Literatura científica selecionada sobre o tema "Filiation narratives"
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Artigos de revistas sobre o assunto "Filiation narratives"
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Bourget, Carine. "Language, Filiation, and Affiliation in Leïla Sebbar's Autobiographical Narratives". Research in African Literatures 37, n.º 4 (2006): 121–35. http://dx.doi.org/10.1353/ral.2006.0083.
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Bourget, Carine. "Language, Filiation, and Affiliation in Le�la Sebbar's Autobiographical Narratives". Research in African Literatures 37, n.º 4 (dezembro de 2006): 121–35. http://dx.doi.org/10.2979/ral.2006.37.4.121.
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Tinker, Chris. "Coming out and beyond: press coverage of popular music artists Emmanuel Moire and Eddy de Pretto". Contemporary French Civilization: Volume 46, Issue 1 46, n.º 1 (1 de março de 2021): 75–102. http://dx.doi.org/10.3828/cfc.2021.4.
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Through an analysis of French mediated celebrity discourse this article examines how pop musicians negotiate same-sex desire and self-disclosure in contemporary France. Coverage of Eddy de Pretto and Emmanuel Moire in popular online magazine and newspaper articles is analyzed in terms of a framework that takes into account the context of dominant and normalizing discourses. Coverage exhibits a substantial range of shared and individual approaches, effectively combining normative and queer representations, French values of republicanism, filiation, and existential authenticity, as well as Anglo-American narratives of the closet and coming out.
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Roth, Martha. "READING MESOPOTAMIAN LAW CASES PBS 5 100: A QUESTION OF FILIATION". Journal of the Economic and Social History of the Orient 44, n.º 3 (2001): 243–92. http://dx.doi.org/10.1163/156852001320123092.
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AbstractIn this article I explore ways of reading Mesopotamian legal records as narratives and so derive insights into Mesopotamian legal, social, and cultural norms. I examine two prevailing and insufficiently considered scholarly biases and I suggest new ways to study documents. I present a single case from Old Babylonian Nippur by way of example of how we can read Mesopotamian law collections and law cases. Dans cet article, je cherche les moyens de lire les documents juridiques mésopotamiens en les considérant comme des récits, essayant ainsi de comprendre les normes légales, sociales et culturelles de Mésopotamiens. J'examine deux préjugés scientifiques qui ont cours et qui n'ont pas été su samment approfondis et je propose de nouvelles méthodes pour l'étude de ces documents. A titre d'exemple, je présente un seul cas tiré de Nippur de la période paléobabylonienne, pour montrer comment peuvent être lus les collections de lois et les cas juridiques.
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James Alexander, Simone A. "Glissantian Dis/Engagements and Dis/Entanglements: Maryse Condé’s and Patrick Chamoiseau’s Narratives of Af/Filiation". L'Esprit Créateur 61, n.º 3 (2021): 125–42. http://dx.doi.org/10.1353/esp.2021.0029.
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Jürgens, Anna-Sophie, e Alexander G. Maier. "From circus acts to violent clowns: The parasite as performer". Journal of Science & Popular Culture 3, n.º 1 (1 de março de 2020): 39–56. http://dx.doi.org/10.1386/jspc_00011_1.
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Abstract With the growing awareness of the contribution of parasites to life, their influences on humans also become clearer. The parasite's footprints can be seen everywhere, in genetics, epidemiology, medicine, history and, as this article clarifies, parasites play a vivid part in our cultural imagination surrounding popular entertainment. Drawing and expanding on Michel Serres' and Enid Welsford's discussions of the parasite as a cultural force, this article explores the line of filiation and interplay between biological parasites, circus arts and their comic emblem, the clown, in different narratives and media. It documents not only fantasies of a collaborative relationship between flea performers and their 'masters', and of the relationship between clowns and parasites, both of which are mischievous 'characters', but also circus-related imaginaries of parasitic remote control.
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Louckx, Audrey. "What's in a Name? Les Petits meurtres d'Agatha Christie: filiation, adaptation, métamorphose". Transcr(é)ation 3, n.º 1 (15 de setembro de 2023): 1–21. http://dx.doi.org/10.5206/tc.v3i1.16597.
