Bibliografias temáticas / Folkloristé

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Literatura científica selecionada sobre o tema "Folkloristé"

Autor: Grafiati
Publicado: 25 de julho de 2024
Última modificação: 26 de julho de 2024

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Artigos de revistas sobre o assunto "Folkloristé"

1

Pisk, Marjeta. "Folkloristika in kritično preučevanje dediščine." Svetovi: revija za etnologijo, antropologijo in folkloristiko 1, no. 1 (2023): 82–96. http://dx.doi.org/10.4312/svetovi.1.1.82-96.

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Članek prevprašuje presečišča folkloristike ter kritičnih dediščinskih študij, ki jih lahko folkloristke in folkloristi tvorno sooblikujejo. Izpostavljeno je dediščinjenje tistih folklornih fenomenov, katerih kontinuiteta je bila spodbujena s strokovnimi intervencijami. Na primeru vpisa metliških vuzemskih plesov in iger v Register nesnovne kulturne dediščine je prikazana vloga folkloristk in folkloristov tako pri raziskavah samega historičnega fenomena kot tudi v sodobnih dediščinskih postopkih.
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Zhang, Juwen. "Where Were/Are Asian American Folklorists?" Journal of American Folklore 136, no. 540 (2023): 199–211. http://dx.doi.org/10.5406/15351882.136.540.04.

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Abstract The establishment of the American Folklore Society (AFS) and the Journal of American Folklore (JAF) in the 1880s was in the midst of a series of federal laws excluding Chinese people from entering the United States, along with a wave of scientific racism that was also pervasive in American society. While Asian Americans and their folklore were not included in the goals of AFS, there was a voice to consider the Chinese American customs as part of American folklore even in 1890. The fact, however, is that in the first 60 years of JAF, there was no publication by an Asian American folklorist in today's sense. So, where were and are Asian American folklorists? How do we understand the invisibility, untellability, and absence of Asian American folklorists in American folklore studies? This essay addresses these questions by revisiting some publications in the first decade of JAF and engaging with some current discourse on folkloristic reconstruction.
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Петрова, Наталья Сергеевна. "Folklore Brands of Local Tourism: Folklorism Without Folklorists." ТРАДИЦИОННАЯ КУЛЬТУРА, no. 1 (April 24, 2021): 76–84. http://dx.doi.org/10.26158/tk.2021.22.1.006.

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Статья посвящена вопросу фольклорного брендирования территорий на примере проекта «Рязань - новогодняя столица России-2020». В праздничных мероприятиях участвовали локально приуроченные персонажи: Рязанский Косопуз, Авдотья Рязаночка, Забава Путятишна и Евпатий. На материале онлайн-дискуссий и отзывов посетителей были проанализированы реакции внешнего и внутреннего потребителя (приезжих туристов и местных жителей) на такого рода аттракции. Для сопоставления привлекались данные экспресс-экспедиции в Рязань 2019 г., в рамках которой проводилось интервьюирование и анкетирование горожан, позволившие выявить значимые для рязанцев историко-фольклорные фигуры. Автором затронута проблема «порчи поля» и влияния «экскурсионного фольклора» на живую традицию, а также затронут вопрос вторичной фольклоризации «сказочных» туристических объектов и возможность включения их в актуальные городские практики. This article examines the issue of the folklore branding of territories, taking as its example the project “Ryazan - the New Year’s Capital of Russia-2020.” As part of the project, local notables (Ryazan Kosopuz, Avdotya Ryazanochka, Zabava Putyatishna and Evpatiy) took part in festive events. The article analyzes the reactions of visiting tourists and local residents to these events on the basis of online discussions and visitors’ reviews. The data from an “express expedition” to Ryazan in 2019 made it possible to identify historical and folkloric figures significant for Ryazan residents and was also used for comparison. The author considers the problems of “tainting the field [evidence]” and the influence of “excursion folklore” on the living tradition. She also touches upon the issue of the secondary folklorization of “fairytale” tourist sites and the possibility of considering them as part of actual urban practices.
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Camp, Charles. "Public Folklife Programming: Notes Toward A History." Practicing Anthropology 7, no. 1-2 (1985): 6–8. http://dx.doi.org/10.17730/praa.7.1-2.xrk28446m7534026.

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A recent conference on public folklife programming, organized by Pennsylvania folklorist, Shalom Staub, served as the occasion for professional folklorists, along with colleagues and sponsors from government and non-profit organizations, to reflect upon more than ten years of folk cultural research and presentation at the state level. The conference focused chiefly upon contemporary activities and their attendant problems: documentary methods, folklore and public education, craft marketing, and ethics in field research. Yet the frequency with which participants summoned past experience to define and solve the current problems of professional folklorists working in state and regional programs led to a reassessment of the field's historical development.
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Kadžytė, Gražina. "Assiduous Folklore Worker." Tautosakos darbai 57 (June 1, 2019): 224–34. http://dx.doi.org/10.51554/td.2019.28435.

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In 2019, the 100th anniversary of the famous Lithuanian folklorist Ambraziejus Jonynas (1919–2006) is celebrated. This publication gives a detailed survey of his biography, scholarly works and public activities. The main research interests of Jonynas comprised the folklore historiography. Besides, he edited or co-authored a number of the most important collective theoretical works by the Lithuanian folklorists and folklore publications printed in the second half of the 20th century.
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Vakhnina, Larysa. "HELENA KAPEŁUŚ UKRAINIAN STUDIES." Polish Studies of Kyiv, no. 37 (2021): 107–14. http://dx.doi.org/10.17721/psk.2021.37.107-114.

