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1

Mateusz, Borowski, e Sugiera Małgorzata, eds. Fictional realities/real fictions. Newcastle, UK: Cambridge Scholars Pub., 2007.

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2

Williamson, Eric Miles. 14 fictional positions: Short fictions. Bowie, MD: Raw Dog Screaming Press, 2010.

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3

F, Trimmer Joseph, e Jennings C. Wade, eds. Fictions. 2a ed. San Diego: Harcourt Brace Jovanovich, 1989.

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4

Levé, Édouard. Fictions. Paris: POL, 2006.

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5

Luis, Borges Jorge. Fictions. New York: A.A. Knopf, 1993.

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6

Luis, Borges Jorge. Fictions. Paris: Calder Publications, 1998.

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7

Luis, Borges Jorge. Fictions. London: Penguin Books, 2000.

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8

Jérôme, Sans, Aballéa Martine 1950-, Grands espaces (Association), Aubes 3935 galerie e Aéroport international de Montréal (Mirabel, Québec), eds. Fictions. Montréal: LGE, 1989.

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9

F, Trimmer Joseph, e Jennings C. Wade, eds. Fictions. 4a ed. Fort Worth: Harcourt Brace College Publishers, 1998.

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10

Luis, Borges Jorge. Fictions. London: J. Calder, 1985.

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11

F, Trimmer Joseph, e Jennings C. Wade, eds. Fictions. San Diego: Harcourt Brace Jovanovich, 1985.

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12

Lardreau, Guy. Fictions philosophiques et science-fiction: Récreation philosophique. [Le Paradou]: Éditions Actes Sud, 1988.

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13

Paul, West. The universe, and other fictions: Short fiction. Woodstock, N.Y: Overlook Press, 1988.

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14

Lardreau, Guy. Fictions philosophiques et science-fiction: Récréation philosophique. Arles: Actes Sud, 1988.

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15

Morrison, Jago, e Susan Watkins, eds. Scandalous Fictions. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230287846.

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16

Hall, Rodney. Silence: (fictions). Millers Point, N.S.W: Pier 9, 2011.

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17

Mellor, Bronwyn. Reading fictions. Scarborough, W.A: Chalkface Press, 1991.

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18

Martino, Wayne. Gendered fictions. Cottesloe, WA: Chalkface Press, 1995.

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19

Harwood, Sarah. Family Fictions. Editado por Jo Campling. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1007/978-1-349-25415-6.

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20

Russell, Emily. Transplant Fictions. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12135-8.

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21

Hanson, Clare. Hysterical Fictions. London: Palgrave Macmillan UK, 2000. http://dx.doi.org/10.1057/9780230597365.

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22

Herman, David, ed. Creatural Fictions. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1007/978-1-137-51811-8.

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23

Weaver-Hightower, Rebecca. Frontier Fictions. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00422-4.

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24

Bronwyn, Mellor, ed. Gendered fictions. Urbana, Ill: National Council of Teachers of English, 2000.

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25

Polak, A. Laurence. Legal Fictions, More Legal Fictions, Final Legal Fictions. Universal Law Publishing Co Ltd, 2004.

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26

Stern, Simon. Legal and Literary Fictions. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190456368.003.0019.

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The term “legal fiction” is often used for doctrines that make the law’s image of the world seem distorted or bizarre. On this view, corporate personhood and civil death are fictional because of their narrative potential: the outlandish premise might yield some as yet unknown result. However, this narrative potential is an ordinary feature of all legal doctrines. If legal fictions resemble literary fictions, that kinship owes more to the ways in which both fictional modes solicit a particular kind of attention than to a shared ability to spin out narrative arrays. To develop these ideas, this chapter considers the doctrine of copyright misuse, the question of whether steamboats are floating inns, the concept of “unnatural narrative” in literary scholarship, and Marcel Duchamp’s Fountain (1917).
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27

Blacklock, Mark. Fictions. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198755487.003.0007.

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Chapter 6 considers how cultural conceptions of space had been shifted by higher spatial thought in its various forms and how this was reflected in the popular and literary fiction of the fin de siècle. Investigating the production of space in fin de siècle literature, it focuses on embodiment, the senses, and particularly narrative voice and mood. A newly configured spatiality that owes its conception to higher space becomes a driving force behind certain techniques of narrative fiction in the period and plays directly into Modernism. This chapter builds on earlier observations on things as mediating objects and on the philosophy of space to develop a widescreen vision of higher space that explores its reciprocal relationship with colonial space in the fiction of H.G. Wells, George MacDonald, George Griffith, Joseph Conrad, Ford Madox Ford, Henry James, H.P. Lovecraft, and others.
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28

Fictions. 3a ed. Fort Worth: Harcourt Brace College Publishers, 1994.

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29

Luis, Borges Jorge. Fictions. Penguin Books Ltd, 2000.

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30

Fictions. Lulu Press, Inc., 2011.

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31

Fictions. Creative Media Partners, LLC, 2022.

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32

Fictions. Studio Museum in Harlem, The, 2018.

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33

Fictions. Polity Press, 2024.

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34

Fictions. Coyote Arts LLC, 2021.

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35

(Editor), C. Wade Jennings, e Joseph F. Trimmer (Editor), eds. Fictions. Harcourt, 1988.

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36

Fictions. University Of Plymouth Press, 2008.

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37

Luis, Borges Jorge. Fictions. Gallimard, 1992.

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38

Mauni. Fictions. Katha, 2004.

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39

Montalbano, M. Fictions. Lulu Press, Inc., 2017.

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40

Trimmer, Joseph F., e Wade C. Jennings. Fictions. Harcourt College Pub, 1997.

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41

Welty, Eudora. Fictions. Flammarion, 2000.

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42

Luis, Borges Jorge. Fictions. Everyman's Library, 1993.

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43

Fictions. Coyote Arts LLC, 2021.

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44

Fictions. Polity Press, 2024.

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45

Luis, Borges Jorge. Fictions. GALLIMARD, 2018.

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46

Fictions. [Guyana]: Janus Books, 2008.

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47

Fictions. Santa Fe, N.M: Twin Palms Publishers, 2009.

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48

Gould, John. Kilter: 55 Fictions: 55 Fictions. Turnstone Press, 2003.

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49

Zamani, Seyed E. Vieilles Fictions ASIA: Fictions d'Asie Terre. Independently Published, 2022.

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50

e Fictions: Eng 322-01: Writing Fiction. Cambridge: Heinle & Heinle, 2002.

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