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Les Petits meurtres d’Agatha Christie (2009- ) compte aujourd’hui trois saisons, et un succès d’audience qui ne semble pas s’essouffler. Présente dans le titre, la filiation avec l’œuvre d’Agatha Christie l’est également dans l’attrait de la série pour le public. Christie apparaît en filigrane puisque ce sont ses intrigues, et non ses personnages, que les téléspectateurs découvrent au fil des épisodes. Ceci témoigne d’une stratégie que l’on peut rattacher à la dichotomie identifiée par Shannon Wells-Lassagne (2017) entre les adaptations télévisuelles en récits courts et celles en récits longs. Cet article démontre que Les Petits meurtres d’Agatha Christie est une adaptation hybride en ce sens qu’elle emprunte aux récits courts le principe d’une intrigue et d’une fin prédéterminées par le roman initial tout en mettant en avant la réappropriation, typique des récits longs. Pour ce faire, nous empruntons à Lawrence Venuti (2007) la notion d’interprétant. Les interprétants formels, traces d’équivalences, apparaissent dans le recours au genre policier et dans les archétypes agatha-christiens. Les interprétants thématiques, traces d’une « indigénisation » (Hutcheon, 2013, p.24), apparaissent dans l’importance des arcs narratifs renforcés par le recours au héros multiple et dans une esthétique nostalgique. Les Petits meurtres prouve donc que la série télévisée est une forme de « mutation génétique ordonnée [d’]autres formes narratives » (Carrazé, 2007) qui va au-delà de l’adaptation vers une métamorphose qui lui insuffle sa propre identité (Wells-Lassagne, 2017, p. 19).
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Zekri Masson, Souhir. "Autobiography and the Autobiographical Mode as Narrative Resistances An Interdisciplinary Perspective". European Journal of Life Writing 11 (21 de abril de 2022): AN1—AN10. http://dx.doi.org/10.21827/ejlw.11.38655.
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If every human gesture is autobiographical, then autobiographical genres and modes are being enriched day by day by contemporary and emerging disciplines and fields which do not necessarily belong to life writing. When it comes to trauma and war studies, the autobiographical imposes itself in a variety of thematic and structural ways in order to express the subjectivity of the oppressed, not without difficulties. This international and inter-disciplinary cluster of articles proposes to explore autobiography through the filiation narrative, autofiction, the anecdote, the body, the rewriting of the Grand Historical narratives, namely World War Two and the Franco-Algerian conflict, and the deconstruction of such binary oppositions as War Vs Peace and Lived Trauma Vs Narrated Trauma. The present introduction to the cluster will first introduce the genre of life writing in general, and autobiography in particular, by tracing its evolution towards a postmodern, more metabiographical stance. It will then summarize and comment on each article in the cluster so as to highlight their shared thematic patterns and the various findings which are pertinent to the fields of autobiography, trauma and war studies. The final section of the introduction will provide a new perspective on Freudian studies through the lens of auto/biography and metabiography.
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Angelo, Adrienne. "Orphaned Fathers in Contemporary French Literature: Writing Child Loss from a Paternal Perspective". Irish Journal of French Studies 19, n.º 1 (9 de dezembro de 2019): 87–106. http://dx.doi.org/10.7173/164913319827945693.
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In light of a growing number of trauma narratives about child death authored from a paternal perspective within the scope of contemporary French literature, this article explores the récits de deuil of four lesser-studied orphaned fathers: Alain Thiesse's Elle s'appelait Emma (2014), Philippe Delaroche's La Gloire d'Inès (2016), Michel Rostain's Le Fils (2011), and Bernard Chambaz's À tombeau ouvert (2016). This article considers the insight these texts provide into a father's experience of surviving his child and what this means for his altered identity, for his new role in life, and for the ways in which he turns to literature to voice grief. As we reflect on this changed paternal identity as articulated in these examples, we focus on each author's objective(s) in giving sorrow words as well as the choice of literary modalities of these works. A common thread running throughout these varied examples is the topos of voice: an angry scream and a cry for justice, a belated address, and imagined conversations which traverse the present and the afterlife. We discuss the discursive strategies in these grief narratives and three separate aspects of narrative construction with which they engage. First, we consider the father's cry and the strategies of citation in the témoignage Elle s'appelait Emma. Second, we survey the implications of life writing and the ethical imperative with which they coincide in a father's belated address to his deceased daughter in La Gloire d'Inès. Finally, we investigate how modes of fiction restructure and reconceptualize father-son transmission and filiation in Le Fils and À tombeau ouvert. For mothers and fathers alike, the récit de deuil confronts the paradoxical bind of mourning testimony. The crisis of meaning that losing a child sets in motion impels these fathers to make sense of the unthinkable in the process of writing.