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The article is devoted to the comparative studies by Professor Helena Kapełuś, a famous Polish literary scholar and folklorist of the second half of the 20th century. The Institute of Literary Criticism of the Polish Academy of Sciences (she headed Folk Literature Department there) was constantly supporting scientific cooperation with folklorists and Slavists from M. Rylsky Institute for Art Studies, Folkloristics and Ethnology of the National Academy of Sciences of Ukraine. Helena Kapełuś’ scientific interests always included Ukrainian studies. Exploring Polish and Ukrainian ethnocultural borderlands, she focused on the figures of Zorian Dołęga-Chodakowski, Żegota Pauli and Oskar Kolberg and their academic works. It was no accident that Viktoriia Yuzvenko, Helena Kapełuś, Ryszard Górski and Ryszard Wojciechowski planned to issue all the works by Zorian Dołęga-Chodakowski and Ukrainian volumes by Oskar Kolberg. The Oskar Kolberg Institute in Poznań was also given great importance. The article emphasizes that Helena Kapełuś partnered with Anton Serednicki (the well-known translator and editor of the annual Ukrainian Calendar in Poland), as well as with the Ukrainian language edition Our Culture. A lot of her Ukrainian studies have been published in Ukrainian namely in these Polish editions. Helena Kapełuś considered the both peoples’ common heritage in the context of cultures dialogue, thus contributing to the development of Ukrainian and Polish cultural and scientific relations. Therefore, the role of Ukrainian studies in folkloristic activity and scientific work of this researcher deserves to be examined comprehensively.
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Kropej Telban, Monika. "Istrian Narrative Folklore in Studies by Maja Bošković-Stulli and Milko Matičetov." Narodna umjetnost 60, no. 2 (2023): 63–78. http://dx.doi.org/10.15176/vol60no204.

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This article is dedicated to the memory of Croatian eminent folklorist, Maja Bošković-Stulli, who dedicated much of her research to Istrian narrative folklore. She was one of the leading folklorists of the second half of the 20th century and a contemporary of Slovenia’s Milko Matičetov, another exceptional folklorist and field researcher. Together, they are responsible for the collection of Istrian narrative folklore and studied the role which narratives had in the lives of Istrian people. The proximity of different ethnic groups in this territory led to the diversity and richness of narrative culture and folk storytelling up to this day. This article discusses some examples of narrative culture from Slovenian and Croatian Istria from the point of view of vital shifts and changes that can be traced through different historical periods until today.
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Hajduk-Nijakowska, Janina. "The folklore studies context of oral history." Wrocławski Rocznik Historii Mówionej 13 (November 3, 2023): 8–25. http://dx.doi.org/10.26774/wrhm.328.

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Folkloristic studies of oral histories in colloquial circulation emphasize the value of narrative oral sources (direct transmission), as they enable qualitative analysis of narrative interviews, subsequently used by various scholarly disciplines. The experiences of folklorists significantl facilitate and enrich the interpretation of the processes of formation and functioning of cultural communities and, above all, allow one to discern reasons for the qualitative differences in such interpretations, the differences ascribable to the contemporary context of reporting knowledge about past events.
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Early, James Counts, and Amy Horowitz. "Bernice Johnson Reagon—In Celebration of Her Eightieth Birthday (October 4, 1942): A Preliminary Inquiry and Invitation to New Generations of Activist Scholars for Further Research." Journal of American Folklore 136, no. 539 (2023): 75–95. http://dx.doi.org/10.5406/15351882.136.539.04.

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Abstract Dr. Bernice Johnson Reagon is a groundbreaking contributor to the field of folklore studies. Reagon's career as a historian, folklorist, ethnomusicologist, founding participant in the Association of African and African American Folklorists, and founder and director of the Smithsonian Institution's Program in Black Culture provides a body of scholarly perspectives and interpretations for folklore studies that encompasses community-based renditions of history, public culture, and deeper theorizing about the construct of authenticity in folklore studies. Her significance to folklore studies is yet to be examined in depth, and this article is a call to the field to do so.
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Treija, Rita. "A Folklorist in the Soviet Spotlight." Journal of Ethnology and Folkloristics 13, no. 2 (2019): 16–32. http://dx.doi.org/10.2478/jef-2019-0011.

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Abstract The article seeks to illuminate the ideologically motivated circumstances of Latvian folklore studies during the period of unconditional Soviet totalitarianism. With the strengthening of the Soviet occupation regime in Latvia in the late 1940s, many interwar folklorists became victims of ideologically motivated disdain and subsequent career limitation. ‘Bourgeois’ scholarship and the methods applied in folklore studies during the interwar period were denounced and recognised as harmful to the new Soviet order. The central part of the article presents a case study of one individual folklorist of the time, Anna Bērzkalne (1891–1956). Both increasing criticism of Bērzkalne’s folklore research approach (the historical–geographical method) and her efforts to accommodate the requirements of the Soviet regime have been analysed.
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Mais fontes

Teses / dissertações sobre o assunto "Folkloristé"

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Roques, Évelyne. "Paul Delarue, instituteur, folkloriste et militant laïque." Paris, EHESS, 2009. http://www.theses.fr/2009EHES0388.

