Literatura científica selecionada sobre o tema "Fine Arts Museum of the South at Mobile"
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Artigos de revistas sobre o assunto "Fine Arts Museum of the South at Mobile"
Sharpe, Tom. "CING 3. Royal Institution of South Wales. Swansea". Geological Curator 4, n.º 6 (julho de 1986): 349. http://dx.doi.org/10.55468/gc277.
Texto completo da fonteO'Connor, Maureen Sarah. "Education in Motion: The Virginia Museum of Fine Arts Artmobile, 1953 – 1994". Museum and Society 17, n.º 1 (10 de março de 2019): 19–36. http://dx.doi.org/10.29311/mas.v17i1.2780.
Texto completo da fonteGill, David W. J., e Christopher Chippindale. "South Italian Pottery in the Museum of Fine Arts, Boston Acquired Since 1983". Journal of Field Archaeology 33, n.º 4 (janeiro de 2008): 462–72. http://dx.doi.org/10.1179/009346908791071150.
Texto completo da fonteGoodwin, Hannah. "American Sign Language and Audio Description on the Mobile Guide at the Museum of Fine Arts, Boston". Curator: The Museum Journal 56, n.º 3 (julho de 2013): 369–70. http://dx.doi.org/10.1111/cura.12036.
Texto completo da fonteMuravchick, Rose E. "Objectifying the Occult: Studying an Islamic Talismanic Shirt as an Embodied Object". Arabica 64, n.º 3-4 (13 de setembro de 2017): 673–93. http://dx.doi.org/10.1163/15700585-12341464.
Texto completo da fonteWay, Jennifer. "Narrative Failures". Anthropos 114, n.º 2 (2019): 547–62. http://dx.doi.org/10.5771/0257-9774-2019-2-547.
Texto completo da fonteCooney, Lynne. "Made Visible: Contemporary South African Fashion and Identity curated by Kathryn Gunsch Museum of Fine Arts, Boston February 2–May 14, 2019". African Arts 53, n.º 3 (agosto de 2020): 89–91. http://dx.doi.org/10.1162/afar_r_00541.
Texto completo da fontePetrova, Natalia Yu, Galina Yu Kolganova e Marina A. Titova. "THE STANDARD HASSUNA POTTERY OF THE YARIM TEPE I SETTLEMENT FROM THE COLLECTION OF THE PUSHKIN STATE MUSEUM OF FINE ARTS". Rossiiskaia arkheologiia, n.º 1 (1 de janeiro de 2023): 25–40. http://dx.doi.org/10.31857/s0869606323010154.
Texto completo da fonteMirza, Romana. "Contemporizing Modesty". Fashion Studies 1, n.º 2 (2019): 1–17. http://dx.doi.org/10.38055/fs010204.
Texto completo da fonteVargyas, Zsófia. "Adalékok Marczibányi István (1752–1810) műgyűjteményének történetéhez". Művészettörténeti Értesítő 71, n.º 1 (24 de maio de 2023): 45–78. http://dx.doi.org/10.1556/080.2022.00003.
Texto completo da fonteTeses / dissertações sobre o assunto "Fine Arts Museum of the South at Mobile"
Eames, Brittany A. "Uncommon historical object appraisals| appraising the south street museum collection". Thesis, Sotheby's Institute of Art - New York, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1554301.
Texto completo da fonteAs the global pattern of severe weather intensifies, complex disaster-related appraisals are becoming increasingly more common. Post-disaster appraisals are particularly challenging due to several key factors: (1) the large number of objects in each appraisal, (2) the diversity of the objects and (3) the limited time frame for completion. Due to these complicating factors the methodologies that were once central to the structure of valuation are crumbling and new metrics are being formed to accommodate these labyrinthine post-disaster jobs. By way of a single case study undertaken post-Hurricane Sandy, this document explores the process of redesigning appraisal methodologies, of approaching uncommon historical objects found often in these now less exceptional cases, of identifying "value signifiers" for those objects and ultimately of reimagining the very core of what it means to appraise fine art.
DIRKS, STEFANIE. "An Appalachian Arts Project: A New Model to Promote Communal Art Interaction". University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211923981.
Texto completo da fonteLivros sobre o assunto "Fine Arts Museum of the South at Mobile"
Virginia Museum of Fine Arts. Cosmologies from the tree of life: Art from the African American South. Richmond, VA: VMFA, Virginia Museum of Fine Arts, 2019.
Encontre o texto completo da fonteMuseum of Fine Arts, Boston. From the South Seas: Oceanic art in the Teel collection. Boston: MFA Publications, 2006.
Encontre o texto completo da fonteCivic Fine Arts Center (Sioux Falls, S.D.) e South Dakota Art Museum, eds. Art for a new century: Civic Fine Arts Center, Sioux Falls, South Dakota Art Museum, Brookings : October 29- December 10, 1989. Sioux Falls, S.D: The Center, 1989.
Encontre o texto completo da fonteGascoigne, Rosalie. Rosalie Gascoigne, Colin McCahon: Sense of place : Ivan Dougherty Gallery, Sydney, College of Fine Arts, the University of New South Wales : the Ian Potter Gallery, Melbourne, the University of Melbourne Museum of Art. Paddington, NSW: Published for the Ivan Dougherty Gallery, College of Fine Arts, by the University of New South Wales, 1990.
Encontre o texto completo da fonteA New World Imagined Art Of The Americas. MFA Publications, 2010.
Encontre o texto completo da fonteTrabalhos de conferências sobre o assunto "Fine Arts Museum of the South at Mobile"
Belyaevskaya, Olga, Elena Malachevskaya e Anastasia Yasenovskaya. "The investigation of ancient Erebuni mural painting fragments from the collection the Pushkin State Museum of Fine arts". In Antiquities of East Europe, South Asia and South Siberia in the context of connections and interactions within the Eurasian cultural space (new data and concepts). Institute for the History of Material Culture Russian Academy of Sciences, 2019. http://dx.doi.org/10.31600/978-5-907053-34-2-219-220.
Texto completo da fontePhạm, Thị Thủy Chung. "Religious Object” Exhibition in the Context of Cultural Change and Covid-19 Social Distancing (Case studies of Khmer’s Nagar boat in the South of Vietnam) | Trưng bày hiện vật tôn giáo trong bối cảnh biến đổi văn hóa và giãn cách xã hội do Covid-19 (Trường hợp ghe ngo của người Khmer ở Nam Bộ, Việt Nam)". In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-30.
Texto completo da fonte