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Rodger, Lynlea. "The Infancy Stories of Matthew and Luke: an Examination of the Child as a Theological Metaphor". Horizons in Biblical Theology 19, n.º 1 (1997): 58–81. http://dx.doi.org/10.1163/187122097x00049.
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AbstractThis paper is concerned with the recovery of the theological import of the infancy stories and to show that they are in fact theological masterpieces. It challenges a prevalent view which treats the infancy accounts as prologues to the Gospel texts and therefore as marginal in theological importance. The infancy accounts of Matthew and Luke are examined in turn as sources of theological creativity and innovation. Since the recovery of the evangelists as redactors in more recent years within biblical scholarship, the unique role of the evangelists Matthew and Luke as distinctive shapers of the tradition is examined, with particular reference to the complex theological themes developed by them in their opening chapters. The complexity, subtlety and paradoxes of the web of allusions in the infancy narratives are explored, both with reference to Old Testament texts and to larger theological themes within each of the respective Gospels. This discussion is based on the premise that the infancy accounts of Matthew and Luke represent mature theological reflection, an alternative Christological horizon, which is retrojected from the passion narratives to the time of Jesus' conception. The paper raises issues of divine pregnancy and divine filiation. The frequency of the use by the evangelists of the metaphor of the child is indicated by specific reference to the texts and the complexity of the interaction of this motif with the overall intention of each of the Gospels is indicated. These themes include the Kingdom of God and the nature of the household of God, for which the motif of the child is both an ethical imperative and an exemplar. Some detailed exegesis by way of elaboration of these themes is provided. The paper concludes with some suggestions as to the bases on which an alternative hermeneutic could be constructed which takes as central the metaphor of the child. The motifs of miracle and parable are relevant, and the nature of the child metaphor as a universal and unitive symbol is explored.
Teses / dissertações sobre o assunto "Filiation narratives"
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MACHADO, REBECA NONATO. "PARENTING AND ADOPTIVE FILIATION: WHAT THE NARRATIVES OF PARENTS REVEAL AND CONCEAL". PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2014. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=29008@1.
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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIROCONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO
A presente pesquisa teve como objetivo geral investigar a vivência de pais adotivos em relação à parentalidade e à filiação, no período da adolescência de seus filhos adotivos. Buscou-se compreender que questões relacionais se atualizam na adolescência dessas crianças que sofreram vicissitudes tão específicas, como a descontinuidade do convívio com seus genitores. A fundamentação teórica do estudo foi estruturada a partir de três eixos temáticos. O primeiro focalizou a família como uma entidade genealógica cuja constituição psíquica se organiza a partir dos processos da parentalidade e da filiação, entrelaçando as noções de narcisismo, complexo de Édipo e Interdito. No segundo eixo temático foi discutido o processo de adoção e suas repercussões psíquicas, tanto na perspectiva dos pais, quanto dos filhos, ressaltando-se a questão da elaboração dos lutos, sobretudo em relação a descontinuidades referente aos laços biológicos, e a presença do mito de origem nas famílias adotivas. O terceiro eixo correspondeu ao entendimento da adolescência como um evento intersubjetivo, que se configura como estruturante tanto para o sujeito adolescente, como para sua família. Foi desenvolvido um estudo de campo a partir de entrevistas semiestruturadas com dez sujeitos independentes, oito mães e dois pais adotivos, todos pertencentes às camadas média e alta da população do Estado do Rio de Janeiro. Os filhos adotivos desses sujeitos se encontravam no período da adolescência, entre os 13 e 18 anos. Para a análise das entrevistas, foi utilizado o método de análise de conteúdo. Dos dados obtidos, emergiram sete categorias de análise: motivações manifestas e latentes, informações sobre a adoção, mito de origem, identificação e identidade, rede de apoio, parentalidade na adolescência e, por fim, o insondável. Os resultados mais significativos ressaltaram a presença da ambiguidade na parentalidade e na filiação, a dificuldade de legitimar a parentalidade adotiva, assim como uma forte desconsideração da existência de um registro das experiências primitivas do bebê. Um fator encontrado, que se mostrou muito produtivo, foi a sensibilidade dos pais em reconhecer a curiosidade do filho sobre sua origem e a sensação de duplo pertencimento.