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Saisir l'oeuvre de Paul Delarue, l'auteur du catalogue des contes populaires français, c'est envisager le processus qui a conduit à légitimer la tradition orale dans la composition des contes. L'itinéraire de Paul Delarue articule trois domaines: l'éducation qui passe par son métier d'instituteur engagé dans le syndicalisme enseignant et l'éducation populaire, la botanique et l'étude du conte. Nous en montrons l'interaction dans le formation du folkloriste comme dans la signification d'une oeuvre où "conte", "enfance", "école" et "éducation populaire" sont intimement liés. Travailleur infatigable, il affine sa connaissance du conte oral, de sa collecte et de sa transcription dans le patient traitement des manuscrits d'Achille Milien qui forment la base du Conte populaire français commencé en 1946 et poursuivi à ce jour. Mais, c'est au travers de l'édition de deux recueils pour enfants, L'Amour des trois oranges et Incarnat blanc et or et dans l'étude des sources orales du Petit Chaperon rouge de Charles Perrault que se dévoile la portée théorique de cette oeuvre qui constitue une rupture épistémologique dans l'étude du conte: désormais il s'agira de considérer l'ensemble des versions d'un conte, orales ou littéraires, de les comparar entre elles, d'en apprécier les variations afin de parvenir à une connaissance intime du conte plutôt que d'en rechercher de chimériques origines ou de lui infliger des interprétations fantaisistes<br>Comprehending Paul Delarue's work, the author of the French folktale catalogue, means considering the process that led to justify oral tradition in composition of tales. His carreer is based on three areas: education, through his work as teacher committed teacher trade unionism and public education, botany and the study of tales. His training as a folklorist comes from interaction of these three topics as well as in his work whenre "story", "childhood", "school" and "popular education" are closely linked. As tireless worker, he refined his knowledge of oral tale, from its collection to its transcription by his careful processing of Achille Milien's manuscripts. These documents forming the basis of popular French tale began in 1946 and has continued up to now. But it is while publishing two children books, L'Amour des trois oranges and Incarnat blanc et or and while studying oral sources of the Little Red Riding Hood by Charles Perrault, that the theoretical range of this work was revealed. It constitutes an epistemological break in tale study: since this publication the methodology has been consisting of considering all versions of a tale, oral or literary, to compare them and to underline changes. This allows achieving a deep knowledge of the story rather than seeking chimerical origins or imposing fanciful interpretations
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Ishii, Yoko. "Kunio Yanagita, the life and times of a Japanese folklorist." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape17/PQDD_0006/MQ34894.pdf.

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Villalba, Arasa Laura. "Adelaida Ferré i Gomis, folklorista. Edició, catalogació i estudi del seu corpus rondallístic." Doctoral thesis, Universitat Rovira i Virgili, 2014. http://hdl.handle.net/10803/293910.

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En aquesta tesi, inscrita en una doble línia de recerca: estudis de literatura oral popular i estudis de gènere i/o feministes, s'analitza la figura de la folklorista Adelaida Ferré i Gomis (Barcelona 1881 – Barcelona 1955), de manera especial com a rondallista. El treball s’estructura en dues parts: d’una banda es presenta la biografia de la folklorista, el seu context familiar, trajectòria professional i el seu treball com a conreadora del folklore a través de l’anàlisi de diversos materials, de fonts orals fonamentals i a través de la correspondència que va mantindre amb el seu mestre Rossend Serra i Pagès. En aquesta primera part també s’exposa la situació de les dones catalanes de final del segle XIX i principi del XX, el marc general —durant els primers trenta anys del segle XX— en què es va produir la seua incorporció al folklore i quines van ser les aportacions que hi van fer en aquest període. A més, s’estudia el paper que Rossend Serra i Pagès va tindre en la formació de les joves folkloristes i gràcies al qual va iniciar-se i consolidar-se el treball d’aquestes dones a aquesta disciplina. La segona part de l’estudi se centra en la transcripció, edició, catalogació i anàlisi d’un corpus de 96 rondalles eminentment inèdites. Aquests relats es presenten classificats en tres apartats diferents: (1) Rondalles catalogades a l’índex tipològic internacional [ATU]; (2) Rondalles catalogades al web RondCat (i no a ATU), i (3) Versions no catalogades. Amb aquesta tesi es posa de manifest la faena de les folkloristes catalanes de principi de segle XX, es reivindica la figura i el treball —poc o gens conegut— d’Adelaida Ferré i Gomis com a folklorista, i s’enriqueix el panorama de la rondallística catalana amb la incorporació de noves versions de tipus ja existents i de tipus nous.<br>En esta tesis, inscrita en una doble línea de investigación: estudios de literatura oral popular y estudios de género y/o feministas, se estudia la figura de la folclorista Adelaida Ferré i Gomis (Barcelona 1881 – Barcelona 1955), de manera especial como recolectora de cuentos populares. El trabajo se estructura en dos partes: por un lado se presenta la biografía de la folclorista, su contexto familiar, su trayectoria profesional y su trabajo como cultivadora del folclore a través del análisis de distintos materiales, de fuentes orales fundamentales y a través de la correspondencia que mantuvo con su maestro Rossend Serra i Pagès. En esta primera parte también se expone la situación de las mujeres catalanas de finales del siglo XIX y principios del XX, el contexto general —durante los primeros treinta años del siglo XX— en que se produjo su incorporación al folclore y cuáles fueron las aportaciones que hicieron en este período. Además se estudia el papel que tuvo Rossend Serra i Pagès en la formación de jóvenes folcloristas y gracias al cual se inició y se afianzó el trabajo de estas mujeres en esta disciplina. La segunda parte del estudio se centra en la transcripción, edición, catalogación y análisis de un corpus de 96 cuentos populares en gran parte inéditos. Estos relatos se presentan clasificados en tres apartados distintos: (1) Narraciones catalogadas en el índice tipológico internacional [ATU]; (2) Narraciones catalogadas en la página web RondCat (i no en ATU), y (3) Versiones no catalogadas. Con esta tesis se pone de manifiesto el trabajo de las folkloristas catalanas de principios del siglo XX, se reivindica la figura y el trabajo —poco o nada conocido— de Adelaida Ferré i Gomis como folclorista, y se enriquece el panorama catalán de los cuentos de tradición folclórica con la incorporación de nuevas versiones de tipos ya existentes y de nuevos tipos.<br>This dissertation, set within a twofold research line: popular oral literature studies and gender and/or feminist studies, analyzes the importance of the folklorist Adelaida Ferré i Gomis (Barcelona 1881 - Barcelona 1955), especially as a folktales collector. The work is structured into two parts: the first one presents the folklorist's biography, her family background, her career and her work as a folkloric scholar through the analysis of various materials, fundamental oral sources and her correspondence with her teacher Rossend Serra i Pagès. It also sets out the situation of Catalan women between late 19th and early 20th centuries, the general context -during the first thirty years of the 20th century- in which they joined the study of folklore, and which were their contributions to the discipline in this period. Moreover, it studies the role played by Rossend Serra i Pagès in teaching young female folklorists, thanks to which they could commence and consolidate their work in this discipline. The second part of this study focuses on the transcription, edition, cataloguing and analysis of a corpus of ninety-six mostly unpublished folktales. These tales are classified into three groups: (1) Folktales catalogued in the ATU international classification system; (2) Folktales catalogued in the web RondCat (and not in ATU), and (3) Folktales not catalogued. This doctoral thesis highlights the work of Catalan female folklorists at the beginning of the 20th century, calls deserved attention to Adelaida Ferré i Gomis's almost unknown contribution to the folkloric research, and enriches the Catalan folktales corpus with the addition of both new versions of already existing types and new types.
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Starnes, Kathryn. "Fairy tales, textbooks and social science : a folklorist reading of international relations introductory textbooks." Thesis, University of Manchester, 2015. https://www.research.manchester.ac.uk/portal/en/theses/fairy-tales-textbooks-and-social-science-a-folklorist-reading-of-international-relations-introductory-textbooks(4fc0195b-97db-4e48-9cc7-deb4b3c24e2f).html.

