśni ludowe, zarówno bohaterskie jak i liryczne. Ze względu na niewielki oddźwięk, jaki wzbudziła działalność Herdera jako wydawcy pieśni ludowych w Polsce (spowodowane było to sytuacją polityczną), recepcja Herdera w literaturze polskiej wzmiankowana jest przy użyciu działalności zbierackiej odwołującej się do czasów romantyzmu.
Řeháková, Kateřina. "Dětské folklórní soubory v Praze". Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-310763.
Texto completo da fonteTeixeira, Maria Isabel da Cunha. "A cultura popular vianense na política folclorista do estado novo". Master's thesis, 2014. http://hdl.handle.net/1822/30436.
Texto completo da fonteA Cultura Popular Vianense na política folclorista do Estado Novo, é o tema do presente trabalho que tem como objetivo a pesquisa, estudo e análise da cultura popular vianense, durante o regime do Estado Novo. Nele, pretendese observar, analisando a construção histórica da identidade cultural popular de Viana do Castelo e a política folclorista fomentada pelo regime do Estado Novo que a moldou, promoveu, incentivou e dotou de novos recursos, como meio de firmação e boa imagem de Portugal. Viana do Castelo era e é uma cidade, uma região, marcada por uma cultura popular rica em tradições únicas e exclusivas – o canto, a dança, o traje. Viana do Castelo usufruiu de meios privilegiados de ação, divulgação, modernização e institucionalização das formas de representar a sua identidade cultural ou foi o Estado Novo que se serviu da cultura popular vianense como propaganda de divulgação do “seu” Portugal?
The Vianense popular culture in the folkloristic politics of the Estado Novo is the subject of the current work which has as objective the research, study and analysis of the Vianense popular culture, during the Estado Novo regime. It is pretended to observe, by analysing the historical construction of the popular cultural identity of Viana do Castelo and the folkloristic politics enhanced by the Estado novo regime which shaped, promoted, incentivised and dotted it with new resources, as the means to enhance and portray a good image of Portugal. Viana do Castelo was and is a city, a region, marked by a rich popular culture with unique and exclusive traditions – songs, dances, and costumes. Viana do Castelo uses its privileged means of action, dissemination, modernization and institutionalization of its forms to represent its cultural identity or was the Estado Novo who used the Vianense popular culture as propaganda to disseminate “its” Portugal?
Fišerová, Hana. "Jaroslav Špillar (1869-1917) a český výtvarný folklorismus na přelomu 19. a 20. století". Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-308240.
Texto completo da fonteDvoekonko, Michaela. "Fenomén "čepení na míru" na současném Slovensku. Rekontextualizace a komodifikace folklorní tradice". Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-374147.
Texto completo da fonteMoravčíková, Dominika. "Mýtus národa a autenticita folklóru ve slovenské folklórní talentové TV show Zem spieva (2017)". Master's thesis, 2019. http://www.nusl.cz/ntk/nusl-404432.
Texto completo da fonteRananga, Ntshengedzeni Collins. "Professionalising storytelling in African languages with special reference to Venda". Thesis, 2008. http://hdl.handle.net/10500/1329.
Texto completo da fonteAfrican Languages
D. Litt. et Phil. (African Languages)