The present research aimed to investigate the experience of foster parents related to parenting and filiation, in the adolescence period of their adopted children. It was sought to understand that relational issues update on the adolescence of those children who have suffered such vicissitudes, as the discontinuity of coexisting with their genitors. The study theoretical foundation was structured from three thematic axes. The first focused on the family as a genealogic entity whose psychic constitution is organized from the parenting and filiation process, gathering notions of narcissism, Oedipus complex and Interdict. In the second main theme was discussed the adoption process and its psychological repercussions, both from the parents perspective, as the children, emphasizing the issue of grief, particularly in respect of discontinuities concerning the biological ties, and the presence of the myth of origin in adoptive families. The third axis corresponded to the understanding of adolescence as an intersubjective event, which is configured as structuring both for the teenager as for the family. A field study was developed from semi-structured interviews with ten independent subjects, eight adoptive mothers and two adoptive fathers, all belonging to the middle and upper layers of the state of Rio de Janeiro population. The adopted children of these subjects were in the adolescence period, between 13 and 18 years old. For the interviews analysis, the method of content analysis was used. Seven categories of analysis emerged from the data obtained: manifest and latent motivations, information about the adoption, myth of origin, identity and identification, support network, parenting in adolescence and, finally, the unfathomable. The most significant results underscored the presence of ambiguity in parenting and filiation, the difficulty of legitimizing adoptive parenting, as well as a strong disregard for the existence of a baby primitive experiences record. One factor found, which proved to be very productive, was parental sensitivity to recognize the children s curiosity about their origin and the sense of dual belonging.
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PERON, SIMON NATHALIE. "Stuctures narratives et mise en discours des recits du "batard abandonne" de guy de maupassant". Montpellier 3, 1997. http://www.theses.fr/1997MON30052.
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Le travail se propose d'analyser un corpus de recits de guy de maupassant, regroupes par la critique sous le theme des recits du batard abandonne, en utilisant les outils descriptifs de la semiotique narrative (schema narratif, formes passionnelles, figures du niveau discursif). Un premier chapitre s'applique a construire un modele de structure narrative propre aux recits du corpus, a partir du schema narratif canonique, reactualise par la problematique des formes de vie. La quete d'identite releve d'une forme de vie specifique, ou s'articulent une quete et un don ou un rejet, se deroulant a deux niveaux, pragmatique et cognitif, du recit. Un deuxieme chapitre s'attache a caracteriser le recit de quete d'identite du point de vue de la dimension passionnelle des recits. Un parcours thymique est etabli a partir de l'analyse des structures modales du sujet. La quete d'identite est engendree par le doute, propre au sujet de quete, et par des manifestations passionnelles, relevant essentiellement de la douleur, articulees au niveau des traits figuratifs deceptifs de l'objet de quete. Un troisieme chapitre envisage la description des figures du niveau discursif. Dans une premiere partie, les figures actorielles de la quete sont structurees afin de determiner leurs investissements thematiques et intertextuels. Dans une deuxieme partie, des matrices discursives (la parole et l'argent, l'heritage, la vengeance), construites a partir des fonctionnements actantiels et anthropologiques qui leur sont propres, sont degagees. La description de ces figures permet de rendre compte des enjeux profonds de la paternite et de la filiation dans l'univers des recits. Un quatrieme chapitre propose une application pratique du schema narratif restreint elabore dans le premier chapitre. Est montre comment l'utilisation du schema narratif restreint permet de mettre en valeur certains points de la signification textuelle et de les organiser en une lecture coherenteThe purpose of this study is to analyse a group of short stories from guy de maupassant, put together under the title of "lost bastard short stories", using narrative semiotics concepts (narrative schema, passional patterns, discoursing instance). In the first chapter, we describe a narrative structured model fit to the short stories assembled, using the canonic narrative schema, adapted to a special "form of life" (greimas). Identity quest is a specific form of life, where a quest and a gift are coupled, on pragmatic and cognitive levels of narrating instance. The second chapter characterizes stories from a passional model point of view. A passional sequence is described analysing the modal structures of the acting narrative subject. Identity quest is generated by doubting and passional manifestations, recognizable by pain due to the negative figurative features of researched narrative object. In the third chapter, we discribe discoursive figures of narrative semiotics level. In a first part, actorial figures of identity quest are structured by thematic and mythical codes. In a second part, discoursive matrices are discovered, organized by speech and money, inheritance, revenge, one could describe with actantial and anthropological models. The description of discoursive level figures explains the very deep and intricate questions of paternity and filiation by maupassant stories. The fourth chapter tries to applicate the first chapter narrative model on a short story untitled "duchoux", in order to demonstrate that the model may lighten certain narrative text signs, linking them together in an interpretative system
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Dissler, Cathy. "Vieilles et vieux en institution dans les récits littéraires français (XIXe - XXIe siècles) : Histoire, expériences, éthique". Electronic Thesis or Diss., Angers, 2024. http://www.theses.fr/2024ANGE0011.