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This thesis explores the research question: to what extent does the idea of 'social science' persist in constructing IR textbooks in our contemporary context? In light of the considerable changes in the discipline's canon catalysed by the Third Debate, it is surprising that there has been no sustained engagement with a large body of textbooks in over a decade. The thesis uses a folklorist approach to review contemporary undergraduate IR textbooks by exploring their family resemblances to Donkeyskin and Bluebeard stories. The thesis finds that many contemporary textbooks resemble Donkeyskin stories, both because they employ a problem/choice structure that works to curtail how IR is defined and because they rely on a number of assumptions about what it means to write a textbook and study IR. However, the thesis also finds that there is a limited but notable body of textbooks that resembles Bluebeard stories in terms of how 'forbidden' assumptions about how IR is defined and what it means to write a textbook are confronted. These two readings of textbooks are complemented by a third aspect of the folklorist approach, a reading of framing gestures. While many textbook authors employ framing gestures that cast authors as curators of the field of IR, reinforcing strict boundaries for participation in the negotiation of the IR canon, there are notable exceptions that cast textbook authors as creators. The effect is to demonstrate and open up for participation the process of negotiating the boundaries of what gets to 'count' as IR.
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Oliva, Ramal Albert. "Eusebi Ribas Vallespinosa, prevere i folklorista. contribució a la història del folklore català (1874-1959)." Doctoral thesis, Universitat Rovira i Virgili, 2020. http://hdl.handle.net/10803/671352.

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Aquesta tesi doctoral reivindica la figura de mossèn Eusebi Ribas Vallespinosa com a folklorista. La primera part del treball es basa en la influència que ha desenvolupat l’Església institucional de Catalunya en la societat contemporània en els diversos períodes històrics que han transcorregut entre la segona meitat del segle XIX i la primera del XX, com són la Renaixença, la dictadura de Primo de Rivera (1923-1930), la Segona República (1931-1938), la Guerra Civil (1936-1939) i la primera etapa de la dictadura de Franco (1939-1951). En concret, es fixa quina ha estat la contribució de la clerecia a la història del folklore català en el període esmentat i s’analitza la participació eclesiàstica en alguns projectes i iniciatives de recerca folklòrica, com l’Obra del Cançoner Popular. En aquest context, apareix la figura d’Eusebi Ribas Vallespinosa, prevere de Valls. La segona part de la tesi, doncs, es centra a estudiar la tasca de mossèn Ribas com a folklorista, que es vertebra en tres àmbits d’actuació: cançons populars, jocs tradicionals i articles costumistes en la premsa local i comarcal. Per a fer-ho, es parteix de dos eixos de treball que es centren en dues de les obres més destacades de la producció de l’autor en el terreny de la literatura oral popular i el folklore: l’aplec de jocs tradicionals vallencs de 1951 i el recull de cinc-centes trenta cançons que tramet a l’Obra del Cançoner l’any 1932. En el primer cas es fa una contextualització, edició, estudi i classificació dels jocs de l’aplec manuscrit que el clergue presenta als Jocs Florals de les Festes Decennals de la Mare de Déu de la Candela de Valls. En el cas del cançoner, es contextualitza el document, s’analitzen les característiques de les informants i es proposa una classificació i un comentari de les cançons.<br>Esta tesis doctoral reivindica la figura del padre Eusebi Ribas Vallespinosa como folklorista. La primera parte del trabajo se basa en la influencia que ha desarrollado la Iglesia institucional de Catalunya en la sociedad contemporánea en los diversos períodos históricos que han transcurrido entre la segunda mitad del siglo XIX y la primera del XX, como son la Renaixença, la dictadura de Primo de Rivera (1923-1930), la Segunda República (1931-1938), la Guerra Civil (1936-1939) y la primera etapa de la dictadura de Franco (1939 a 1951). En concreto, se fija cuál ha sido la contribución de la clerecía en la historia del folklore catalán en el período mencionado y se analiza la participación eclesiástica en algunos proyectos e iniciativas de investigación folklórica, como la Obra del Cançoner Popular. En este contexto, aparece la figura de Eusebi Ribas Vallespinosa, presbítero de Valls. La segunda parte de la tesis, pues, se centra en estudiar la tarea de mosén Ribas como folklorista, que se vertebra en tres ámbitos de actuación: canciones populares, juegos tradicionales y artículos costumbristas en la prensa local y comarcal. Para hacerlo, se parte de dos ejes de trabajo que se centran en dos de las obras más destacadas de la producción del autor en el terreno de la literatura oral popular y el folklore: el acopio de juegos tradicionales vallenses de 1951 y la recopilación de quinientas treinta canciones que envía a la Obra del Cançoner el 1932. En el primer caso se hace una contextualización, edición, estudio y clasificación de los juegos del manuscrito que el clérigo presenta en los Jocs Florals de las Fiestas Decenales de la Virgen de la Candela de Valls. En el caso del cancionero, se contextualiza el documento, se analizan las características de las informantes y se propone una clasificación y un comentario de las canciones.<br>This doctoral thesis vindicates the figure of the priest Eusebi Ribas Vallespinosa as a folklorist. The first part of the work is based on the influence that the institutional Church of Catalonia developed in the contemporary society during the different historical periods comprised between the second half of the nineteenth century and the first half of the twentieth, such as the Renaixença period, the dictatorship of Primo de Rivera (1923-1930), the Second Spanish Republic (1931-1938), the Spanish Civil War (1936-1939) and the first years of the Franco dictatorship (1939-1951). It specifically determines the contribution of the clergy to the history of Catalan folklore during that period and analyzes the ecclesiastical engagement in projects and initiatives of research in the folklore field, such as Obra del Cançoner Popular. In that given context, we encounter the figure of Eusebi Ribas Vallespinosa, presbyter of the city of Valls. The second part of the thesis is then focused on the study of the work of Father Ribas as a folklorist, structured in three areas of action: folk songs, traditional games and tradition-related articles found in local and regional press. To achieve that, two core fields of work are established, each focused on one of the most outstanding works of the author's production in the field of popular oral literature and folklore: on one side, the collection of traditional games from Valls dating back to 1951; on the other side, the collection of five hundred and thirty songs that he sent to Obra del Cançoner in 1932. The first case contains a contextualization, edition, study and classification of the games contained in the manuscript that the priest presented at the Floral Games held during the Decennial Celebrations in honor of Our Lady Verge de la Candela in Valls. In the second case, the songbook, the document is contextualized, the characteristics of the informants are analyzed and a classification and commentary on the songs is proposed.
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Schram, Kristinn Helgi Magnusson. "Borealism : folkloristic perspectives on transnational performances and the exoticism of the North." Thesis, University of Edinburgh, 2011. http://hdl.handle.net/1842/5976.

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This thesis examines the exotic performances and representations of Icelanders and 'the North' (borealism) in both contemporary mediums and daily life focusing on their practice within intricate power-relations and transnational folkloric encounters. It sets forth theory in understanding the dynamics, agency and ironies involved with performing one's identity and folklore and a corresponding methodology of fieldwork and audio-visual documentation. It looks at the representation of the North through the produced and widespread images of Icelanders. It sheds light on the dynamics behind these representations and the coalescence of personal experience; everyday cultural expression; modes of commodification; and folkloric contexts from which many of these images emerge. The primary case study is an ethnography of Icelandic expatriates in Europe and North America that explores the roles of identity and folk culture in transcultural performances. In approaching the questions of differentiation and the folklore of dislocation everyday practices such as oral narrative and food traditions are studied as an arena of the negotiation and performance of identity. Interlinking theoretical and methodological concerns the thesis brings to bear how expressive culture and performance may corrode the strategies of boundary making and marginalisation re-enforced by exotic imagery by tactical re-appropriation. Finally the thesis explores the concept of ironic, as opposed to 'authentic', identities.
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Van, de Water Wesley Colin. "The Bat and the Spider: A Folkloristic Analysis of Comic Book Narratives." DigitalCommons@USU, 2016. https://digitalcommons.usu.edu/etd/4870.