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Le long séjour, la maison de retraite ou l’EHPAD font l’objet d’un nombre croissant de romans et de récits de filiation en France, notamment depuis les années 1980. Face à ce constat, la thèse établit l’histoire de l’inscription de ce lieu dans la littérature depuis le XIXe siècle, en justifiant le relatif silence institutionnel de la période 1890-1970, au regard des relations entre littérature, sciences humaines et médicales, et société. Un corpus sélectionné de récits de filiation et de fictions réalistes est croisé avec un corpus de onze entretiens semi-directifs auprès de résidentes et résidents d’EHPAD pour faire émerger les modalités plurielles de l’expérience du vieillir et du mourir en institution. Cette recherche en études littéraires croisée à une enquête de terrain fait apparaître un trouble dans les représentations du grand âge et de la dépendance, renforcé par le prisme de la filiation, auquel une éthique de la littérature peut tenter de répondre. Ce sont les moyens énonciatifs – le travail sur la voix des personnages de vieilles et de vieux, la polyphonie de l’humour, la polysémie de l’adresse littéraire – qui apparaissent les plus féconds pour remettre du lien au cœur de la vulnérabilité. Enfin, en partie grâce à la médecine narrative, il s’agit de penser quels peuvent être les usages des textes littéraires assemblés pour apprendre et comprendre le vieillissement en contexte de formationLong-stay homes, retirement homes and care homes have been the subject of an increasing number of novels and filiation narratives in France, particularly since the 1980s. As a result, this thesis establishes the history of this place in literature since the 19th century, justifying the relative institutional silence of the period 1890-1970, in terms of relationship between literature, social and medical humanities, and society. A selected corpus of filiation narratives and realistic fiction is compared with a corpus of eleven semi-directive interviews with nursing home residents in order to highlight the many ways in which people experience growing old and dying in institutions. This research in literary studies combined with a field survey reveals a disturbance in the representations of old age and dependency, reinforced by the prism of filiation, to which an ethic of literature can attempt to respond. Enunciative means - work on the voice of the elderly characters, polyphony of humour, polysemy of literary address - appear to be the most fruitful in restoring the link with vulnerability. Finally, thanks to narrative medicine, the aim is to consider how literary texts can be used to learn about and understand ageing in teaching and training contexts
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Serp, Claire. "Identité, filiation et problèmes de parenté dans les romans du Graal en prose". Thesis, Montpellier 3, 2012. http://www.theses.fr/2012MON30013.
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Le cycle Lancelot-Graal, et le Perlesvaus, écrits dans la première moitié du XIIIe siècle, sont construits autour d’un temps horizontal, organisé autour de la figure du roi Arthur, ce qui rend toute idée de succession problématique. Mais dans le même temps, la société a subi de profonds bouleversements. Qu’il s’agisse de l’institution du mariage, des règles de transmission de l’héritage, ou encore de l’ancrage du lignage dans des lieux géographiques très précis, les relations entre les individus se sont lentement modifiées. Les auteurs doivent donc faire coexister des éléments disparates, voire même contradictoires. La généalogie entre dans le roman arthurien par le biais du cycle de la Vulgate. Ce temps vertical influe sur le roman, et les relations de parenté sont déterminantes dans les constructions narratives des personnagesThe cycle Lancelot-Graal, and the Perlesvaus, written in the first half of the thirteenth century, are built around a horizontal time, organized around the figure of King Arthur, which makes any idea of succession problematic. But at the same time, society has undergone profound changes. Whether it is about the institution of marriage, rules of transmission of the inheritance, or the anchoring of the lineage in very specific geographic locations, relationships between individuals have slowly changed. Authors should therefore ensure the coexistence of disparate elements, even contradictory. Genealogy get in Arthurian romance through the Vulgate Cycle. The vertical time affect the novel, and relationships are crucial in narrative constructions of characters
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Herrera, Ferrer Raquel. "Érase unas veces : análisis de las filiaciones en obras narrativas digitales". Doctoral thesis, Universitat Pompeu Fabra, 2014. http://hdl.handle.net/10803/145836.
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Esta investigación analiza las Obras Narrativas Digitales, o creaciones basadas en tecnologías digitales que presentan narración y narratividad.
En primer lugar, la tesis desarrolla una descripción de las Filiaciones o genealogía de las Obras Narrativas Digitales, en lo que respecta a la literatura, el cine, el vídeo y el contexto postmediático.