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This thesis examines and argues that superhero narratives, beginning with their comic book origins in the early twentieth century, exhibit many of the qualities found in folklore. Furthermore, these narratives not only demonstrate a folkloric evolution across multi-media formats, including printed work, television, and film, but that they fit within classic hero narrative structures posited by various folklore theorists. The hero theories presented by Lord Raglan, Vladimir Propp, and Joseph Campbell, along with traditional folklore patterns of dynamism and conservatism discussed by Barre Toelken, Alan Dundes, and others, support the assertion that folklore can, and does, exist and propagate in the mass media popular culture sphere. What follows is an academic analysis of core folklore elements, as well as a presentation of how these core qualities can be found in superhero narratives, and how the discipline of folklore may benefit from a study of these narratives.
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Ortabasi, Melek. "Japanese cultural history as literary landscape : scholarship, authorship and language in Yanagita Kunio's native ethnology /." Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/6692.

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Mangin, Alexandre. "宮本常一 : un ethnographe folkloriste, infatigable marcheur à la recherche de l'identité japonaiseMiyamoto Tsunéichi". Lyon 3, 2008. https://scd-resnum.univ-lyon3.fr/out/theses/2008_out_mangin_a.pdf.

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Ce travail entend présenter la vie et l'oeuvre du folkloriste Miyamoto Tsunéichi qui permit à la minzokugaku, fondée par Yanagita Kunio d'entrer dans la modernité en insistant particulièrement sur le travail de terrain. En étudiant son parcours et sa formation, nous montrons comment s'est constitiié académiquement cette science nouvelle. Cette analyse épistémologique est suivie d'une présentation des thèmes majeurs de l'oeuvre miyamotienne qui ont pour point commun de s'interroger sur ce que sont les Japonais, et plus particulièrement les classes populaires, notamment rurales. L'auteur essaie de montrer, notamment par le recours à l'Histoire tout autant que par des observations d'ordre sociologique et des recherches sur le "patrimoine", comment la ruralité a nourri l'identité et la culture des Japonais, et observe le déclin de la vie à la campagne du fait de l'exode rural. Parmi les buts de cette discipline, l'aspect moral n'aura pas su enrayer un processus qui semble aujourd'hui encore irréversible. En revanche, l'aspect descriptif illustré par la richesse de l'oeuvre de Miyamoto nous fournit aujourd'hui une base de données sans précédent sur les cultures populaires du Japon<br>This work intends to introduce the life and work of folklorist Miyamoto Tsuneichi thanks to whom the new science created by Yanagita Kunio (i. E. Minzokugaku) could enter modernity, especially insisting on fieldwork. Studying his path and his formative years, I will show how that science was academically constituted. This epistemological analysis is followed by an introduction to the major themes in miyamotian work, whose common point is to interrogate about what the Japanese are, especially the lower classes, first of all the rural ones. This author tries to show, particularly by using History as well as making sociological observations and doing researches about "patrimony", how rurality nourrished the identity and cultures of the Japanese, and he observes the decline of life in rural areas due to rural exodus. Among the aims of this discipline, the moral side could not stop a process that seems irreversible even today. However, the desciptive side, illustrated by the huge amount of books written by Miyamoto gives us today an unprecedented database about the folk cultures in Japan
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Mercado, Guerra Javier. "Religiosidad y folklorismo en dos festividades patronales de los Andes : Potosí (Bolivia) y Ayquina (Chile)." Tesis, Universidad de Chile, 2012. http://www.repositorio.uchile.cl/handle/2250/116014.

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Livros sobre o assunto "Folkloristé"

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Wolfgang, Mieder, ed. "True friends are like diamonds": Three decades of correspondence between the folklorists Shirley L. Arora and Wolfgang Mieder. "Proverbium" in cooperation with the Dept. of German and Russian, University of Vermont, 2010.

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Ljubinko, Radenković, та Balkanološki institut (Srpska akademija nauka i umetnosti), ред. Slovenski folkloristi: Lični podaci i adrese = Slav︠ia︡nskie folʹkloristy : personalʹnye dannye i adresa = Slav Folklorists : Personal informations and addresses. Balkanološki institut SANU, 2008.

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Ljubinko, Radenković, та Balkanološki institut (Srpska akademija nauka i umetnosti), ред. Slovenski folkloristi: Lični podaci i adrese = Slav︠ia︡nskie folʹkloristy : personalʹnye dannye i adresa = Slav Folklorists : Personal informations and addresses. Balkanološki institut SANU, 2008.

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Folklorist Stjepan Grčić. Književni krug, 1992.

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Shimura, Masaki. Kumagusu to yūrei. Shūeisha Intānashonaru, 2021.

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Schamschula, Eleonore. A pioneer of American folklore: Karl Knortz and his collections. University of Idaho Press, 1996.

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Fløtra, Jorunn. Moltke Moe som folklorist. Aschehoug/Norsk Folkeminnelag, 1995.

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Toncheva, Veselka. Folkloristŭt Nikolaĭ Kaufman. Akademichno izd-vo "Marin Drinov", 2005.

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Dorson, Richard Mercer. The British folklorists: A history. Routledge, 1999.

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Caro, F. A. De. Folklorists in 1984: A survey. American Folklore Society, 1987.

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Capítulos de livros sobre o assunto "Folkloristé"

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Hong Lee, Lily Xiao. "Folklorist." In Oral Histories of Tibetan Women. Routledge, 2022. http://dx.doi.org/10.4324/9781003268031-21.