En segundo lugar, se diseña un Sistema de Análisis de Obras Narrativas Digitales para compararlas con sus Filiaciones.
En tercer lugar, se sugiere Aplicar este Sistema de Análisis a Obras Narrativas Digitales y realizar así Estudios de Caso.
Por lo tanto, esta tesis se centra en la vertiente narrativa de las creaciones digitales, combinando los ámbitos teóricos y metodológicos de la Comunicación, el Arte y la Genealogía.This research analyzes Digital Narrative Works, or creations based on digital technologies presenting both narration and narrativity. Firstly, this dissertation develops a description of the Filiations or genealogy of the Digital Narrative Works, regarding literature, cinema, video and the postmedia context. Secondly, an Analysis System is designed for Digital Narrative Works, to compare them with their Filiations. And thirdly, it is suggested to Apply this Analysis System to Digital Narrative Works, in order to conduct Case Studies. Thus, this dissertation focuses on the narrative aspect of digital creations, combining the theoretical and methodological areas of Communication, Art and Genealogy.
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Tie, Tra Bi Irie Fabrice Raoul. "Famille et Violence dans la littérature francophone : le génocide des Tutsis du Rwanda". Thesis, Université Clermont Auvergne (2017-2020), 2018. http://www.theses.fr/2018CLFAL014/document.
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La présente thèse questionne la famille en lien avec des tueries de masse : le génocide des Tutsi du Rwanda. Le sujet a été développé sur deux grands axes. Un point d’histoire a présenté les déterminants socio-historiques qui ont favorisé l’extermination des Tutsi rwandais. Puis une analyse littéraire a établi une corrélation entre l’idée de famille et cette violence extrême, à travers un corpus d’écrivains francophones et de rescapés de cet événement. Ce qui a décloisonné l’étude du génocide contre les Tutsi au Rwanda du seul point de vue historique pour en faire un sujet littéraire. Dans ce travail de recherche, notre propos a insisté sur la situation des familles qui ont résisté et sur celles qui ont été décimées face au génocide ambiant. Et a informé sur une tragédie qui a fragilisé les liens de filiation au sein des membres d’un même ménage et rompue les alliances, la fraternité entre familles voisines. Cette étude a également souligné les configurations possibles de l’institution familiale après le génocide. Elle a montré qu’avec les massacres qui ont déstructuré les ménages, rompu les liens de filiations, les survivants pour amorcer une résilience, recomposent de nouvelles fratries, de nouvelles famillesThis thesis question the notion of family in connection with mass Killing : the genocide of the Tutsi of Rwanda. It was developed on two main axes. A point of history presented the socio-historical determinants which favorised the extermination of the Rwandan Tutsi. Then a literary analysis established a correlation between the idea of family and this extreme violence, through a corpus of French-speaking writers and survivors of this event. What opened up the study of the Tutsi génocide from the only historic point of view to make a literary subject. In this research work, our subject insisted on the situation of the families which resisted and on those who were decimated in front of ambient genocide. And informed about a tragedy which weakened the links of filiation within the members of the same household and broke the relationship, the brotherhood between nearby families. This study also presented the possible configurations of the family institution after the genocide. It showed that with the massacres which deconstructed the household the survivors to begin an impact strength, recompose of new sibships, new families
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Payette, Isabelle. "Étude des tensions au sein de la cellule familiale dans l’œuvre de Ying Chen". Thèse, 2014. http://hdl.handle.net/1866/11137.
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Alors que les premiers romans de l’auteure sino-canadienne Ying Chen pouvaient aisément être rattachés à l’écriture migrante, ses dernières publications s’inscrivent moins clairement dans ce corpus. Pourtant, la critique les aborde encore généralement à partir de cette perspective. La présente étude a pour but d’analyser les romans de Chen qui mettent en scène la « même » narratrice anonyme à partir d’une approche plus appropriée, c’est-à-dire le thème de la cellule familiale.