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Chapman, Malcolm. "Folklore and Folklorists." In The Gaelic Vision in Scottish Culture. Routledge, 2021. http://dx.doi.org/10.4324/9781003205012-5.

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Ayoub, Abderrahman. "The Arab Folklorist in a Postcolonial Period." In Beyond Colonialism and Nationalism in the Maghrib. Palgrave Macmillan US, 2009. http://dx.doi.org/10.1057/9780230623019_3.

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Margolies, Daniel S. "Ethnographic and Folkloristic Study of Popular Culture." In A Companion to Popular Culture. John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118883341.ch4.

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Rabinovitch, Simon. "Jews, Englishmen, and Folklorists: The Scholarship of Joseph Jacobs and Moses Gaster." In 'The Jew' in Late-Victorian and Edwardian Culture. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230594371_7.

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Richardson, Todd. "Folklore in Vacuo (and Other Disciplinary Predicaments)." In Implied Nowhere. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496822956.003.0015.

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In the form of a lyric essay, this chapter interrogates the motives and methods of mainstream folklore scholarship. The author identifies a variety of factors that discourage folklorists from taking more expressive chances in order to understand the specialized style that has come to dominate folklore scholarship. This hyper-professionalization of folkloristic writing has, the author argues, led to what Benjamin Botkin once called “folklorists talking to themselves or folklore in vacuo.” In order to make folklore studies resonate with a broader audience, the author calls for folkloristic writing that is more imaginative and less thesis-driven, writing that invites the curious in rather than excluding them in the name of scholarly prestige.
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Mullins, Willow G. "The Folklore of Small Things." In Implied Nowhere. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496822956.003.0008.

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Folklore has often perceived itself as a study of the marginalized, the non-elite, the vernacular, but folklorists have often sought out examples of excellence within the each genre. While folklorists have tried to show the extraordinariness of the commonplace by highlighting the moment of folkloric immanence, vignettes, as John Dorst describes them, have tended towards the opposite, the shockingly mundane, the small things. One might wonder what has been missed in the search for the moments of performative excellence that have traditionally been the focus of folklore research. What of the folklore of small things, the folklore that appears in unrecorded moments, just before or after the recorder is on or in spaces where we did not think to record in the first place because we were off the folklorist clock?
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Riegel, Julia. "‘Jewish Musicians are the Crowning Achievements of Foreign Nations’." In Polin: Studies in Polish Jewry Volume 32. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781906764739.003.0017.

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This chapter discusses the treatment of the Jewish identity of various composers by the Yiddish folklorist and music critic, Menachem Kipnis. It describes Kipnis as a small, energetic man with a soft but beautiful singing voice and considered one of the most popular Jewish folklorists of interwar Poland. It also looks into Kipnis' book World-Famous Jewish Musicians, a collection of biographies of nineteenth-century composers with a Jewish background. The chapter examines the contradictions and idiosyncrasies of World-Famous Jewish Musicians compared with Kipnis's other works. It seeks to understand the balance Kipnis struck between praise for Jewish composers and quasi-nationalist emphasis on their Jewishness on the one hand, and his work as a folklorist in Poland, collecting songs from traditional, Yiddish-speaking Jews on the other.
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Mullins, Willow G. "Our Lady of Authenticity: Folklore’s Articles of Faith." In Implied Nowhere. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496822956.003.0002.

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Beginning with some of our keywords—authenticity, vernacular, and genre—and one folklorist’s crisis of belief, this opening chapter questions the folklorists’ investment in the tenets of folklore studies by looking behind the curtain of academic discourse to consider our belief in the language we use. Her argument rests on the seemingly simple claim that every mode of thought contains an element of faith. Here, Mullins seeks to peek behind the veil of our articles of faith.
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Macfarlane, Iris, and Alan Macfarlane. "The Folklorist." In Robert Chambers of Edinburgh. Routledge, 2020. http://dx.doi.org/10.4324/9781003097655-6.

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Trabalhos de conferências sobre o assunto "Folkloristé"

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Galuscenco, Oleg. "Folklorist Paul Chior: biography pages." In Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.14.

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The article presents the biography of the folklorist Pavel Chior, the chief architect of the new Soviet Moldovan culture in the interwar years. He was one of the party and state leaders in of the Moldovan Autonomous Soviet Socialist Republic: secretary of the Komsomol of the Autonomous Republic, editor of the republican newspaper “Plugarul Rosu” (“The red ploughman”), People’s Commissar of Education of the MASSR, head of the Moldovan Scientific Committee, precursor of the Moldovan Academy of Sciences, one of the founders of the Writers’ Union of the Moldovan ASSR. Pavel Chior devoted great attention to folk art. He published a number of scientific works that have maintained their significance to this day: Zicători moldoveneşti, (Moldovan proverbs), Cîntece moldoveneşti norodnice (Moldovan folk songs), etc. This article is written on the basis of previously published scientific papers. New archival materials are also used.
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Filip, Iulian. "Sergiu Moraru între călăuze și muzee." In Conferința științifică națională "Sergiu Moraru: 75 de ani de la naștere". “Bogdan Petriceicua-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/sm.75.2021.03.

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Spiritual patron of the gymnasium from Obreja Veche, the folklorist Sergiu Moraru honors his mission ‒ in relation to the young generation ‒ through the model of his becoming and through the opera. The vocation folklorist needs vocation pedagogues, who can adjust the potential of the biography and the work in attractive projects for the pupils of the gymnasium that bears his name, but also for those from the Gymnasium no. 1 from Olacu commune, Giurgiu district (Romania). To motivating them to know more about the museums and libraries in the locality ‒ the patrimonial dimension of their existence, in which Sergiu Moraru’s destiny is a kind of guide. The attractive reason for becoming a folklorist is the reason for vocation, calling, crucial categories, generating controversy and lessons according to the age of the two institutions united in a project. The beneficial nuance, offered from Italy by the poet and pedagogue Iurie Bojoncă, refers to the importance of the family and the native village that knows traditions and customs.
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Marinicheva, Julia J. "MODERN NORTH RUSSIAN FAIRY TALE TRADITION." In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.12.

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The article is devoted to the study of the modern North Russian fairy tale tradition. My colleagues and I have many years of field experience in the villages of the Mezen River basin led to the need to find justification for other new forms of fixation and publication of fairy tales. We understand by a fairy tale, first of all, a speech work that occupies a special position in the situation of communication between the storyteller and his listeners, which turn out to be, including folklorists. Interviews in which our villagers mention fairy tales can be divided into two types: interviews-memories of how they themselves listened to fairy tales (most often when they were children); interviews in which the interlocutors explain how they themselves told/tell fairy tales to their children or grandchildren; finally, interviews, which are accompanied by the performance of a fairy tale to us, folklorists. For a very long time, the first two types of interviews were not the focus of research interest. Folklorists were interested in fairy tales addressed to themselves or told in their presence. Refs 16.
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Kiniakina, L. V. "Folklorism: issues of typology and classification." In ТЕНДЕНЦИИ РАЗВИТИЯ НАУКИ И ОБРАЗОВАНИЯ. НИЦ «Л-Журнал», 2018. http://dx.doi.org/10.18411/lj-10-2018-116.

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Butnaru, Tatiana. "Un cercetător consacrat al poeticii mioritice." In Conferința științifică națională "Sergiu Moraru: 75 de ani de la naștere". “Bogdan Petriceicua-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/sm.75.2021.04.

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This article aims at a typical system of artistic images, focused on the principles of popular poetics, elucidated in the scientific investigations of the folklorist Sergiu Moraru. Obsessed with the „mioritic background we carry in our blood”, Sergiu Moraru traveled „from folklore to philosophy” where he foreshadowed some spiritual impulses, based on which are revealed the ontological dimensions of the popular soul, the philosophy of mioritic living, determined by some specific existential turmoil. This article aims at a typical system of artistic images, focused on the principles of popular poetics, elucidated in the scientific investigations of the folklorist Sergiu Moraru. Obsessed with the „mioritic background we carry in our blood”, Sergiu Moraru traveled „from folklore to philosophy” where he foreshadowed some spiritual impulses, based on which are revealed the ontological dimensions of the popular soul, the philosophy of mioritic living, determined by some specific existential turmoil.
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Oparina, Nina Aleksandrovna, and Maria Georgievna Kajtandzhyan. "Folklorism in the culture of modern holidays and ceremonies." In International applied research conference. TSNS Interaktiv Plus, 2017. http://dx.doi.org/10.21661/r-119276.

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Kokonova, Anna B. "Record library of the Moscow State University dialectology room: from archive to database." In Lexicography of the digital age. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-19-1-2021-116.

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The record library of the Moscow State University dialectology room is a collection of unique records of a cultural and historical nature. The task of our team is to convert all records into electronic form, make a transcription of sounding texts and organize all materials into a database convenient for storing and using information. Such a base will be a great help for researchers dialectologists, folklorists, and culturologists.
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Cotoman, Carolina. "Funeral traditions and customs reflected in Petre V. Ștefănucă’s works." In Ethnology Symposium "Ethnic traditions and processes", Edition II. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975333788.12.

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The article presents funeral traditions and customs reflected in Petre V. Ștefănucă’s works from the beginning of the 20th century, as discovered by the folklorist in the Bessarabian villages. The aspects that have been preserved until now are also mentioned. The author appreciates the way of capturing the details and encompassing the whole represented by these phenomena of the popular culture. Each stage of the burial custom is analyzed and explained.
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Kirillova, Irina, and Albina Myshkina. "FOLKLORISM IN THE ARTISTIC STRUCTURE OF THE CHUVASH AND MORDOVIAN DRAMA." In INTCESS 2022- 9th International Conference on Education & Education of Social Sciences. International Organization Center of Academic Research, 2022. http://dx.doi.org/10.51508/intcess.202203.

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PYATKIN, Sergey. "On the problem of folklorism in the poetry of Anna Akhmatova." In Ştiință și educație: noi abordări și perspective. "Ion Creanga" State Pedagogical University, 2023. http://dx.doi.org/10.46727/c.v3.24-25-03-2023.p118-124.

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In the poetic arsenal of Anna Akhmatova, a special place is occupied by song and ritual genres of Russian folklore, which has been repeatedly noted and analyzed by researchers of the poet’s work. And the greatest interest among philologists, which is quite natural, is the poem «Requiem» in this regard. At the same time, the study of individual lyrical works by Akhmatova, which are more of an illustrative material for researchers, do not act as an independent object, gives a very clear idea of the exceptional features of Akhmatova’s poetics and the role of folklore tradition in it. The author of this article, focusing on one lyrical miniature by Akhmatova («You will never be alive…»), the content and structure of which reveals strong links with the lamentation genre, and tries to prove it.
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