Les écrits féministes sur le rôle de la femme dans la société patriarcale ainsi que ceux sur le récit de filiation façonnent le regard porté sur les tensions au sein de la famille au fil de cette analyse. Le corpus à l’étude se compose du roman Immobile, qui met en scène une femme rejetant la filiation au profit d’ancêtres imaginaires, Le Mangeur qui se concentre sur une paternité étouffante et Un enfant à ma porte qui relate l’échec de la maternité.If the first novels of Chinese born Canadian author Ying Chen could easily be linked to migrant literature, her latest books do not fit so neatly into this corpus. However, critics generally still approach her work from that same perspective. This study aims to analyse Chen’s novels that depict the ‘‘same’’ anonymous narrator from a more appropriate viewpoint: the perspective of the family unit. The feminist works regarding women role within patriarchy and the critical studies on the narratives of filiation shape our own analysis of the tensions within the family in Chen’s novels. The corpus of study consists of Immobile, which rejects parentage in favour of imaginary ancestors, Le Mangeur, focusing on an overbearing fatherhood and Un enfant à ma porte, that recounts a failed experience of maternity.
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Clemente, Filipa de Almeida Azevedo Ferreira. "(N)a subjectividade migrante : Uma identidade (não) fixa entre (dois) lugares". Master's thesis, 2014. http://hdl.handle.net/10400.12/3602.
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Dissertação de Mestrado apresentada ao ISPA - Instituto UniversitárioÉ lançando um (duplo) olhar sobre o percurso que deu origem à Etnopsicanálise que se procura salientar a importância da vivência migratória enquanto fenómeno desencadeador de uma busca de conciliação entre dois lugares. Segundo os pressupostos teóricos da clínica etnopsicanalítica, a passagem de um país (de origem) para outro (de acolhimento) e a experiência de ruptura implicada nesta mudança, colocam o sujeito numa posição de vulnerabilidade que vai afectar a forma como este organiza psiquicamente a experiência. Recorre-se ao Método das Narrativas de Associação Livre (Hollway & Jefferson, 2000) para aceder a uma compreensão do sujeito psicológico no âmbito da sua vivência migratória. Através da realização de uma entrevista a uma mulher de origem guineense que migrou aos dez anos para Portugal (Cassandra), procede-se a uma análise detalhada da narrativa produzida, orientada pelos postulados teóricos da metodologia proposta. Dos grandes temas que se fazem destacar, a identidade e a filiação surgem como problemáticas centrais intimamente ligadas. A forma como esta ruptura é vivida por Cassandra, revela a impossibilidade de resgatar uma herança absolutamente necessária para o processo de negociação identitária que deve realizar, fazendo-se sentir no seu discurso como uma ameaça de aniquilamento brutal. Perante uma visão do eu, do(s) outro(s) e do mundo marcada por uma nítida clivagem, e um discurso pautado pela auto-contradição, a evasão e a dúvida, verifica-se em Cassandra uma clara incapacidade para constituir um verdadeiro sentido de identidade e individualidade, configurado enquanto ausência de uma estrutura identitária fixa no espaço e no tempo (Devereux, 2009).
ABSTRACT: A double look is launched upon the path that gave rise to the development of the ethnopsychoanalysis and seeks to underline the importance of the migratory experience as a triggering phenomenon for the pursuit of reconciliation between two places. According to the theoretical assumptions of the ethnopsychoanalytic approach, the transition from the country of origin to the country of destination and the experience of disruption that this change implies, put the subject in an extremely vulnerable position that will have a direct impact in the way he/she psychically acknowledges the experience. Through the Free Association Narrative method (Hollway & Jefferson, 2000) we were able to access an understanding of the psychological subject within the context of its migratory experience. By conducting an interview with a woman of Guinean origin that migrated to Portugal at the age of 10, we were able to carry out a detailed analysis of the narrative, guided by the theoretical postulates of the proposed methodology. Among the highlighted themes, identity and filiation arise as core, deeply linked concepts. The way this disruption was experienced by Cassandra is revelatory of the impossibility of rescuing a heritage that is absolutely necessary for the identity negotiation process that should be performed, and is further perceived (in her speech) as a threat of brutal annihilation. Preliminary to a vision of the self, of the other (s) and of the world, marked by a sharp cleavage, and a speech marked by self-contradiction, evasion and doubt, it is perceived in Cassandra that there is a clear inability to build a true identity and individuality meaning, set as absence of a fixed identity structure in space and time (Devereux, 2009).
Capítulos de livros sobre o assunto "Filiation narratives"
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Ugolini, Wendy. "Second World War Identities". In Wales in England, 1914-1945, 140–71. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198863274.003.0006.
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Abstract ‘Second World War Identities’ analyses the subjectivities of those who served in the 99th (London Welsh) Heavy Anti-Aircraft Regiment and the 46th (Liverpool Welsh) Royal Tank Regiment through an examination of original wartime letters. It highlights the tensions within the subjectivities of some English Welsh recruits between wartime constructions of ‘home’ as ‘a mythic place of desire’ (Wales) and ‘home’ as the ‘lived experience of a locality’ (England). It examines narratives of filiation, suggesting that patrilineal ties compelled some English-born men to volunteer for Welsh regiments. This chapter provides a case study of siblings Geraint and Mary Eluned Clement Davies who both died whilst serving in the British Forces. It also analyses the life writing of a number of English men and women with Welsh ties who registered as conscientious objectors, reflecting upon the ways in which individuals made use of their Welsh affinities when formulating their opposition to war.
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Panaite, Oana. "Introduction". In Necrofiction and The Politics of Literary Memory, 1–31. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781802077179.003.0001.
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Necrofiction is defined and situated in relation to other contemporary literary forms such as trauma writing (Caruth), filiation narratives and field or documentary literature (Viart), biofiction and restaurative fiction (Gefen), historical inquiry (Jablonka), and authotanatography (Weinmann). Drawing on Pierre Nora’s work on realms of memory, François Hartog’s examination of presentism, and, more importantly, Achille Mbembe’s theorization of necropolitics, the introduction lays the conceptual and contextual framework for understanding the singularity of writing on death and the dead as a defining feature of the ethos of contemporary fiction. Writers use this genre as a form of literary action through a polemical and creative dialogue with other forms memorialization such as family genealogy, historical writing, and official national, ethnic, or religious discourses. Necrofiction often challenges the social, cultural, and political assertions of these non-literary forms in the name of a personal, intimate, lived engagement with death, the dead, and their legacy. Necrofiction seeks to instil meaning into the symbolic body of the dead but, in so doing, is always on the verge of erasing their radical difference and taming their alterity. This contemporary form allows writers to reclaim a representational regime of fiction that can recover from the semiotic and ethical paralysis of trauma writing while also testing literature’s ability to account for the lived experience of death.
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Glissant, Édouard. "Measure, Immeasurability". In Treatise on the Whole-World, traduzido por Celia Britton, 137–52. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620986.003.0012.
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This chapter starts with a poem entitled ‘Infinitive of time’ which evokes and promotes the process whereby filiation and legitimacy are giving way to the multiplicities of time. It ends with another, far more obscure poem: ‘Ode to Stone and to Carthage’. In between Glissant returns to the familiar themes of creolization, preserving minority languages, and the move from narrative to poetry. He expands on a distinction he has already used between essentialist ‘Being’ and non-essentialist ‘being’. One section consists of outlining a collective ecological project to make Martinique into an ’organic’ island.
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Mitchell, Stephen A. "The Goddess Gná". In Old Norse Folklore, 103–24. Cornell University Press, 2023. http://dx.doi.org/10.7591/cornell/9781501773396.003.0007.
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This chapter tackles the information about the goddess Gná in reference works. It mentions that the three skaldic poems, Gylfaginning's short narrative, and citations in several pulur were the source materials about Gná, which limited the possibilities for interpretation. Discussions of the goddess Gná have been dominated by possible filiations to the Graeco-Roman world and etymological interpretations. Even though she is one of the least known and least discussed of the goddesses, she is possibly a key figure in mythology. Moreover, a considerable amount of material mentions the goddess in correlation with flight or airborne figures. The chapter looks into the possible influence of the Church in the interpretation of Old Norse texts.
Trabalhos de conferências sobre o assunto "Filiation narratives"
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I., KOVTUN. "GILGAMESH AND KARAKOL: RECONSTRUCTION OF A NOMADIC META-THEME". In MODERN SOLUTIONS TO CURRENT PROBLEMS OF EURASIAN ARCHEOLOGY. Altai State Univercity, 2023. http://dx.doi.org/10.14258/msapea.2023.3.52.
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The work deals with comparing of iconography and meaning aspects of Akkadian composition representing the battle of Gilgamesh and Enkidu with the Sky Bull and one of the scenes from a plate of Karakol cemetery. The paper contains a list of formal and semantic matches of two compositions, considers the parameters allowing the comparison of their characters' key features, reconstructs the invariant pre-base of the myth which is the base of the narrative twists and turns of Mesopotamian epos and Altai Mountains folklore narrative. An assumption has been put forward about Indo-European sources of the Karakol theme brought to Southern Siberia when spreading of Indo-Nuristani filiations of fallen Indo-Iranian linguistic unity to the North-East. The work proved the sources of the primary myth connected to the myth-calendar practices of the first half of 3rd millennium BC in the population of sub-continental areas of Western, Central and North-Western Asia.